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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C08595 it is the complementary color #3F7A6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C08595. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C08595 shade: #C58590, #D697A3, #E7A9B6, #F8BBC9 and #FFCDDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C08595. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C08595 shade: #C08595, #AF7382, #9E616F, #8D4F5C and #7C3D49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C08595 shade: #C08595, #C08585 and #C08585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C08595 shade: #C08595, #C085A5, #C085B5, #BB85C0 and #AC85C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C08595 shade matches the following richer shades: #C08595, #CF768E, #DE6888, #ED5981 and #FB4A7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C08595 shade: #C08595, #B1949C, #A2A3A3, #94B2AA and #85C1B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C08595 shade: #C085B5, #C085A6, #C08596, #C08586 and #C09485

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C08595 shade: #A05268, #B26A7E, #C08595, #CEA1AD and #DCBCC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C08595 shade: #C08595, #C0BB85 and #85ADC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C08595 shade: #C08595, #96C085 and #8596C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C08595 shade: #C08595, #C0BB85, #85C0AF and #858AC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C08595 shade: #C08595, #B3C085, #85C0AF and #9285C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 22 / 25

HEX #C08595

RGB 192 133 149

HSL 343.73, 0.32%, 0.64%

LAB 61.78, 24.97, 0.62

 

Complementary color

CMYK 48 / 0 / 13 / 52

HEX #3F7A6A

RGB 63 122 106

HSL 163.73, 0.32%, 0.36%

LAB 47, -23.44, 2.82

 

CMYK 0 / 32 / 27 / 23

HEX #C58590

RGB 197 133 144

HSL 349.69, 0.36%, 0.65%

LAB 62.22, 26.11, 4.17

 

CMYK 0 / 29 / 24 / 16

HEX #D697A3

RGB 214 151 163

HSL 348.57, 0.43%, 0.72%

LAB 68.8, 25.34, 3.22

 

CMYK 0 / 27 / 21 / 9

HEX #E7A9B6

RGB 231 169 182

HSL 347.42, 0.56%, 0.78%

LAB 75.29, 24.64, 2.35

 

CMYK 0 / 25 / 19 / 3

HEX #F8BBC9

RGB 248 187 201

HSL 346.23, 0.81%, 0.85%

LAB 81.68, 24, 1.54

 

CMYK 0 / 20 / 14 / 0

HEX #FFCDDC

RGB 255 205 220

HSL 342, 1%, 0.9%

LAB 87.04, 19.92, -0.71

 

CMYK 0 / 31 / 22 / 25

HEX #C08595

RGB 192 133 149

HSL 343.73, 0.32%, 0.64%

LAB 61.78, 24.97, 0.62

 

CMYK 0 / 34 / 26 / 31

HEX #AF7382

RGB 175 115 130

HSL 345, 0.27%, 0.57%

LAB 55.06, 25.77, 1.55

 

CMYK 0 / 39 / 30 / 38

HEX #9E616F

RGB 158 97 111

HSL 346.23, 0.24%, 0.5%

LAB 48.22, 26.64, 2.62

 

CMYK 0 / 44 / 35 / 45

HEX #8D4F5C

RGB 141 79 92

HSL 347.42, 0.28%, 0.43%

LAB 41.26, 27.6, 3.86

 

CMYK 0 / 51 / 41 / 51

HEX #7C3D49

RGB 124 61 73

HSL 348.57, 0.34%, 0.36%

LAB 34.2, 28.64, 5.38

 

CMYK 0 / 31 / 22 / 25

HEX #C08595

RGB 192 133 149

HSL 343.73, 0.32%, 0.64%

LAB 61.78, 24.97, 0.62

 

CMYK 0 / 31 / 31 / 25

HEX #C08585

RGB 192 133 133

HSL 0, 0.32%, 0.64%

LAB 61.37, 22.68, 9.15

 

CMYK 0 / 31 / 31 / 25

HEX #C08585

RGB 192 133 133

HSL 0, 0.32%, 0.64%

LAB 61.37, 22.68, 9.15

 

