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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C07CDA it is the complementary color #3F8325. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C07CDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C07CDA shade: #C57CD5, #D68EE8, #E7A0FB, #F8B2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C07CDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C07CDA shade: #C07CDA, #AF6AC7, #9E58B4, #8D46A1 and #7C348E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C07CDA shade: #BF7BD9, #D97BD9, #D97BC1, #D97BA7 and #D97B8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C07CDA shade: #BF7BD9, #A67BD9, #8D7BD9 and #7B7BD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C07CDA shade matches the following richer shades: #BF7BD9, #C56EE7 and #CC60F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C07CDA shade: #BF7BD9, #B989CC, #B396BE, #ADA4B1 and #A7B2A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C07CDA shade: #8D7BD9, #A67BD9, #BF7BD9, #D87BD9 and #D97BC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C07CDA shade: #A03BC7, #B05BD0, #BF7BD9, #CF9BE3 and #DEBCEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C07CDA shade: #C07CDA, #D97B83 and #7BD999

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C07CDA shade: #C07CDA, #D9BF7B and #7BD9BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C07CDA shade: #C07CDA, #D97B83, #96D97B and #7BD9D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C07CDA shade: #C07CDA, #D9907B, #96D97B and #7BC5D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 43 / 0 / 15

HEX #C07CDA

RGB 192 124 218

HSL 283.4, 0.56%, 0.67%

LAB 62.24, 42.39, -37.77

 

Complementary color

CMYK 52 / 0 / 72 / 49

HEX #3F8325

RGB 63 131 37

HSL 103.4, 0.56%, 0.33%

LAB 48.79, -39.35, 42.25

 

CMYK 8 / 42 / 0 / 16

HEX #C57CD5

RGB 197 124 213

HSL 289.21, 0.51%, 0.66%

LAB 62.58, 42.85, -34.39

 

CMYK 8 / 39 / 0 / 9

HEX #D68EE8

RGB 214 142 232

HSL 288, 0.66%, 0.73%

LAB 69.09, 42.1, -34.68

 

CMYK 8 / 36 / 0 / 2

HEX #E7A0FB

RGB 231 160 251

HSL 286.81, 0.92%, 0.81%

LAB 75.51, 41.37, -34.95

 

CMYK 3 / 30 / 0 / 0

HEX #F8B2FF

RGB 248 178 255

HSL 294.55, 1%, 0.85%

LAB 81.3, 37.83, -28.04

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 12 / 43 / 0 / 15

HEX #C07CDA

RGB 192 124 218

HSL 283.4, 0.56%, 0.67%

LAB 62.24, 42.39, -37.77

 

CMYK 12 / 47 / 0 / 22

HEX #AF6AC7

RGB 175 106 199

HSL 284.52, 0.45%, 0.6%

LAB 55.63, 43.18, -37.53

 

CMYK 12 / 51 / 0 / 29

HEX #9E58B4

RGB 158 88 180

HSL 285.65, 0.38%, 0.53%

LAB 48.94, 43.95, -37.24

 

CMYK 12 / 57 / 0 / 37

HEX #8D46A1

RGB 141 70 161

HSL 286.81, 0.39%, 0.45%

LAB 42.18, 44.67, -36.85

 

CMYK 13 / 63 / 0 / 44

HEX #7C348E

RGB 124 52 142

HSL 288, 0.46%, 0.38%

LAB 35.39, 45.19, -36.28

 

CMYK 12 / 43 / 0 / 15

HEX #BF7BD9

RGB 191 123 217

HSL 283.4, 0.55%, 0.67%

LAB 61.87, 42.43, -37.79

 

CMYK 0 / 43 / 0 / 15

HEX #D97BD9

RGB 217 123 217

HSL 300, 0.55%, 0.67%

LAB 64.9, 50.06, -32.84

 

CMYK 0 / 43 / 11 / 15

HEX #D97BC1

RGB 217 123 193

HSL 315.32, 0.55%, 0.67%

LAB 63.97, 45.92, -20.8

 

