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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C09FCF it is the complementary color #3F6030. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C09FCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C09FCF shade: #C59FCA, #D6B1DD, #E7C3F0, #F8D5FF and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C09FCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C09FCF shade: #C09FCF, #AF8DBC, #9E7BA9, #8D6996 and #7C5783

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C09FCF shade: #C0A0CF, #CDA0CF, #CFA0C4, #CFA0B7 and #CFA0AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C09FCF shade: #C0A0CF, #B3A0CF, #A7A0CF and #A0A0CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C09FCF shade matches the following richer shades: #C0A0CF, #C494DA, #C988E6, #CD7DF1 and #D171FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C09FCF shade: #C0A0CF, #BCABC3, #B7B7B8, #B3C2AC and #AFCEA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C09FCF shade: #A7A0CF, #B3A0CF, #C0A0CF, #CCA0CF and #CFA0C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C09FCF shade: #9C69B3, #AE84C1, #C0A0CF, #D2BBDC and #E4D6EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C09FCF shade: #C09FCF, #CFA0A5 and #A0CFAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C09FCF shade: #C09FCF, #CFC0A0 and #A0CFC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C09FCF shade: #C09FCF, #CFA0A5, #AECFA0 and #A0CFC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C09FCF shade: #C09FCF, #CFA8A0, #AECFA0 and #A0C6CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 23 / 0 / 19

HEX #C09FCF

RGB 192 159 207

HSL 281.25, 0.33%, 0.72%

LAB 69.83, 20.89, -19.95

 

Complementary color

CMYK 34 / 0 / 50 / 62

HEX #3F6030

RGB 63 96 48

HSL 101.25, 0.33%, 0.28%

LAB 37.18, -22, 23.59

 

CMYK 2 / 21 / 0 / 21

HEX #C59FCA

RGB 197 159 202

HSL 293.02, 0.29%, 0.71%

LAB 70.13, 21.57, -16.69

 

CMYK 3 / 20 / 0 / 13

HEX #D6B1DD

RGB 214 177 221

HSL 290.45, 0.39%, 0.78%

LAB 76.66, 21.05, -17.09

 

CMYK 4 / 19 / 0 / 6

HEX #E7C3F0

RGB 231 195 240

HSL 288, 0.6%, 0.85%

LAB 83.08, 20.56, -17.48

 

CMYK 3 / 16 / 0 / 0

HEX #F8D5FF

RGB 248 213 255

HSL 290, 1%, 0.92%

LAB 89.28, 19.37, -15.94

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 7 / 23 / 0 / 19

HEX #C09FCF

RGB 192 159 207

HSL 281.25, 0.33%, 0.72%

LAB 69.83, 20.89, -19.95

 

CMYK 7 / 25 / 0 / 26

HEX #AF8DBC

RGB 175 141 188

HSL 283.4, 0.26%, 0.65%

LAB 63.17, 21.44, -19.63

 

CMYK 7 / 27 / 0 / 34

HEX #9E7BA9

RGB 158 123 169

HSL 285.65, 0.21%, 0.57%

LAB 56.39, 22.04, -19.3

 

CMYK 6 / 30 / 0 / 41

HEX #8D6996

RGB 141 105 150

HSL 288, 0.18%, 0.5%

LAB 49.46, 22.7, -18.98

 

CMYK 5 / 34 / 0 / 49

HEX #7C5783

RGB 124 87 131

HSL 290.45, 0.2%, 0.43%

LAB 42.37, 23.43, -18.64

 

CMYK 7 / 23 / 0 / 19

HEX #C0A0CF

RGB 192 160 207

HSL 280.85, 0.33%, 0.72%

LAB 70.07, 20.34, -19.58

 

CMYK 1 / 23 / 0 / 19

HEX #CDA0CF

RGB 205 160 207

HSL 297.45, 0.33%, 0.72%

LAB 71.3, 24.65, -17.6

 

CMYK 0 / 23 / 5 / 19

HEX #CFA0C4

RGB 207 160 196

HSL 314.04, 0.33%, 0.72%

LAB 71.14, 23.3, -11.76

 

