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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0C685 it is the complementary color #3F397A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0C685. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0C685 shade: #C5C680, #D6D893, #E7EAA6, #F8FCB9 and #FFFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0C685. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0C685 shade: #C0C685, #AFB472, #9EA25F, #8D904C and #7C7E39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0C685 shade: #BFC585, #C5BA85, #C5A985, #C59785 and #C58685

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0C685 shade: #BFC585, #AEC585, #9DC585, #8BC585 and #85C590

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0C685 shade matches the following richer shades: #BFC585, #CBD477, #D7E268 and #E3F15A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0C685 shade: #BFC585, #B4B794, #A8A8A2, #9C9AB0 and #908CBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0C685 shade: #C5A885, #C5BA85, #C0C585, #AFC585 and #9EC585

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0C685 shade: #A1A94F, #B1B869, #BFC585, #CED3A1 and #DDE0BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0C685 shade: #C0C685, #85C597 and #B185C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0C685 shade: #C0C685, #85C0C5 and #C585C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0C685 shade: #C0C685, #85C597, #8A85C5 and #C585B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0C685 shade: #C0C685, #85C5AB, #8A85C5 and #C585A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 33 / 22

HEX #C0C685

RGB 192 198 133

HSL 65.54, 0.36%, 0.65%

LAB 78.04, -12.33, 31.94

 

Complementary color

CMYK 48 / 53 / 0 / 52

HEX #3F397A

RGB 63 57 122

HSL 245.54, 0.36%, 0.35%

LAB 27.81, 20.99, -36.38

 

CMYK 1 / 0 / 35 / 22

HEX #C5C680

RGB 197 198 128

HSL 60.86, 0.38%, 0.64%

LAB 78.35, -10.99, 35.01

 

CMYK 1 / 0 / 32 / 15

HEX #D6D893

RGB 214 216 147

HSL 61.74, 0.47%, 0.71%

LAB 84.75, -11.25, 33.87

 

CMYK 1 / 0 / 29 / 8

HEX #E7EAA6

RGB 231 234 166

HSL 62.65, 0.62%, 0.78%

LAB 91.05, -11.47, 32.78

 

CMYK 2 / 0 / 27 / 1

HEX #F8FCB9

RGB 248 252 185

HSL 63.58, 0.92%, 0.86%

LAB 97.26, -11.66, 31.74

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 3 / 0 / 33 / 22

HEX #C0C685

RGB 192 198 133

HSL 65.54, 0.36%, 0.65%

LAB 78.04, -12.33, 31.94

 

CMYK 3 / 0 / 37 / 29

HEX #AFB472

RGB 175 180 114

HSL 64.55, 0.31%, 0.58%

LAB 71.54, -12.1, 33.1

 

CMYK 2 / 0 / 41 / 36

HEX #9EA25F

RGB 158 162 95

HSL 63.58, 0.26%, 0.5%

LAB 64.91, -11.82, 34.31

 

CMYK 2 / 0 / 47 / 44

HEX #8D904C

RGB 141 144 76

HSL 62.65, 0.31%, 0.43%

LAB 58.16, -11.45, 35.55

 

CMYK 2 / 0 / 55 / 51

HEX #7C7E39

RGB 124 126 57

HSL 61.74, 0.38%, 0.36%

LAB 51.27, -10.97, 36.77

 

CMYK 3 / 0 / 32 / 23

HEX #BFC585

RGB 191 197 133

HSL 65.63, 0.36%, 0.65%

LAB 77.7, -12.21, 31.47

 

CMYK 0 / 6 / 32 / 23

HEX #C5BA85

RGB 197 186 133

HSL 49.69, 0.36%, 0.65%

LAB 75.25, -4.16, 28.32

 

CMYK 0 / 14 / 32 / 23

HEX #C5A985

RGB 197 169 133

HSL 33.75, 0.36%, 0.65%

LAB 70.83, 4.9, 22.37

 

