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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0940F it is the complementary color #3F6BF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0940F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0940F shade: #C5940A, #D6A61D, #E7B830, #F8CA43 and #FFDC56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0940F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0940F shade: #C0940F, #AF8200, #9E7000, #8D5E00 and #7C4C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0940F shade: #C2950E, #C2650E, #C2340E and #C20E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0940F shade: #C2950E, #BEC20E, #8EC20E, #5DC20E and #2DC20E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0940F shade matches the following richer shades: #C2950E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0940F shade: #C2950E, #B18D1F, #A08430, #8F7C41 and #7E7352

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0940F shade: #C2350E, #C2650E, #C2950E, #BFC20E and #8FC20E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0940F shade: #755A08, #9C780B, #C2950E, #E8B311 and #EFC133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0940F shade: #C0940F, #17C20E and #4D0EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0940F shade: #C0940F, #0EC295 and #950EC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0940F shade: #C0940F, #17C20E, #0E3BC2 and #B90EC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0940F shade: #C0940F, #0EC23B, #0E3BC2 and #C20E95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 92 / 25

HEX #C0940F

RGB 192 148 15

HSL 45.08, 0.86%, 0.41%

LAB 63.69, 5.84, 65.77

 

Complementary color

CMYK 74 / 55 / 0 / 6

HEX #3F6BF0

RGB 63 107 240

HSL 225.08, 0.86%, 0.59%

LAB 49.33, 30.14, -71.28

 

CMYK 0 / 25 / 95 / 23

HEX #C5940A

RGB 197 148 10

HSL 44.28, 0.9%, 0.41%

LAB 64.22, 8.01, 67.19

 

CMYK 0 / 22 / 86 / 16

HEX #D6A61D

RGB 214 166 29

HSL 44.43, 0.76%, 0.48%

LAB 70.63, 6.17, 69.21

 

CMYK 0 / 20 / 79 / 9

HEX #E7B830

RGB 231 184 48

HSL 44.59, 0.79%, 0.55%

LAB 76.97, 4.58, 69.86

 

CMYK 0 / 19 / 73 / 3

HEX #F8CA43

RGB 248 202 67

HSL 44.75, 0.93%, 0.62%

LAB 83.23, 3.19, 69.7

 

CMYK 0 / 14 / 66 / 0

HEX #FFDC56

RGB 255 220 86

HSL 47.57, 1%, 0.67%

LAB 88.5, -2.14, 67.82

 

CMYK 0 / 23 / 92 / 25

HEX #C0940F

RGB 192 148 15

HSL 45.08, 0.86%, 0.41%

LAB 63.69, 5.84, 65.77

 

CMYK 0 / 26 / 100 / 31

HEX #AF8200

RGB 175 130 0

HSL 44.57, 1%, 0.34%

LAB 57.15, 7.85, 62.6

 

CMYK 0 / 29 / 100 / 38

HEX #9E7000

RGB 158 112 0

HSL 42.53, 1%, 0.31%

LAB 50.52, 10.15, 57.16

 

CMYK 0 / 33 / 100 / 45

HEX #8D5E00

RGB 141 94 0

HSL 40, 1%, 0.28%

LAB 43.75, 12.57, 51.62

 

CMYK 0 / 39 / 100 / 51

HEX #7C4C00

RGB 124 76 0

HSL 36.77, 1%, 0.24%

LAB 36.84, 15.12, 45.99

 

CMYK 0 / 23 / 93 / 24

HEX #C2950E

RGB 194 149 14

HSL 45, 0.87%, 0.41%

LAB 64.16, 6.18, 66.39

 

CMYK 0 / 48 / 93 / 24

HEX #C2650E

RGB 194 101 14

HSL 29, 0.87%, 0.41%

LAB 52.74, 32.32, 58.04

 

CMYK 0 / 73 / 93 / 24

HEX #C2340E

RGB 194 52 14

HSL 12.67, 0.87%, 0.41%

LAB 44.17, 54.71, 52.16

 

CMYK 0 / 93 / 93 / 24

HEX #C20E0E

RGB 194 14 14

HSL 0, 0.87%, 0.41%

LAB 40.92, 63.88, 50.08

 

CMYK 0 / 23 / 93 / 24

HEX #C2950E

RGB 194 149 14

HSL 45, 0.87%, 0.41%

LAB 64.16, 6.18, 66.39

 

CMYK 2 / 0 / 93 / 24

HEX #BEC20E

RGB 190 194 14

HSL 61.33, 0.87%, 0.41%

LAB 75.8, -19.11, 75.06

 

CMYK 27 / 0 / 93 / 24

HEX #8EC20E

RGB 142 194 14

HSL 77.33, 0.87%, 0.41%

LAB 72.47, -38.93, 71.03

 

CMYK 52 / 0 / 93 / 24

HEX #5DC20E

RGB 93 194 14

HSL 93.67, 0.87%, 0.41%

LAB 70.14, -55.75, 68.16

 

CMYK 77 / 0 / 93 / 24

HEX #2DC20E

RGB 45 194 14

HSL 109.67, 0.87%, 0.41%

LAB 68.88, -66.22, 66.61

 

CMYK 0 / 23 / 93 / 24

HEX #C2950E

RGB 194 149 14

HSL 45, 0.87%, 0.41%

LAB 64.16, 6.18, 66.39

 

CMYK 0 / 23 / 93 / 24

HEX #C2950E

RGB 194 149 14

HSL 45, 0.87%, 0.41%

LAB 64.16, 6.18, 66.39

 

