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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0B635 it is the complementary color #3F49CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0B635. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0B635 shade: #C5B630, #D6C843, #E7DA56, #F8EC69 and #FFFE7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0B635. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0B635 shade: #C0B635, #AFA422, #9E920F, #8D8000 and #7C6E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0B635 shade: #C0B634, #C09034, #C06A34, #C04534 and #C03434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0B635 shade: #C0B634, #A4C034, #7EC034, #59C034 and #34C035

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0B635 shade matches the following richer shades: #C0B634, #D3C720 and #E7D80D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0B635 shade: #C0B634, #ACA548, #98945C, #848370 and #707283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0B635 shade: #C06A34, #C08F34, #C0B434, #A6C034 and #81C034

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0B635 shade: #7F7822, #9F972B, #C0B634, #CEC54F and #D7D06F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0B635 shade: #C0B635, #34C044 and #7C34C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0B635 shade: #C0B635, #34C0B4 and #B434C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0B635 shade: #C0B635, #34C044, #3440C0 and #C034AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0B635 shade: #C0B635, #34C06E, #3440C0 and #C03486

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 72 / 25

HEX #C0B635

RGB 192 182 53

HSL 55.68, 0.57%, 0.48%

LAB 72.84, -11.04, 63

 

Complementary color

CMYK 69 / 64 / 0 / 21

HEX #3F49CA

RGB 63 73 202

HSL 235.68, 0.57%, 0.52%

LAB 38, 38.02, -68.12

 

CMYK 0 / 8 / 76 / 23

HEX #C5B630

RGB 197 182 48

HSL 53.96, 0.61%, 0.48%

LAB 73.25, -9.09, 65.28

 

CMYK 0 / 7 / 69 / 16

HEX #D6C843

RGB 214 200 67

HSL 54.29, 0.64%, 0.55%

LAB 79.62, -10.15, 65.09

 

CMYK 0 / 6 / 63 / 9

HEX #E7DA56

RGB 231 218 86

HSL 54.62, 0.75%, 0.62%

LAB 85.91, -11.04, 64.44

 

CMYK 0 / 5 / 58 / 3

HEX #F8EC69

RGB 248 236 105

HSL 54.97, 0.91%, 0.69%

LAB 92.12, -11.8, 63.55

 

CMYK 0 / 0 / 51 / 0

HEX #FFFE7C

RGB 255 254 124

HSL 59.54, 1%, 0.74%

LAB 97.47, -16.38, 61.43

 

CMYK 0 / 5 / 72 / 25

HEX #C0B635

RGB 192 182 53

HSL 55.68, 0.57%, 0.48%

LAB 72.84, -11.04, 63

 

CMYK 0 / 6 / 81 / 31

HEX #AFA422

RGB 175 164 34

HSL 55.32, 0.67%, 0.41%

LAB 66.35, -9.89, 62.74

 

CMYK 0 / 8 / 91 / 38

HEX #9E920F

RGB 158 146 15

HSL 54.97, 0.83%, 0.34%

LAB 59.76, -8.51, 61.27

 

CMYK 0 / 9 / 100 / 45

HEX #8D8000

RGB 141 128 0

HSL 54.47, 1%, 0.28%

LAB 53.06, -6.85, 58.08

 

CMYK 0 / 11 / 100 / 51

HEX #7C6E00

RGB 124 110 0

HSL 53.23, 1%, 0.24%

LAB 46.23, -4.87, 52.42

 

CMYK 0 / 5 / 73 / 25

HEX #C0B634

RGB 192 182 52

HSL 55.71, 0.57%, 0.48%

LAB 72.83, -11.08, 63.36

 

CMYK 0 / 25 / 73 / 25

HEX #C09034

RGB 192 144 52

HSL 39.43, 0.57%, 0.48%

LAB 62.84, 9.18, 53.57

 

