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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C07ADF it is the complementary color #3F8520. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C07ADF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C07ADF shade: #C57ADA, #D68CED, #E79EFF, #F8B0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C07ADF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C07ADF shade: #C07ADF, #AF68CC, #9E56B9, #8D44A6 and #7C3293

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C07ADF shade: #C07BDF, #DB7BDF, #DF7BC8, #DF7BAD and #DF7B92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C07ADF shade: #C07BDF, #A57BDF, #8A7BDF and #7B7BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C07ADF shade matches the following richer shades: #C07BDF, #C56EEC and #CA61F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C07ADF shade: #C07BDF, #BB88D1, #B696C4, #B1A3B7 and #ACB0AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C07ADF shade: #8A7BDF, #A57BDF, #BF7BDF, #DA7BDF and #DF7BC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C07ADF shade: #A139CF, #B05AD7, #C07BDF, #D09CE7 and #E0BEEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C07ADF shade: #C07ADF, #DF7B87 and #7BDF97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C07ADF shade: #C07ADF, #DFBF7B and #7BDFBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C07ADF shade: #C07ADF, #DF7B87, #9BDF7B and #7BDFD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C07ADF shade: #C07ADF, #DF8D7B, #9BDF7B and #7BCCDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 45 / 0 / 13

HEX #C07ADF

RGB 192 122 223

HSL 281.58, 0.61%, 0.68%

LAB 62.04, 44.5, -40.87

 

Complementary color

CMYK 53 / 0 / 76 / 48

HEX #3F8520

RGB 63 133 32

HSL 101.58, 0.61%, 0.32%

LAB 49.42, -40.56, 44.87

 

CMYK 10 / 44 / 0 / 15

HEX #C57ADA

RGB 197 122 218

HSL 286.88, 0.56%, 0.67%

LAB 62.38, 44.91, -37.5

 

CMYK 10 / 41 / 0 / 7

HEX #D68CED

RGB 214 140 237

HSL 285.77, 0.73%, 0.74%

LAB 68.87, 44.15, -37.77

 

CMYK 9 / 38 / 0 / 0

HEX #E79EFF

RGB 231 158 255

HSL 285.15, 1%, 0.81%

LAB 75.24, 43.2, -37.53

 

CMYK 3 / 31 / 0 / 0

HEX #F8B0FF

RGB 248 176 255

HSL 294.68, 1%, 0.85%

LAB 80.86, 38.88, -28.71

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 14 / 45 / 0 / 13

HEX #C07ADF

RGB 192 122 223

HSL 281.58, 0.61%, 0.68%

LAB 62.04, 44.5, -40.87

 

CMYK 14 / 49 / 0 / 20

HEX #AF68CC

RGB 175 104 204

HSL 282.6, 0.5%, 0.6%

LAB 55.46, 45.29, -40.65

 

CMYK 15 / 54 / 0 / 27

HEX #9E56B9

RGB 158 86 185

HSL 283.64, 0.41%, 0.53%

LAB 48.79, 46.06, -40.38

 

CMYK 15 / 59 / 0 / 35

HEX #8D44A6

RGB 141 68 166

HSL 284.69, 0.42%, 0.46%

LAB 42.08, 46.74, -39.99

 

CMYK 16 / 66 / 0 / 42

HEX #7C3293

RGB 124 50 147

HSL 285.77, 0.49%, 0.39%

LAB 35.35, 47.18, -39.41

 

CMYK 14 / 45 / 0 / 13

HEX #C07BDF

RGB 192 123 223

HSL 281.4, 0.61%, 0.68%

LAB 62.25, 43.96, -40.54

 

CMYK 2 / 45 / 0 / 13

HEX #DB7BDF

RGB 219 123 223

HSL 297.6, 0.61%, 0.68%

LAB 65.4, 51.73, -35.39

 

