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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0BFA4 it is the complementary color #3F405B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0BFA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0BFA4 shade: #C5BF9F, #D6D1B2, #E7E3C5, #F8F5D8 and #FFFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0BFA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0BFA4 shade: #C0BFA4, #AFAD91, #9E9B7E, #8D896B and #7C7758

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0BFA4 shade: #C0BFA4, #C0B7A4, #C0B0A4, #C0A9A4 and #C0A4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0BFA4 shade: #C0BFA4, #B9C0A4, #B2C0A4, #AAC0A4 and #A4C0A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0BFA4 shade matches the following richer shades: #C0BFA4, #CCCA98, #D9D68B, #E5E17F and #F1ED73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0BFA4 shade: #C0BFA4, #B3B3B1, #A7A8BD, #9B9CC9 and #8E91D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0BFA4 shade: #C0B0A4, #C0B7A4, #C0BEA4, #BAC0A4 and #B2C0A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0BFA4 shade: #9E9C74, #AFAE8C, #C0BFA4, #D1D0BD and #E2E1D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0BFA4 shade: #C0BFA4, #A4C0A8 and #B3A4C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0BFA4 shade: #C0BFA4, #A4C0BE and #BEA4C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0BFA4 shade: #C0BFA4, #A4C0A8, #A4A6C0 and #C0A4BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0BFA4 shade: #C0BFA4, #A4C0B1, #A4A6C0 and #C0A4B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 15 / 25

HEX #C0BFA4

RGB 192 191 164

HSL 57.86, 0.18%, 0.7%

LAB 76.77, -4.28, 13.77

 

Complementary color

CMYK 31 / 30 / 0 / 64

HEX #3F405B

RGB 63 64 91

HSL 237.86, 0.18%, 0.3%

LAB 28.06, 6.62, -16.19

 

CMYK 0 / 3 / 19 / 23

HEX #C5BF9F

RGB 197 191 159

HSL 50.53, 0.25%, 0.7%

LAB 77.06, -3.19, 16.92

 

CMYK 0 / 2 / 17 / 16

HEX #D6D1B2

RGB 214 209 178

HSL 51.67, 0.31%, 0.77%

LAB 83.5, -3.41, 16.01

 

CMYK 0 / 2 / 15 / 9

HEX #E7E3C5

RGB 231 227 197

HSL 52.94, 0.41%, 0.84%

LAB 89.84, -3.6, 15.15

 

CMYK 0 / 1 / 13 / 3

HEX #F8F5D8

RGB 248 245 216

HSL 54.38, 0.7%, 0.91%

LAB 96.09, -3.77, 14.33

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 1 / 15 / 25

HEX #C0BFA4

RGB 192 191 164

HSL 57.86, 0.18%, 0.7%

LAB 76.77, -4.28, 13.77

 

CMYK 0 / 1 / 17 / 31

HEX #AFAD91

RGB 175 173 145

HSL 56, 0.16%, 0.63%

LAB 70.21, -4.11, 14.67

 

CMYK 0 / 2 / 20 / 38

HEX #9E9B7E

RGB 158 155 126

HSL 54.38, 0.14%, 0.56%

LAB 63.52, -3.9, 15.63

 

CMYK 0 / 3 / 24 / 45

HEX #8D896B

RGB 141 137 107

HSL 52.94, 0.14%, 0.49%

LAB 56.7, -3.67, 16.66

 

CMYK 0 / 4 / 29 / 51

HEX #7C7758

RGB 124 119 88

HSL 51.67, 0.17%, 0.42%

LAB 49.72, -3.39, 17.78

 

CMYK 0 / 1 / 15 / 25

HEX #C0BFA4

RGB 192 191 164

HSL 57.86, 0.18%, 0.7%

LAB 76.77, -4.28, 13.77

 

CMYK 0 / 5 / 15 / 25

HEX #C0B7A4

RGB 192 183 164

HSL 40.71, 0.18%, 0.7%

LAB 74.67, -0.05, 10.8

 

CMYK 0 / 8 / 15 / 25

HEX #C0B0A4

RGB 192 176 164

HSL 25.71, 0.18%, 0.7%

LAB 72.85, 3.71, 8.21

 

