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Color name
HEX #C07C2C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C07C2C it is the complementary color #3F83D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C07C2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C07C2C shade: #C57C27, #D68E3A, #E7A04D, #F8B260 and #FFC473

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C07C2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C07C2C shade: #C07C2C, #AF6A19, #9E5806, #8D4600 and #7C3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C07C2C shade: #BF7B2B, #BF532B, #BF2B2B and #BF2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C07C2C shade: #BF7B2B, #BFA32B, #B3BF2B, #8BBF2B and #63BF2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C07C2C shade matches the following richer shades: #BF7B2B, #D27C18 and #E57E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C07C2C shade: #BF7B2B, #AC793E, #997851, #867664 and #737577

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C07C2C shade: #BF2B2B, #BF522B, #BF7A2B, #BFA12B and #B5BF2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C07C2C shade: #7B4F1C, #9D6523, #BF7B2B, #D38F40 and #DBA361

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C07C2C shade: #C07C2C, #52BF2B and #3F2BBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C07C2C shade: #C07C2C, #2BBF7A and #7A2BBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C07C2C shade: #C07C2C, #52BF2B, #2B70BF and #972BBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C07C2C shade: #C07C2C, #2BBF30, #2B70BF and #BF2BBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 77 / 25

HEX #C07C2C

RGB 192 124 44

HSL 32.43, 0.63%, 0.46%

LAB 57.85, 19.83, 52.02

 

Complementary color

CMYK 70 / 38 / 0 / 17

HEX #3F83D3

RGB 63 131 211

HSL 212.43, 0.63%, 0.54%

LAB 54.02, 4.84, -47.44

 

CMYK 0 / 37 / 80 / 23

HEX #C57C27

RGB 197 124 39

HSL 32.28, 0.67%, 0.46%

LAB 58.44, 21.8, 54.83

 

CMYK 0 / 34 / 73 / 16

HEX #D68E3A

RGB 214 142 58

HSL 32.31, 0.66%, 0.53%

LAB 64.92, 20.09, 53.9

 

CMYK 0 / 31 / 67 / 9

HEX #E7A04D

RGB 231 160 77

HSL 32.34, 0.76%, 0.6%

LAB 71.33, 18.6, 52.63

 

CMYK 0 / 28 / 61 / 3

HEX #F8B260

RGB 248 178 96

HSL 32.37, 0.92%, 0.67%

LAB 77.66, 17.29, 51.24

 

CMYK 0 / 23 / 55 / 0

HEX #FFC473

RGB 255 196 115

HSL 34.71, 1%, 0.73%

LAB 82.9, 12.12, 48.37

 

CMYK 0 / 35 / 77 / 25

HEX #C07C2C

RGB 192 124 44

HSL 32.43, 0.63%, 0.46%

LAB 57.85, 19.83, 52.02

 

CMYK 0 / 39 / 86 / 31

HEX #AF6A19

RGB 175 106 25

HSL 32.4, 0.75%, 0.39%

LAB 51.26, 21.71, 52.56

 

CMYK 0 / 44 / 96 / 38

HEX #9E5806

RGB 158 88 6

HSL 32.37, 0.93%, 0.32%

LAB 44.61, 23.88, 51.76

 

CMYK 0 / 50 / 100 / 45

HEX #8D4600

RGB 141 70 0

HSL 29.79, 1%, 0.28%

LAB 37.92, 26.35, 47.92

 

CMYK 0 / 58 / 100 / 51

HEX #7C3400

RGB 124 52 0

HSL 25.16, 1%, 0.24%

LAB 31.21, 28.88, 42.39

 

CMYK 0 / 36 / 77 / 25

HEX #BF7B2B

RGB 191 123 43

HSL 32.43, 0.63%, 0.46%

LAB 57.48, 19.91, 52.03

 

CMYK 0 / 57 / 77 / 25

HEX #BF532B

RGB 191 83 43

HSL 16.22, 0.63%, 0.46%

LAB 48.81, 41.09, 43.45

 

