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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C07152 it is the complementary color #3F8EAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C07152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C07152 shade: #C5714D, #D68360, #E79573, #F8A786 and #FFB999

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C07152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C07152 shade: #C07152, #AF5F3F, #9E4D2C, #8D3B19 and #7C2906

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C07152 shade: #C07152, #C05352 and #C05252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C07152 shade: #C07152, #C08F52, #C0AD52, #B6C052 and #99C052

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C07152 shade matches the following richer shades: #C07152, #D3693F, #E6612C and #F95819

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C07152 shade: #C07152, #AD7965, #9A8278, #878A8B and #74929E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C07152 shade: #C0526F, #C05252, #C06F52, #C08D52 and #C0AA52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C07152 shade: #8D4C33, #AC5D3E, #C07152, #CB8A70 and #D6A38F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C07152 shade: #C07152, #8DC052 and #5261C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C07152 shade: #C07152, #52C06F and #6F52C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C07152 shade: #C07152, #8DC052, #52A3C0 and #8652C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C07152 shade: #C07152, #6CC052, #52A3C0 and #A752C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 57 / 25

HEX #C07152

RGB 192 113 82

HSL 16.91, 0.47%, 0.54%

LAB 55.71, 28.15, 30.48

 

Complementary color

CMYK 64 / 18 / 0 / 32

HEX #3F8EAD

RGB 63 142 173

HSL 196.91, 0.47%, 0.46%

LAB 55.5, -14.49, -23.5

 

CMYK 0 / 43 / 61 / 23

HEX #C5714D

RGB 197 113 77

HSL 18, 0.51%, 0.54%

LAB 56.3, 29.8, 34.13

 

CMYK 0 / 39 / 55 / 16

HEX #D68360

RGB 214 131 96

HSL 17.8, 0.59%, 0.61%

LAB 62.82, 28.46, 32.33

 

CMYK 0 / 35 / 50 / 9

HEX #E79573

RGB 231 149 115

HSL 17.59, 0.71%, 0.68%

LAB 69.27, 27.27, 30.7

 

CMYK 0 / 33 / 46 / 3

HEX #F8A786

RGB 248 167 134

HSL 17.37, 0.89%, 0.75%

LAB 75.65, 26.21, 29.22

 

CMYK 0 / 27 / 40 / 0

HEX #FFB999

RGB 255 185 153

HSL 18.82, 1%, 0.8%

LAB 80.88, 21.42, 26.24

 

CMYK 0 / 41 / 57 / 25

HEX #C07152

RGB 192 113 82

HSL 16.91, 0.47%, 0.54%

LAB 55.71, 28.15, 30.48

 

CMYK 0 / 46 / 64 / 31

HEX #AF5F3F

RGB 175 95 63

HSL 17.14, 0.47%, 0.47%

LAB 49.08, 29.57, 32.4

 

CMYK 0 / 51 / 72 / 38

HEX #9E4D2C

RGB 158 77 44

HSL 17.37, 0.56%, 0.4%

LAB 42.4, 31.15, 34.54

 

CMYK 0 / 58 / 82 / 45

HEX #8D3B19

RGB 141 59 25

HSL 17.59, 0.7%, 0.33%

LAB 35.71, 32.87, 36.75

 

CMYK 0 / 67 / 95 / 51

HEX #7C2906

RGB 124 41 6

HSL 17.8, 0.91%, 0.25%

LAB 29.12, 34.58, 38.38

 

CMYK 0 / 41 / 57 / 25

HEX #C07152

RGB 192 113 82

HSL 16.91, 0.47%, 0.54%

LAB 55.71, 28.15, 30.48

 

CMYK 0 / 57 / 57 / 25

HEX #C05352

RGB 192 83 82

HSL 0.55, 0.47%, 0.54%

LAB 49.5, 43.72, 22.49

 

CMYK 0 / 57 / 57 / 25

HEX #C05252

RGB 192 82 82

HSL 0, 0.47%, 0.54%

LAB 49.31, 44.2, 22.25

 

CMYK 0 / 41 / 57 / 25

HEX #C07152

RGB 192 113 82

HSL 16.91, 0.47%, 0.54%

LAB 55.71, 28.15, 30.48

 

CMYK 0 / 26 / 57 / 25

HEX #C08F52

RGB 192 143 82

HSL 33.27, 0.47%, 0.54%

LAB 62.89, 11.66, 39.31

 

CMYK 0 / 10 / 57 / 25

HEX #C0AD52

RGB 192 173 82

HSL 49.64, 0.47%, 0.54%

LAB 70.67, -4.56, 48.43

 

CMYK 5 / 0 / 57 / 25

HEX #B6C052

RGB 182 192 82

HSL 65.45, 0.47%, 0.54%

LAB 74.98, -18.53, 53.11

 

CMYK 20 / 0 / 57 / 25

HEX #99C052

RGB 153 192 82

HSL 81.27, 0.47%, 0.54%

LAB 72.95, -30.16, 50.25

 

CMYK 0 / 41 / 57 / 25

HEX #C07152

RGB 192 113 82

HSL 16.91, 0.47%, 0.54%

LAB 55.71, 28.15, 30.48

 

CMYK 0 / 50 / 70 / 17

HEX #D3693F

RGB 211 105 63

HSL 17.03, 0.63%, 0.54%

LAB 56.4, 38.7, 42.24

 

CMYK 0 / 58 / 81 / 10

HEX #E6612C

RGB 230 97 44

HSL 17.1, 0.79%, 0.54%

LAB 57.61, 48.98, 53.68

 

CMYK 0 / 65 / 90 / 2

HEX #F95819

RGB 249 88 25

HSL 16.88, 0.95%, 0.54%

LAB 59.15, 59.12, 63.55

 

