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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C07F7B it is the complementary color #3F8084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C07F7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C07F7B shade: #C57F76, #D69189, #E7A39C, #F8B5AF and #FFC7C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C07F7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C07F7B shade: #C07F7B, #AF6D68, #9E5B55, #8D4942 and #7C372F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C07F7B shade: #C0807C and #C07C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C07F7B shade: #C0807C, #C0927C, #C0A47C, #C0B67C and #B6C07C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C07F7B shade matches the following richer shades: #C0807C, #CF726C, #DF645C, #EF564D and #FE483D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C07F7B shade: #C0807C, #B08D8B, #A09B9B, #90A9AB and #81B7BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C07F7B shade: #C07C9C, #C07C8A, #C07F7C, #C0917C and #C0A37C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C07F7B shade: #9D504B, #B26560, #C0807C, #CD9B98 and #DAB6B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C07F7B shade: #C07F7B, #AFC07C and #7C93C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C07F7B shade: #C07F7B, #7CC07F and #7F7CC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C07F7B shade: #C07F7B, #AFC07C, #7CBCC0 and #8D7CC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C07F7B shade: #C07F7B, #9AC07C, #7CBCC0 and #A17CC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 36 / 25

HEX #C07F7B

RGB 192 127 123

HSL 3.48, 0.35%, 0.62%

LAB 59.72, 24.69, 12.53

 

Complementary color

CMYK 52 / 3 / 0 / 48

HEX #3F8084

RGB 63 128 132

HSL 183.48, 0.35%, 0.38%

LAB 49.69, -19.51, -8.55

 

CMYK 0 / 36 / 40 / 23

HEX #C57F76

RGB 197 127 118

HSL 6.84, 0.41%, 0.62%

LAB 60.21, 26.05, 16.16

 

CMYK 0 / 32 / 36 / 16

HEX #D69189

RGB 214 145 137

HSL 6.23, 0.48%, 0.69%

LAB 66.79, 25.11, 14.88

 

CMYK 0 / 29 / 32 / 9

HEX #E7A39C

RGB 231 163 156

HSL 5.6, 0.61%, 0.76%

LAB 73.27, 24.27, 13.72

 

CMYK 0 / 27 / 29 / 3

HEX #F8B5AF

RGB 248 181 175

HSL 4.93, 0.84%, 0.83%

LAB 79.67, 23.52, 12.66

 

CMYK 0 / 22 / 24 / 0

HEX #FFC7C2

RGB 255 199 194

HSL 4.92, 1%, 0.88%

LAB 85, 19.19, 10.15

 

CMYK 0 / 34 / 36 / 25

HEX #C07F7B

RGB 192 127 123

HSL 3.48, 0.35%, 0.62%

LAB 59.72, 24.69, 12.53

 

CMYK 0 / 38 / 41 / 31

HEX #AF6D68

RGB 175 109 104

HSL 4.23, 0.31%, 0.55%

LAB 53, 25.66, 13.86

 

CMYK 0 / 42 / 46 / 38

HEX #9E5B55

RGB 158 91 85

HSL 4.93, 0.3%, 0.48%

LAB 46.19, 26.75, 15.38

 

CMYK 0 / 48 / 53 / 45

HEX #8D4942

RGB 141 73 66

HSL 5.6, 0.36%, 0.41%

LAB 39.28, 27.98, 17.19

 

CMYK 0 / 56 / 62 / 51

HEX #7C372F

RGB 124 55 47

HSL 6.23, 0.45%, 0.34%

LAB 32.31, 29.31, 19.42

 

CMYK 0 / 33 / 35 / 25

HEX #C0807C

RGB 192 128 124

HSL 3.53, 0.35%, 0.62%

LAB 59.98, 24.26, 12.32

 

CMYK 0 / 35 / 35 / 25

HEX #C07C7C

RGB 192 124 124

HSL 0, 0.35%, 0.62%

LAB 59.05, 26.47, 11.01

 

