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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0D4DC it is the complementary color #3F2B23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0D4DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0D4DC shade: #C5D4D7, #D6E6EA, #E7F8FD and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0D4DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0D4DC shade: #C0D4DC, #AFC2C9, #9EB0B6, #8D9EA3 and #7C8C90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0D4DC shade: #C0D4DC, #C0CCDC, #C0C5DC, #C3C0DC and #CAC0DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0D4DC shade: #C0D4DC, #C0CCDC, #C0C5DC and #C0C0DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0D4DC shade matches the following richer shades: #C0D4DC, #B8D7E4, #B0DBEC, #A8DEF4 and #A1E2FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0D4DC shade: #C0D4DC, #C8D1D4, #D0CDCC, #D8CAC5 and #DFC7BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0D4DC shade: #C0DCD5, #C0DCDC, #C0D4DC, #C0CDDC and #C0C5DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0D4DC shade: #8BB0BF, #A5C2CD, #C0D4DC, #DBE6EB and #F5F8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0D4DC shade: #C0D4DC, #CEC0DC and #DCD9C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0D4DC shade: #C0D4DC, #DCC0D4 and #D4DCC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0D4DC shade: #C0D4DC, #CEC0DC, #DCC8C0 and #CFDCC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0D4DC shade: #C0D4DC, #D6C0DC, #DCC8C0 and #C6DCC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 4 / 0 / 14

HEX #C0D4DC

RGB 192 212 220

HSL 197.14, 0.29%, 0.81%

LAB 83.68, -5.09, -6.23

 

Complementary color

CMYK 0 / 32 / 44 / 75

HEX #3F2B23

RGB 63 43 35

HSL 17.14, 0.29%, 0.19%

LAB 19.66, 8.02, 8.88

 

CMYK 8 / 1 / 0 / 16

HEX #C5D4D7

RGB 197 212 215

HSL 190, 0.18%, 0.81%

LAB 83.89, -4.46, -3.22

 

CMYK 9 / 2 / 0 / 8

HEX #D6E6EA

RGB 214 230 234

HSL 192, 0.32%, 0.88%

LAB 90.24, -4.53, -3.78

 

CMYK 9 / 2 / 0 / 1

HEX #E7F8FD

RGB 231 248 253

HSL 193.64, 0.85%, 0.95%

LAB 96.5, -4.6, -4.31

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 13 / 4 / 0 / 14

HEX #C0D4DC

RGB 192 212 220

HSL 197.14, 0.29%, 0.81%

LAB 83.68, -5.09, -6.23

 

CMYK 13 / 3 / 0 / 21

HEX #AFC2C9

RGB 175 194 201

HSL 196.15, 0.19%, 0.74%

LAB 77.23, -5.03, -5.72

 

CMYK 13 / 3 / 0 / 29

HEX #9EB0B6

RGB 158 176 182

HSL 195, 0.14%, 0.67%

LAB 70.66, -4.98, -5.19

 

CMYK 13 / 3 / 0 / 36

HEX #8D9EA3

RGB 141 158 163

HSL 193.64, 0.11%, 0.6%

LAB 63.97, -4.93, -4.65

 

CMYK 14 / 3 / 0 / 44

HEX #7C8C90

RGB 124 140 144

HSL 192, 0.08%, 0.53%

LAB 57.13, -4.88, -4.09

 

CMYK 13 / 4 / 0 / 14

HEX #C0D4DC

RGB 192 212 220

HSL 197.14, 0.29%, 0.81%

LAB 83.68, -5.09, -6.23

 

CMYK 13 / 7 / 0 / 14

HEX #C0CCDC

RGB 192 204 220

HSL 214.29, 0.29%, 0.81%

LAB 81.6, -0.89, -9.33

 

CMYK 13 / 10 / 0 / 14

HEX #C0C5DC

RGB 192 197 220

HSL 229.29, 0.29%, 0.81%

LAB 79.79, 2.82, -12.03

 