CMYK 0 / 41 / 57 / 25

HEX #C07152

RGB 192 113 82

HSL 16.91, 0.47%, 0.54%

LAB 55.71, 28.15, 30.48

 

CMYK 0 / 30 / 42 / 32

HEX #AD7965

RGB 173 121 101

HSL 16.67, 0.31%, 0.54%

LAB 55.58, 17.77, 19.09

 

CMYK 0 / 16 / 22 / 40

HEX #9A8278

RGB 154 130 120

HSL 17.65, 0.14%, 0.54%

LAB 56.28, 7.52, 8.81

 

CMYK 3 / 1 / 0 / 45

HEX #878A8B

RGB 135 138 139

HSL 195, 0.02%, 0.54%

LAB 57.26, -0.9, -0.93

 

CMYK 27 / 8 / 0 / 38

HEX #74929E

RGB 116 146 158

HSL 197.14, 0.18%, 0.54%

LAB 58.73, -7.62, -9.78

 

CMYK 0 / 57 / 42 / 25

HEX #C0526F

RGB 192 82 111

HSL 344.18, 0.47%, 0.54%

LAB 49.96, 46.87, 5.76

 

CMYK 0 / 57 / 57 / 25

HEX #C05252

RGB 192 82 82

HSL 0, 0.47%, 0.54%

LAB 49.31, 44.2, 22.25

 

CMYK 0 / 42 / 57 / 25

HEX #C06F52

RGB 192 111 82

HSL 15.82, 0.47%, 0.54%

LAB 55.26, 29.23, 29.91

 

CMYK 0 / 27 / 57 / 25

HEX #C08D52

RGB 192 141 82

HSL 32.18, 0.47%, 0.54%

LAB 62.39, 12.76, 38.71

 

CMYK 0 / 11 / 57 / 25

HEX #C0AA52

RGB 192 170 82

HSL 48, 0.47%, 0.54%

LAB 69.87, -2.97, 47.52

 

CMYK 0 / 46 / 64 / 45

HEX #8D4C33

RGB 141 76 51

HSL 16.67, 0.47%, 0.38%

LAB 39.7, 25.02, 26.77

 

CMYK 0 / 46 / 64 / 33

HEX #AC5D3E

RGB 172 93 62

HSL 16.91, 0.47%, 0.46%

LAB 48.19, 29.35, 31.8

 

CMYK 0 / 41 / 57 / 25

HEX #C07152

RGB 192 113 82

HSL 16.91, 0.47%, 0.54%

LAB 55.71, 28.15, 30.48

 

CMYK 0 / 32 / 45 / 20

HEX #CB8A70

RGB 203 138 112

HSL 17.14, 0.47%, 0.62%

LAB 63.38, 21.75, 23.97

 

CMYK 0 / 24 / 33 / 16

HEX #D6A38F

RGB 214 163 143

HSL 16.9, 0.46%, 0.7%

LAB 71.2, 16.11, 17.68

 

CMYK 0 / 41 / 57 / 25

HEX #C07152

RGB 192 113 82

HSL 16.91, 0.47%, 0.54%

LAB 55.71, 28.15, 30.48

 

CMYK 27 / 0 / 57 / 25

HEX #8DC052

RGB 141 192 82

HSL 87.82, 0.47%, 0.54%

LAB 72.21, -34.72, 49.21

 

CMYK 57 / 49 / 0 / 25

HEX #5261C0

RGB 82 97 192

HSL 231.82, 0.47%, 0.54%

LAB 44.45, 22.65, -51.8

 

CMYK 0 / 41 / 57 / 25

HEX #C07152

RGB 192 113 82

HSL 16.91, 0.47%, 0.54%

LAB 55.71, 28.15, 30.48

 

CMYK 57 / 0 / 42 / 25

HEX #52C06F

RGB 82 192 111

HSL 135.82, 0.47%, 0.54%

LAB 69.92, -49.15, 31.58

 

CMYK 42 / 57 / 0 / 25

HEX #6F52C0

RGB 111 82 192

HSL 255.82, 0.47%, 0.54%

LAB 43.09, 38.09, -53.86

 

CMYK 0 / 41 / 57 / 25

HEX #C07152

RGB 192 113 82

HSL 16.91, 0.47%, 0.54%

LAB 55.71, 28.15, 30.48

 

CMYK 27 / 0 / 57 / 25

HEX #8DC052

RGB 141 192 82

HSL 87.82, 0.47%, 0.54%

LAB 72.21, -34.72, 49.21

 

CMYK 57 / 15 / 0 / 25

HEX #52A3C0

RGB 82 163 192

HSL 195.82, 0.47%, 0.54%

LAB 63.17, -16.31, -22.42

 

CMYK 30 / 57 / 0 / 25

HEX #8652C0

RGB 134 82 192

HSL 268.36, 0.47%, 0.54%

LAB 45.51, 43.55, -49.85

 

CMYK 0 / 41 / 57 / 25

HEX #C07152

RGB 192 113 82

HSL 16.91, 0.47%, 0.54%

LAB 55.71, 28.15, 30.48

 

CMYK 44 / 0 / 57 / 25

HEX #6CC052

RGB 108 192 82

HSL 105.82, 0.47%, 0.54%

LAB 70.52, -46.07, 46.83

 

CMYK 57 / 15 / 0 / 25

HEX #52A3C0

RGB 82 163 192

HSL 195.82, 0.47%, 0.54%

LAB 63.17, -16.31, -22.42

 

CMYK 13 / 57 / 0 / 25

HEX #A752C0

RGB 167 82 192

HSL 286.36, 0.47%, 0.54%

LAB 49.56, 51.93, -43.14

 

Description

Color code: HEX #C07152 | qconv.com Color code: HEX #C07152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 113 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 113 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 57 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 57% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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