CMYK 0 / 43 / 23 / 15

HEX #D97BA7

RGB 217 123 167

HSL 331.91, 0.55%, 0.67%

LAB 63.1, 41.91, -7.37

 

CMYK 0 / 43 / 35 / 15

HEX #D97B8E

RGB 217 123 142

HSL 347.87, 0.55%, 0.67%

LAB 62.4, 38.58, 5.88

 

CMYK 12 / 43 / 0 / 15

HEX #BF7BD9

RGB 191 123 217

HSL 283.4, 0.55%, 0.67%

LAB 61.87, 42.43, -37.79

 

CMYK 24 / 43 / 0 / 15

HEX #A67BD9

RGB 166 123 217

HSL 267.45, 0.55%, 0.67%

LAB 59.24, 35.23, -42.11

 

CMYK 35 / 43 / 0 / 15

HEX #8D7BD9

RGB 141 123 217

HSL 251.49, 0.55%, 0.67%

LAB 56.92, 28.36, -45.92

 

CMYK 43 / 43 / 0 / 15

HEX #7B7BD9

RGB 123 123 217

HSL 240, 0.55%, 0.67%

LAB 55.47, 23.75, -48.31

 

CMYK 12 / 43 / 0 / 15

HEX #BF7BD9

RGB 191 123 217

HSL 283.4, 0.55%, 0.67%

LAB 61.87, 42.43, -37.79

 

CMYK 15 / 52 / 0 / 9

HEX #C56EE7

RGB 197 110 231

HSL 283.14, 0.72%, 0.67%

LAB 60.6, 53.75, -47.57

 

CMYK 17 / 61 / 0 / 4

HEX #CC60F5

RGB 204 96 245

HSL 283.49, 0.88%, 0.67%

LAB 59.7, 65.02, -56.72

 

CMYK 12 / 43 / 0 / 15

HEX #BF7BD9

RGB 191 123 217

HSL 283.4, 0.55%, 0.67%

LAB 61.87, 42.43, -37.79

 

CMYK 9 / 33 / 0 / 20

HEX #B989CC

RGB 185 137 204

HSL 282.99, 0.4%, 0.67%

LAB 63.81, 30.24, -27.56

 

CMYK 6 / 21 / 0 / 25

HEX #B396BE

RGB 179 150 190

HSL 283.5, 0.24%, 0.67%

LAB 65.84, 18.13, -16.67

 

CMYK 2 / 7 / 0 / 31

HEX #ADA4B1

RGB 173 164 177

HSL 281.54, 0.08%, 0.67%

LAB 68.47, 5.69, -5.54

 

CMYK 6 / 0 / 8 / 30

HEX #A7B2A3

RGB 167 178 163

HSL 104, 0.09%, 0.67%

LAB 71.35, -6.67, 6.34

 

CMYK 35 / 43 / 0 / 15

HEX #8D7BD9

RGB 141 123 217

HSL 251.49, 0.55%, 0.67%

LAB 56.92, 28.36, -45.92

 

CMYK 24 / 43 / 0 / 15

HEX #A67BD9

RGB 166 123 217

HSL 267.45, 0.55%, 0.67%

LAB 59.24, 35.23, -42.11

 

CMYK 12 / 43 / 0 / 15

HEX #BF7BD9

RGB 191 123 217

HSL 283.4, 0.55%, 0.67%

LAB 61.87, 42.43, -37.79

 

CMYK 0 / 43 / 0 / 15

HEX #D87BD9

RGB 216 123 217

HSL 299.36, 0.55%, 0.67%

LAB 64.78, 49.76, -33.04

 

CMYK 0 / 43 / 11 / 15

HEX #D97BC2

RGB 217 123 194

HSL 314.68, 0.55%, 0.67%

LAB 64.01, 46.09, -21.31

 