CMYK 0 / 33 / 35 / 25

HEX #C0807C

RGB 192 128 124

HSL 3.53, 0.35%, 0.62%

LAB 59.98, 24.26, 12.32

 

CMYK 0 / 24 / 35 / 25

HEX #C0927C

RGB 192 146 124

HSL 19.41, 0.35%, 0.62%

LAB 64.34, 14.32, 18.37

 

CMYK 0 / 15 / 35 / 25

HEX #C0A47C

RGB 192 164 124

HSL 35.29, 0.35%, 0.62%

LAB 68.91, 4.47, 24.58

 

CMYK 0 / 5 / 35 / 25

HEX #C0B67C

RGB 192 182 124

HSL 51.18, 0.35%, 0.62%

LAB 73.62, -5.15, 30.84

 

CMYK 5 / 0 / 35 / 25

HEX #B6C07C

RGB 182 192 124

HSL 68.82, 0.35%, 0.62%

LAB 75.51, -14.28, 33.16

 

CMYK 0 / 33 / 35 / 25

HEX #C0807C

RGB 192 128 124

HSL 3.53, 0.35%, 0.62%

LAB 59.98, 24.26, 12.32

 

CMYK 0 / 45 / 48 / 19

HEX #CF726C

RGB 207 114 108

HSL 3.64, 0.51%, 0.62%

LAB 58.4, 35.83, 19.61

 

CMYK 0 / 55 / 59 / 13

HEX #DF645C

RGB 223 100 92

HSL 3.66, 0.67%, 0.62%

LAB 57.63, 47.44, 28.18

 

CMYK 0 / 64 / 68 / 6

HEX #EF564D

RGB 239 86 77

HSL 3.33, 0.84%, 0.62%

LAB 57.6, 58.28, 37.18

 

CMYK 0 / 72 / 76 / 0

HEX #FE483D

RGB 254 72 61

HSL 3.42, 0.99%, 0.62%

LAB 58.08, 67.59, 47.14

 

CMYK 0 / 33 / 35 / 25

HEX #C0807C

RGB 192 128 124

HSL 3.53, 0.35%, 0.62%

LAB 59.98, 24.26, 12.32

 

CMYK 0 / 20 / 21 / 31

HEX #B08D8B

RGB 176 141 139

HSL 3.24, 0.19%, 0.62%

LAB 61.78, 12.91, 6.09

 

CMYK 0 / 3 / 3 / 37

HEX #A09B9B

RGB 160 155 155

HSL 0, 0.03%, 0.62%

LAB 64.39, 1.82, 0.64

 

CMYK 16 / 1 / 0 / 33

HEX #90A9AB

RGB 144 169 171

HSL 184.44, 0.14%, 0.62%

LAB 67.46, -8.18, -3.94

 

CMYK 31 / 2 / 0 / 27

HEX #81B7BA

RGB 129 183 186

HSL 183.16, 0.29%, 0.62%

LAB 70.93, -16.81, -7.2

 

CMYK 0 / 35 / 19 / 25

HEX #C07C9C

RGB 192 124 156

HSL 331.76, 0.35%, 0.62%

LAB 59.91, 31.01, -6.15

 

CMYK 0 / 35 / 28 / 25

HEX #C07C8A

RGB 192 124 138

HSL 347.65, 0.35%, 0.62%

LAB 59.39, 28.33, 3.45

 

CMYK 0 / 34 / 35 / 25

HEX #C07F7C

RGB 192 127 124

HSL 2.65, 0.35%, 0.62%

LAB 59.74, 24.82, 11.99

 

CMYK 0 / 24 / 35 / 25

HEX #C0917C

RGB 192 145 124

HSL 18.53, 0.35%, 0.62%

LAB 64.09, 14.87, 18.03

 

CMYK 0 / 15 / 35 / 25

HEX #C0A37C

RGB 192 163 124

HSL 34.41, 0.35%, 0.62%

LAB 68.65, 5.01, 24.23

 

