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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C08039 it is the complementary color #3F7FC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C08039. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C08039 shade: #C58034, #D69247, #E7A45A, #F8B66D and #FFC880

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C08039. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C08039 shade: #C08039, #AF6E26, #9E5C13, #8D4A00 and #7C3800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C08039 shade: #C08039, #C05C39 and #C03939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C08039 shade: #C08039, #C0A439, #B7C039, #93C039 and #6EC039

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C08039 shade matches the following richer shades: #C08039, #D48125 and #E88211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C08039 shade: #C08039, #AC7F4D, #977E61, #837D76 and #6F7C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C08039 shade: #C0393B, #C05B39, #C07F39, #C0A339 and #B9C039

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C08039 shade: #805626, #A06B2F, #C08039, #CC9456 and #D6A876

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C08039 shade: #C08039, #5FC039 and #4939C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C08039 shade: #C08039, #39C07F and #7F39C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C08039 shade: #C08039, #5FC039, #397AC0 and #9A39C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C08039 shade: #C08039, #39C03B, #397AC0 and #C039BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 70 / 25

HEX #C08039

RGB 192 128 57

HSL 31.56, 0.54%, 0.49%

LAB 58.92, 18.25, 47.26

 

Complementary color

CMYK 68 / 36 / 0 / 22

HEX #3F7FC6

RGB 63 127 198

HSL 211.56, 0.54%, 0.51%

LAB 52.19, 2.64, -42.96

 

CMYK 0 / 35 / 74 / 23

HEX #C58034

RGB 197 128 52

HSL 31.45, 0.58%, 0.49%

LAB 59.49, 20.15, 50.35

 

CMYK 0 / 32 / 67 / 16

HEX #D69247

RGB 214 146 71

HSL 31.47, 0.64%, 0.56%

LAB 65.99, 18.62, 49.03

 

CMYK 0 / 29 / 61 / 9

HEX #E7A45A

RGB 231 164 90

HSL 31.49, 0.75%, 0.63%

LAB 72.41, 17.29, 47.59

 

CMYK 0 / 27 / 56 / 3

HEX #F8B66D

RGB 248 182 109

HSL 31.51, 0.91%, 0.7%

LAB 78.76, 16.13, 46.16

 

CMYK 0 / 22 / 50 / 0

HEX #FFC880

RGB 255 200 128

HSL 34.02, 1%, 0.75%

LAB 84.03, 11.12, 43.3

 

CMYK 0 / 33 / 70 / 25

HEX #C08039

RGB 192 128 57

HSL 31.56, 0.54%, 0.49%

LAB 58.92, 18.25, 47.26

 

CMYK 0 / 37 / 78 / 31

HEX #AF6E26

RGB 175 110 38

HSL 31.53, 0.64%, 0.42%

LAB 52.29, 19.92, 48.45

 

CMYK 0 / 42 / 88 / 38

HEX #9E5C13

RGB 158 92 19

HSL 31.51, 0.79%, 0.35%

LAB 45.59, 21.88, 48.94

 

CMYK 0 / 48 / 100 / 45

HEX #8D4A00

RGB 141 74 0

HSL 31.49, 1%, 0.28%

LAB 38.83, 24.11, 48.47

 

CMYK 0 / 55 / 100 / 51

HEX #7C3800

RGB 124 56 0

HSL 27.1, 1%, 0.24%

LAB 32.06, 26.7, 42.98

 

CMYK 0 / 33 / 70 / 25

HEX #C08039

RGB 192 128 57

HSL 31.56, 0.54%, 0.49%

LAB 58.92, 18.25, 47.26

 

CMYK 0 / 52 / 70 / 25

HEX #C05C39

RGB 192 92 57

HSL 15.56, 0.54%, 0.49%

LAB 50.87, 37.6, 38.42

 

CMYK 0 / 70 / 70 / 25

HEX #C03939

RGB 192 57 57

HSL 0, 0.54%, 0.49%

LAB 44.84, 53.52, 31.44

 

CMYK 0 / 33 / 70 / 25

HEX #C08039

RGB 192 128 57

HSL 31.56, 0.54%, 0.49%

LAB 58.92, 18.25, 47.26

 

CMYK 0 / 15 / 70 / 25

HEX #C0A439

RGB 192 164 57

HSL 47.56, 0.54%, 0.49%

LAB 68.06, -1.39, 56.75

 

CMYK 5 / 0 / 70 / 25

HEX #B7C039

RGB 183 192 57

HSL 64, 0.54%, 0.49%

LAB 74.86, -19.74, 63.27

 

CMYK 23 / 0 / 70 / 25

HEX #93C039

RGB 147 192 57

HSL 80, 0.54%, 0.49%

LAB 72.36, -34.41, 59.95

 

CMYK 43 / 0 / 70 / 25

HEX #6EC039

RGB 110 192 57

HSL 96.44, 0.54%, 0.49%

LAB 70.39, -47.73, 57.32

 

CMYK 0 / 33 / 70 / 25

HEX #C08039

RGB 192 128 57

HSL 31.56, 0.54%, 0.49%

LAB 58.92, 18.25, 47.26

 

CMYK 0 / 39 / 83 / 17

HEX #D48125

RGB 212 129 37

HSL 31.54, 0.7%, 0.49%

LAB 61.51, 25.44, 59.06

 

CMYK 0 / 44 / 93 / 9

HEX #E88211

RGB 232 130 17

HSL 31.53, 0.86%, 0.49%

LAB 64.29, 32.82, 68.02

 

CMYK 0 / 33 / 70 / 25

HEX #C08039

RGB 192 128 57

HSL 31.56, 0.54%, 0.49%

LAB 58.92, 18.25, 47.26

 