CMYK 0 / 23 / 32 / 23

HEX #C59785

RGB 197 151 133

HSL 16.88, 0.36%, 0.65%

LAB 66.29, 14.7, 16.13

HEX #C59785

CMYK 0 / 32 / 32 / 23

HEX #C58685

RGB 197 134 133

HSL 0.94, 0.36%, 0.65%

LAB 62.18, 24.06, 10.38

HEX #C58685

CMYK 3 / 0 / 32 / 23

HEX #BFC585

RGB 191 197 133

HSL 65.63, 0.36%, 0.65%

LAB 77.7, -12.21, 31.47

 

CMYK 12 / 0 / 32 / 23

HEX #AEC585

RGB 174 197 133

HSL 81.56, 0.36%, 0.65%

LAB 76.45, -18.7, 29.6

 

CMYK 20 / 0 / 32 / 23

HEX #9DC585

RGB 157 197 133

HSL 97.5, 0.36%, 0.65%

LAB 75.32, -24.95, 27.89

 

CMYK 29 / 0 / 32 / 23

HEX #8BC585

RGB 139 197 133

HSL 114.38, 0.36%, 0.65%

LAB 74.26, -31.21, 26.29

 

CMYK 32 / 0 / 27 / 23

HEX #85C590

RGB 133 197 144

HSL 130.31, 0.36%, 0.65%

LAB 74.15, -31.3, 20.25

 

CMYK 3 / 0 / 32 / 23

HEX #BFC585

RGB 191 197 133

HSL 65.63, 0.36%, 0.65%

LAB 77.7, -12.21, 31.47

 

CMYK 4 / 0 / 44 / 17

HEX #CBD477

RGB 203 212 119

HSL 65.81, 0.52%, 0.65%

LAB 82.44, -16.68, 44.8

 

CMYK 5 / 0 / 54 / 11

HEX #D7E268

RGB 215 226 104

HSL 65.41, 0.68%, 0.65%

LAB 86.92, -20.2, 57.42

 

CMYK 6 / 0 / 63 / 5

HEX #E3F15A

RGB 227 241 90

HSL 65.56, 0.84%, 0.65%

LAB 91.68, -23.65, 68.85

 

CMYK 3 / 0 / 32 / 23

HEX #BFC585

RGB 191 197 133

HSL 65.63, 0.36%, 0.65%

LAB 77.7, -12.21, 31.47

 

CMYK 2 / 0 / 19 / 28

HEX #B4B794

RGB 180 183 148

HSL 65.14, 0.2%, 0.65%

LAB 73.36, -7.05, 17.49

 

CMYK 0 / 0 / 4 / 34

HEX #A8A8A2

RGB 168 168 162

HSL 60, 0.03%, 0.65%

LAB 68.71, -1.11, 3.09

 

CMYK 11 / 13 / 0 / 31

HEX #9C9AB0

RGB 156 154 176

HSL 245.45, 0.12%, 0.65%

LAB 64.41, 5.17, -11.16

 

CMYK 25 / 27 / 0 / 25

HEX #908CBF

RGB 144 140 191

HSL 244.71, 0.28%, 0.65%

LAB 60.29, 12.66, -25.97

 

CMYK 0 / 15 / 32 / 23

HEX #C5A885

RGB 197 168 133

HSL 32.81, 0.36%, 0.65%

LAB 70.57, 5.44, 22.02

 

CMYK 0 / 6 / 32 / 23

HEX #C5BA85

RGB 197 186 133

HSL 49.69, 0.36%, 0.65%

LAB 75.25, -4.16, 28.32

 

CMYK 3 / 0 / 32 / 23

HEX #C0C585

RGB 192 197 133

HSL 64.69, 0.36%, 0.65%

LAB 77.78, -11.82, 31.59

 

CMYK 11 / 0 / 32 / 23

HEX #AFC585

RGB 175 197 133

HSL 80.63, 0.36%, 0.65%

LAB 76.52, -18.33, 29.7

 