CMYK 0 / 31 / 22 / 25

HEX #C08595

RGB 192 133 149

HSL 343.73, 0.32%, 0.64%

LAB 61.78, 24.97, 0.62

 

CMYK 0 / 31 / 14 / 25

HEX #C085A5

RGB 192 133 165

HSL 327.46, 0.32%, 0.64%

LAB 62.25, 27.52, -7.82

 

CMYK 0 / 31 / 6 / 25

HEX #C085B5

RGB 192 133 181

HSL 311.19, 0.32%, 0.64%

LAB 62.77, 30.3, -16.11

 

CMYK 3 / 31 / 0 / 25

HEX #BB85C0

RGB 187 133 192

HSL 294.92, 0.32%, 0.64%

LAB 62.63, 30.69, -22.6

 

CMYK 10 / 31 / 0 / 25

HEX #AC85C0

RGB 172 133 192

HSL 279.66, 0.32%, 0.64%

LAB 61.09, 25.81, -25.1

 

CMYK 0 / 31 / 22 / 25

HEX #C08595

RGB 192 133 149

HSL 343.73, 0.32%, 0.64%

LAB 61.78, 24.97, 0.62

 

CMYK 0 / 43 / 31 / 19

HEX #CF768E

RGB 207 118 142

HSL 343.82, 0.48%, 0.64%

LAB 60.05, 37.6, 2.33

 

CMYK 0 / 53 / 39 / 13

HEX #DE6888

RGB 222 104 136

HSL 343.73, 0.64%, 0.64%

LAB 59.17, 49.19, 4.79

 

CMYK 0 / 62 / 46 / 7

HEX #ED5981

RGB 237 89 129

HSL 343.78, 0.8%, 0.64%

LAB 58.73, 60.12, 8.55

 

CMYK 0 / 71 / 51 / 2

HEX #FB4A7A

RGB 251 74 122

HSL 343.73, 0.96%, 0.64%

LAB 58.8, 69.42, 13.09

 

CMYK 0 / 31 / 22 / 25

HEX #C08595

RGB 192 133 149

HSL 343.73, 0.32%, 0.64%

LAB 61.78, 24.97, 0.62

 

CMYK 0 / 16 / 12 / 31

HEX #B1949C

RGB 177 148 156

HSL 343.45, 0.16%, 0.64%

LAB 64.1, 12.16, -0.16

 

CMYK 1 / 0 / 0 / 36

HEX #A2A3A3

RGB 162 163 163

HSL 180, 0.01%, 0.64%

LAB 66.92, -0.35, -0.13

 

CMYK 17 / 0 / 4 / 30

HEX #94B2AA

RGB 148 178 170

HSL 164, 0.16%, 0.64%

LAB 70.2, -11.86, 0.67

 

CMYK 31 / 0 / 9 / 24

HEX #85C1B0

RGB 133 193 176

HSL 163, 0.33%, 0.64%

LAB 73.71, -23.01, 2.39

 

CMYK 0 / 31 / 6 / 25

HEX #C085B5

RGB 192 133 181

HSL 311.19, 0.32%, 0.64%

LAB 62.77, 30.3, -16.11

 

CMYK 0 / 31 / 14 / 25

HEX #C085A6

RGB 192 133 166

HSL 326.44, 0.32%, 0.64%

LAB 62.28, 27.68, -8.34

 

CMYK 0 / 31 / 22 / 25

HEX #C08596

RGB 192 133 150

HSL 342.71, 0.32%, 0.64%

LAB 61.81, 25.12, 0.09

 

CMYK 0 / 31 / 30 / 25

HEX #C08586

RGB 192 133 134

HSL 358.98, 0.32%, 0.64%

LAB 61.4, 22.81, 8.62

 

CMYK 0 / 23 / 31 / 25

HEX #C09485

RGB 192 148 133

HSL 15.25, 0.32%, 0.64%

LAB 65.03, 14.39, 14.3

 

