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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0A9AF it is the complementary color #3F5650. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0A9AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0A9AF shade: #C5A9AA, #D6BBBD, #E7CDD0, #F8DFE3 and #FFF1F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0A9AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0A9AF shade: #C0A9AF, #AF979C, #9E8589, #8D7376 and #7C6163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0A9AF shade: #C0A9AF and #C0A9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0A9AF shade: #C0A9AF, #C0A9B5, #C0A9BB, #BEA9C0 and #B8A9C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0A9AF shade matches the following richer shades: #C0A9AF, #CC9DAA, #D892A4, #E4869E and #F07A98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0A9AF shade: #C0A9AF, #B4B5B5, #A8C1BB, #9CCDC0 and #90D9C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0A9AF shade: #C0A9BB, #C0A9B5, #C0A9AF, #C0A9A9 and #C0AFA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0A9AF shade: #9D7A83, #AE9299, #C0A9AF, #D1C1C5 and #E3D9DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0A9AF shade: #C0A9AF, #C0BEA9 and #A9B8C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0A9AF shade: #C0A9AF, #AFC0A9 and #A9AFC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0A9AF shade: #C0A9AF, #C0BEA9, #A9C0BA and #A9ABC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0A9AF shade: #C0A9AF, #BAC0A9, #A9C0BA and #AFA9C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 9 / 25

HEX #C0A9AF

RGB 192 169 175

HSL 344.35, 0.15%, 0.71%

LAB 71.34, 9.36, -0.03

 

Complementary color

CMYK 27 / 0 / 7 / 66

HEX #3F5650

RGB 63 86 80

HSL 164.35, 0.15%, 0.29%

LAB 34.58, -10.2, 0.64

 

CMYK 0 / 14 / 14 / 23

HEX #C5A9AA

RGB 197 169 170

HSL 357.86, 0.19%, 0.72%

LAB 71.66, 10.33, 3.25

 

CMYK 0 / 13 / 12 / 16

HEX #D6BBBD

RGB 214 187 189

HSL 355.56, 0.25%, 0.79%

LAB 78.18, 9.94, 2.52

 

CMYK 0 / 11 / 10 / 9

HEX #E7CDD0

RGB 231 205 208

HSL 353.08, 0.35%, 0.85%

LAB 84.59, 9.57, 1.83

 

CMYK 0 / 10 / 8 / 3

HEX #F8DFE3

RGB 248 223 227

HSL 350.4, 0.64%, 0.92%

LAB 90.91, 9.23, 1.17

 

CMYK 0 / 5 / 4 / 0

HEX #FFF1F6

RGB 255 241 246

HSL 338.57, 1%, 0.97%

LAB 96.34, 5.55, -0.73

 

CMYK 0 / 12 / 9 / 25

HEX #C0A9AF

RGB 192 169 175

HSL 344.35, 0.15%, 0.71%

LAB 71.34, 9.36, -0.03

 

CMYK 0 / 14 / 11 / 31

HEX #AF979C

RGB 175 151 156

HSL 347.5, 0.13%, 0.64%

LAB 64.68, 9.75, 0.66

 

CMYK 0 / 16 / 13 / 38

HEX #9E8589

RGB 158 133 137

HSL 350.4, 0.11%, 0.57%

LAB 57.89, 10.19, 1.39

 

CMYK 0 / 18 / 16 / 45

HEX #8D7376

RGB 141 115 118

HSL 353.08, 0.1%, 0.5%

LAB 50.96, 10.68, 2.18

 

CMYK 0 / 22 / 20 / 51

HEX #7C6163

RGB 124 97 99

HSL 355.56, 0.12%, 0.43%

LAB 43.85, 11.25, 3.04

 

CMYK 0 / 12 / 9 / 25

HEX #C0A9AF

RGB 192 169 175

HSL 344.35, 0.15%, 0.71%

LAB 71.34, 9.36, -0.03

 

CMYK 0 / 12 / 12 / 25

HEX #C0A9A9

RGB 192 169 169

HSL 0, 0.15%, 0.71%

LAB 71.18, 8.33, 3.05

 

