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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C09879 it is the complementary color #3F6786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C09879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C09879 shade: #C59874, #D6AA87, #E7BC9A, #F8CEAD and #FFE0C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C09879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C09879 shade: #C09879, #AF8666, #9E7453, #8D6240 and #7C502D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C09879 shade: #BF9777, #BF8377 and #BF7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C09879 shade: #BF9777, #BFAA77, #BFBD77, #ADBF77 and #9ABF77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C09879 shade matches the following richer shades: #BF9777, #CF9467, #DF9257 and #EF9047

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C09879 shade: #BF9777, #AF9987, #9F9B97, #8F9DA8 and #7E9FB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C09879 shade: #BF777E, #BF8377, #BF9677, #BFA977 and #BFBC77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C09879 shade: #9B6D49, #B2815B, #BF9777, #CCAC93 and #D9C2AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C09879 shade: #C09879, #92BF77 and #7A77BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C09879 shade: #C09879, #77BF96 and #9677BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C09879 shade: #C09879, #92BF77, #77A0BF and #A577BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C09879 shade: #C09879, #7CBF77, #77A0BF and #BA77BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 37 / 25

HEX #C09879

RGB 192 152 121

HSL 26.2, 0.36%, 0.61%

LAB 65.78, 10.65, 22.01

 

Complementary color

CMYK 53 / 23 / 0 / 47

HEX #3F6786

RGB 63 103 134

HSL 206.2, 0.36%, 0.39%

LAB 41.97, -4.7, -21.49

 

CMYK 0 / 23 / 41 / 23

HEX #C59874

RGB 197 152 116

HSL 26.67, 0.41%, 0.61%

LAB 66.2, 12.09, 25.41

 

CMYK 0 / 21 / 37 / 16

HEX #D6AA87

RGB 214 170 135

HSL 26.58, 0.49%, 0.68%

LAB 72.76, 11.35, 24.17

 

CMYK 0 / 19 / 33 / 9

HEX #E7BC9A

RGB 231 188 154

HSL 26.49, 0.62%, 0.75%

LAB 79.21, 10.71, 23.03

 

CMYK 0 / 17 / 30 / 3

HEX #F8CEAD

RGB 248 206 173

HSL 26.4, 0.84%, 0.83%

LAB 85.56, 10.13, 21.96

 

CMYK 0 / 12 / 25 / 0

HEX #FFE0C0

RGB 255 224 192

HSL 30.48, 1%, 0.88%

LAB 90.95, 5.94, 19.6

 

CMYK 0 / 21 / 37 / 25

HEX #C09879

RGB 192 152 121

HSL 26.2, 0.36%, 0.61%

LAB 65.78, 10.65, 22.01

 

CMYK 0 / 23 / 42 / 31

HEX #AF8666

RGB 175 134 102

HSL 26.3, 0.31%, 0.54%

LAB 59.09, 11.41, 23.27

 

CMYK 0 / 27 / 47 / 38

HEX #9E7453

RGB 158 116 83

HSL 26.4, 0.31%, 0.47%

LAB 52.27, 12.3, 24.66

 

CMYK 0 / 30 / 55 / 45

HEX #8D6240

RGB 141 98 64

HSL 26.49, 0.38%, 0.4%

LAB 45.32, 13.38, 26.2

 

CMYK 0 / 35 / 64 / 51

HEX #7C502D

RGB 124 80 45

HSL 26.58, 0.47%, 0.33%

LAB 38.22, 14.69, 27.9

 

CMYK 0 / 21 / 38 / 25

HEX #BF9777

RGB 191 151 119

HSL 26.67, 0.36%, 0.61%

LAB 65.39, 10.55, 22.56

 

CMYK 0 / 31 / 38 / 25

HEX #BF8377

RGB 191 131 119

HSL 10, 0.36%, 0.61%

LAB 60.46, 21.6, 15.83

 