CMYK 0 / 23 / 12 / 19

HEX #CFA0B7

RGB 207 160 183

HSL 330.64, 0.33%, 0.72%

LAB 70.75, 21.04, -5.14

 

CMYK 0 / 23 / 17 / 19

HEX #CFA0AB

RGB 207 160 171

HSL 345.96, 0.33%, 0.72%

LAB 70.42, 19.08, 1.02

 

CMYK 7 / 23 / 0 / 19

HEX #C0A0CF

RGB 192 160 207

HSL 280.85, 0.33%, 0.72%

LAB 70.07, 20.34, -19.58

 

CMYK 14 / 23 / 0 / 19

HEX #B3A0CF

RGB 179 160 207

HSL 264.26, 0.33%, 0.72%

LAB 68.92, 16.09, -21.44

 

CMYK 19 / 23 / 0 / 19

HEX #A7A0CF

RGB 167 160 207

HSL 248.94, 0.33%, 0.72%

LAB 67.92, 12.25, -23.06

 

CMYK 23 / 23 / 0 / 19

HEX #A0A0CF

RGB 160 160 207

HSL 240, 0.33%, 0.72%

LAB 67.37, 10.07, -23.95

 

CMYK 7 / 23 / 0 / 19

HEX #C0A0CF

RGB 192 160 207

HSL 280.85, 0.33%, 0.72%

LAB 70.07, 20.34, -19.58

 

CMYK 10 / 32 / 0 / 15

HEX #C494DA

RGB 196 148 218

HSL 281.14, 0.49%, 0.72%

LAB 68, 30.5, -28.79

 

CMYK 13 / 41 / 0 / 10

HEX #C988E6

RGB 201 136 230

HSL 281.49, 0.65%, 0.72%

LAB 66.32, 41.05, -37.99

 

CMYK 15 / 48 / 0 / 5

HEX #CD7DF1

RGB 205 125 241

HSL 281.38, 0.81%, 0.72%

LAB 64.96, 50.27, -46.17

 

CMYK 17 / 55 / 0 / 1

HEX #D171FD

RGB 209 113 253

HSL 281.14, 0.97%, 0.72%

LAB 63.72, 59.82, -54.71

 

CMYK 7 / 23 / 0 / 19

HEX #C0A0CF

RGB 192 160 207

HSL 280.85, 0.33%, 0.72%

LAB 70.07, 20.34, -19.58

 

CMYK 4 / 12 / 0 / 24

HEX #BCABC3

RGB 188 171 195

HSL 282.5, 0.17%, 0.72%

LAB 72.07, 10.54, -10

 

CMYK 1 / 1 / 0 / 28

HEX #B7B7B8

RGB 183 183 184

HSL 240, 0.01%, 0.72%

LAB 74.44, 0.19, -0.51

 

CMYK 8 / 0 / 11 / 24

HEX #B3C2AC

RGB 179 194 172

HSL 100.91, 0.15%, 0.72%

LAB 76.77, -9.21, 9.32

 

CMYK 15 / 0 / 22 / 19

HEX #AFCEA0

RGB 175 206 160

HSL 100.43, 0.32%, 0.72%

LAB 79.5, -18.79, 19.53

 

CMYK 19 / 23 / 0 / 19

HEX #A7A0CF

RGB 167 160 207

HSL 248.94, 0.33%, 0.72%

LAB 67.92, 12.25, -23.06

 

CMYK 14 / 23 / 0 / 19

HEX #B3A0CF

RGB 179 160 207

HSL 264.26, 0.33%, 0.72%

LAB 68.92, 16.09, -21.44

 

CMYK 7 / 23 / 0 / 19

HEX #C0A0CF

RGB 192 160 207

HSL 280.85, 0.33%, 0.72%

LAB 70.07, 20.34, -19.58

 

CMYK 1 / 23 / 0 / 19

HEX #CCA0CF

RGB 204 160 207

HSL 296.17, 0.33%, 0.72%

LAB 71.2, 24.32, -17.76

 