CMYK 0 / 45 / 73 / 25

HEX #C06A34

RGB 192 106 52

HSL 23.14, 0.57%, 0.48%

LAB 53.77, 30, 44.2

 

CMYK 0 / 64 / 73 / 25

HEX #C04534

RGB 192 69 52

HSL 7.29, 0.57%, 0.48%

LAB 46.59, 48.35, 36.34

 

CMYK 0 / 73 / 73 / 25

HEX #C03434

RGB 192 52 52

HSL 0, 0.57%, 0.48%

LAB 44.1, 55.13, 33.52

 

CMYK 0 / 5 / 73 / 25

HEX #C0B634

RGB 192 182 52

HSL 55.71, 0.57%, 0.48%

LAB 72.83, -11.08, 63.36

 

CMYK 15 / 0 / 73 / 25

HEX #A4C034

RGB 164 192 52

HSL 72, 0.57%, 0.48%

LAB 73.44, -27.9, 63.19

 

CMYK 34 / 0 / 73 / 25

HEX #7EC034

RGB 126 192 52

HSL 88.29, 0.57%, 0.48%

LAB 71.13, -42.59, 60.15

 

CMYK 54 / 0 / 73 / 25

HEX #59C034

RGB 89 192 52

HSL 104.14, 0.57%, 0.48%

LAB 69.52, -54.4, 58

 

CMYK 73 / 0 / 72 / 25

HEX #34C035

RGB 52 192 53

HSL 120.43, 0.57%, 0.48%

LAB 68.52, -62.49, 56.3

 

CMYK 0 / 5 / 73 / 25

HEX #C0B634

RGB 192 182 52

HSL 55.71, 0.57%, 0.48%

LAB 72.83, -11.08, 63.36

 

CMYK 0 / 6 / 85 / 17

HEX #D3C720

RGB 211 199 32

HSL 55.98, 0.74%, 0.48%

LAB 78.93, -12.24, 75.15

 

CMYK 0 / 6 / 94 / 9

HEX #E7D80D

RGB 231 216 13

HSL 55.87, 0.89%, 0.48%

LAB 85.06, -12.53, 83.68

 

CMYK 0 / 5 / 73 / 25

HEX #C0B634

RGB 192 182 52

HSL 55.71, 0.57%, 0.48%

LAB 72.83, -11.08, 63.36

 

CMYK 0 / 4 / 58 / 33

HEX #ACA548

RGB 172 165 72

HSL 55.8, 0.41%, 0.48%

LAB 66.63, -9.66, 48.1

 

CMYK 0 / 3 / 39 / 40

HEX #98945C

RGB 152 148 92

HSL 56, 0.25%, 0.48%

LAB 60.45, -7.18, 30.13

 

CMYK 0 / 1 / 15 / 48

HEX #848370

RGB 132 131 112

HSL 57, 0.08%, 0.48%

LAB 54.35, -3.11, 10.42

 

CMYK 15 / 13 / 0 / 49

HEX #707283

RGB 112 114 131

HSL 233.68, 0.08%, 0.48%

LAB 48.41, 2.96, -9.58

 

CMYK 0 / 45 / 73 / 25

HEX #C06A34

RGB 192 106 52

HSL 23.14, 0.57%, 0.48%

LAB 53.77, 30, 44.2

 

CMYK 0 / 26 / 73 / 25

HEX #C08F34

RGB 192 143 52

HSL 39, 0.57%, 0.48%

LAB 62.59, 9.73, 53.32

 

CMYK 0 / 6 / 73 / 25

HEX #C0B434

RGB 192 180 52

HSL 54.86, 0.57%, 0.48%

LAB 72.29, -10.05, 62.84

 

CMYK 14 / 0 / 73 / 25

HEX #A6C034

RGB 166 192 52

HSL 71.14, 0.57%, 0.48%

LAB 73.58, -27.08, 63.37

 

CMYK 33 / 0 / 73 / 25

HEX #81C034

RGB 129 192 52

HSL 87, 0.57%, 0.48%

LAB 71.29, -41.51, 60.36

 