CMYK 11 / 13 / 0 / 14

HEX #C3C0DC

RGB 195 192 220

HSL 246.43, 0.29%, 0.81%

LAB 78.73, 6.48, -13.58

 

CMYK 8 / 13 / 0 / 14

HEX #CAC0DC

RGB 202 192 220

HSL 261.43, 0.29%, 0.81%

LAB 79.28, 8.77, -12.7

 

CMYK 13 / 4 / 0 / 14

HEX #C0D4DC

RGB 192 212 220

HSL 197.14, 0.29%, 0.81%

LAB 83.68, -5.09, -6.23

 

CMYK 13 / 7 / 0 / 14

HEX #C0CCDC

RGB 192 204 220

HSL 214.29, 0.29%, 0.81%

LAB 81.6, -0.89, -9.33

 

CMYK 13 / 10 / 0 / 14

HEX #C0C5DC

RGB 192 197 220

HSL 229.29, 0.29%, 0.81%

LAB 79.79, 2.82, -12.03

 

CMYK 13 / 13 / 0 / 14

HEX #C0C0DC

RGB 192 192 220

HSL 240, 0.29%, 0.81%

LAB 78.5, 5.5, -13.95

 

CMYK 13 / 4 / 0 / 14

HEX #C0D4DC

RGB 192 212 220

HSL 197.14, 0.29%, 0.81%

LAB 83.68, -5.09, -6.23

 

CMYK 19 / 6 / 0 / 11

HEX #B8D7E4

RGB 184 215 228

HSL 197.73, 0.45%, 0.81%

LAB 84.17, -7.49, -9.82

 

CMYK 25 / 7 / 0 / 7

HEX #B0DBEC

RGB 176 219 236

HSL 197, 0.61%, 0.81%

LAB 84.97, -10.2, -12.92

 

CMYK 31 / 9 / 0 / 4

HEX #A8DEF4

RGB 168 222 244

HSL 197.37, 0.78%, 0.81%

LAB 85.55, -12.18, -16.32

 

CMYK 36 / 10 / 0 / 2

HEX #A1E2FB

RGB 161 226 251

HSL 196.67, 0.92%, 0.81%

LAB 86.47, -14.43, -18.66

 

CMYK 13 / 4 / 0 / 14

HEX #C0D4DC

RGB 192 212 220

HSL 197.14, 0.29%, 0.81%

LAB 83.68, -5.09, -6.23

 

CMYK 6 / 1 / 0 / 17

HEX #C8D1D4

RGB 200 209 212

HSL 195, 0.12%, 0.81%

LAB 83.25, -2.48, -2.55

 

CMYK 0 / 1 / 2 / 18

HEX #D0CDCC

RGB 208 205 204

HSL 15, 0.04%, 0.81%

LAB 82.61, 0.86, 0.85

 

CMYK 0 / 6 / 9 / 15

HEX #D8CAC5

RGB 216 202 197

HSL 15.79, 0.2%, 0.81%

LAB 82.31, 4.02, 4.23

 

CMYK 0 / 11 / 15 / 13

HEX #DFC7BD

RGB 223 199 189

HSL 17.65, 0.35%, 0.81%

LAB 81.95, 6.81, 8.07

 

CMYK 13 / 0 / 3 / 14

HEX #C0DCD5

RGB 192 220 213

HSL 165, 0.29%, 0.81%

LAB 85.6, -10.6, 0.3

 

CMYK 13 / 0 / 0 / 14

HEX #C0DCDC

RGB 192 220 220

HSL 180, 0.29%, 0.81%

LAB 85.79, -9.22, -3.14

 

CMYK 13 / 4 / 0 / 14

HEX #C0D4DC

RGB 192 212 220

HSL 197.14, 0.29%, 0.81%

LAB 83.68, -5.09, -6.23

 

CMYK 13 / 7 / 0 / 14

HEX #C0CDDC

RGB 192 205 220

HSL 212.14, 0.29%, 0.81%

LAB 81.86, -1.42, -8.94

 

CMYK 13 / 10 / 0 / 14

HEX #C0C5DC

RGB 192 197 220

HSL 229.29, 0.29%, 0.81%

LAB 79.79, 2.82, -12.03

 