CMYK 0 / 12 / 9 / 25

HEX #C0A9AF

RGB 192 169 175

HSL 344.35, 0.15%, 0.71%

LAB 71.34, 9.36, -0.03

 

CMYK 0 / 12 / 6 / 25

HEX #C0A9B5

RGB 192 169 181

HSL 328.7, 0.15%, 0.71%

LAB 71.5, 10.42, -3.1

 

CMYK 0 / 12 / 3 / 25

HEX #C0A9BB

RGB 192 169 187

HSL 313.04, 0.15%, 0.71%

LAB 71.67, 11.51, -6.15

 

CMYK 1 / 12 / 0 / 25

HEX #BEA9C0

RGB 190 169 192

HSL 294.78, 0.15%, 0.71%

LAB 71.64, 11.75, -8.97

 

CMYK 4 / 12 / 0 / 25

HEX #B8A9C0

RGB 184 169 192

HSL 279.13, 0.15%, 0.71%

LAB 71.13, 9.68, -9.79

 

CMYK 0 / 12 / 9 / 25

HEX #C0A9AF

RGB 192 169 175

HSL 344.35, 0.15%, 0.71%

LAB 71.34, 9.36, -0.03

 

CMYK 0 / 23 / 17 / 20

HEX #CC9DAA

RGB 204 157 170

HSL 343.4, 0.32%, 0.71%

LAB 69.37, 19.46, 0

 

CMYK 0 / 32 / 24 / 15

HEX #D892A4

RGB 216 146 164

HSL 344.57, 0.47%, 0.71%

LAB 67.9, 28.92, 1.37

 

CMYK 0 / 41 / 31 / 11

HEX #E4869E

RGB 228 134 158

HSL 344.68, 0.64%, 0.71%

LAB 66.53, 38.79, 2.93

 

CMYK 0 / 49 / 37 / 6

HEX #F07A98

RGB 240 122 152

HSL 344.75, 0.8%, 0.71%

LAB 65.52, 48.33, 5.08

 

CMYK 0 / 12 / 9 / 25

HEX #C0A9AF

RGB 192 169 175

HSL 344.35, 0.15%, 0.71%

LAB 71.34, 9.36, -0.03

 

CMYK 1 / 0 / 0 / 29

HEX #B4B5B5

RGB 180 181 181

HSL 180, 0.01%, 0.71%

LAB 73.6, -0.35, -0.13

 

CMYK 13 / 0 / 3 / 24

HEX #A8C1BB

RGB 168 193 187

HSL 165.6, 0.17%, 0.71%

LAB 76.1, -9.65, 0.15

 

CMYK 24 / 0 / 6 / 20

HEX #9CCDC0

RGB 156 205 192

HSL 164.08, 0.33%, 0.71%

LAB 78.77, -18.65, 1.26

 

CMYK 34 / 0 / 9 / 15

HEX #90D9C6

RGB 144 217 198

HSL 164.38, 0.49%, 0.71%

LAB 81.64, -26.85, 2.14

 

CMYK 0 / 12 / 3 / 25

HEX #C0A9BB

RGB 192 169 187

HSL 313.04, 0.15%, 0.71%

LAB 71.67, 11.51, -6.15

 

CMYK 0 / 12 / 6 / 25

HEX #C0A9B5

RGB 192 169 181

HSL 328.7, 0.15%, 0.71%

LAB 71.5, 10.42, -3.1

 

CMYK 0 / 12 / 9 / 25

HEX #C0A9AF

RGB 192 169 175

HSL 344.35, 0.15%, 0.71%

LAB 71.34, 9.36, -0.03

 

CMYK 0 / 12 / 12 / 25

HEX #C0A9A9

RGB 192 169 169

HSL 0, 0.15%, 0.71%

LAB 71.18, 8.33, 3.05

 

CMYK 0 / 9 / 12 / 25

HEX #C0AFA9

RGB 192 175 169

HSL 15.65, 0.15%, 0.71%

LAB 72.71, 5.07, 5.27

 