CMYK 0 / 45 / 10 / 13

HEX #DF7BC8

RGB 223 123 200

HSL 313.8, 0.61%, 0.68%

LAB 64.98, 48.95, -23.14

 

CMYK 0 / 45 / 22 / 13

HEX #DF7BAD

RGB 223 123 173

HSL 330, 0.61%, 0.68%

LAB 64.06, 44.79, -9.28

 

CMYK 0 / 45 / 35 / 13

HEX #DF7B92

RGB 223 123 146

HSL 346.2, 0.61%, 0.68%

LAB 63.28, 41.21, 4.97

 

CMYK 14 / 45 / 0 / 13

HEX #C07BDF

RGB 192 123 223

HSL 281.4, 0.61%, 0.68%

LAB 62.25, 43.96, -40.54

 

CMYK 26 / 45 / 0 / 13

HEX #A57BDF

RGB 165 123 223

HSL 265.2, 0.61%, 0.68%

LAB 59.43, 36.37, -45.18

 

CMYK 38 / 45 / 0 / 13

HEX #8A7BDF

RGB 138 123 223

HSL 249, 0.61%, 0.68%

LAB 56.97, 29.2, -49.22

 

CMYK 45 / 45 / 0 / 13

HEX #7B7BDF

RGB 123 123 223

HSL 240, 0.61%, 0.68%

LAB 55.79, 25.49, -51.17

 

CMYK 14 / 45 / 0 / 13

HEX #C07BDF

RGB 192 123 223

HSL 281.4, 0.61%, 0.68%

LAB 62.25, 43.96, -40.54

 

CMYK 17 / 53 / 0 / 7

HEX #C56EEC

RGB 197 110 236

HSL 281.43, 0.77%, 0.68%

LAB 60.85, 54.78, -49.95

 

CMYK 19 / 61 / 0 / 2

HEX #CA61F9

RGB 202 97 249

HSL 281.45, 0.93%, 0.68%

LAB 59.84, 64.9, -58.73

 

CMYK 14 / 45 / 0 / 13

HEX #C07BDF

RGB 192 123 223

HSL 281.4, 0.61%, 0.68%

LAB 62.25, 43.96, -40.54

 

CMYK 11 / 35 / 0 / 18

HEX #BB88D1

RGB 187 136 209

HSL 281.92, 0.44%, 0.68%

LAB 63.98, 32.46, -30.07

 

CMYK 7 / 23 / 0 / 23

HEX #B696C4

RGB 182 150 196

HSL 281.74, 0.28%, 0.68%

LAB 66.32, 20.36, -19.26

 

CMYK 3 / 11 / 0 / 28

HEX #B1A3B7

RGB 177 163 183

HSL 282, 0.12%, 0.68%

LAB 68.72, 8.81, -8.46

 

CMYK 2 / 0 / 3 / 31

HEX #ACB0AA

RGB 172 176 170

HSL 100, 0.04%, 0.68%

LAB 71.37, -2.53, 2.57

 

CMYK 38 / 45 / 0 / 13

HEX #8A7BDF

RGB 138 123 223

HSL 249, 0.61%, 0.68%

LAB 56.97, 29.2, -49.22

 

CMYK 26 / 45 / 0 / 13

HEX #A57BDF

RGB 165 123 223

HSL 265.2, 0.61%, 0.68%

LAB 59.43, 36.37, -45.18

 

CMYK 14 / 45 / 0 / 13

HEX #BF7BDF

RGB 191 123 223

HSL 280.8, 0.61%, 0.68%

LAB 62.14, 43.68, -40.72

 

CMYK 2 / 45 / 0 / 13

HEX #DA7BDF

RGB 218 123 223

HSL 297, 0.61%, 0.68%

LAB 65.28, 51.44, -35.59

 

CMYK 0 / 45 / 10 / 13

HEX #DF7BC9

RGB 223 123 201

HSL 313.2, 0.61%, 0.68%

LAB 65.02, 49.11, -23.64

 

