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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0799C it is the complementary color #3F8663. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0799C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0799C shade: #C57997, #D68BAA, #E79DBD, #F8AFD0 and #FFC1E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0799C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0799C shade: #C0799C, #AF6789, #9E5576, #8D4363 and #7C3150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0799C shade: #BF779B, #BF7787 and #BF7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0799C shade: #BF779B, #BF77AE, #BD77BF, #A977BF and #9677BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0799C shade matches the following richer shades: #BF779B, #CF679A, #DF579A and #EF479A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0799C shade: #BF779B, #AF879B, #9F979B, #8FA89B and #7EB89B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0799C shade: #BC77BF, #BF77AE, #BF779B, #BF7788 and #BF7A77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0799C shade: #9B4971, #B25B86, #BF779B, #CC93AF and #D9AFC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0799C shade: #C0799C, #BFA977 and #77B8BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0799C shade: #C0799C, #9BBF77 and #779BBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0799C shade: #C0799C, #BFA977, #77BF9B and #778DBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0799C shade: #C0799C, #BFBF77, #77BF9B and #7777BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 19 / 25

HEX #C0799C

RGB 192 121 156

HSL 330.42, 0.36%, 0.61%

LAB 59.23, 32.65, -7.15

 

Complementary color

CMYK 53 / 0 / 26 / 47

HEX #3F8663

RGB 63 134 99

HSL 150.42, 0.36%, 0.39%

LAB 50.7, -31.02, 12.17

 

CMYK 0 / 39 / 23 / 23

HEX #C57997

RGB 197 121 151

HSL 336.32, 0.4%, 0.62%

LAB 59.69, 33.66, -3.53

 

CMYK 0 / 35 / 21 / 16

HEX #D68BAA

RGB 214 139 170

HSL 335.2, 0.48%, 0.69%

LAB 66.26, 32.85, -4.43

 

CMYK 0 / 32 / 18 / 9

HEX #E79DBD

RGB 231 157 189

HSL 334.05, 0.61%, 0.76%

LAB 72.74, 32.1, -5.23

 

CMYK 0 / 29 / 16 / 3

HEX #F8AFD0

RGB 248 175 208

HSL 332.88, 0.84%, 0.83%

LAB 79.14, 31.39, -5.97

 

CMYK 0 / 24 / 11 / 0

HEX #FFC1E3

RGB 255 193 227

HSL 327.1, 1%, 0.88%

LAB 84.46, 27.34, -8.24

 

CMYK 0 / 37 / 19 / 25

HEX #C0799C

RGB 192 121 156

HSL 330.42, 0.36%, 0.61%

LAB 59.23, 32.65, -7.15

 

CMYK 0 / 41 / 22 / 31

HEX #AF6789

RGB 175 103 137

HSL 331.67, 0.31%, 0.55%

LAB 52.53, 33.47, -6.27

 

CMYK 0 / 46 / 25 / 38

HEX #9E5576

RGB 158 85 118

HSL 332.88, 0.3%, 0.48%

LAB 45.74, 34.33, -5.25

 

CMYK 0 / 52 / 30 / 45

HEX #8D4363

RGB 141 67 99

HSL 334.05, 0.36%, 0.41%

LAB 38.86, 35.19, -4

 

CMYK 0 / 60 / 35 / 51

HEX #7C3150

RGB 124 49 80

HSL 335.2, 0.43%, 0.34%

LAB 31.95, 35.95, -2.41

 

CMYK 0 / 38 / 19 / 25

HEX #BF779B

RGB 191 119 155

HSL 330, 0.36%, 0.61%

LAB 58.64, 33.22, -7.48

 

CMYK 0 / 38 / 29 / 25

HEX #BF7787

RGB 191 119 135

HSL 346.67, 0.36%, 0.61%

LAB 58.06, 30.28, 3.23

 

CMYK 0 / 38 / 38 / 25

HEX #BF7777

RGB 191 119 119

HSL 0, 0.36%, 0.61%

LAB 57.66, 28.21, 11.92

 

CMYK 0 / 38 / 19 / 25

HEX #BF779B

RGB 191 119 155

HSL 330, 0.36%, 0.61%

LAB 58.64, 33.22, -7.48

 

CMYK 0 / 38 / 9 / 25

HEX #BF77AE

RGB 191 119 174

HSL 314.17, 0.36%, 0.61%

LAB 59.27, 36.37, -17.44

 

CMYK 1 / 38 / 0 / 25

HEX #BD77BF

RGB 189 119 191

HSL 298.33, 0.36%, 0.61%

LAB 59.68, 38.82, -26.54

 

CMYK 12 / 38 / 0 / 25

HEX #A977BF

RGB 169 119 191

HSL 281.67, 0.36%, 0.61%

LAB 57.45, 32.53, -30.17

 

CMYK 21 / 38 / 0 / 25

HEX #9677BF

RGB 150 119 191

HSL 265.83, 0.36%, 0.61%

LAB 55.52, 26.68, -33.33

 

CMYK 0 / 38 / 19 / 25

HEX #BF779B

RGB 191 119 155

HSL 330, 0.36%, 0.61%

LAB 58.64, 33.22, -7.48

 

CMYK 0 / 50 / 26 / 19

HEX #CF679A

RGB 207 103 154

HSL 330.58, 0.52%, 0.61%

LAB 57.37, 46.92, -8.57

 

CMYK 0 / 61 / 31 / 13

HEX #DF579A

RGB 223 87 154

HSL 330.44, 0.68%, 0.61%

LAB 56.92, 59.37, -9

 

CMYK 0 / 70 / 36 / 6

HEX #EF479A

RGB 239 71 154

HSL 330.36, 0.84%, 0.61%

LAB 57.26, 70.08, -8.21

 

