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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0D674 it is the complementary color #3F298B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0D674. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0D674 shade: #C5D66F, #D6E882, #E7FA95, #F8FFA8 and #FFFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0D674. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0D674 shade: #C0D674, #AFC461, #9EB24E, #8DA03B and #7C8E28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0D674 shade: #C0D575, #D5D175, #D5B775, #D59D75 and #D58375

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0D674 shade: #C0D575, #A6D575, #8CD575, #75D578 and #75D592

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0D674 shade matches the following richer shades: #C0D575, #C8E467 and #D0F258

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0D674 shade: #C0D575, #B8C783, #B0B992, #A8AAA0 and #A09CAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0D674 shade: #D5B775, #D5D175, #C1D575, #A7D575 and #8DD575

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0D674 shade: #A1BF39, #B1CC55, #C0D575, #CEDF95 and #DDE8B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0D674 shade: #C0D674, #75D59D and #C475D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0D674 shade: #C0D674, #75C1D5 and #D575C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0D674 shade: #C0D674, #75D59D, #8A75D5 and #D575AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0D674 shade: #C0D674, #75D5BA, #8A75D5 and #D57590

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 46 / 16

HEX #C0D674

RGB 192 214 116

HSL 73.47, 0.54%, 0.65%

LAB 82.14, -22.28, 45.72

 

Complementary color

CMYK 55 / 71 / 0 / 45

HEX #3F298B

RGB 63 41 139

HSL 253.47, 0.54%, 0.35%

LAB 25.28, 36.55, -51.13

 

CMYK 8 / 0 / 48 / 16

HEX #C5D66F

RGB 197 214 111

HSL 69.9, 0.56%, 0.64%

LAB 82.44, -20.83, 48.57

 

CMYK 8 / 0 / 44 / 9

HEX #D6E882

RGB 214 232 130

HSL 70.59, 0.69%, 0.71%

LAB 88.74, -21.09, 47.43

 

CMYK 8 / 0 / 40 / 2

HEX #E7FA95

RGB 231 250 149

HSL 71.29, 0.91%, 0.78%

LAB 94.96, -21.3, 46.3

 

CMYK 3 / 0 / 34 / 0

HEX #F8FFA8

RGB 248 255 168

HSL 64.83, 1%, 0.83%

LAB 97.75, -15.23, 40.86

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 10 / 0 / 46 / 16

HEX #C0D674

RGB 192 214 116

HSL 73.47, 0.54%, 0.65%

LAB 82.14, -22.28, 45.72

 

CMYK 11 / 0 / 51 / 23

HEX #AFC461

RGB 175 196 97

HSL 72.73, 0.46%, 0.57%

LAB 75.73, -22.04, 46.85

 

CMYK 11 / 0 / 56 / 30

HEX #9EB24E

RGB 158 178 78

HSL 72, 0.39%, 0.5%

LAB 69.23, -21.72, 47.94

 

CMYK 12 / 0 / 63 / 37

HEX #8DA03B

RGB 141 160 59

HSL 71.29, 0.46%, 0.43%

LAB 62.61, -21.3, 48.86

 

CMYK 13 / 0 / 72 / 44

HEX #7C8E28

RGB 124 142 40

HSL 70.59, 0.56%, 0.36%

LAB 55.87, -20.71, 49.41

 

CMYK 10 / 0 / 45 / 16

HEX #C0D575

RGB 192 213 117

HSL 73.13, 0.53%, 0.65%

LAB 81.88, -21.68, 44.91

 

CMYK 0 / 2 / 45 / 16

HEX #D5D175

RGB 213 209 117

HSL 57.5, 0.53%, 0.65%

LAB 82.4, -11.41, 45.9

 

CMYK 0 / 14 / 45 / 16

HEX #D5B775

RGB 213 183 117

HSL 41.25, 0.53%, 0.65%

LAB 75.64, 2.04, 37.45

 

