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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C08190 it is the complementary color #3F7E6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C08190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C08190 shade: #C5818B, #D6939E, #E7A5B1, #F8B7C4 and #FFC9D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C08190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C08190 shade: #C08190, #AF6F7D, #9E5D6A, #8D4B57 and #7C3944

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C08190 shade: #BF8190 and #BF8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C08190 shade: #BF8190, #BF81A1, #BF81B1, #BC81BF and #AC81BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C08190 shade matches the following richer shades: #BF8190, #CF7288, #DE6280, #ED5378 and #FC4470

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C08190 shade: #BF8190, #B09098, #A1A0A0, #91AFA8 and #82BEB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C08190 shade: #BF81B2, #BF81A1, #BF8191, #BF8281 and #BF9381

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C08190 shade: #9E4F62, #B16678, #BF8190, #CD9CA8 and #DBB8C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C08190 shade: #C08190, #BFBC81 and #81A9BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C08190 shade: #C08190, #91BF81 and #8191BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C08190 shade: #C08190, #BFBC81, #81BFB0 and #8184BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C08190 shade: #C08190, #B0BF81, #81BFB0 and #9181BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 25 / 25

HEX #C08190

RGB 192 129 144

HSL 345.71, 0.33%, 0.63%

LAB 60.71, 26.44, 1.91

 

Complementary color

CMYK 50 / 0 / 12 / 51

HEX #3F7E6F

RGB 63 126 111

HSL 165.71, 0.33%, 0.37%

LAB 48.42, -24.21, 1.93

 

CMYK 0 / 35 / 29 / 23

HEX #C5818B

RGB 197 129 139

HSL 351.18, 0.37%, 0.64%

LAB 61.16, 27.6, 5.5

 

CMYK 0 / 31 / 26 / 16

HEX #D6939E

RGB 214 147 158

HSL 350.15, 0.45%, 0.71%

LAB 67.75, 26.79, 4.48

 

CMYK 0 / 29 / 23 / 9

HEX #E7A5B1

RGB 231 165 177

HSL 349.09, 0.58%, 0.78%

LAB 74.24, 26.05, 3.56

 

CMYK 0 / 26 / 21 / 3

HEX #F8B7C4

RGB 248 183 196

HSL 348, 0.82%, 0.85%

LAB 80.63, 25.37, 2.71

 

CMYK 0 / 21 / 16 / 0

HEX #FFC9D7

RGB 255 201 215

HSL 344.44, 1%, 0.89%

LAB 85.98, 21.23, 0.39

 

CMYK 0 / 33 / 25 / 25

HEX #C08190

RGB 192 129 144

HSL 345.71, 0.33%, 0.63%

LAB 60.71, 26.44, 1.91

 

CMYK 0 / 37 / 29 / 31

HEX #AF6F7D

RGB 175 111 125

HSL 346.88, 0.29%, 0.56%

LAB 53.99, 27.28, 2.93

 

CMYK 0 / 41 / 33 / 38

HEX #9E5D6A

RGB 158 93 106

HSL 348, 0.26%, 0.49%

LAB 47.16, 28.2, 4.09

 

CMYK 0 / 47 / 38 / 45

HEX #8D4B57

RGB 141 75 87

HSL 349.09, 0.31%, 0.42%

LAB 40.22, 29.2, 5.47

 

CMYK 0 / 54 / 45 / 51

HEX #7C3944

RGB 124 57 68

HSL 350.15, 0.37%, 0.35%

LAB 33.2, 30.26, 7.18

 

CMYK 0 / 32 / 25 / 25

HEX #BF8190

RGB 191 129 144

HSL 345.48, 0.33%, 0.63%

LAB 60.6, 26.06, 1.73

 

CMYK 0 / 32 / 32 / 25

HEX #BF8181

RGB 191 129 129

HSL 0, 0.33%, 0.63%

LAB 60.21, 23.97, 9.78

 