CMYK 0 / 20 / 82 / 31

HEX #B18D1F

RGB 177 141 31

HSL 45.21, 0.7%, 0.41%

LAB 60.33, 3.28, 58.47

 

CMYK 0 / 18 / 70 / 37

HEX #A08430

RGB 160 132 48

HSL 45, 0.54%, 0.41%

LAB 56.28, 1.31, 47.51

 

CMYK 0 / 13 / 55 / 44

HEX #8F7C41

RGB 143 124 65

HSL 45.38, 0.38%, 0.41%

LAB 52.55, -0.63, 34.57

 

CMYK 0 / 9 / 35 / 51

HEX #7E7352

RGB 126 115 82

HSL 45, 0.21%, 0.41%

LAB 48.64, -1.08, 19.84

 

CMYK 0 / 73 / 93 / 24

HEX #C2350E

RGB 194 53 14

HSL 13, 0.87%, 0.41%

LAB 44.3, 54.35, 52.25

 

CMYK 0 / 48 / 93 / 24

HEX #C2650E

RGB 194 101 14

HSL 29, 0.87%, 0.41%

LAB 52.74, 32.32, 58.04

 

CMYK 0 / 23 / 93 / 24

HEX #C2950E

RGB 194 149 14

HSL 45, 0.87%, 0.41%

LAB 64.16, 6.18, 66.39

 

CMYK 2 / 0 / 93 / 24

HEX #BFC20E

RGB 191 194 14

HSL 61, 0.87%, 0.41%

LAB 75.88, -18.68, 75.16

 

CMYK 26 / 0 / 93 / 24

HEX #8FC20E

RGB 143 194 14

HSL 77, 0.87%, 0.41%

LAB 72.53, -38.55, 71.1

 

CMYK 0 / 23 / 93 / 54

HEX #755A08

RGB 117 90 8

HSL 45.14, 0.87%, 0.25%

LAB 39.77, 3.55, 45.27

 

CMYK 0 / 23 / 93 / 39

HEX #9C780B

RGB 156 120 11

HSL 45.1, 0.87%, 0.33%

LAB 52.43, 4.85, 56.26

 

CMYK 0 / 23 / 93 / 24

HEX #C2950E

RGB 194 149 14

HSL 45, 0.87%, 0.41%

LAB 64.16, 6.18, 66.39

 

CMYK 0 / 23 / 93 / 9

HEX #E8B311

RGB 232 179 17

HSL 45.21, 0.86%, 0.49%

LAB 75.72, 6.92, 76.29

 

CMYK 0 / 19 / 79 / 6

HEX #EFC133

RGB 239 193 51

HSL 45.32, 0.85%, 0.57%

LAB 80.03, 3.41, 71.94

 

CMYK 0 / 23 / 92 / 25

HEX #C0940F

RGB 192 148 15

HSL 45.08, 0.86%, 0.41%

LAB 63.69, 5.84, 65.77

 

CMYK 88 / 0 / 93 / 24

HEX #17C20E

RGB 23 194 14

HSL 117, 0.87%, 0.41%

LAB 68.6, -68.65, 66.27

 

CMYK 60 / 93 / 0 / 24

HEX #4D0EC2

RGB 77 14 194

HSL 261, 0.87%, 0.41%

LAB 28.87, 63.92, -78.44

 

CMYK 0 / 23 / 92 / 25

HEX #C0940F

RGB 192 148 15

HSL 45.08, 0.86%, 0.41%

LAB 63.69, 5.84, 65.77

 

CMYK 93 / 0 / 23 / 24

HEX #0EC295

RGB 14 194 149

HSL 165, 0.87%, 0.41%

LAB 70.07, -51.06, 11.38

 

CMYK 23 / 93 / 0 / 24

HEX #950EC2

RGB 149 14 194

HSL 285, 0.87%, 0.41%

LAB 38.9, 71.71, -61.59

 

CMYK 0 / 23 / 92 / 25

HEX #C0940F

RGB 192 148 15

HSL 45.08, 0.86%, 0.41%

LAB 63.69, 5.84, 65.77

 

CMYK 88 / 0 / 93 / 24

HEX #17C20E

RGB 23 194 14

HSL 117, 0.87%, 0.41%

LAB 68.6, -68.65, 66.27

 

CMYK 93 / 70 / 0 / 24

HEX #0E3BC2

RGB 14 59 194

HSL 225, 0.87%, 0.41%

LAB 32.07, 39.98, -73.26

 

CMYK 5 / 93 / 0 / 24

HEX #B90EC2

RGB 185 14 194

HSL 297, 0.87%, 0.41%

LAB 44.97, 77.24, -51.47

 

CMYK 0 / 23 / 92 / 25

HEX #C0940F

RGB 192 148 15

HSL 45.08, 0.86%, 0.41%

LAB 63.69, 5.84, 65.77

 

CMYK 93 / 0 / 70 / 24

HEX #0EC23B

RGB 14 194 59

HSL 135, 0.87%, 0.41%

LAB 68.75, -66.59, 54.12

 

CMYK 93 / 70 / 0 / 24

HEX #0E3BC2

RGB 14 59 194

HSL 225, 0.87%, 0.41%

LAB 32.07, 39.98, -73.26

 

CMYK 0 / 93 / 23 / 24

HEX #C20E95

RGB 194 14 149

HSL 315, 0.87%, 0.41%

LAB 44.17, 72.68, -25.91

 

Description

Color code: HEX #C0940F | qconv.com Color code: HEX #C0940F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 148 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 148 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 92 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 92% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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