CMYK 0 / 26 / 45 / 16

HEX #D59D75

RGB 213 157 117

HSL 25, 0.53%, 0.65%

LAB 69.14, 15.97, 29.07

 

CMYK 0 / 38 / 45 / 16

HEX #D58375

RGB 213 131 117

HSL 8.75, 0.53%, 0.65%

LAB 63.06, 30.02, 20.95

 

CMYK 10 / 0 / 45 / 16

HEX #C0D575

RGB 192 213 117

HSL 73.13, 0.53%, 0.65%

LAB 81.88, -21.68, 44.91

 

CMYK 22 / 0 / 45 / 16

HEX #A6D575

RGB 166 213 117

HSL 89.38, 0.53%, 0.65%

LAB 80.17, -31.48, 42.41

 

CMYK 34 / 0 / 45 / 16

HEX #8CD575

RGB 140 213 117

HSL 105.63, 0.53%, 0.65%

LAB 78.72, -40.53, 40.28

 

CMYK 45 / 0 / 44 / 16

HEX #75D578

RGB 117 213 120

HSL 121.88, 0.53%, 0.65%

LAB 77.71, -47.2, 37.29

 

CMYK 45 / 0 / 31 / 16

HEX #75D592

RGB 117 213 146

HSL 138.13, 0.53%, 0.65%

LAB 78.14, -42.94, 24.53

 

CMYK 10 / 0 / 45 / 16

HEX #C0D575

RGB 192 213 117

HSL 73.13, 0.53%, 0.65%

LAB 81.88, -21.68, 44.91

 

CMYK 12 / 0 / 55 / 11

HEX #C8E467

RGB 200 228 103

HSL 73.44, 0.7%, 0.65%

LAB 86.38, -27.14, 56.96

 

CMYK 14 / 0 / 64 / 5

HEX #D0F258

RGB 208 242 88

HSL 73.25, 0.86%, 0.65%

LAB 90.61, -31.72, 68.11

 

CMYK 10 / 0 / 45 / 16

HEX #C0D575

RGB 192 213 117

HSL 73.13, 0.53%, 0.65%

LAB 81.88, -21.68, 44.91

 

CMYK 8 / 0 / 34 / 22

HEX #B8C783

RGB 184 199 131

HSL 73.24, 0.38%, 0.65%

LAB 77.68, -16.18, 32.39

 

CMYK 5 / 0 / 21 / 27

HEX #B0B992

RGB 176 185 146

HSL 73.85, 0.22%, 0.65%

LAB 73.55, -9.91, 18.78

 

CMYK 1 / 0 / 6 / 33

HEX #A8AAA0

RGB 168 170 160

HSL 72, 0.06%, 0.65%

LAB 69.19, -2.56, 4.9

 

CMYK 9 / 11 / 0 / 31

HEX #A09CAF

RGB 160 156 175

HSL 252.63, 0.11%, 0.65%

LAB 65.24, 5.21, -9.34

 

CMYK 0 / 14 / 45 / 16

HEX #D5B775

RGB 213 183 117

HSL 41.25, 0.53%, 0.65%

LAB 75.64, 2.04, 37.45

 

CMYK 0 / 2 / 45 / 16

HEX #D5D175

RGB 213 209 117

HSL 57.5, 0.53%, 0.65%

LAB 82.4, -11.41, 45.9

 

CMYK 9 / 0 / 45 / 16

HEX #C1D575

RGB 193 213 117

HSL 72.5, 0.53%, 0.65%

LAB 81.95, -21.3, 45.01

 

CMYK 22 / 0 / 45 / 16

HEX #A7D575

RGB 167 213 117

HSL 88.75, 0.53%, 0.65%

LAB 80.23, -31.12, 42.5

 

CMYK 34 / 0 / 45 / 16

HEX #8DD575

RGB 141 213 117

HSL 105, 0.53%, 0.65%

LAB 78.77, -40.2, 40.36

 