CMYK 0 / 38 / 19 / 25

HEX #BF779B

RGB 191 119 155

HSL 330, 0.36%, 0.61%

LAB 58.64, 33.22, -7.48

 

CMYK 0 / 23 / 11 / 31

HEX #AF879B

RGB 175 135 155

HSL 330, 0.2%, 0.61%

LAB 60.61, 18.55, -4.74

 

CMYK 0 / 5 / 3 / 38

HEX #9F979B

RGB 159 151 155

HSL 330, 0.04%, 0.61%

LAB 63.24, 3.68, -1.06

 

CMYK 15 / 0 / 8 / 34

HEX #8FA89B

RGB 143 168 155

HSL 148.8, 0.13%, 0.61%

LAB 66.68, -11.3, 3.81

 

CMYK 32 / 0 / 16 / 28

HEX #7EB89B

RGB 126 184 155

HSL 150, 0.29%, 0.61%

LAB 70.23, -25.1, 8.77

 

CMYK 2 / 38 / 0 / 25

HEX #BC77BF

RGB 188 119 191

HSL 297.5, 0.36%, 0.61%

LAB 59.57, 38.5, -26.73

 

CMYK 0 / 38 / 9 / 25

HEX #BF77AE

RGB 191 119 174

HSL 314.17, 0.36%, 0.61%

LAB 59.27, 36.37, -17.44

 

CMYK 0 / 38 / 19 / 25

HEX #BF779B

RGB 191 119 155

HSL 330, 0.36%, 0.61%

LAB 58.64, 33.22, -7.48

 

CMYK 0 / 38 / 29 / 25

HEX #BF7788

RGB 191 119 136

HSL 345.83, 0.36%, 0.61%

LAB 58.08, 30.41, 2.69

 

CMYK 0 / 36 / 38 / 25

HEX #BF7A77

RGB 191 122 119

HSL 2.5, 0.36%, 0.61%

LAB 58.35, 26.56, 12.89

 

CMYK 0 / 53 / 27 / 39

HEX #9B4971

RGB 155 73 113

HSL 330.73, 0.36%, 0.45%

LAB 42.65, 38.93, -6.83

 

CMYK 0 / 49 / 25 / 30

HEX #B25B86

RGB 178 91 134

HSL 330.34, 0.36%, 0.53%

LAB 50.3, 40.49, -7.78

 

CMYK 0 / 38 / 19 / 25

HEX #BF779B

RGB 191 119 155

HSL 330, 0.36%, 0.61%

LAB 58.64, 33.22, -7.48

 

CMYK 0 / 28 / 14 / 20

HEX #CC93AF

RGB 204 147 175

HSL 330.53, 0.36%, 0.69%

LAB 67.13, 25.75, -6.08

 

CMYK 0 / 19 / 10 / 15

HEX #D9AFC4

RGB 217 175 196

HSL 330, 0.36%, 0.77%

LAB 75.7, 18.63, -4.88

 

CMYK 0 / 37 / 19 / 25

HEX #C0799C

RGB 192 121 156

HSL 330.42, 0.36%, 0.61%

LAB 59.23, 32.65, -7.15

 

CMYK 0 / 12 / 38 / 25

HEX #BFA977

RGB 191 169 119

HSL 41.67, 0.36%, 0.61%

LAB 70.02, 0.76, 28.74

 

CMYK 38 / 4 / 0 / 25

HEX #77B8BF

RGB 119 184 191

HSL 185.83, 0.36%, 0.61%

LAB 70.85, -18.87, -10.11

 

CMYK 0 / 37 / 19 / 25

HEX #C0799C

RGB 192 121 156

HSL 330.42, 0.36%, 0.61%

LAB 59.23, 32.65, -7.15

 

CMYK 19 / 0 / 38 / 25

HEX #9BBF77

RGB 155 191 119

HSL 90, 0.36%, 0.61%

LAB 73.26, -24.74, 32.45

 

CMYK 38 / 19 / 0 / 25

HEX #779BBF

RGB 119 155 191

HSL 210, 0.36%, 0.61%

LAB 62.61, -3.28, -22.56

 

CMYK 0 / 37 / 19 / 25

HEX #C0799C

RGB 192 121 156

HSL 330.42, 0.36%, 0.61%

LAB 59.23, 32.65, -7.15

 

CMYK 0 / 12 / 38 / 25

HEX #BFA977

RGB 191 169 119

HSL 41.67, 0.36%, 0.61%

LAB 70.02, 0.76, 28.74

 

CMYK 38 / 0 / 19 / 25

HEX #77BF9B

RGB 119 191 155

HSL 150, 0.36%, 0.61%

LAB 71.93, -30.6, 11.13

 

CMYK 38 / 26 / 0 / 25

HEX #778DBF

RGB 119 141 191

HSL 221.67, 0.36%, 0.61%

LAB 58.73, 4.7, -28.54

 

CMYK 0 / 37 / 19 / 25

HEX #C0799C

RGB 192 121 156

HSL 330.42, 0.36%, 0.61%

LAB 59.23, 32.65, -7.15

 

CMYK 0 / 0 / 38 / 25

HEX #BFBF77

RGB 191 191 119

HSL 60, 0.36%, 0.61%

LAB 75.87, -10.81, 36.33

 

CMYK 38 / 0 / 19 / 25

HEX #77BF9B

RGB 119 191 155

HSL 150, 0.36%, 0.61%

LAB 71.93, -30.6, 11.13

 

CMYK 38 / 38 / 0 / 25

HEX #7777BF

RGB 119 119 191

HSL 240, 0.36%, 0.61%

LAB 52.81, 17.69, -37.76

 

Description

Color code: HEX #C0799C | qconv.com Color code: HEX #C0799C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 121 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 121 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 19 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 19% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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