CMYK 22 / 72 / 0 / 19

HEX #A139CF

RGB 161 57 207

HSL 281.6, 0.61%, 0.52%

LAB 45.65, 64.68, -58.12

 

CMYK 18 / 58 / 0 / 16

HEX #B05AD7

RGB 176 90 215

HSL 281.28, 0.61%, 0.6%

LAB 53.44, 55.03, -50.09

 

CMYK 14 / 45 / 0 / 13

HEX #C07BDF

RGB 192 123 223

HSL 281.4, 0.61%, 0.68%

LAB 62.25, 43.96, -40.54

 

CMYK 10 / 32 / 0 / 9

HEX #D09CE7

RGB 208 156 231

HSL 281.6, 0.61%, 0.76%

LAB 71.53, 32.52, -30.41

 

CMYK 6 / 21 / 0 / 6

HEX #E0BEEF

RGB 224 190 239

HSL 281.63, 0.6%, 0.84%

LAB 81.24, 20.78, -19.78

 

CMYK 14 / 45 / 0 / 13

HEX #C07ADF

RGB 192 122 223

HSL 281.58, 0.61%, 0.68%

LAB 62.04, 44.5, -40.87

 

CMYK 0 / 45 / 39 / 13

HEX #DF7B87

RGB 223 123 135

HSL 352.8, 0.61%, 0.68%

LAB 63.01, 39.92, 10.87

 

CMYK 45 / 0 / 32 / 13

HEX #7BDF97

RGB 123 223 151

HSL 136.8, 0.61%, 0.68%

LAB 81.41, -44.75, 26.41

 

CMYK 14 / 45 / 0 / 13

HEX #C07ADF

RGB 192 122 223

HSL 281.58, 0.61%, 0.68%

LAB 62.04, 44.5, -40.87

 

CMYK 0 / 14 / 45 / 13

HEX #DFBF7B

RGB 223 191 123

HSL 40.8, 0.61%, 0.68%

LAB 78.68, 2.49, 38.44

 

CMYK 45 / 0 / 14 / 13

HEX #7BDFBF

RGB 123 223 191

HSL 160.8, 0.61%, 0.68%

LAB 82.24, -36.79, 6.61

 

CMYK 14 / 45 / 0 / 13

HEX #C07ADF

RGB 192 122 223

HSL 281.58, 0.61%, 0.68%

LAB 62.04, 44.5, -40.87

 

CMYK 0 / 45 / 39 / 13

HEX #DF7B87

RGB 223 123 135

HSL 352.8, 0.61%, 0.68%

LAB 63.01, 39.92, 10.87

 

CMYK 30 / 0 / 45 / 13

HEX #9BDF7B

RGB 155 223 123

HSL 100.8, 0.61%, 0.68%

LAB 82.47, -39.19, 42.21

 

CMYK 45 / 0 / 5 / 13

HEX #7BDFD3

RGB 123 223 211

HSL 172.8, 0.61%, 0.68%

LAB 82.75, -32.18, -3.25

 

CMYK 14 / 45 / 0 / 13

HEX #C07ADF

RGB 192 122 223

HSL 281.58, 0.61%, 0.68%

LAB 62.04, 44.5, -40.87

 

CMYK 0 / 37 / 45 / 13

HEX #DF8D7B

RGB 223 141 123

HSL 10.8, 0.61%, 0.68%

LAB 66.65, 29.17, 22.66

 

CMYK 30 / 0 / 45 / 13

HEX #9BDF7B

RGB 155 223 123

HSL 100.8, 0.61%, 0.68%

LAB 82.47, -39.19, 42.21

 

CMYK 45 / 9 / 0 / 13

HEX #7BCCDF

RGB 123 204 223

HSL 191.4, 0.61%, 0.68%

LAB 77.71, -19.85, -17.17

 

Description

Color code: HEX #C07ADF | qconv.com Color code: HEX #C07ADF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 122 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 122 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 45 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 45% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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