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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0A63E it is the complementary color #3F59C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0A63E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0A63E shade: #C5A639, #D6B84C, #E7CA5F, #F8DC72 and #FFEE85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0A63E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0A63E shade: #C0A63E, #AF942B, #9E8218, #8D7005 and #7C5E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0A63E shade: #C0A63E, #C0833E, #C0603E and #C03E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0A63E shade: #C0A63E, #B7C03E, #94C03E, #71C03E and #4EC03E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0A63E shade matches the following richer shades: #C0A63E, #D5B229, #E9BF15 and #FECB00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0A63E shade: #C0A63E, #AB9A53, #978D67, #82817C and #6E7590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0A63E shade: #C0613E, #C0833E, #C0A63E, #B7C03E and #95C03E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0A63E shade: #82702A, #A18B34, #C0A63E, #CAB45D and #D4C37C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0A63E shade: #C0A63E, #3EC03E and #723EC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0A63E shade: #C0A63E, #3EC0A6 and #A63EC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0A63E shade: #C0A63E, #3EC03E, #3E58C0 and #C03EC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0A63E shade: #C0A63E, #3EC065, #3E58C0 and #C03E99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 68 / 25

HEX #C0A63E

RGB 192 166 62

HSL 48, 0.51%, 0.5%

LAB 68.63, -2.19, 55.25

 

Complementary color

CMYK 67 / 54 / 0 / 24

HEX #3F59C1

RGB 63 89 193

HSL 228, 0.51%, 0.5%

LAB 41.3, 24.71, -57.52

 

CMYK 0 / 16 / 71 / 23

HEX #C5A639

RGB 197 166 57

HSL 46.71, 0.55%, 0.5%

LAB 69.07, -0.27, 57.93

 

CMYK 0 / 14 / 64 / 16

HEX #D6B84C

RGB 214 184 76

HSL 46.96, 0.63%, 0.57%

LAB 75.51, -1.39, 57.12

 

CMYK 0 / 13 / 59 / 9

HEX #E7CA5F

RGB 231 202 95

HSL 47.21, 0.74%, 0.64%

LAB 81.87, -2.33, 56.08

 

CMYK 0 / 11 / 54 / 3

HEX #F8DC72

RGB 248 220 114

HSL 47.46, 0.91%, 0.71%

LAB 88.14, -3.14, 54.94

 

CMYK 0 / 7 / 48 / 0

HEX #FFEE85

RGB 255 238 133

HSL 51.64, 1%, 0.76%

LAB 93.5, -7.78, 52.55

 

CMYK 0 / 14 / 68 / 25

HEX #C0A63E

RGB 192 166 62

HSL 48, 0.51%, 0.5%

LAB 68.63, -2.19, 55.25

 

CMYK 0 / 15 / 75 / 31

HEX #AF942B

RGB 175 148 43

HSL 47.73, 0.61%, 0.43%

LAB 62.06, -0.99, 55.8

 

CMYK 0 / 18 / 85 / 38

HEX #9E8218

RGB 158 130 24

HSL 47.46, 0.74%, 0.36%

LAB 55.38, 0.47, 55.55

 

CMYK 0 / 21 / 96 / 45

HEX #8D7005

RGB 141 112 5

HSL 47.21, 0.93%, 0.29%

LAB 48.59, 2.24, 53.84

 

CMYK 0 / 24 / 100 / 51

HEX #7C5E00

RGB 124 94 0

HSL 45.48, 1%, 0.24%

LAB 41.67, 4.41, 49.22

 

CMYK 0 / 14 / 68 / 25

HEX #C0A63E

RGB 192 166 62

HSL 48, 0.51%, 0.5%

LAB 68.63, -2.19, 55.25

 

CMYK 0 / 32 / 68 / 25

HEX #C0833E

RGB 192 131 62

HSL 31.85, 0.51%, 0.5%

LAB 59.7, 16.87, 45.7

 

