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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0B901 it is the complementary color #3F46FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0B901. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0B901 shade: #C5B900, #D6CB0F, #E7DD22, #F8EF35 and #FFFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0B901. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0B901 shade: #C0B901, #AFA700, #9E9500, #8D8300 and #7C7100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0B901 shade: #C0B900, #C08600, #C05200, #C01E00 and #C00000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0B901 shade: #C0B900, #94C000, #60C000, #2CC000 and #00C009

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0B901 shade matches the following richer shades: #C0B900

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0B901 shade: #C0B900, #B1AB10, #A19C20, #918E30 and #827F3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0B901 shade: #C05000, #C08400, #C0B700, #97C000 and #64C000

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0B901 shade: #6E6A00, #979200, #C0B900, #E9E101 and #FDF516

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0B901 shade: #C0B901, #00C01D and #6A00C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0B901 shade: #C0B901, #00C0B7 and #B700C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0B901 shade: #C0B901, #00C01D, #000AC0 and #C000A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0B901 shade: #C0B901, #00C057, #000AC0 and #C0006A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 99 / 25

HEX #C0B901

RGB 192 185 1

HSL 57.8, 0.99%, 0.38%

LAB 73.48, -13.87, 74.82

 

Complementary color

CMYK 75 / 72 / 0 / 0

HEX #3F46FE

RGB 63 70 254

HSL 237.8, 0.99%, 0.62%

LAB 42.14, 56.98, -90.88

 

CMYK 0 / 6 / 100 / 23

HEX #C5B900

RGB 197 185 0

HSL 56.35, 1%, 0.39%

LAB 73.91, -11.69, 75.44

 

CMYK 0 / 5 / 93 / 16

HEX #D6CB0F

RGB 214 203 15

HSL 56.68, 0.87%, 0.45%

LAB 80.2, -13.28, 79.17

 

CMYK 0 / 4 / 85 / 9

HEX #E7DD22

RGB 231 221 34

HSL 56.95, 0.8%, 0.52%

LAB 86.41, -14.67, 81.54

 

CMYK 0 / 4 / 79 / 3

HEX #F8EF35

RGB 248 239 53

HSL 57.23, 0.93%, 0.59%

LAB 92.55, -15.89, 82.76

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 0 / 4 / 99 / 25

HEX #C0B901

RGB 192 185 1

HSL 57.8, 0.99%, 0.38%

LAB 73.48, -13.87, 74.82

 

CMYK 0 / 5 / 100 / 31

HEX #AFA700

RGB 175 167 0

HSL 57.26, 1%, 0.34%

LAB 67.09, -12.14, 69.63

 

CMYK 0 / 6 / 100 / 38

HEX #9E9500

RGB 158 149 0

HSL 56.58, 1%, 0.31%

LAB 60.57, -10.35, 64.22

 

CMYK 0 / 7 / 100 / 45

HEX #8D8300

RGB 141 131 0

HSL 55.74, 1%, 0.28%

LAB 53.92, -8.49, 58.7

 

CMYK 0 / 9 / 100 / 51

HEX #7C7100

RGB 124 113 0

HSL 54.68, 1%, 0.24%

LAB 47.1, -6.56, 53.05

 

CMYK 0 / 4 / 100 / 25

HEX #C0B900

RGB 192 185 0

HSL 57.81, 1%, 0.38%

LAB 73.48, -13.88, 74.93

 

CMYK 0 / 30 / 100 / 25

HEX #C08600

RGB 192 134 0

HSL 41.88, 1%, 0.38%

LAB 60.12, 13.32, 65.55

 

CMYK 0 / 57 / 100 / 25

HEX #C05200

RGB 192 82 0

HSL 25.63, 1%, 0.38%

LAB 48.56, 41.03, 58.34

 

CMYK 0 / 84 / 100 / 25

HEX #C01E00

RGB 192 30 0

HSL 9.38, 1%, 0.38%

LAB 41.43, 60.39, 54.86

 

CMYK 0 / 100 / 100 / 25

HEX #C00000

RGB 192 0 0

HSL 0, 1%, 0.38%

LAB 39.93, 64.71, 54.3

 

CMYK 0 / 4 / 100 / 25

HEX #C0B900

RGB 192 185 0

HSL 57.81, 1%, 0.38%

LAB 73.48, -13.88, 74.93

 

CMYK 23 / 0 / 100 / 25

HEX #94C000

RGB 148 192 0

HSL 73.75, 1%, 0.38%

LAB 72.23, -35.88, 72.55

 

CMYK 50 / 0 / 100 / 25

HEX #60C000

RGB 96 192 0

HSL 90, 1%, 0.38%

LAB 69.6, -54.38, 69.39

 

CMYK 77 / 0 / 100 / 25

HEX #2CC000

RGB 44 192 0

HSL 106.25, 1%, 0.38%

LAB 68.19, -66.06, 67.68

 

CMYK 100 / 0 / 95 / 25

HEX #00C009

RGB 0 192 9

HSL 122.81, 1%, 0.38%

LAB 67.81, -69.43, 66.17

 

CMYK 0 / 4 / 100 / 25

HEX #C0B900

RGB 192 185 0

HSL 57.81, 1%, 0.38%

LAB 73.48, -13.88, 74.93

 

CMYK 0 / 4 / 100 / 25

HEX #C0B900

RGB 192 185 0

HSL 57.81, 1%, 0.38%

LAB 73.48, -13.88, 74.93

 