CMYK 0 / 77 / 77 / 25

HEX #BF2B2B

RGB 191 43 43

HSL 0, 0.63%, 0.46%

LAB 42.73, 57.46, 37.13

 

CMYK 0 / 77 / 77 / 25

HEX #BF2B2B

RGB 191 43 43

HSL 0, 0.63%, 0.46%

LAB 42.73, 57.46, 37.13

 

CMYK 0 / 36 / 77 / 25

HEX #BF7B2B

RGB 191 123 43

HSL 32.43, 0.63%, 0.46%

LAB 57.48, 19.91, 52.03

 

CMYK 0 / 15 / 77 / 25

HEX #BFA32B

RGB 191 163 43

HSL 48.65, 0.63%, 0.46%

LAB 67.61, -1.94, 61.56

 

CMYK 6 / 0 / 77 / 25

HEX #B3BF2B

RGB 179 191 43

HSL 64.86, 0.63%, 0.46%

LAB 74.2, -21.57, 67.2

 

CMYK 27 / 0 / 77 / 25

HEX #8BBF2B

RGB 139 191 43

HSL 81.08, 0.63%, 0.46%

LAB 71.5, -37.82, 63.73

 

CMYK 48 / 0 / 77 / 25

HEX #63BF2B

RGB 99 191 43

HSL 97.3, 0.63%, 0.46%

LAB 69.53, -51.72, 61.17

 

CMYK 0 / 36 / 77 / 25

HEX #BF7B2B

RGB 191 123 43

HSL 32.43, 0.63%, 0.46%

LAB 57.48, 19.91, 52.03

 

CMYK 0 / 41 / 89 / 18

HEX #D27C18

RGB 210 124 24

HSL 32.26, 0.79%, 0.46%

LAB 60.05, 26.95, 61.9

 

CMYK 0 / 45 / 98 / 10

HEX #E57E05

RGB 229 126 5

HSL 32.41, 0.96%, 0.46%

LAB 63, 33.54, 68.94

 

CMYK 0 / 36 / 77 / 25

HEX #BF7B2B

RGB 191 123 43

HSL 32.43, 0.63%, 0.46%

LAB 57.48, 19.91, 52.03

 

CMYK 0 / 30 / 64 / 33

HEX #AC793E

RGB 172 121 62

HSL 32.18, 0.47%, 0.46%

LAB 54.86, 13.73, 39.63

 

CMYK 0 / 22 / 47 / 40

HEX #997851

RGB 153 120 81

HSL 32.5, 0.31%, 0.46%

LAB 52.73, 7.64, 26.28

 

CMYK 0 / 12 / 25 / 47

HEX #867664

RGB 134 118 100

HSL 31.76, 0.15%, 0.46%

LAB 50.62, 3.17, 12.19

 

CMYK 3 / 2 / 0 / 53

HEX #737577

RGB 115 117 119

HSL 210, 0.02%, 0.46%

LAB 49.13, -0.34, -1.37

 

CMYK 0 / 77 / 77 / 25

HEX #BF2B2B

RGB 191 43 43

HSL 0, 0.63%, 0.46%

LAB 42.73, 57.46, 37.13

 

CMYK 0 / 57 / 77 / 25

HEX #BF522B

RGB 191 82 43

HSL 15.81, 0.63%, 0.46%

LAB 48.62, 41.58, 43.26

 

CMYK 0 / 36 / 77 / 25

HEX #BF7A2B

RGB 191 122 43

HSL 32.03, 0.63%, 0.46%

LAB 57.24, 20.46, 51.8

 

CMYK 0 / 16 / 77 / 25

HEX #BFA12B

RGB 191 161 43

HSL 47.84, 0.63%, 0.46%

LAB 67.08, -0.87, 61.08

 

CMYK 5 / 0 / 77 / 25

HEX #B5BF2B

RGB 181 191 43

HSL 64.05, 0.63%, 0.46%

LAB 74.36, -20.72, 67.4

 