CMYK 0 / 38 / 38 / 25

HEX #BF7777

RGB 191 119 119

HSL 0, 0.36%, 0.61%

LAB 57.66, 28.21, 11.92

 

CMYK 0 / 21 / 38 / 25

HEX #BF9777

RGB 191 151 119

HSL 26.67, 0.36%, 0.61%

LAB 65.39, 10.55, 22.56

 

CMYK 0 / 11 / 38 / 25

HEX #BFAA77

RGB 191 170 119

HSL 42.5, 0.36%, 0.61%

LAB 70.29, 0.23, 29.09

 

CMYK 0 / 1 / 38 / 25

HEX #BFBD77

RGB 191 189 119

HSL 58.33, 0.36%, 0.61%

LAB 75.33, -9.78, 35.64

 

CMYK 9 / 0 / 38 / 25

HEX #ADBF77

RGB 173 191 119

HSL 75, 0.36%, 0.61%

LAB 74.49, -17.9, 34.29

 

CMYK 19 / 0 / 38 / 25

HEX #9ABF77

RGB 154 191 119

HSL 90.83, 0.36%, 0.61%

LAB 73.2, -25.11, 32.36

 

CMYK 0 / 21 / 38 / 25

HEX #BF9777

RGB 191 151 119

HSL 26.67, 0.36%, 0.61%

LAB 65.39, 10.55, 22.56

 

CMYK 0 / 29 / 50 / 19

HEX #CF9467

RGB 207 148 103

HSL 25.96, 0.52%, 0.61%

LAB 66.08, 17.03, 32.51

 

CMYK 0 / 35 / 61 / 13

HEX #DF9257

RGB 223 146 87

HSL 26.03, 0.68%, 0.61%

LAB 67.23, 23.4, 42.77

 

CMYK 0 / 40 / 70 / 6

HEX #EF9047

RGB 239 144 71

HSL 26.07, 0.84%, 0.61%

LAB 68.57, 30.03, 52.72

 

CMYK 0 / 21 / 38 / 25

HEX #BF9777

RGB 191 151 119

HSL 26.67, 0.36%, 0.61%

LAB 65.39, 10.55, 22.56

 

CMYK 0 / 13 / 23 / 31

HEX #AF9987

RGB 175 153 135

HSL 27, 0.2%, 0.61%

LAB 64.68, 5.23, 12.45

 

CMYK 0 / 3 / 5 / 38

HEX #9F9B97

RGB 159 155 151

HSL 30, 0.04%, 0.61%

LAB 64.2, 0.71, 2.6

 

CMYK 15 / 7 / 0 / 34

HEX #8F9DA8

RGB 143 157 168

HSL 206.4, 0.13%, 0.61%

LAB 63.98, -2.62, -7.42

 

CMYK 32 / 14 / 0 / 28

HEX #7E9FB8

RGB 126 159 184

HSL 205.86, 0.29%, 0.61%

LAB 63.91, -5.33, -16.62

 

CMYK 0 / 38 / 34 / 25

HEX #BF777E

RGB 191 119 126

HSL 354.17, 0.36%, 0.61%

LAB 57.82, 29.08, 8.11

 

CMYK 0 / 31 / 38 / 25

HEX #BF8377

RGB 191 131 119

HSL 10, 0.36%, 0.61%

LAB 60.46, 21.6, 15.83

 

CMYK 0 / 21 / 38 / 25

HEX #BF9677

RGB 191 150 119

HSL 25.83, 0.36%, 0.61%

LAB 65.14, 11.1, 22.22

 

CMYK 0 / 12 / 38 / 25

HEX #BFA977

RGB 191 169 119

HSL 41.67, 0.36%, 0.61%

LAB 70.02, 0.76, 28.74

 

CMYK 0 / 2 / 38 / 25

HEX #BFBC77

RGB 191 188 119

HSL 57.5, 0.36%, 0.61%

LAB 75.06, -9.27, 35.3

 