CMYK 0 / 32 / 25 / 25

HEX #BF8190

RGB 191 129 144

HSL 345.48, 0.33%, 0.63%

LAB 60.6, 26.06, 1.73

 

CMYK 0 / 32 / 16 / 25

HEX #BF81A1

RGB 191 129 161

HSL 329.03, 0.33%, 0.63%

LAB 61.09, 28.71, -7.28

 

CMYK 0 / 32 / 7 / 25

HEX #BF81B1

RGB 191 129 177

HSL 313.55, 0.33%, 0.63%

LAB 61.61, 31.44, -15.61

 

CMYK 2 / 32 / 0 / 25

HEX #BC81BF

RGB 188 129 191

HSL 297.1, 0.33%, 0.63%

LAB 61.79, 33.03, -23.32

 

CMYK 10 / 32 / 0 / 25

HEX #AC81BF

RGB 172 129 191

HSL 281.61, 0.33%, 0.63%

LAB 60.1, 27.85, -26.06

 

CMYK 0 / 32 / 25 / 25

HEX #BF8190

RGB 191 129 144

HSL 345.48, 0.33%, 0.63%

LAB 60.6, 26.06, 1.73

 

CMYK 0 / 45 / 34 / 19

HEX #CF7288

RGB 207 114 136

HSL 345.81, 0.49%, 0.63%

LAB 59.05, 38.94, 4.34

 

CMYK 0 / 56 / 42 / 13

HEX #DE6280

RGB 222 98 128

HSL 345.48, 0.65%, 0.63%

LAB 57.87, 51.19, 7.59

 

CMYK 0 / 65 / 49 / 7

HEX #ED5378

RGB 237 83 120

HSL 345.58, 0.81%, 0.63%

LAB 57.6, 61.78, 12.24

 

CMYK 0 / 73 / 56 / 1

HEX #FC4470

RGB 252 68 112

HSL 345.65, 0.97%, 0.63%

LAB 58.04, 70.97, 17.95

 

CMYK 0 / 32 / 25 / 25

HEX #BF8190

RGB 191 129 144

HSL 345.48, 0.33%, 0.63%

LAB 60.6, 26.06, 1.73

 

CMYK 0 / 18 / 14 / 31

HEX #B09098

RGB 176 144 152

HSL 345, 0.17%, 0.63%

LAB 62.88, 13.35, 0.3

 

CMYK 0 / 1 / 1 / 37

HEX #A1A0A0

RGB 161 160 160

HSL 0, 0.01%, 0.63%

LAB 65.95, 0.36, 0.12

 

CMYK 17 / 0 / 4 / 31

HEX #91AFA8

RGB 145 175 168

HSL 166, 0.16%, 0.63%

LAB 69.12, -11.69, 0.16

 

CMYK 32 / 0 / 7 / 25

HEX #82BEB0

RGB 130 190 176

HSL 166, 0.32%, 0.63%

LAB 72.7, -22.39, 0.89

 

CMYK 0 / 32 / 7 / 25

HEX #BF81B2

RGB 191 129 178

HSL 312.58, 0.33%, 0.63%

LAB 61.65, 31.62, -16.13

 

CMYK 0 / 32 / 16 / 25

HEX #BF81A1

RGB 191 129 161

HSL 329.03, 0.33%, 0.63%

LAB 61.09, 28.71, -7.28

 

CMYK 0 / 32 / 24 / 25

HEX #BF8191

RGB 191 129 145

HSL 344.52, 0.33%, 0.63%

LAB 60.62, 26.21, 1.2

 

CMYK 0 / 32 / 32 / 25

HEX #BF8281

RGB 191 130 129

HSL 0.97, 0.33%, 0.63%

LAB 60.45, 23.42, 10.11

 

CMYK 0 / 23 / 32 / 25

HEX #BF9381

RGB 191 147 129

HSL 17.42, 0.33%, 0.63%

LAB 64.59, 14.01, 15.91

 