CMYK 0 / 49 / 35 / 37

HEX #A05268

RGB 160 82 104

HSL 343.08, 0.32%, 0.47%

LAB 44.95, 34.73, 2.16

 

CMYK 0 / 40 / 29 / 30

HEX #B26A7E

RGB 178 106 126

HSL 343.33, 0.32%, 0.56%

LAB 53.25, 31.31, 1.32

 

CMYK 0 / 31 / 22 / 25

HEX #C08595

RGB 192 133 149

HSL 343.73, 0.32%, 0.64%

LAB 61.78, 24.97, 0.62

 

CMYK 0 / 22 / 16 / 19

HEX #CEA1AD

RGB 206 161 173

HSL 344, 0.31%, 0.72%

LAB 70.61, 18.49, 0.18

 

CMYK 0 / 15 / 10 / 14

HEX #DCBCC5

RGB 220 188 197

HSL 343.13, 0.31%, 0.8%

LAB 79.16, 12.87, -0.3

 

CMYK 0 / 31 / 22 / 25

HEX #C08595

RGB 192 133 149

HSL 343.73, 0.32%, 0.64%

LAB 61.78, 24.97, 0.62

 

CMYK 0 / 3 / 31 / 25

HEX #C0BB85

RGB 192 187 133

HSL 54.92, 0.32%, 0.64%

LAB 75.1, -6.65, 28.05

 

CMYK 31 / 10 / 0 / 25

HEX #85ADC0

RGB 133 173 192

HSL 199.32, 0.32%, 0.64%

LAB 68.52, -8.91, -14.08

 

CMYK 0 / 31 / 22 / 25

HEX #C08595

RGB 192 133 149

HSL 343.73, 0.32%, 0.64%

LAB 61.78, 24.97, 0.62

 

CMYK 22 / 0 / 31 / 25

HEX #96C085

RGB 150 192 133

HSL 102.71, 0.32%, 0.64%

LAB 73.47, -25, 25.33

 

CMYK 31 / 22 / 0 / 25

HEX #8596C0

RGB 133 150 192

HSL 222.71, 0.32%, 0.64%

LAB 62.17, 3.83, -23.72

 

CMYK 0 / 31 / 22 / 25

HEX #C08595

RGB 192 133 149

HSL 343.73, 0.32%, 0.64%

LAB 61.78, 24.97, 0.62

 

CMYK 0 / 3 / 31 / 25

HEX #C0BB85

RGB 192 187 133

HSL 54.92, 0.32%, 0.64%

LAB 75.1, -6.65, 28.05

 

CMYK 31 / 0 / 9 / 25

HEX #85C0AF

RGB 133 192 175

HSL 162.71, 0.32%, 0.64%

LAB 73.4, -22.73, 2.48

 

CMYK 31 / 28 / 0 / 25

HEX #858AC0

RGB 133 138 192

HSL 234.92, 0.32%, 0.64%

LAB 58.95, 10.74, -28.69

 

CMYK 0 / 31 / 22 / 25

HEX #C08595

RGB 192 133 149

HSL 343.73, 0.32%, 0.64%

LAB 61.78, 24.97, 0.62

 

CMYK 7 / 0 / 31 / 25

HEX #B3C085

RGB 179 192 133

HSL 73.22, 0.32%, 0.64%

LAB 75.44, -14.27, 28.31

 

CMYK 31 / 0 / 9 / 25

HEX #85C0AF

RGB 133 192 175

HSL 162.71, 0.32%, 0.64%

LAB 73.4, -22.73, 2.48

 

CMYK 24 / 31 / 0 / 25

HEX #9285C0

RGB 146 133 192

HSL 253.22, 0.32%, 0.64%

LAB 58.69, 17.58, -29

 

Description

Color code: HEX #C08595 | qconv.com Color code: HEX #C08595 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 133 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 133 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 22 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 22% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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