CMYK 20 / 0 / 32 / 23

HEX #9EC585

RGB 158 197 133

HSL 96.56, 0.36%, 0.65%

LAB 75.39, -24.59, 27.99

 

CMYK 5 / 0 / 53 / 34

HEX #A1A94F

RGB 161 169 79

HSL 65.33, 0.36%, 0.49%

LAB 66.91, -15.83, 44.86

 

CMYK 4 / 0 / 43 / 28

HEX #B1B869

RGB 177 184 105

HSL 65.32, 0.36%, 0.57%

LAB 72.66, -14.39, 39.19

 

CMYK 3 / 0 / 32 / 23

HEX #BFC585

RGB 191 197 133

HSL 65.63, 0.36%, 0.65%

LAB 77.7, -12.21, 31.47

 

CMYK 2 / 0 / 24 / 17

HEX #CED3A1

RGB 206 211 161

HSL 66, 0.36%, 0.73%

LAB 83.06, -9.89, 24.26

 

CMYK 1 / 0 / 16 / 12

HEX #DDE0BD

RGB 221 224 189

HSL 65.14, 0.36%, 0.81%

LAB 88.14, -6.88, 16.82

 

CMYK 3 / 0 / 33 / 22

HEX #C0C685

RGB 192 198 133

HSL 65.54, 0.36%, 0.65%

LAB 78.04, -12.33, 31.94

 

CMYK 32 / 0 / 23 / 23

HEX #85C597

RGB 133 197 151

HSL 136.88, 0.36%, 0.65%

LAB 74.29, -30.02, 16.71

 

CMYK 10 / 32 / 0 / 23

HEX #B185C5

RGB 177 133 197

HSL 281.25, 0.36%, 0.65%

LAB 61.79, 28.47, -26.8

 

CMYK 3 / 0 / 33 / 22

HEX #C0C685

RGB 192 198 133

HSL 65.54, 0.36%, 0.65%

LAB 78.04, -12.33, 31.94

 

CMYK 32 / 3 / 0 / 23

HEX #85C0C5

RGB 133 192 197

HSL 184.69, 0.36%, 0.65%

LAB 74.01, -17.69, -8.6

 

CMYK 0 / 32 / 3 / 23

HEX #C585C0

RGB 197 133 192

HSL 304.69, 0.36%, 0.65%

LAB 63.71, 33.97, -20.85

 

CMYK 3 / 0 / 33 / 22

HEX #C0C685

RGB 192 198 133

HSL 65.54, 0.36%, 0.65%

LAB 78.04, -12.33, 31.94

 

CMYK 32 / 0 / 23 / 23

HEX #85C597

RGB 133 197 151

HSL 136.88, 0.36%, 0.65%

LAB 74.29, -30.02, 16.71

 

CMYK 30 / 32 / 0 / 23

HEX #8A85C5

RGB 138 133 197

HSL 244.69, 0.36%, 0.65%

LAB 58.24, 16.42, -32.59

 

CMYK 0 / 32 / 9 / 23

HEX #C585B3

RGB 197 133 179

HSL 316.88, 0.36%, 0.65%

LAB 63.26, 31.65, -14.19

 

CMYK 3 / 0 / 33 / 22

HEX #C0C685

RGB 192 198 133

HSL 65.54, 0.36%, 0.65%

LAB 78.04, -12.33, 31.94

 

CMYK 32 / 0 / 13 / 23

HEX #85C5AB

RGB 133 197 171

HSL 155.63, 0.36%, 0.65%

LAB 74.74, -26.05, 6.57

 

CMYK 30 / 32 / 0 / 23

HEX #8A85C5

RGB 138 133 197

HSL 244.69, 0.36%, 0.65%

LAB 58.24, 16.42, -32.59

 

CMYK 0 / 32 / 19 / 23

HEX #C585A0

RGB 197 133 160

HSL 334.69, 0.36%, 0.65%

LAB 62.66, 28.5, -4.3

 

Description

Color code: HEX #C0C685 | qconv.com Color code: HEX #C0C685 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 198 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 198 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 33 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 33% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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