CMYK 0 / 6 / 73 / 50

HEX #7F7822

RGB 127 120 34

HSL 55.48, 0.58%, 0.32%

LAB 49.57, -7.95, 45.64

 

CMYK 0 / 5 / 73 / 38

HEX #9F972B

RGB 159 151 43

HSL 55.86, 0.57%, 0.4%

LAB 61.38, -9.77, 54.63

 

CMYK 0 / 5 / 73 / 25

HEX #C0B634

RGB 192 182 52

HSL 55.71, 0.57%, 0.48%

LAB 72.83, -11.08, 63.36

 

CMYK 0 / 4 / 62 / 19

HEX #CEC54F

RGB 206 197 79

HSL 55.75, 0.56%, 0.56%

LAB 78.24, -11.29, 58.55

 

CMYK 0 / 3 / 48 / 16

HEX #D7D06F

RGB 215 208 111

HSL 55.96, 0.57%, 0.64%

LAB 82.22, -10.66, 48.63

 

CMYK 0 / 5 / 72 / 25

HEX #C0B635

RGB 192 182 53

HSL 55.68, 0.57%, 0.48%

LAB 72.84, -11.04, 63

 

CMYK 73 / 0 / 65 / 25

HEX #34C044

RGB 52 192 68

HSL 126.86, 0.57%, 0.48%

LAB 68.64, -61.08, 50.46

 

CMYK 35 / 73 / 0 / 25

HEX #7C34C0

RGB 124 52 192

HSL 270.86, 0.57%, 0.48%

LAB 38.81, 56.4, -60.73

 

CMYK 0 / 5 / 72 / 25

HEX #C0B635

RGB 192 182 53

HSL 55.68, 0.57%, 0.48%

LAB 72.84, -11.04, 63

 

CMYK 73 / 0 / 6 / 25

HEX #34C0B4

RGB 52 192 180

HSL 174.86, 0.57%, 0.48%

LAB 70.68, -38.95, -4.57

 

CMYK 6 / 73 / 0 / 25

HEX #B434C0

RGB 180 52 192

HSL 294.86, 0.57%, 0.48%

LAB 46.93, 67.53, -47.22

 

CMYK 0 / 5 / 72 / 25

HEX #C0B635

RGB 192 182 53

HSL 55.68, 0.57%, 0.48%

LAB 72.84, -11.04, 63

 

CMYK 73 / 0 / 65 / 25

HEX #34C044

RGB 52 192 68

HSL 126.86, 0.57%, 0.48%

LAB 68.64, -61.08, 50.46

 

CMYK 73 / 67 / 0 / 25

HEX #3440C0

RGB 52 64 192

HSL 234.86, 0.57%, 0.48%

LAB 34.4, 38.8, -68.2

 

CMYK 0 / 73 / 9 / 25

HEX #C034AF

RGB 192 52 175

HSL 307.29, 0.57%, 0.48%

LAB 47.95, 67.42, -35.52

 

CMYK 0 / 5 / 72 / 25

HEX #C0B635

RGB 192 182 53

HSL 55.68, 0.57%, 0.48%

LAB 72.84, -11.04, 63

 

CMYK 73 / 0 / 43 / 25

HEX #34C06E

RGB 52 192 110

HSL 144.86, 0.57%, 0.48%

LAB 69.15, -55.09, 30.95

 

CMYK 73 / 67 / 0 / 25

HEX #3440C0

RGB 52 64 192

HSL 234.86, 0.57%, 0.48%

LAB 34.4, 38.8, -68.2

 

CMYK 0 / 73 / 30 / 25

HEX #C03486

RGB 192 52 134

HSL 324.86, 0.57%, 0.48%

LAB 46.16, 61.86, -13.79

 

Description

Color code: HEX #C0B635 | qconv.com Color code: HEX #C0B635 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 182 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 182 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 72 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 72% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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