CMYK 0 / 26 / 55 / 33

HEX #AC7F4D

RGB 172 127 77

HSL 31.58, 0.38%, 0.49%

LAB 56.57, 11.53, 33.76

 

CMYK 0 / 17 / 36 / 41

HEX #977E61

RGB 151 126 97

HSL 32.22, 0.22%, 0.49%

LAB 54.41, 5.26, 19.39

 

CMYK 0 / 5 / 10 / 49

HEX #837D76

RGB 131 125 118

HSL 32.31, 0.05%, 0.49%

LAB 52.73, 0.96, 4.62

 

CMYK 20 / 10 / 0 / 46

HEX #6F7C8A

RGB 111 124 138

HSL 211.11, 0.11%, 0.49%

LAB 51.42, -1.6, -9.21

 

CMYK 0 / 70 / 69 / 25

HEX #C0393B

RGB 192 57 59

HSL 359.11, 0.54%, 0.49%

LAB 44.87, 53.62, 30.3

 

CMYK 0 / 53 / 70 / 25

HEX #C05B39

RGB 192 91 57

HSL 15.11, 0.54%, 0.49%

LAB 50.67, 38.11, 38.2

 

CMYK 0 / 34 / 70 / 25

HEX #C07F39

RGB 192 127 57

HSL 31.11, 0.54%, 0.49%

LAB 58.68, 18.8, 47

 

CMYK 0 / 15 / 70 / 25

HEX #C0A339

RGB 192 163 57

HSL 47.11, 0.54%, 0.49%

LAB 67.8, -0.86, 56.49

 

CMYK 4 / 0 / 70 / 25

HEX #B9C039

RGB 185 192 57

HSL 63.11, 0.54%, 0.49%

LAB 75.02, -18.9, 63.48

 

CMYK 0 / 33 / 70 / 50

HEX #805626

RGB 128 86 38

HSL 32, 0.54%, 0.33%

LAB 40.22, 12.48, 34.15

 

CMYK 0 / 33 / 71 / 37

HEX #A06B2F

RGB 160 107 47

HSL 31.86, 0.55%, 0.41%

LAB 49.73, 15.4, 41.08

 

CMYK 0 / 33 / 70 / 25

HEX #C08039

RGB 192 128 57

HSL 31.56, 0.54%, 0.49%

LAB 58.92, 18.25, 47.26

 

CMYK 0 / 27 / 58 / 20

HEX #CC9456

RGB 204 148 86

HSL 31.53, 0.54%, 0.57%

LAB 65.51, 14.33, 40.7

 

CMYK 0 / 21 / 45 / 16

HEX #D6A876

RGB 214 168 118

HSL 31.25, 0.54%, 0.65%

LAB 71.97, 10.54, 32.24

 

CMYK 0 / 33 / 70 / 25

HEX #C08039

RGB 192 128 57

HSL 31.56, 0.54%, 0.49%

LAB 58.92, 18.25, 47.26

 

CMYK 51 / 0 / 70 / 25

HEX #5FC039

RGB 95 192 57

HSL 103.11, 0.54%, 0.49%

LAB 69.77, -52.34, 56.48

 

CMYK 62 / 70 / 0 / 25

HEX #4939C0

RGB 73 57 192

HSL 247.11, 0.54%, 0.49%

LAB 34.29, 45.55, -68.33

 

CMYK 0 / 33 / 70 / 25

HEX #C08039

RGB 192 128 57

HSL 31.56, 0.54%, 0.49%

LAB 58.92, 18.25, 47.26

 

CMYK 70 / 0 / 34 / 25

HEX #39C07F

RGB 57 192 127

HSL 151.11, 0.54%, 0.49%

LAB 69.54, -51.08, 22.56

 

CMYK 34 / 70 / 0 / 25

HEX #7F39C0

RGB 127 57 192

HSL 271.11, 0.54%, 0.49%

LAB 39.99, 54.72, -58.79

 

CMYK 0 / 33 / 70 / 25

HEX #C08039

RGB 192 128 57

HSL 31.56, 0.54%, 0.49%

LAB 58.92, 18.25, 47.26

 

CMYK 51 / 0 / 70 / 25

HEX #5FC039

RGB 95 192 57

HSL 103.11, 0.54%, 0.49%

LAB 69.77, -52.34, 56.48

 

CMYK 70 / 36 / 0 / 25

HEX #397AC0

RGB 57 122 192

HSL 211.11, 0.54%, 0.49%

LAB 50.21, 2.6, -42.68

 

CMYK 20 / 70 / 0 / 25

HEX #9A39C0

RGB 154 57 192

HSL 283.11, 0.54%, 0.49%

LAB 43.66, 60.22, -52.68

 

CMYK 0 / 33 / 70 / 25

HEX #C08039

RGB 192 128 57

HSL 31.56, 0.54%, 0.49%

LAB 58.92, 18.25, 47.26

 

CMYK 70 / 0 / 69 / 25

HEX #39C03B

RGB 57 192 59

HSL 120.89, 0.54%, 0.49%

LAB 68.67, -61.12, 54.21

 

CMYK 70 / 36 / 0 / 25

HEX #397AC0

RGB 57 122 192

HSL 211.11, 0.54%, 0.49%

LAB 50.21, 2.6, -42.68

 

CMYK 0 / 70 / 1 / 25

HEX #C039BE

RGB 192 57 190

HSL 300.89, 0.54%, 0.49%

LAB 49.31, 68.1, -42.15

 

Description

Color code: HEX #C08039 | qconv.com Color code: HEX #C08039 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 128 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 128 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 70 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 70% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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