CMYK 0 / 50 / 68 / 25

HEX #C0603E

RGB 192 96 62

HSL 15.69, 0.51%, 0.5%

LAB 51.75, 35.82, 36.72

 

CMYK 0 / 68 / 68 / 25

HEX #C03E3E

RGB 192 62 62

HSL 0, 0.51%, 0.5%

LAB 45.63, 51.81, 29.44

 

CMYK 0 / 14 / 68 / 25

HEX #C0A63E

RGB 192 166 62

HSL 48, 0.51%, 0.5%

LAB 68.63, -2.19, 55.25

 

CMYK 5 / 0 / 68 / 25

HEX #B7C03E

RGB 183 192 62

HSL 64.15, 0.51%, 0.5%

LAB 74.9, -19.47, 61.43

 

CMYK 23 / 0 / 68 / 25

HEX #94C03E

RGB 148 192 62

HSL 80.31, 0.51%, 0.5%

LAB 72.46, -33.69, 58.16

 

CMYK 41 / 0 / 68 / 25

HEX #71C03E

RGB 113 192 62

HSL 96.46, 0.51%, 0.5%

LAB 70.56, -46.36, 55.59

 

CMYK 59 / 0 / 68 / 25

HEX #4EC03E

RGB 78 192 62

HSL 112.62, 0.51%, 0.5%

LAB 69.23, -56.43, 53.78

 

CMYK 0 / 14 / 68 / 25

HEX #C0A63E

RGB 192 166 62

HSL 48, 0.51%, 0.5%

LAB 68.63, -2.19, 55.25

 

CMYK 0 / 16 / 81 / 16

HEX #D5B229

RGB 213 178 41

HSL 47.79, 0.68%, 0.5%

LAB 73.64, -0.29, 68.42

 

CMYK 0 / 18 / 91 / 9

HEX #E9BF15

RGB 233 191 21

HSL 48.11, 0.83%, 0.5%

LAB 78.83, 1.14, 78.04

 

CMYK 0 / 20 / 100 / 0

HEX #FECB00

RGB 254 203 0

HSL 47.95, 1%, 0.5%

LAB 83.85, 3.77, 84.94

 

CMYK 0 / 14 / 68 / 25

HEX #C0A63E

RGB 192 166 62

HSL 48, 0.51%, 0.5%

LAB 68.63, -2.19, 55.25

 

CMYK 0 / 10 / 51 / 33

HEX #AB9A53

RGB 171 154 83

HSL 48.41, 0.35%, 0.5%

LAB 63.67, -3.29, 39.23

 

CMYK 0 / 7 / 32 / 41

HEX #978D67

RGB 151 141 103

HSL 47.5, 0.19%, 0.5%

LAB 58.61, -2.37, 21.66

 

CMYK 0 / 1 / 5 / 49

HEX #82817C

RGB 130 129 124

HSL 50, 0.02%, 0.5%

LAB 53.92, -0.59, 2.83

 

CMYK 24 / 19 / 0 / 44

HEX #6E7590

RGB 110 117 144

HSL 227.65, 0.13%, 0.5%

LAB 49.56, 3.62, -15.54

 

CMYK 0 / 49 / 68 / 25

HEX #C0613E

RGB 192 97 62

HSL 16.15, 0.51%, 0.5%

LAB 51.95, 35.3, 36.96

 

CMYK 0 / 32 / 68 / 25

HEX #C0833E

RGB 192 131 62

HSL 31.85, 0.51%, 0.5%

LAB 59.7, 16.87, 45.7

 

CMYK 0 / 14 / 68 / 25

HEX #C0A63E

RGB 192 166 62

HSL 48, 0.51%, 0.5%

LAB 68.63, -2.19, 55.25

 

CMYK 5 / 0 / 68 / 25

HEX #B7C03E

RGB 183 192 62

HSL 64.15, 0.51%, 0.5%

LAB 74.9, -19.47, 61.43

 

