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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C07BFC it is the complementary color #3F8403. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C07BFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C07BFC shade: #C57BF7, #D68DFF, #E79FFF, #F8B1FF and #FFC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C07BFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C07BFC shade: #C07BFC, #AF69E9, #9E57D6, #8D45C3 and #7C33B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C07BFC shade: #C17DFC, #E37DFC, #FC7DF2, #FC7DD0 and #FC7DAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C07BFC shade: #C17DFC, #9E7DFC and #7D7DFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C07BFC shade matches the following richer shades: #C17DFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C07BFC shade: #C17DFC, #C087F1, #BF92E6, #BE9DDC and #BEA7D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C07BFC shade: #7D7DFC, #9E7DFC, #C07DFC, #E27DFC and #FC7DF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C07BFC shade: #9A2CFA, #AD54FB, #C17DFC, #D4A5FD and #E7CDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C07BFC shade: #C07BFC, #FC7D9E and #7DFC8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C07BFC shade: #C07BFC, #FCC07D and #7DFCC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C07BFC shade: #C07BFC, #FC7D9E, #B8FC7D and #7DFCDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C07BFC shade: #C07BFC, #FC817D, #B8FC7D and #7DF8FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 51 / 0 / 1

HEX #C07BFC

RGB 192 123 252

HSL 272.09, 0.96%, 0.74%

LAB 63.67, 50.26, -54.35

 

Complementary color

CMYK 52 / 0 / 98 / 48

HEX #3F8403

RGB 63 132 3

HSL 92.09, 0.96%, 0.26%

LAB 48.97, -41.51, 52.06

 

CMYK 20 / 50 / 0 / 3

HEX #C57BF7

RGB 197 123 247

HSL 275.81, 0.89%, 0.73%

LAB 63.96, 50.45, -51.11

 

CMYK 16 / 45 / 0 / 0

HEX #D68DFF

RGB 214 141 255

HSL 278.42, 1%, 0.78%

LAB 69.87, 47.3, -46.04

 

CMYK 9 / 38 / 0 / 0

HEX #E79FFF

RGB 231 159 255

HSL 285, 1%, 0.81%

LAB 75.45, 42.68, -37.19

 

CMYK 3 / 31 / 0 / 0

HEX #F8B1FF

RGB 248 177 255

HSL 294.62, 1%, 0.85%

LAB 81.08, 38.35, -28.38

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 24 / 51 / 0 / 1

HEX #C07BFC

RGB 192 123 252

HSL 272.09, 0.96%, 0.74%

LAB 63.67, 50.26, -54.35

 

CMYK 25 / 55 / 0 / 9

HEX #AF69E9

RGB 175 105 233

HSL 272.81, 0.74%, 0.66%

LAB 57.17, 51.12, -54.28

 

CMYK 26 / 59 / 0 / 16

HEX #9E57D6

RGB 158 87 214

HSL 273.54, 0.61%, 0.59%

LAB 50.62, 51.94, -54.16

 

CMYK 28 / 65 / 0 / 24

HEX #8D45C3

RGB 141 69 195

HSL 274.29, 0.51%, 0.52%

LAB 44.03, 52.66, -53.92

 

CMYK 30 / 71 / 0 / 31

HEX #7C33B0

RGB 124 51 176

HSL 275.04, 0.55%, 0.45%

LAB 37.46, 53.12, -53.48

 

CMYK 23 / 50 / 0 / 1

HEX #C17DFC

RGB 193 125 252

HSL 272.13, 0.95%, 0.74%

LAB 64.19, 49.46, -53.52

 

CMYK 10 / 50 / 0 / 1

HEX #E37DFC

RGB 227 125 252

HSL 288.19, 0.95%, 0.74%

LAB 68.04, 58.37, -47.18

 

CMYK 0 / 50 / 4 / 1

HEX #FC7DF2

RGB 252 125 242

HSL 304.72, 0.95%, 0.74%

LAB 70.71, 63.34, -37.3

 

CMYK 0 / 50 / 17 / 1

HEX #FC7DD0

RGB 252 125 208

HSL 320.79, 0.95%, 0.74%

LAB 69.41, 58.05, -20.52

 

CMYK 0 / 50 / 31 / 1

HEX #FC7DAE

RGB 252 125 174

HSL 336.85, 0.95%, 0.74%

LAB 68.33, 53.47, -3.09

 

CMYK 23 / 50 / 0 / 1

HEX #C17DFC

RGB 193 125 252

HSL 272.13, 0.95%, 0.74%

LAB 64.19, 49.46, -53.52

 

CMYK 37 / 50 / 0 / 1

HEX #9E7DFC

RGB 158 125 252

HSL 255.59, 0.95%, 0.74%

LAB 60.75, 40.74, -59.2

 

CMYK 50 / 50 / 0 / 1

HEX #7D7DFC

RGB 125 125 252

HSL 240, 0.95%, 0.74%

LAB 58.09, 33.35, -63.61

 

CMYK 23 / 50 / 0 / 1

HEX #C17DFC

RGB 193 125 252

HSL 272.13, 0.95%, 0.74%

LAB 64.19, 49.46, -53.52

 

CMYK 23 / 50 / 0 / 1

HEX #C17DFC

RGB 193 125 252

HSL 272.13, 0.95%, 0.74%

LAB 64.19, 49.46, -53.52

 

CMYK 20 / 44 / 0 / 5

HEX #C087F1

RGB 192 135 241

HSL 272.26, 0.79%, 0.74%

LAB 65.66, 41.38, -45.16

 

