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Color name
HEX #C0A562

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0A562 it is the complementary color #3F5A9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0A562. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0A562 shade: #C5A55D, #D6B770, #E7C983, #F8DB96 and #FFEDA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0A562. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0A562 shade: #C0A562, #AF934F, #9E813C, #8D6F29 and #7C5D16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0A562 shade: #C0A562, #C08B62, #C07262 and #C06262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0A562 shade: #C0A562, #C0BE62, #A8C062, #8FC062 and #75C062

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0A562 shade matches the following richer shades: #C0A562, #D2AC50, #E3B43E and #F5BC2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0A562 shade: #C0A562, #AE9D73, #9D9685, #8B8E97 and #7987A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0A562 shade: #C07162, #C08B62, #C0A462, #C0BD62 and #AAC062

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0A562 shade: #947B3B, #B29347, #C0A562, #CCB67F and #D8C79D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0A562 shade: #C0A562, #6BC062 and #7E62C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0A562 shade: #C0A562, #62C0A4 and #A462C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0A562 shade: #C0A562, #6BC062, #627EC0 and #B762C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0A562 shade: #C0A562, #62C075, #627EC0 and #C062AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 49 / 25

HEX #C0A562

RGB 192 165 98

HSL 42.77, 0.43%, 0.57%

LAB 68.75, 1.08, 38.19

 

Complementary color

CMYK 60 / 43 / 0 / 38

HEX #3F5A9D

RGB 63 90 157

HSL 222.77, 0.43%, 0.43%

LAB 39.25, 11.24, -39.58

 

CMYK 0 / 16 / 53 / 23

HEX #C5A55D

RGB 197 165 93

HSL 41.54, 0.47%, 0.57%

LAB 69.16, 2.73, 41.37

 

CMYK 0 / 14 / 48 / 16

HEX #D6B770

RGB 214 183 112

HSL 41.76, 0.55%, 0.64%

LAB 75.66, 1.96, 40.06

 

CMYK 0 / 13 / 43 / 9

HEX #E7C983

RGB 231 201 131

HSL 42, 0.68%, 0.71%

LAB 82.06, 1.29, 38.81

 

CMYK 0 / 12 / 40 / 3

HEX #F8DB96

RGB 248 219 150

HSL 42.24, 0.88%, 0.78%

LAB 88.36, 0.72, 37.6

 

CMYK 0 / 7 / 34 / 0

HEX #FFEDA9

RGB 255 237 169

HSL 47.44, 1%, 0.83%

LAB 93.75, -3.58, 35.2

 

CMYK 0 / 14 / 49 / 25

HEX #C0A562

RGB 192 165 98

HSL 42.77, 0.43%, 0.57%

LAB 68.75, 1.08, 38.19

 

CMYK 0 / 16 / 55 / 31

HEX #AF934F

RGB 175 147 79

HSL 42.5, 0.38%, 0.5%

LAB 62.12, 1.89, 39.51

 

CMYK 0 / 18 / 62 / 38

HEX #9E813C

RGB 158 129 60

HSL 42.24, 0.45%, 0.43%

LAB 55.38, 2.87, 40.82

 

CMYK 0 / 21 / 71 / 45

HEX #8D6F29

RGB 141 111 41

HSL 42, 0.55%, 0.36%

LAB 48.5, 4.07, 41.98

 

CMYK 0 / 25 / 82 / 51

HEX #7C5D16

RGB 124 93 22

HSL 41.76, 0.7%, 0.29%

LAB 41.49, 5.6, 42.6

 

CMYK 0 / 14 / 49 / 25

HEX #C0A562

RGB 192 165 98

HSL 42.77, 0.43%, 0.57%

LAB 68.75, 1.08, 38.19

 

CMYK 0 / 28 / 49 / 25

HEX #C08B62

RGB 192 139 98

HSL 26.17, 0.43%, 0.57%

LAB 62.13, 15.28, 29.82

 