CMYK 0 / 3 / 91 / 31

HEX #B1AB10

RGB 177 171 16

HSL 57.76, 0.83%, 0.38%

LAB 68.4, -13.1, 68.58

 

CMYK 0 / 3 / 80 / 37

HEX #A19C20

RGB 161 156 32

HSL 57.67, 0.67%, 0.38%

LAB 62.89, -11.99, 59.81

 

CMYK 0 / 2 / 67 / 43

HEX #918E30

RGB 145 142 48

HSL 58.14, 0.5%, 0.38%

LAB 57.64, -10.94, 48.47

 

CMYK 0 / 2 / 52 / 49

HEX #827F3F

RGB 130 127 63

HSL 57.31, 0.35%, 0.38%

LAB 52.16, -8.29, 34.86

 

CMYK 0 / 58 / 100 / 25

HEX #C05000

RGB 192 80 0

HSL 25, 1%, 0.38%

LAB 48.19, 41.99, 58.13

 

CMYK 0 / 31 / 100 / 25

HEX #C08400

RGB 192 132 0

HSL 41.25, 1%, 0.38%

LAB 59.62, 14.42, 65.21

 

CMYK 0 / 5 / 100 / 25

HEX #C0B700

RGB 192 183 0

HSL 57.19, 1%, 0.38%

LAB 72.94, -12.86, 74.54

 

CMYK 21 / 0 / 100 / 25

HEX #97C000

RGB 151 192 0

HSL 72.81, 1%, 0.38%

LAB 72.41, -34.67, 72.78

 

CMYK 48 / 0 / 100 / 25

HEX #64C000

RGB 100 192 0

HSL 88.75, 1%, 0.38%

LAB 69.76, -53.16, 69.58

 

CMYK 0 / 4 / 100 / 57

HEX #6E6A00

RGB 110 106 0

HSL 57.82, 1%, 0.22%

LAB 43.69, -9.37, 49.97

 

CMYK 0 / 3 / 100 / 41

HEX #979200

RGB 151 146 0

HSL 58.01, 1%, 0.3%

LAB 59.1, -11.95, 62.87

 

CMYK 0 / 4 / 100 / 25

HEX #C0B900

RGB 192 185 0

HSL 57.81, 1%, 0.38%

LAB 73.48, -13.88, 74.93

 

CMYK 0 / 3 / 100 / 9

HEX #E9E101

RGB 233 225 1

HSL 57.93, 0.99%, 0.46%

LAB 87.57, -16.24, 86.63

 

CMYK 0 / 3 / 91 / 1

HEX #FDF516

RGB 253 245 22

HSL 57.92, 0.98%, 0.54%

LAB 94.42, -17.4, 90.54

 

CMYK 0 / 4 / 99 / 25

HEX #C0B901

RGB 192 185 1

HSL 57.8, 0.99%, 0.38%

LAB 73.48, -13.87, 74.82

 

CMYK 100 / 0 / 85 / 25

HEX #00C01D

RGB 0 192 29

HSL 129.06, 1%, 0.38%

LAB 67.86, -68.76, 62.79

 

CMYK 45 / 100 / 0 / 25

HEX #6A00C0

RGB 106 0 192

HSL 273.13, 1%, 0.38%

LAB 31.51, 68.15, -72.78

 

CMYK 0 / 4 / 99 / 25

HEX #C0B901

RGB 192 185 1

HSL 57.8, 0.99%, 0.38%

LAB 73.48, -13.87, 74.82

 

CMYK 100 / 0 / 5 / 25

HEX #00C0B7

RGB 0 192 183

HSL 177.19, 1%, 0.38%

LAB 70.26, -41.52, -6.9

 

CMYK 5 / 100 / 0 / 25

HEX #B700C0

RGB 183 0 192

HSL 297.19, 1%, 0.38%

LAB 44.05, 77.94, -51.8

 

CMYK 0 / 4 / 99 / 25

HEX #C0B901

RGB 192 185 1

HSL 57.8, 0.99%, 0.38%

LAB 73.48, -13.87, 74.82

 

CMYK 100 / 0 / 85 / 25

HEX #00C01D

RGB 0 192 29

HSL 129.06, 1%, 0.38%

LAB 67.86, -68.76, 62.79

 

CMYK 100 / 95 / 0 / 25

HEX #000AC0

RGB 0 10 192

HSL 236.88, 1%, 0.38%

LAB 23.75, 61.72, -85.91

 

CMYK 0 / 100 / 15 / 25

HEX #C000A4

RGB 192 0 164

HSL 308.75, 1%, 0.38%

LAB 44.07, 75.5, -35.11

 

CMYK 0 / 4 / 99 / 25

HEX #C0B901

RGB 192 185 1

HSL 57.8, 0.99%, 0.38%

LAB 73.48, -13.87, 74.82

 

CMYK 100 / 0 / 55 / 25

HEX #00C057

RGB 0 192 87

HSL 147.19, 1%, 0.38%

LAB 68.31, -63.19, 41.28

 

CMYK 100 / 95 / 0 / 25

HEX #000AC0

RGB 0 10 192

HSL 236.88, 1%, 0.38%

LAB 23.75, 61.72, -85.91

 

CMYK 0 / 100 / 45 / 25

HEX #C0006A

RGB 192 0 106

HSL 326.88, 1%, 0.38%

LAB 41.61, 69.21, -3.32

 

Description

Color code: HEX #C0B901 | qconv.com Color code: HEX #C0B901 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 185 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 185 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 99 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 99% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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