CMYK 0 / 30 / 53 / 39

HEX #9B6D49

RGB 155 109 73

HSL 26.34, 0.36%, 0.45%

LAB 49.96, 14.01, 27.29

 

CMYK 0 / 28 / 49 / 30

HEX #B2815B

RGB 178 129 91

HSL 26.21, 0.36%, 0.53%

LAB 57.96, 14.28, 27.99

 

CMYK 0 / 21 / 38 / 25

HEX #BF9777

RGB 191 151 119

HSL 26.67, 0.36%, 0.61%

LAB 65.39, 10.55, 22.56

 

CMYK 0 / 16 / 28 / 20

HEX #CCAC93

RGB 204 172 147

HSL 26.32, 0.36%, 0.69%

LAB 72.53, 7.88, 17.19

 

CMYK 0 / 11 / 19 / 15

HEX #D9C2AF

RGB 217 194 175

HSL 27.14, 0.36%, 0.77%

LAB 79.86, 5.1, 12.51

 

CMYK 0 / 21 / 37 / 25

HEX #C09879

RGB 192 152 121

HSL 26.2, 0.36%, 0.61%

LAB 65.78, 10.65, 22.01

 

CMYK 24 / 0 / 38 / 25

HEX #92BF77

RGB 146 191 119

HSL 97.5, 0.36%, 0.61%

LAB 72.7, -28.02, 31.61

 

CMYK 36 / 38 / 0 / 25

HEX #7A77BF

RGB 122 119 191

HSL 242.5, 0.36%, 0.61%

LAB 53.05, 18.51, -37.37

 

CMYK 0 / 21 / 37 / 25

HEX #C09879

RGB 192 152 121

HSL 26.2, 0.36%, 0.61%

LAB 65.78, 10.65, 22.01

 

CMYK 38 / 0 / 21 / 25

HEX #77BF96

RGB 119 191 150

HSL 145.83, 0.36%, 0.61%

LAB 71.82, -31.61, 13.68

 

CMYK 21 / 38 / 0 / 25

HEX #9677BF

RGB 150 119 191

HSL 265.83, 0.36%, 0.61%

LAB 55.52, 26.68, -33.33

 

CMYK 0 / 21 / 37 / 25

HEX #C09879

RGB 192 152 121

HSL 26.2, 0.36%, 0.61%

LAB 65.78, 10.65, 22.01

 

CMYK 24 / 0 / 38 / 25

HEX #92BF77

RGB 146 191 119

HSL 97.5, 0.36%, 0.61%

LAB 72.7, -28.02, 31.61

 

CMYK 38 / 16 / 0 / 25

HEX #77A0BF

RGB 119 160 191

HSL 205.83, 0.36%, 0.61%

LAB 64.02, -6.06, -20.41

 

CMYK 14 / 38 / 0 / 25

HEX #A577BF

RGB 165 119 191

HSL 278.33, 0.36%, 0.61%

LAB 57.03, 31.29, -30.86

 

CMYK 0 / 21 / 37 / 25

HEX #C09879

RGB 192 152 121

HSL 26.2, 0.36%, 0.61%

LAB 65.78, 10.65, 22.01

 

CMYK 35 / 0 / 38 / 25

HEX #7CBF77

RGB 124 191 119

HSL 115.83, 0.36%, 0.61%

LAB 71.47, -35.58, 29.78

 

CMYK 38 / 16 / 0 / 25

HEX #77A0BF

RGB 119 160 191

HSL 205.83, 0.36%, 0.61%

LAB 64.02, -6.06, -20.41

 

CMYK 3 / 38 / 0 / 25

HEX #BA77BF

RGB 186 119 191

HSL 295.83, 0.36%, 0.61%

LAB 59.34, 37.87, -27.1

 

Description

Color code: HEX #C09879 | qconv.com Color code: HEX #C09879 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 152 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 152 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 37 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 37% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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