CMYK 0 / 23 / 5 / 19

HEX #CFA0C4

RGB 207 160 196

HSL 314.04, 0.33%, 0.72%

LAB 71.14, 23.3, -11.76

 

CMYK 13 / 41 / 0 / 30

HEX #9C69B3

RGB 156 105 179

HSL 281.35, 0.33%, 0.56%

LAB 52.32, 33.81, -31.38

 

CMYK 10 / 32 / 0 / 24

HEX #AE84C1

RGB 174 132 193

HSL 281.31, 0.33%, 0.64%

LAB 61.09, 27.23, -25.64

 

CMYK 7 / 23 / 0 / 19

HEX #C0A0CF

RGB 192 160 207

HSL 280.85, 0.33%, 0.72%

LAB 70.07, 20.34, -19.58

 

CMYK 5 / 15 / 0 / 14

HEX #D2BBDC

RGB 210 187 220

HSL 281.82, 0.32%, 0.8%

LAB 78.7, 14.11, -13.51

 

CMYK 3 / 9 / 0 / 8

HEX #E4D6EA

RGB 228 214 234

HSL 282, 0.32%, 0.88%

LAB 87.25, 8.38, -8.07

 

CMYK 7 / 23 / 0 / 19

HEX #C09FCF

RGB 192 159 207

HSL 281.25, 0.33%, 0.72%

LAB 69.83, 20.89, -19.95

 

CMYK 0 / 23 / 20 / 19

HEX #CFA0A5

RGB 207 160 165

HSL 353.62, 0.33%, 0.72%

LAB 70.26, 18.15, 4.12

 

CMYK 23 / 0 / 16 / 19

HEX #A0CFAD

RGB 160 207 173

HSL 136.6, 0.33%, 0.72%

LAB 79.11, -22.13, 11.94

 

CMYK 7 / 23 / 0 / 19

HEX #C09FCF

RGB 192 159 207

HSL 281.25, 0.33%, 0.72%

LAB 69.83, 20.89, -19.95

 

CMYK 0 / 7 / 23 / 19

HEX #CFC0A0

RGB 207 192 160

HSL 40.85, 0.33%, 0.72%

LAB 78.17, 0.2, 18.06

 

CMYK 23 / 0 / 7 / 19

HEX #A0CFC0

RGB 160 207 192

HSL 160.85, 0.33%, 0.72%

LAB 79.56, -18.41, 2.43

 

CMYK 7 / 23 / 0 / 19

HEX #C09FCF

RGB 192 159 207

HSL 281.25, 0.33%, 0.72%

LAB 69.83, 20.89, -19.95

 

CMYK 0 / 23 / 20 / 19

HEX #CFA0A5

RGB 207 160 165

HSL 353.62, 0.33%, 0.72%

LAB 70.26, 18.15, 4.12

 

CMYK 16 / 0 / 23 / 19

HEX #AECFA0

RGB 174 207 160

HSL 102.13, 0.33%, 0.72%

LAB 79.71, -19.64, 19.81

 

CMYK 23 / 0 / 3 / 19

HEX #A0CFC9

RGB 160 207 201

HSL 172.34, 0.33%, 0.72%

LAB 79.79, -16.53, -2.05

 

CMYK 7 / 23 / 0 / 19

HEX #C09FCF

RGB 192 159 207

HSL 281.25, 0.33%, 0.72%

LAB 69.83, 20.89, -19.95

 

CMYK 0 / 19 / 23 / 19

HEX #CFA8A0

RGB 207 168 160

HSL 10.21, 0.33%, 0.72%

LAB 72.1, 13.05, 9.52

 

CMYK 16 / 0 / 23 / 19

HEX #AECFA0

RGB 174 207 160

HSL 102.13, 0.33%, 0.72%

LAB 79.71, -19.64, 19.81

 

CMYK 23 / 4 / 0 / 19

HEX #A0C6CF

RGB 160 198 207

HSL 191.49, 0.33%, 0.72%

LAB 77.5, -10.58, -8.67

 

Description

Color code: HEX #C09FCF | qconv.com Color code: HEX #C09FCF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 159 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 159 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 23 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 23% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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