CMYK 0 / 49 / 52 / 38

HEX #9D504B

RGB 157 80 75

HSL 3.66, 0.35%, 0.45%

LAB 43.38, 31.41, 17.6

 

CMYK 0 / 43 / 46 / 30

HEX #B26560

RGB 178 101 96

HSL 3.66, 0.35%, 0.54%

LAB 51.4, 30.37, 16.41

 

CMYK 0 / 33 / 35 / 25

HEX #C0807C

RGB 192 128 124

HSL 3.53, 0.35%, 0.62%

LAB 59.98, 24.26, 12.32

 

CMYK 0 / 24 / 26 / 20

HEX #CD9B98

RGB 205 155 152

HSL 3.4, 0.35%, 0.7%

LAB 68.53, 18.21, 8.82

 

CMYK 0 / 17 / 18 / 15

HEX #DAB6B3

RGB 218 182 179

HSL 4.62, 0.35%, 0.78%

LAB 77.05, 12.47, 6.36

 

CMYK 0 / 34 / 36 / 25

HEX #C07F7B

RGB 192 127 123

HSL 3.48, 0.35%, 0.62%

LAB 59.72, 24.69, 12.53

 

CMYK 9 / 0 / 35 / 25

HEX #AFC07C

RGB 175 192 124

HSL 75, 0.35%, 0.62%

LAB 74.99, -17, 32.38

 

CMYK 35 / 23 / 0 / 25

HEX #7C93C0

RGB 124 147 192

HSL 219.71, 0.35%, 0.62%

LAB 60.74, 2.92, -25.96

 

CMYK 0 / 34 / 36 / 25

HEX #C07F7B

RGB 192 127 123

HSL 3.48, 0.35%, 0.62%

LAB 59.72, 24.69, 12.53

 

CMYK 35 / 0 / 34 / 25

HEX #7CC07F

RGB 124 192 127

HSL 122.65, 0.35%, 0.62%

LAB 71.9, -34.75, 26.15

 

CMYK 34 / 35 / 0 / 25

HEX #7F7CC0

RGB 127 124 192

HSL 242.65, 0.35%, 0.62%

LAB 54.8, 17.22, -35.18

 

CMYK 0 / 34 / 36 / 25

HEX #C07F7B

RGB 192 127 123

HSL 3.48, 0.35%, 0.62%

LAB 59.72, 24.69, 12.53

 

CMYK 9 / 0 / 35 / 25

HEX #AFC07C

RGB 175 192 124

HSL 75, 0.35%, 0.62%

LAB 74.99, -17, 32.38

 

CMYK 35 / 2 / 0 / 25

HEX #7CBCC0

RGB 124 188 192

HSL 183.53, 0.35%, 0.62%

LAB 72.27, -19.33, -8.52

 

CMYK 27 / 35 / 0 / 25

HEX #8D7CC0

RGB 141 124 192

HSL 255, 0.35%, 0.62%

LAB 55.97, 21.31, -33.26

 

CMYK 0 / 34 / 36 / 25

HEX #C07F7B

RGB 192 127 123

HSL 3.48, 0.35%, 0.62%

LAB 59.72, 24.69, 12.53

 

CMYK 20 / 0 / 35 / 25

HEX #9AC07C

RGB 154 192 124

HSL 93.53, 0.35%, 0.62%

LAB 73.56, -24.9, 30.23

 

CMYK 35 / 2 / 0 / 25

HEX #7CBCC0

RGB 124 188 192

HSL 183.53, 0.35%, 0.62%

LAB 72.27, -19.33, -8.52

 

CMYK 16 / 35 / 0 / 25

HEX #A17CC0

RGB 161 124 192

HSL 272.65, 0.35%, 0.62%

LAB 57.84, 27.42, -30.2

 

Description

Color code: HEX #C07F7B | qconv.com Color code: HEX #C07F7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 127 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 127 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 36 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 36% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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