CMYK 0 / 50 / 38 / 38

HEX #9E4F62

RGB 158 79 98

HSL 345.57, 0.33%, 0.46%

LAB 43.86, 34.85, 4.22

 

CMYK 0 / 42 / 32 / 31

HEX #B16678

RGB 177 102 120

HSL 345.6, 0.32%, 0.55%

LAB 52.07, 32.31, 3.13

 

CMYK 0 / 32 / 25 / 25

HEX #BF8190

RGB 191 129 144

HSL 345.48, 0.33%, 0.63%

LAB 60.6, 26.06, 1.73

 

CMYK 0 / 24 / 18 / 20

HEX #CD9CA8

RGB 205 156 168

HSL 345.31, 0.33%, 0.71%

LAB 69.17, 20.06, 0.84

 

CMYK 0 / 16 / 12 / 14

HEX #DBB8C0

RGB 219 184 192

HSL 346.29, 0.33%, 0.79%

LAB 77.96, 13.83, 0.64

 

CMYK 0 / 33 / 25 / 25

HEX #C08190

RGB 192 129 144

HSL 345.71, 0.33%, 0.63%

LAB 60.71, 26.44, 1.91

 

CMYK 0 / 2 / 32 / 25

HEX #BFBC81

RGB 191 188 129

HSL 57.1, 0.33%, 0.63%

LAB 75.22, -8.07, 30.29

 

CMYK 32 / 12 / 0 / 25

HEX #81A9BF

RGB 129 169 191

HSL 201.29, 0.33%, 0.63%

LAB 67.13, -8.16, -15.64

 

CMYK 0 / 33 / 25 / 25

HEX #C08190

RGB 192 129 144

HSL 345.71, 0.33%, 0.63%

LAB 60.71, 26.44, 1.91

 

CMYK 24 / 0 / 32 / 25

HEX #91BF81

RGB 145 191 129

HSL 104.52, 0.33%, 0.63%

LAB 72.8, -26.9, 26.5

 

CMYK 32 / 24 / 0 / 25

HEX #8191BF

RGB 129 145 191

HSL 224.52, 0.33%, 0.63%

LAB 60.5, 5.25, -25.75

 

CMYK 0 / 33 / 25 / 25

HEX #C08190

RGB 192 129 144

HSL 345.71, 0.33%, 0.63%

LAB 60.71, 26.44, 1.91

 

CMYK 0 / 2 / 32 / 25

HEX #BFBC81

RGB 191 188 129

HSL 57.1, 0.33%, 0.63%

LAB 75.22, -8.07, 30.29

 

CMYK 32 / 0 / 8 / 25

HEX #81BFB0

RGB 129 191 176

HSL 165.48, 0.33%, 0.63%

LAB 72.93, -23.18, 1.22

 

CMYK 32 / 31 / 0 / 25

HEX #8184BF

RGB 129 132 191

HSL 237.1, 0.33%, 0.63%

LAB 57.01, 12.81, -31.15

 

CMYK 0 / 33 / 25 / 25

HEX #C08190

RGB 192 129 144

HSL 345.71, 0.33%, 0.63%

LAB 60.71, 26.44, 1.91

 

CMYK 8 / 0 / 32 / 25

HEX #B0BF81

RGB 176 191 129

HSL 74.52, 0.33%, 0.63%

LAB 74.87, -15.45, 29.63

 

CMYK 32 / 0 / 8 / 25

HEX #81BFB0

RGB 129 191 176

HSL 165.48, 0.33%, 0.63%

LAB 72.93, -23.18, 1.22

 

CMYK 24 / 32 / 0 / 25

HEX #9181BF

RGB 145 129 191

HSL 255.48, 0.33%, 0.63%

LAB 57.54, 19.35, -30.22

 

Description

Color code: HEX #C08190 | qconv.com Color code: HEX #C08190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 129 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 129 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 25 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 25% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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