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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C091CD it is the complementary color #3F6E32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C091CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C091CD shade: #C591C8, #D6A3DB, #E7B5EE, #F8C7FF and #FFD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C091CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C091CD shade: #C091CD, #AF7FBA, #9E6DA7, #8D5B94 and #7C4981

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C091CD shade: #C091CD, #CD91CA, #CD91BA, #CD91AA and #CD919A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C091CD shade: #C091CD, #B091CD, #A091CD and #9191CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C091CD shade matches the following richer shades: #C091CD, #C885DA, #CF78E7 and #D66BF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C091CD shade: #C091CD, #B99EC1, #B2ABB4, #ABB8A7 and #A3C59A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C091CD shade: #A091CD, #B091CD, #C091CD, #CD91CA and #CD91BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C091CD shade: #A058B4, #B075C1, #C091CD, #D1AEDA and #E1CAE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C091CD shade: #C091CD, #CD9192 and #91CDA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C091CD shade: #C091CD, #CDC091 and #91CDC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C091CD shade: #C091CD, #CD9192, #9ECD91 and #91CDCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C091CD shade: #C091CD, #CDA291, #9ECD91 and #91BCCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

Complementary color

CMYK 43 / 0 / 55 / 57

HEX #3F6E32

RGB 63 110 50

HSL 107, 0.38%, 0.31%

LAB 41.91, -28.64, 28.28

 

CMYK 1 / 28 / 0 / 22

HEX #C591C8

RGB 197 145 200

HSL 296.73, 0.33%, 0.68%

LAB 66.74, 28.9, -20.72

 

CMYK 2 / 26 / 0 / 14

HEX #D6A3DB

RGB 214 163 219

HSL 294.64, 0.44%, 0.75%

LAB 73.29, 28.26, -21.1

 

CMYK 3 / 24 / 0 / 7

HEX #E7B5EE

RGB 231 181 238

HSL 292.63, 0.63%, 0.82%

LAB 79.73, 27.67, -21.46

 

CMYK 3 / 22 / 0 / 0

HEX #F8C7FF

RGB 248 199 255

HSL 292.5, 1%, 0.89%

LAB 86.02, 26.75, -20.86

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 6 / 32 / 0 / 27

HEX #AF7FBA

RGB 175 127 186

HSL 288.81, 0.3%, 0.61%

LAB 59.74, 28.92, -23.74

 

CMYK 5 / 35 / 0 / 35

HEX #9E6DA7

RGB 158 109 167

HSL 290.69, 0.25%, 0.54%

LAB 52.95, 29.64, -23.42

 

CMYK 5 / 39 / 0 / 42

HEX #8D5B94

RGB 141 91 148

HSL 292.63, 0.24%, 0.47%

LAB 46.02, 30.42, -23.08

 

CMYK 4 / 43 / 0 / 49

HEX #7C4981

RGB 124 73 129

HSL 294.64, 0.28%, 0.4%

LAB 38.96, 31.23, -22.69

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 0 / 29 / 1 / 20

HEX #CD91CA

RGB 205 145 202

HSL 303, 0.38%, 0.69%

LAB 67.65, 31.91, -20.38

 

CMYK 0 / 29 / 9 / 20

HEX #CD91BA

RGB 205 145 186

HSL 319, 0.38%, 0.69%

LAB 67.11, 29.05, -12.26

 

CMYK 0 / 29 / 17 / 20

HEX #CD91AA

RGB 205 145 170

HSL 335, 0.38%, 0.69%

LAB 66.62, 26.39, -4.01

 

CMYK 0 / 29 / 25 / 20

HEX #CD919A

RGB 205 145 154

HSL 351, 0.38%, 0.69%

LAB 66.18, 23.96, 4.34

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 14 / 29 / 0 / 20

HEX #B091CD

RGB 176 145 205

HSL 271, 0.38%, 0.69%

LAB 64.87, 23.11, -26.55

 

CMYK 22 / 29 / 0 / 20

HEX #A091CD

RGB 160 145 205

HSL 255, 0.38%, 0.69%

LAB 63.45, 18.1, -28.86

 

CMYK 29 / 29 / 0 / 20

HEX #9191CD

RGB 145 145 205

HSL 240, 0.38%, 0.69%

LAB 62.24, 13.57, -30.84

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 8 / 39 / 0 / 15

HEX #C885DA

RGB 200 133 218

HSL 287.29, 0.53%, 0.69%

LAB 65.05, 39.92, -33.32

 

CMYK 10 / 48 / 0 / 9

HEX #CF78E7

RGB 207 120 231

HSL 287.03, 0.7%, 0.69%

LAB 63.73, 51.38, -42.56

 