CMYK 0 / 22 / 17 / 38

HEX #9D7A83

RGB 157 122 131

HSL 344.57, 0.15%, 0.55%

LAB 54.79, 15.07, 0.33

 

CMYK 0 / 16 / 12 / 32

HEX #AE9299

RGB 174 146 153

HSL 345, 0.15%, 0.63%

LAB 63.22, 11.65, 0.22

 

CMYK 0 / 12 / 9 / 25

HEX #C0A9AF

RGB 192 169 175

HSL 344.35, 0.15%, 0.71%

LAB 71.34, 9.36, -0.03

 

CMYK 0 / 8 / 6 / 18

HEX #D1C1C5

RGB 209 193 197

HSL 345, 0.15%, 0.79%

LAB 79.46, 6.31, 0.02

 

CMYK 0 / 4 / 4 / 11

HEX #E3D9DB

RGB 227 217 219

HSL 348, 0.15%, 0.87%

LAB 87.52, 3.77, 0.23

 

CMYK 0 / 12 / 9 / 25

HEX #C0A9AF

RGB 192 169 175

HSL 344.35, 0.15%, 0.71%

LAB 71.34, 9.36, -0.03

 

CMYK 0 / 1 / 12 / 25

HEX #C0BEA9

RGB 192 190 169

HSL 54.78, 0.15%, 0.71%

LAB 76.62, -2.95, 10.86

 

CMYK 12 / 4 / 0 / 25

HEX #A9B8C0

RGB 169 184 192

HSL 200.87, 0.15%, 0.71%

LAB 73.88, -3.54, -5.82

 

CMYK 0 / 12 / 9 / 25

HEX #C0A9AF

RGB 192 169 175

HSL 344.35, 0.15%, 0.71%

LAB 71.34, 9.36, -0.03

 

CMYK 9 / 0 / 12 / 25

HEX #AFC0A9

RGB 175 192 169

HSL 104.35, 0.15%, 0.71%

LAB 75.87, -10.12, 9.62

 

CMYK 12 / 9 / 0 / 25

HEX #A9AFC0

RGB 169 175 192

HSL 224.35, 0.15%, 0.71%

LAB 71.49, 1.32, -9.38

 

CMYK 0 / 12 / 9 / 25

HEX #C0A9AF

RGB 192 169 175

HSL 344.35, 0.15%, 0.71%

LAB 71.34, 9.36, -0.03

 

CMYK 0 / 1 / 12 / 25

HEX #C0BEA9

RGB 192 190 169

HSL 54.78, 0.15%, 0.71%

LAB 76.62, -2.95, 10.86

 

CMYK 12 / 0 / 3 / 25

HEX #A9C0BA

RGB 169 192 186

HSL 164.35, 0.15%, 0.71%

LAB 75.87, -8.99, 0.36

 

CMYK 12 / 11 / 0 / 25

HEX #A9ABC0

RGB 169 171 192

HSL 234.78, 0.15%, 0.71%

LAB 70.43, 3.51, -10.95

 

CMYK 0 / 12 / 9 / 25

HEX #C0A9AF

RGB 192 169 175

HSL 344.35, 0.15%, 0.71%

LAB 71.34, 9.36, -0.03

 

CMYK 3 / 0 / 12 / 25

HEX #BAC0A9

RGB 186 192 169

HSL 75.65, 0.15%, 0.71%

LAB 76.68, -6.18, 10.88

 

CMYK 12 / 0 / 3 / 25

HEX #A9C0BA

RGB 169 192 186

HSL 164.35, 0.15%, 0.71%

LAB 75.87, -8.99, 0.36

 

CMYK 9 / 12 / 0 / 25

HEX #AFA9C0

RGB 175 169 192

HSL 255.65, 0.15%, 0.71%

LAB 70.38, 6.62, -10.98

 

Description

Color code: HEX #C0A9AF | qconv.com Color code: HEX #C0A9AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 169 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 169 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 9 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 9% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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