CMYK 22 / 0 / 68 / 25

HEX #95C03E

RGB 149 192 62

HSL 79.85, 0.51%, 0.5%

LAB 72.52, -33.3, 58.24

 

CMYK 0 / 14 / 68 / 49

HEX #82702A

RGB 130 112 42

HSL 47.73, 0.51%, 0.34%

LAB 47.63, -1.56, 40.23

 

CMYK 0 / 14 / 68 / 37

HEX #A18B34

RGB 161 139 52

HSL 47.89, 0.51%, 0.42%

LAB 58.31, -1.88, 47.89

 

CMYK 0 / 14 / 68 / 25

HEX #C0A63E

RGB 192 166 62

HSL 48, 0.51%, 0.5%

LAB 68.63, -2.19, 55.25

 

CMYK 0 / 11 / 54 / 21

HEX #CAB45D

RGB 202 180 93

HSL 47.89, 0.51%, 0.58%

LAB 73.54, -3.14, 46.72

 

CMYK 0 / 8 / 42 / 17

HEX #D4C37C

RGB 212 195 124

HSL 48.41, 0.51%, 0.66%

LAB 78.74, -3.93, 37.8

 

CMYK 0 / 14 / 68 / 25

HEX #C0A63E

RGB 192 166 62

HSL 48, 0.51%, 0.5%

LAB 68.63, -2.19, 55.25

 

CMYK 68 / 0 / 68 / 25

HEX #3EC03E

RGB 62 192 62

HSL 120, 0.51%, 0.5%

LAB 68.8, -59.91, 53.19

 

CMYK 41 / 68 / 0 / 25

HEX #723EC0

RGB 114 62 192

HSL 264, 0.51%, 0.5%

LAB 39.29, 49.75, -60

 

CMYK 0 / 14 / 68 / 25

HEX #C0A63E

RGB 192 166 62

HSL 48, 0.51%, 0.5%

LAB 68.63, -2.19, 55.25

 

CMYK 68 / 0 / 14 / 25

HEX #3EC0A6

RGB 62 192 166

HSL 168, 0.51%, 0.5%

LAB 70.51, -41.3, 2.85

 

CMYK 14 / 68 / 0 / 25

HEX #A63EC0

RGB 166 62 192

HSL 288, 0.51%, 0.5%

LAB 46.12, 60.77, -48.64

 

CMYK 0 / 14 / 68 / 25

HEX #C0A63E

RGB 192 166 62

HSL 48, 0.51%, 0.5%

LAB 68.63, -2.19, 55.25

 

CMYK 68 / 0 / 68 / 25

HEX #3EC03E

RGB 62 192 62

HSL 120, 0.51%, 0.5%

LAB 68.8, -59.91, 53.19

 

CMYK 68 / 54 / 0 / 25

HEX #3E58C0

RGB 62 88 192

HSL 228, 0.51%, 0.5%

LAB 40.91, 24.84, -57.56

 

CMYK 0 / 68 / 0 / 25

HEX #C03EC0

RGB 192 62 192

HSL 300, 0.51%, 0.5%

LAB 50.05, 66.65, -42.15

 

CMYK 0 / 14 / 68 / 25

HEX #C0A63E

RGB 192 166 62

HSL 48, 0.51%, 0.5%

LAB 68.63, -2.19, 55.25

 

CMYK 68 / 0 / 47 / 25

HEX #3EC065

RGB 62 192 101

HSL 138, 0.51%, 0.5%

LAB 69.23, -54.95, 35.69

 

CMYK 68 / 54 / 0 / 25

HEX #3E58C0

RGB 62 88 192

HSL 228, 0.51%, 0.5%

LAB 40.91, 24.84, -57.56

 

CMYK 0 / 68 / 20 / 25

HEX #C03E99

RGB 192 62 153

HSL 318, 0.51%, 0.5%

LAB 48.2, 60.7, -22.1

 

Description

Color code: HEX #C0A63E | qconv.com Color code: HEX #C0A63E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 166 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 166 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 68 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 68% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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