CMYK 0 / 12 / 15 / 25

HEX #C0A9A4

RGB 192 169 164

HSL 10.71, 0.18%, 0.7%

LAB 71.05, 7.5, 5.63

 

CMYK 0 / 15 / 15 / 25

HEX #C0A4A4

RGB 192 164 164

HSL 0, 0.18%, 0.7%

LAB 69.78, 10.23, 3.79

 

CMYK 0 / 1 / 15 / 25

HEX #C0BFA4

RGB 192 191 164

HSL 57.86, 0.18%, 0.7%

LAB 76.77, -4.28, 13.77

 

CMYK 4 / 0 / 15 / 25

HEX #B9C0A4

RGB 185 192 164

HSL 75, 0.18%, 0.7%

LAB 76.49, -7.38, 13.3

 

CMYK 7 / 0 / 15 / 25

HEX #B2C0A4

RGB 178 192 164

HSL 90, 0.18%, 0.7%

LAB 75.97, -9.91, 12.49

 

CMYK 11 / 0 / 15 / 25

HEX #AAC0A4

RGB 170 192 164

HSL 107.14, 0.18%, 0.7%

LAB 75.41, -12.76, 11.61

 

CMYK 15 / 0 / 14 / 25

HEX #A4C0A5

RGB 164 192 165

HSL 122.14, 0.18%, 0.7%

LAB 75.02, -14.68, 10.46

 

CMYK 0 / 1 / 15 / 25

HEX #C0BFA4

RGB 192 191 164

HSL 57.86, 0.18%, 0.7%

LAB 76.77, -4.28, 13.77

 

CMYK 0 / 1 / 25 / 20

HEX #CCCA98

RGB 204 202 152

HSL 57.69, 0.34%, 0.7%

LAB 80.37, -7.28, 25.29

 

CMYK 0 / 1 / 36 / 15

HEX #D9D68B

RGB 217 214 139

HSL 57.69, 0.51%, 0.7%

LAB 84.33, -10.03, 37.44

 

CMYK 0 / 2 / 45 / 10

HEX #E5E17F

RGB 229 225 127

HSL 57.65, 0.66%, 0.7%

LAB 87.99, -12.12, 48.2

 

CMYK 0 / 2 / 52 / 5

HEX #F1ED73

RGB 241 237 115

HSL 58.1, 0.82%, 0.7%

LAB 91.91, -14.35, 58.74

 

CMYK 0 / 1 / 15 / 25

HEX #C0BFA4

RGB 192 191 164

HSL 57.86, 0.18%, 0.7%

LAB 76.77, -4.28, 13.77

 

CMYK 0 / 0 / 1 / 30

HEX #B3B3B1

RGB 179 179 177

HSL 60, 0.01%, 0.7%

LAB 72.89, -0.37, 1.01

 

CMYK 12 / 11 / 0 / 26

HEX #A7A8BD

RGB 167 168 189

HSL 237.27, 0.14%, 0.7%

LAB 69.39, 3.86, -10.86

 

CMYK 23 / 22 / 0 / 21

HEX #9B9CC9

RGB 155 156 201

HSL 238.7, 0.3%, 0.7%

LAB 65.72, 9.35, -23.17

 

CMYK 34 / 32 / 0 / 16

HEX #8E91D6

RGB 142 145 214

HSL 237.5, 0.47%, 0.7%

LAB 62.39, 15.03, -35.65

 

CMYK 0 / 8 / 15 / 25

HEX #C0B0A4

RGB 192 176 164

HSL 25.71, 0.18%, 0.7%

LAB 72.85, 3.71, 8.21

 

CMYK 0 / 5 / 15 / 25

HEX #C0B7A4

RGB 192 183 164

HSL 40.71, 0.18%, 0.7%

LAB 74.67, -0.05, 10.8

 

CMYK 0 / 1 / 15 / 25

HEX #C0BEA4

RGB 192 190 164

HSL 55.71, 0.18%, 0.7%

LAB 76.51, -3.76, 13.4

 

CMYK 3 / 0 / 15 / 25

HEX #BAC0A4

RGB 186 192 164

HSL 72.86, 0.18%, 0.7%

LAB 76.57, -7.01, 13.42

 