CMYK 16 / 0 / 70 / 25

HEX #A1BF39

RGB 161 191 57

HSL 73.43, 0.54%, 0.49%

LAB 72.98, -28.36, 60.87

 

CMYK 13 / 0 / 58 / 20

HEX #B1CC55

RGB 177 204 85

HSL 73.61, 0.54%, 0.57%

LAB 77.99, -26.21, 55.03

 

CMYK 10 / 0 / 45 / 16

HEX #C0D575

RGB 192 213 117

HSL 73.13, 0.53%, 0.65%

LAB 81.88, -21.68, 44.91

 

CMYK 8 / 0 / 33 / 13

HEX #CEDF95

RGB 206 223 149

HSL 73.78, 0.54%, 0.73%

LAB 86.04, -17.53, 34.44

 

CMYK 5 / 0 / 22 / 9

HEX #DDE8B5

RGB 221 232 181

HSL 72.94, 0.53%, 0.81%

LAB 90.05, -12.11, 23.63

 

CMYK 10 / 0 / 46 / 16

HEX #C0D674

RGB 192 214 116

HSL 73.47, 0.54%, 0.65%

LAB 82.14, -22.28, 45.72

 

CMYK 45 / 0 / 26 / 16

HEX #75D59D

RGB 117 213 157

HSL 145, 0.53%, 0.65%

LAB 78.35, -40.88, 19.05

 

CMYK 8 / 45 / 0 / 16

HEX #C475D5

RGB 196 117 213

HSL 289.38, 0.53%, 0.65%

LAB 61.01, 46.26, -36.85

 

CMYK 10 / 0 / 46 / 16

HEX #C0D674

RGB 192 214 116

HSL 73.47, 0.54%, 0.65%

LAB 82.14, -22.28, 45.72

 

CMYK 45 / 9 / 0 / 16

HEX #75C1D5

RGB 117 193 213

HSL 192.5, 0.53%, 0.65%

LAB 74.01, -18.31, -17.37

 

CMYK 0 / 45 / 9 / 16

HEX #D575C1

RGB 213 117 193

HSL 312.5, 0.53%, 0.65%

LAB 62.27, 47.74, -23.45

 

CMYK 10 / 0 / 46 / 16

HEX #C0D674

RGB 192 214 116

HSL 73.47, 0.54%, 0.65%

LAB 82.14, -22.28, 45.72

 

CMYK 45 / 0 / 26 / 16

HEX #75D59D

RGB 117 213 157

HSL 145, 0.53%, 0.65%

LAB 78.35, -40.88, 19.05

 

CMYK 35 / 45 / 0 / 16

HEX #8A75D5

RGB 138 117 213

HSL 253.13, 0.53%, 0.65%

LAB 55, 30, -46.72

 

CMYK 0 / 45 / 19 / 16

HEX #D575AD

RGB 213 117 173

HSL 325, 0.53%, 0.65%

LAB 61.56, 44.56, -13.16

 

CMYK 10 / 0 / 46 / 16

HEX #C0D674

RGB 192 214 116

HSL 73.47, 0.54%, 0.65%

LAB 82.14, -22.28, 45.72

 

CMYK 45 / 0 / 13 / 16

HEX #75D5BA

RGB 117 213 186

HSL 163.13, 0.53%, 0.65%

LAB 78.99, -34.78, 4.55

 

CMYK 35 / 45 / 0 / 16

HEX #8A75D5

RGB 138 117 213

HSL 253.13, 0.53%, 0.65%

LAB 55, 30, -46.72

 

CMYK 0 / 45 / 32 / 16

HEX #D57590

RGB 213 117 144

HSL 343.13, 0.53%, 0.65%

LAB 60.68, 40.52, 2.19

 

Description

Color code: HEX #C0D674 | qconv.com Color code: HEX #C0D674 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 214 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 214 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 46 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 46% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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