CMYK 0 / 36 / 77 / 52

HEX #7B4F1C

RGB 123 79 28

HSL 32.21, 0.63%, 0.3%

LAB 37.64, 13.74, 36.26

 

CMYK 0 / 36 / 78 / 38

HEX #9D6523

RGB 157 101 35

HSL 32.46, 0.64%, 0.38%

LAB 47.75, 16.87, 44.55

 

CMYK 0 / 36 / 77 / 25

HEX #BF7B2B

RGB 191 123 43

HSL 32.43, 0.63%, 0.46%

LAB 57.48, 19.91, 52.03

 

CMYK 0 / 32 / 70 / 17

HEX #D38F40

RGB 211 143 64

HSL 32.24, 0.63%, 0.54%

LAB 64.85, 18.57, 51

 

CMYK 0 / 26 / 56 / 14

HEX #DBA361

RGB 219 163 97

HSL 32.46, 0.63%, 0.62%

LAB 70.95, 13.36, 42.02

 

CMYK 0 / 35 / 77 / 25

HEX #C07C2C

RGB 192 124 44

HSL 32.43, 0.63%, 0.46%

LAB 57.85, 19.83, 52.02

 

CMYK 57 / 0 / 77 / 25

HEX #52BF2B

RGB 82 191 43

HSL 104.19, 0.63%, 0.46%

LAB 68.92, -56.51, 60.37

 

CMYK 67 / 77 / 0 / 25

HEX #3F2BBF

RGB 63 43 191

HSL 248.11, 0.63%, 0.46%

LAB 30.75, 51.52, -73.6

 

CMYK 0 / 35 / 77 / 25

HEX #C07C2C

RGB 192 124 44

HSL 32.43, 0.63%, 0.46%

LAB 57.85, 19.83, 52.02

 

CMYK 77 / 0 / 36 / 25

HEX #2BBF7A

RGB 43 191 122

HSL 152.03, 0.63%, 0.46%

LAB 68.88, -53.66, 24.28

 

CMYK 36 / 77 / 0 / 25

HEX #7A2BBF

RGB 122 43 191

HSL 272.03, 0.63%, 0.46%

LAB 37.16, 59.53, -62.83

 

CMYK 0 / 35 / 77 / 25

HEX #C07C2C

RGB 192 124 44

HSL 32.43, 0.63%, 0.46%

LAB 57.85, 19.83, 52.02

 

CMYK 57 / 0 / 77 / 25

HEX #52BF2B

RGB 82 191 43

HSL 104.19, 0.63%, 0.46%

LAB 68.92, -56.51, 60.37

 

CMYK 77 / 41 / 0 / 25

HEX #2B70BF

RGB 43 112 191

HSL 212.03, 0.63%, 0.46%

LAB 46.79, 6.52, -47.56

 

CMYK 21 / 77 / 0 / 25

HEX #972BBF

RGB 151 43 191

HSL 283.78, 0.63%, 0.46%

LAB 41.33, 64.62, -55.88

 

CMYK 0 / 35 / 77 / 25

HEX #C07C2C

RGB 192 124 44

HSL 32.43, 0.63%, 0.46%

LAB 57.85, 19.83, 52.02

 

CMYK 77 / 0 / 75 / 25

HEX #2BBF30

RGB 43 191 48

HSL 122.03, 0.63%, 0.46%

LAB 68.01, -63.93, 57.51

 

CMYK 77 / 41 / 0 / 25

HEX #2B70BF

RGB 43 112 191

HSL 212.03, 0.63%, 0.46%

LAB 46.79, 6.52, -47.56

 

CMYK 0 / 77 / 3 / 25

HEX #BF2BBA

RGB 191 43 186

HSL 302.03, 0.63%, 0.46%

LAB 47.43, 71.56, -42.82

 

Description

Color code: HEX #C07C2C | qconv.com Color code: HEX #C07C2C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 124 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 124 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 77 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 77% 25% C M Y K

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Provide designers and agencies with accurate color values.

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