CMYK 12 / 56 / 0 / 4

HEX #D66BF4

RGB 214 107 244

HSL 286.86, 0.86%, 0.69%

LAB 62.8, 62.15, -51.17

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 4 / 18 / 0 / 24

HEX #B99EC1

RGB 185 158 193

HSL 286.29, 0.22%, 0.69%

LAB 68.47, 16.3, -14.31

 

CMYK 1 / 5 / 0 / 29

HEX #B2ABB4

RGB 178 171 180

HSL 286.67, 0.06%, 0.69%

LAB 70.79, 4.18, -3.72

 

CMYK 7 / 0 / 9 / 28

HEX #ABB8A7

RGB 171 184 167

HSL 105.88, 0.11%, 0.69%

LAB 73.37, -7.7, 7.09

 

CMYK 17 / 0 / 22 / 23

HEX #A3C59A

RGB 163 197 154

HSL 107.44, 0.27%, 0.69%

LAB 76.1, -19.49, 17.89

 

CMYK 22 / 29 / 0 / 20

HEX #A091CD

RGB 160 145 205

HSL 255, 0.38%, 0.69%

LAB 63.45, 18.1, -28.86

 

CMYK 14 / 29 / 0 / 20

HEX #B091CD

RGB 176 145 205

HSL 271, 0.38%, 0.69%

LAB 64.87, 23.11, -26.55

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 0 / 29 / 1 / 20

HEX #CD91CA

RGB 205 145 202

HSL 303, 0.38%, 0.69%

LAB 67.65, 31.91, -20.38

 

CMYK 0 / 29 / 9 / 20

HEX #CD91BA

RGB 205 145 186

HSL 319, 0.38%, 0.69%

LAB 67.11, 29.05, -12.26

 

CMYK 11 / 51 / 0 / 29

HEX #A058B4

RGB 160 88 180

HSL 286.96, 0.38%, 0.53%

LAB 49.19, 44.52, -36.83

 

CMYK 9 / 39 / 0 / 24

HEX #B075C1

RGB 176 117 193

HSL 286.58, 0.38%, 0.61%

LAB 57.85, 36.24, -30.64

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 4 / 20 / 0 / 15

HEX #D1AEDA

RGB 209 174 218

HSL 287.73, 0.37%, 0.77%

LAB 75.38, 20.44, -17.42

 

CMYK 3 / 13 / 0 / 9

HEX #E1CAE7

RGB 225 202 231

HSL 287.59, 0.38%, 0.85%

LAB 83.98, 13.16, -11.38

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 0 / 29 / 29 / 20

HEX #CD9192

RGB 205 145 146

HSL 359, 0.38%, 0.69%

LAB 65.99, 22.83, 8.56

 

CMYK 29 / 0 / 18 / 20

HEX #91CDA8

RGB 145 205 168

HSL 143, 0.38%, 0.69%

LAB 77.58, -26.9, 12.33

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 0 / 6 / 29 / 20

HEX #CDC091

RGB 205 192 145

HSL 47, 0.38%, 0.69%

LAB 77.71, -2.63, 25.39

 

CMYK 29 / 0 / 6 / 20

HEX #91CDC0

RGB 145 205 192

HSL 167, 0.38%, 0.69%

LAB 78.16, -21.97, 0.29

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 0 / 29 / 29 / 20

HEX #CD9192

RGB 205 145 146

HSL 359, 0.38%, 0.69%

LAB 65.99, 22.83, 8.56

 

CMYK 23 / 0 / 29 / 20

HEX #9ECD91

RGB 158 205 145

HSL 107, 0.38%, 0.69%

LAB 77.86, -26.65, 25.02

 

CMYK 29 / 0 / 0 / 20

HEX #91CDCC

RGB 145 205 204

HSL 179, 0.38%, 0.69%

LAB 78.49, -19.29, -5.68

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 0 / 21 / 29 / 20

HEX #CDA291

RGB 205 162 145

HSL 17, 0.38%, 0.69%

LAB 70.08, 13.42, 14.89

 

CMYK 23 / 0 / 29 / 20

HEX #9ECD91

RGB 158 205 145

HSL 107, 0.38%, 0.69%

LAB 77.86, -26.65, 25.02

 

CMYK 29 / 8 / 0 / 20

HEX #91BCCD

RGB 145 188 205

HSL 197, 0.38%, 0.69%

LAB 73.8, -10.27, -13.2

 

Description

Color code: HEX #C091CD | qconv.com Color code: HEX #C091CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 145 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 145 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 29 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 29% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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