CMYK 17 / 37 / 0 / 10

HEX #BF92E6

RGB 191 146 230

HSL 272.14, 0.63%, 0.74%

LAB 67.54, 32.63, -36.17

 

CMYK 14 / 29 / 0 / 14

HEX #BE9DDC

RGB 190 157 220

HSL 271.43, 0.47%, 0.74%

LAB 69.63, 24.06, -27.44

 

CMYK 9 / 20 / 0 / 18

HEX #BEA7D1

RGB 190 167 209

HSL 272.86, 0.31%, 0.74%

LAB 71.68, 16.22, -18.26

 

CMYK 50 / 50 / 0 / 1

HEX #7D7DFC

RGB 125 125 252

HSL 240, 0.95%, 0.74%

LAB 58.09, 33.35, -63.61

 

CMYK 37 / 50 / 0 / 1

HEX #9E7DFC

RGB 158 125 252

HSL 255.59, 0.95%, 0.74%

LAB 60.75, 40.74, -59.2

 

CMYK 24 / 50 / 0 / 1

HEX #C07DFC

RGB 192 125 252

HSL 271.65, 0.95%, 0.74%

LAB 64.08, 49.2, -53.7

 

CMYK 10 / 50 / 0 / 1

HEX #E27DFC

RGB 226 125 252

HSL 287.72, 0.95%, 0.74%

LAB 67.92, 58.11, -47.38

 

CMYK 0 / 50 / 4 / 1

HEX #FC7DF3

RGB 252 125 243

HSL 304.25, 0.95%, 0.74%

LAB 70.76, 63.51, -37.78

 

CMYK 38 / 82 / 0 / 2

HEX #9A2CFA

RGB 154 44 250

HSL 272.04, 0.95%, 0.58%

LAB 46.41, 76.94, -81.33

 

CMYK 31 / 67 / 0 / 2

HEX #AD54FB

RGB 173 84 251

HSL 271.98, 0.95%, 0.66%

LAB 54.23, 65.04, -69.06

 

CMYK 23 / 50 / 0 / 1

HEX #C17DFC

RGB 193 125 252

HSL 272.13, 0.95%, 0.74%

LAB 64.19, 49.46, -53.52

 

CMYK 16 / 35 / 0 / 1

HEX #D4A5FD

RGB 212 165 253

HSL 272.05, 0.96%, 0.82%

LAB 74.82, 33.43, -37.24

 

CMYK 9 / 19 / 0 / 1

HEX #E7CDFD

RGB 231 205 253

HSL 272.5, 0.92%, 0.9%

LAB 85.88, 17.75, -20.16

 

CMYK 24 / 51 / 0 / 1

HEX #C07BFC

RGB 192 123 252

HSL 272.09, 0.96%, 0.74%

LAB 63.67, 50.26, -54.35

 

CMYK 0 / 50 / 37 / 1

HEX #FC7D9E

RGB 252 125 158

HSL 344.41, 0.95%, 0.74%

LAB 67.9, 51.6, 5.31

 

CMYK 50 / 0 / 44 / 1

HEX #7DFC8E

RGB 125 252 142

HSL 128.03, 0.95%, 0.74%

LAB 89.83, -57.57, 42.01

 

CMYK 24 / 51 / 0 / 1

HEX #C07BFC

RGB 192 123 252

HSL 272.09, 0.96%, 0.74%

LAB 63.67, 50.26, -54.35

 

CMYK 0 / 24 / 50 / 1

HEX #FCC07D

RGB 252 192 125

HSL 31.65, 0.95%, 0.74%

LAB 81.77, 13.82, 41.91

 

CMYK 50 / 0 / 24 / 1

HEX #7DFCC0

RGB 125 252 192

HSL 151.65, 0.95%, 0.74%

LAB 90.68, -48.86, 18.07

 

CMYK 24 / 51 / 0 / 1

HEX #C07BFC

RGB 192 123 252

HSL 272.09, 0.96%, 0.74%

LAB 63.67, 50.26, -54.35

 

CMYK 0 / 50 / 37 / 1

HEX #FC7D9E

RGB 252 125 158

HSL 344.41, 0.95%, 0.74%

LAB 67.9, 51.6, 5.31

 

CMYK 27 / 0 / 50 / 1

HEX #B8FC7D

RGB 184 252 125

HSL 92.13, 0.95%, 0.74%

LAB 92.26, -41.87, 53.66

 

CMYK 50 / 0 / 13 / 1

HEX #7DFCDA

RGB 125 252 218

HSL 163.94, 0.95%, 0.74%

LAB 91.25, -43.33, 5.48

 

CMYK 24 / 51 / 0 / 1

HEX #C07BFC

RGB 192 123 252

HSL 272.09, 0.96%, 0.74%

LAB 63.67, 50.26, -54.35

 

CMYK 0 / 49 / 50 / 1

HEX #FC817D

RGB 252 129 125

HSL 1.89, 0.95%, 0.74%

LAB 67.93, 46.38, 23.91

 

CMYK 27 / 0 / 50 / 1

HEX #B8FC7D

RGB 184 252 125

HSL 92.13, 0.95%, 0.74%

LAB 92.26, -41.87, 53.66

 

CMYK 50 / 2 / 0 / 1

HEX #7DF8FC

RGB 125 248 252

HSL 181.89, 0.95%, 0.74%

LAB 91.02, -33.33, -12.52

 

Description

Color code: HEX #C07BFC | qconv.com Color code: HEX #C07BFC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 123 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 123 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 51 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 51% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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