CMYK 0 / 41 / 49 / 25

HEX #C07262

RGB 192 114 98

HSL 10.21, 0.43%, 0.57%

LAB 56.21, 29.03, 22.06

 

CMYK 0 / 49 / 49 / 25

HEX #C06262

RGB 192 98 98

HSL 0, 0.43%, 0.57%

LAB 52.76, 37.56, 17.4

 

CMYK 0 / 14 / 49 / 25

HEX #C0A562

RGB 192 165 98

HSL 42.77, 0.43%, 0.57%

LAB 68.75, 1.08, 38.19

 

CMYK 0 / 1 / 49 / 25

HEX #C0BE62

RGB 192 190 98

HSL 58.72, 0.43%, 0.57%

LAB 75.4, -12.05, 46.29

 

CMYK 13 / 0 / 49 / 25

HEX #A8C062

RGB 168 192 98

HSL 75.32, 0.43%, 0.57%

LAB 74.13, -22.74, 44.33

 

CMYK 26 / 0 / 49 / 25

HEX #8FC062

RGB 143 192 98

HSL 91.28, 0.43%, 0.57%

LAB 72.51, -32.29, 41.98

 

CMYK 39 / 0 / 49 / 25

HEX #75C062

RGB 117 192 98

HSL 107.87, 0.43%, 0.57%

LAB 71.12, -41.29, 39.96

 

CMYK 0 / 14 / 49 / 25

HEX #C0A562

RGB 192 165 98

HSL 42.77, 0.43%, 0.57%

LAB 68.75, 1.08, 38.19

 

CMYK 0 / 18 / 62 / 18

HEX #D2AC50

RGB 210 172 80

HSL 42.46, 0.59%, 0.57%

LAB 72.09, 3.5, 51.44

 

CMYK 0 / 21 / 73 / 11

HEX #E3B43E

RGB 227 180 62

HSL 42.91, 0.75%, 0.57%

LAB 75.65, 5.52, 63.48

 

CMYK 0 / 23 / 82 / 4

HEX #F5BC2C

RGB 245 188 44

HSL 42.99, 0.91%, 0.57%

LAB 79.36, 8.35, 73.73

 

CMYK 0 / 14 / 49 / 25

HEX #C0A562

RGB 192 165 98

HSL 42.77, 0.43%, 0.57%

LAB 68.75, 1.08, 38.19

 

CMYK 0 / 10 / 34 / 32

HEX #AE9D73

RGB 174 157 115

HSL 42.71, 0.27%, 0.57%

LAB 65.24, -0.15, 24.27

 

CMYK 0 / 4 / 15 / 38

HEX #9D9685

RGB 157 150 133

HSL 42.5, 0.11%, 0.57%

LAB 62.23, -0.43, 9.89

 

CMYK 8 / 6 / 0 / 41

HEX #8B8E97

RGB 139 142 151

HSL 225, 0.05%, 0.57%

LAB 59.04, 0.74, -5.15

 

CMYK 28 / 20 / 0 / 34

HEX #7987A9

RGB 121 135 169

HSL 222.5, 0.22%, 0.57%

LAB 56.34, 2.92, -19.65

 

CMYK 0 / 41 / 49 / 25

HEX #C07162

RGB 192 113 98

HSL 9.57, 0.43%, 0.57%

LAB 55.99, 29.57, 21.76

 

CMYK 0 / 28 / 49 / 25

HEX #C08B62

RGB 192 139 98

HSL 26.17, 0.43%, 0.57%

LAB 62.13, 15.28, 29.82

 

CMYK 0 / 15 / 49 / 25

HEX #C0A462

RGB 192 164 98

HSL 42.13, 0.43%, 0.57%

LAB 68.49, 1.62, 37.87

 

CMYK 0 / 2 / 49 / 25

HEX #C0BD62

RGB 192 189 98

HSL 58.09, 0.43%, 0.57%

LAB 75.13, -11.53, 45.96

 

CMYK 11 / 0 / 49 / 25

HEX #AAC062

RGB 170 192 98

HSL 74.04, 0.43%, 0.57%

LAB 74.27, -21.95, 44.53

 