CMYK 27 / 8 / 0 / 25

HEX #8BB0BF

RGB 139 176 191

HSL 197.31, 0.29%, 0.65%

LAB 69.68, -8.99, -11.74

 

CMYK 20 / 5 / 0 / 20

HEX #A5C2CD

RGB 165 194 205

HSL 196.5, 0.29%, 0.73%

LAB 76.67, -7.38, -8.78

 

CMYK 13 / 4 / 0 / 14

HEX #C0D4DC

RGB 192 212 220

HSL 197.14, 0.29%, 0.81%

LAB 83.68, -5.09, -6.23

 

CMYK 7 / 2 / 0 / 8

HEX #DBE6EB

RGB 219 230 235

HSL 198.75, 0.29%, 0.89%

LAB 90.62, -2.71, -3.7

 

CMYK 2 / 0 / 0 / 2

HEX #F5F8F9

RGB 245 248 249

HSL 195, 0.25%, 0.97%

LAB 97.38, -0.81, -0.84

 

CMYK 13 / 4 / 0 / 14

HEX #C0D4DC

RGB 192 212 220

HSL 197.14, 0.29%, 0.81%

LAB 83.68, -5.09, -6.23

 

CMYK 6 / 13 / 0 / 14

HEX #CEC0DC

RGB 206 192 220

HSL 270, 0.29%, 0.81%

LAB 79.61, 10.09, -12.18

 

CMYK 0 / 1 / 13 / 14

HEX #DCD9C0

RGB 220 217 192

HSL 53.57, 0.29%, 0.81%

LAB 86.33, -3.19, 12.68

 

CMYK 13 / 4 / 0 / 14

HEX #C0D4DC

RGB 192 212 220

HSL 197.14, 0.29%, 0.81%

LAB 83.68, -5.09, -6.23

 

CMYK 0 / 13 / 4 / 14

HEX #DCC0D4

RGB 220 192 212

HSL 317.14, 0.29%, 0.81%

LAB 80.55, 13.33, -6.34

 

CMYK 4 / 0 / 13 / 14

HEX #D4DCC0

RGB 212 220 192

HSL 77.14, 0.29%, 0.81%

LAB 86.5, -7.57, 12.84

 

CMYK 13 / 4 / 0 / 14

HEX #C0D4DC

RGB 192 212 220

HSL 197.14, 0.29%, 0.81%

LAB 83.68, -5.09, -6.23

 

CMYK 6 / 13 / 0 / 14

HEX #CEC0DC

RGB 206 192 220

HSL 270, 0.29%, 0.81%

LAB 79.61, 10.09, -12.18

 

CMYK 0 / 9 / 13 / 14

HEX #DCC8C0

RGB 220 200 192

HSL 17.14, 0.29%, 0.81%

LAB 82.02, 5.68, 6.53

 

CMYK 6 / 0 / 13 / 14

HEX #CFDCC0

RGB 207 220 192

HSL 87.86, 0.29%, 0.81%

LAB 86.14, -9.33, 12.27

 

CMYK 13 / 4 / 0 / 14

HEX #C0D4DC

RGB 192 212 220

HSL 197.14, 0.29%, 0.81%

LAB 83.68, -5.09, -6.23

 

CMYK 3 / 13 / 0 / 14

HEX #D6C0DC

RGB 214 192 220

HSL 287.14, 0.29%, 0.81%

LAB 80.27, 12.76, -11.12

 

CMYK 0 / 9 / 13 / 14

HEX #DCC8C0

RGB 220 200 192

HSL 17.14, 0.29%, 0.81%

LAB 82.02, 5.68, 6.53

 

CMYK 10 / 0 / 13 / 14

HEX #C6DCC0

RGB 198 220 192

HSL 107.14, 0.29%, 0.81%

LAB 85.5, -12.45, 11.29

 

Description

Color code: HEX #C0D4DC | qconv.com Color code: HEX #C0D4DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 212 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 212 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 4 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 4% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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