CMYK 7 / 0 / 15 / 25

HEX #B2C0A4

RGB 178 192 164

HSL 90, 0.18%, 0.7%

LAB 75.97, -9.91, 12.49

 

CMYK 0 / 1 / 27 / 38

HEX #9E9C74

RGB 158 156 116

HSL 57.14, 0.18%, 0.54%

LAB 63.6, -5.93, 21.27

 

CMYK 0 / 1 / 20 / 31

HEX #AFAE8C

RGB 175 174 140

HSL 58.29, 0.18%, 0.62%

LAB 70.37, -5.41, 17.63

 

CMYK 0 / 1 / 15 / 25

HEX #C0BFA4

RGB 192 191 164

HSL 57.86, 0.18%, 0.7%

LAB 76.77, -4.28, 13.77

 

CMYK 0 / 0 / 10 / 18

HEX #D1D0BD

RGB 209 208 189

HSL 57, 0.18%, 0.78%

LAB 83.09, -2.95, 9.55

 

CMYK 0 / 0 / 6 / 11

HEX #E2E1D5

RGB 226 225 213

HSL 55.38, 0.18%, 0.86%

LAB 89.31, -1.75, 5.98

 

CMYK 0 / 1 / 15 / 25

HEX #C0BFA4

RGB 192 191 164

HSL 57.86, 0.18%, 0.7%

LAB 76.77, -4.28, 13.77

 

CMYK 15 / 0 / 13 / 25

HEX #A4C0A8

RGB 164 192 168

HSL 128.57, 0.18%, 0.7%

LAB 75.09, -14.13, 8.94

 

CMYK 7 / 15 / 0 / 25

HEX #B3A4C0

RGB 179 164 192

HSL 272.14, 0.18%, 0.7%

LAB 69.43, 10.74, -12.38

 

CMYK 0 / 1 / 15 / 25

HEX #C0BFA4

RGB 192 191 164

HSL 57.86, 0.18%, 0.7%

LAB 76.77, -4.28, 13.77

 

CMYK 15 / 0 / 1 / 25

HEX #A4C0BE

RGB 164 192 190

HSL 175.71, 0.18%, 0.7%

LAB 75.64, -9.83, -2.18

 

CMYK 1 / 15 / 0 / 25

HEX #BEA4C0

RGB 190 164 192

HSL 295.71, 0.18%, 0.7%

LAB 70.39, 14.5, -10.84

 

CMYK 0 / 1 / 15 / 25

HEX #C0BFA4

RGB 192 191 164

HSL 57.86, 0.18%, 0.7%

LAB 76.77, -4.28, 13.77

 

CMYK 15 / 0 / 13 / 25

HEX #A4C0A8

RGB 164 192 168

HSL 128.57, 0.18%, 0.7%

LAB 75.09, -14.13, 8.94

 

CMYK 15 / 14 / 0 / 25

HEX #A4A6C0

RGB 164 166 192

HSL 235.71, 0.18%, 0.7%

LAB 68.73, 4.61, -13.55

 

CMYK 0 / 15 / 2 / 25

HEX #C0A4BC

RGB 192 164 188

HSL 308.57, 0.18%, 0.7%

LAB 70.45, 14.44, -8.52

 

CMYK 0 / 1 / 15 / 25

HEX #C0BFA4

RGB 192 191 164

HSL 57.86, 0.18%, 0.7%

LAB 76.77, -4.28, 13.77

 

CMYK 15 / 0 / 8 / 25

HEX #A4C0B1

RGB 164 192 177

HSL 147.86, 0.18%, 0.7%

LAB 75.31, -12.43, 4.38

 

CMYK 15 / 14 / 0 / 25

HEX #A4A6C0

RGB 164 166 192

HSL 235.71, 0.18%, 0.7%

LAB 68.73, 4.61, -13.55

 

CMYK 0 / 15 / 7 / 25

HEX #C0A4B3

RGB 192 164 179

HSL 327.86, 0.18%, 0.7%

LAB 70.18, 12.8, -3.93

 

Description

Color code: HEX #C0BFA4 | qconv.com Color code: HEX #C0BFA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 191 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 191 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 15 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 15% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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