CMYK 0 / 17 / 60 / 42

HEX #947B3B

RGB 148 123 59

HSL 43.15, 0.43%, 0.41%

LAB 52.71, 1.67, 38

 

CMYK 0 / 17 / 60 / 30

HEX #B29347

RGB 178 147 71

HSL 42.62, 0.43%, 0.49%

LAB 62.33, 2.55, 43.84

 

CMYK 0 / 14 / 49 / 25

HEX #C0A562

RGB 192 165 98

HSL 42.77, 0.43%, 0.57%

LAB 68.75, 1.08, 38.19

 

CMYK 0 / 11 / 38 / 20

HEX #CCB67F

RGB 204 182 127

HSL 42.86, 0.43%, 0.65%

LAB 74.71, 0.01, 30.89

 

CMYK 0 / 8 / 27 / 15

HEX #D8C79D

RGB 216 199 157

HSL 42.71, 0.43%, 0.73%

LAB 80.67, -0.47, 23.22

 

CMYK 0 / 14 / 49 / 25

HEX #C0A562

RGB 192 165 98

HSL 42.77, 0.43%, 0.57%

LAB 68.75, 1.08, 38.19

 

CMYK 44 / 0 / 49 / 25

HEX #6BC062

RGB 107 192 98

HSL 114.26, 0.43%, 0.57%

LAB 70.67, -44.41, 39.31

 

CMYK 34 / 49 / 0 / 25

HEX #7E62C0

RGB 126 98 192

HSL 257.87, 0.43%, 0.57%

LAB 48.23, 32.38, -45.55

 

CMYK 0 / 14 / 49 / 25

HEX #C0A562

RGB 192 165 98

HSL 42.77, 0.43%, 0.57%

LAB 68.75, 1.08, 38.19

 

CMYK 49 / 0 / 15 / 25

HEX #62C0A4

RGB 98 192 164

HSL 162.13, 0.43%, 0.57%

LAB 71.54, -34.68, 5.57

 

CMYK 15 / 49 / 0 / 25

HEX #A462C0

RGB 164 98 192

HSL 282.13, 0.43%, 0.57%

LAB 52.32, 42.85, -38.81

 

CMYK 0 / 14 / 49 / 25

HEX #C0A562

RGB 192 165 98

HSL 42.77, 0.43%, 0.57%

LAB 68.75, 1.08, 38.19

 

CMYK 44 / 0 / 49 / 25

HEX #6BC062

RGB 107 192 98

HSL 114.26, 0.43%, 0.57%

LAB 70.67, -44.41, 39.31

 

CMYK 49 / 34 / 0 / 25

HEX #627EC0

RGB 98 126 192

HSL 222.13, 0.43%, 0.57%

LAB 53.3, 8.33, -37.67

 

CMYK 5 / 49 / 0 / 25

HEX #B762C0

RGB 183 98 192

HSL 294.26, 0.43%, 0.57%

LAB 54.67, 48.28, -34.96

 

CMYK 0 / 14 / 49 / 25

HEX #C0A562

RGB 192 165 98

HSL 42.77, 0.43%, 0.57%

LAB 68.75, 1.08, 38.19

 

CMYK 49 / 0 / 39 / 25

HEX #62C075

RGB 98 192 117

HSL 132.13, 0.43%, 0.57%

LAB 70.58, -44.11, 29.43

 

CMYK 49 / 34 / 0 / 25

HEX #627EC0

RGB 98 126 192

HSL 222.13, 0.43%, 0.57%

LAB 53.3, 8.33, -37.67

 

CMYK 0 / 49 / 10 / 25

HEX #C062AD

RGB 192 98 173

HSL 312.13, 0.43%, 0.57%

LAB 55.03, 47.55, -23.35

 

Description

Color code: HEX #C0A562 | qconv.com Color code: HEX #C0A562 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 165 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 165 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 49 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 49% 25% C M Y K

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Provide designers and agencies with accurate color values.

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