CMYK 20 / 70 / 0 / 22

HEX #A03BC7

RGB 160 59 199

HSL 283.29, 0.56%, 0.51%

LAB 45.26, 62.08, -54.14

 

CMYK 15 / 56 / 0 / 18

HEX #B05BD0

RGB 176 91 208

HSL 283.59, 0.55%, 0.59%

LAB 53.24, 53.08, -46.43

 

CMYK 12 / 43 / 0 / 15

HEX #BF7BD9

RGB 191 123 217

HSL 283.4, 0.55%, 0.67%

LAB 61.87, 42.43, -37.79

 

CMYK 9 / 32 / 0 / 11

HEX #CF9BE3

RGB 207 155 227

HSL 283.33, 0.56%, 0.75%

LAB 71.05, 31.95, -28.97

 

CMYK 6 / 20 / 0 / 7

HEX #DEBCEC

RGB 222 188 236

HSL 282.5, 0.56%, 0.83%

LAB 80.49, 20.62, -19.32

 

CMYK 12 / 43 / 0 / 15

HEX #C07CDA

RGB 192 124 218

HSL 283.4, 0.56%, 0.67%

LAB 62.24, 42.39, -37.77

 

CMYK 0 / 43 / 40 / 15

HEX #D97B83

RGB 217 123 131

HSL 354.89, 0.55%, 0.67%

LAB 62.13, 37.28, 11.8

 

CMYK 43 / 0 / 29 / 15

HEX #7BD999

RGB 123 217 153

HSL 139.15, 0.55%, 0.67%

LAB 79.69, -41.77, 23.03

 

CMYK 12 / 43 / 0 / 15

HEX #C07CDA

RGB 192 124 218

HSL 283.4, 0.56%, 0.67%

LAB 62.24, 42.39, -37.77

 

CMYK 0 / 12 / 43 / 15

HEX #D9BF7B

RGB 217 191 123

HSL 43.4, 0.55%, 0.67%

LAB 78.14, 0.07, 37.63

 

CMYK 43 / 0 / 12 / 15

HEX #7BD9BF

RGB 123 217 191

HSL 163.4, 0.55%, 0.67%

LAB 80.51, -34.01, 4.12

 

CMYK 12 / 43 / 0 / 15

HEX #C07CDA

RGB 192 124 218

HSL 283.4, 0.56%, 0.67%

LAB 62.24, 42.39, -37.77

 

CMYK 0 / 43 / 40 / 15

HEX #D97B83

RGB 217 123 131

HSL 354.89, 0.55%, 0.67%

LAB 62.13, 37.28, 11.8

 

CMYK 31 / 0 / 43 / 15

HEX #96D97B

RGB 150 217 123

HSL 102.77, 0.55%, 0.67%

LAB 80.48, -38.19, 39.64

 

CMYK 43 / 0 / 3 / 15

HEX #7BD9D2

RGB 123 217 210

HSL 175.53, 0.55%, 0.67%

LAB 81.01, -29.57, -5.28

 

CMYK 12 / 43 / 0 / 15

HEX #C07CDA

RGB 192 124 218

HSL 283.4, 0.56%, 0.67%

LAB 62.24, 42.39, -37.77

 

CMYK 0 / 34 / 43 / 15

HEX #D9907B

RGB 217 144 123

HSL 13.4, 0.55%, 0.67%

LAB 66.62, 25.22, 22.49

 

CMYK 31 / 0 / 43 / 15

HEX #96D97B

RGB 150 217 123

HSL 102.77, 0.55%, 0.67%

LAB 80.48, -38.19, 39.64

 

CMYK 43 / 9 / 0 / 15

HEX #7BC5D9

RGB 123 197 217

HSL 192.77, 0.55%, 0.67%

LAB 75.55, -17.86, -17.2

 

Description

Color code: HEX #C07CDA | qconv.com Color code: HEX #C07CDA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 124 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 124 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 43 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 43% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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