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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0F18C it is the complementary color #3F0E73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0F18C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0F18C shade: #C5F187, #D6FF9A, #E7FFAD, #F8FFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0F18C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0F18C shade: #C0F18C, #AFDF79, #9ECD66, #8DBB53 and #7CA940

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0F18C shade: #C0F08D, #DBF08D, #F0EB8D, #F0D08D and #F0B58D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0F18C shade: #C0F08D, #A5F08D, #8DF08F, #8DF0AA and #8DF0C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0F18C shade matches the following richer shades: #C0F08D and #C1FB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0F18C shade: #C0F08D, #C0E697, #C0DCA2, #BFD2AC and #BFC7B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0F18C shade: #F0EC8D, #DBF08D, #C0F08D, #A6F08D and #8DF08F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0F18C shade: #98E744, #ACEC68, #C0F08D, #D4F5B2 and #E9FAD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0F18C shade: #C0F18C, #8DF0D1 and #F08DE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0F18C shade: #C0F18C, #8DC0F0 and #F08DC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0F18C shade: #C0F18C, #8DF0D1, #BD8DF0 and #F08DAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0F18C shade: #C0F18C, #8DF0EF, #BD8DF0 and #F08D8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 42 / 5

HEX #C0F18C

RGB 192 241 140

HSL 89.11, 0.78%, 0.75%

LAB 89.86, -32.39, 43.68

 

Complementary color

CMYK 45 / 88 / 0 / 55

HEX #3F0E73

RGB 63 14 115

HSL 269.11, 0.78%, 0.25%

LAB 18.4, 42.75, -47.19

 

CMYK 18 / 0 / 44 / 5

HEX #C5F187

RGB 197 241 135

HSL 84.91, 0.79%, 0.74%

LAB 90.1, -31.18, 46.47

 

CMYK 16 / 0 / 40 / 0

HEX #D6FF9A

RGB 214 255 154

HSL 84.36, 1%, 0.8%

LAB 95.22, -29.34, 43.98

 

CMYK 9 / 0 / 32 / 0

HEX #E7FFAD

RGB 231 255 173

HSL 77.56, 1%, 0.84%

LAB 96.63, -20.85, 36.68

 

CMYK 3 / 0 / 25 / 0

HEX #F8FFC0

RGB 248 255 192

HSL 66.67, 1%, 0.88%

LAB 98.15, -12.21, 29.41

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 20 / 0 / 42 / 5

HEX #C0F18C

RGB 192 241 140

HSL 89.11, 0.78%, 0.75%

LAB 89.86, -32.39, 43.68

 

CMYK 22 / 0 / 46 / 13

HEX #AFDF79

RGB 175 223 121

HSL 88.24, 0.61%, 0.67%

LAB 83.58, -32.41, 44.82

 

CMYK 23 / 0 / 50 / 20

HEX #9ECD66

RGB 158 205 102

HSL 87.38, 0.51%, 0.6%

LAB 77.22, -32.39, 45.96

 

CMYK 25 / 0 / 56 / 27

HEX #8DBB53

RGB 141 187 83

HSL 86.54, 0.43%, 0.53%

LAB 70.75, -32.31, 47.07

 

CMYK 27 / 0 / 62 / 34

HEX #7CA940

RGB 124 169 64

HSL 85.71, 0.45%, 0.46%

LAB 64.19, -32.14, 48.04

 

CMYK 20 / 0 / 41 / 6

HEX #C0F08D

RGB 192 240 141

HSL 89.09, 0.77%, 0.75%

LAB 89.6, -31.81, 42.86

 

CMYK 9 / 0 / 41 / 6

HEX #DBF08D

RGB 219 240 141

HSL 72.73, 0.77%, 0.75%

LAB 91.37, -21.88, 45.47

 

CMYK 0 / 2 / 41 / 6

HEX #F0EB8D

RGB 240 235 141

HSL 56.97, 0.77%, 0.75%

LAB 91.62, -11.4, 46.12

 

CMYK 0 / 13 / 41 / 6

HEX #F0D08D

RGB 240 208 141

HSL 40.61, 0.77%, 0.75%

LAB 84.77, 2.28, 37.37

 

CMYK 0 / 25 / 41 / 6

HEX #F0B58D

RGB 240 181 141

HSL 24.24, 0.77%, 0.75%

LAB 78.17, 16.41, 28.69

 

CMYK 20 / 0 / 41 / 6

HEX #C0F08D

RGB 192 240 141

HSL 89.09, 0.77%, 0.75%

LAB 89.6, -31.81, 42.86

 

CMYK 31 / 0 / 41 / 6

HEX #A5F08D

RGB 165 240 141

HSL 105.45, 0.77%, 0.75%

LAB 88.09, -41.06, 40.61

 

CMYK 41 / 0 / 40 / 6

HEX #8DF08F

RGB 141 240 143

HSL 121.21, 0.77%, 0.75%

LAB 86.98, -48.21, 37.98

 

CMYK 41 / 0 / 29 / 6

HEX #8DF0AA

RGB 141 240 170

HSL 137.58, 0.77%, 0.75%

LAB 87.43, -43.81, 24.95

 

CMYK 41 / 0 / 18 / 6

HEX #8DF0C5

RGB 141 240 197

HSL 153.94, 0.77%, 0.75%

LAB 87.98, -38.65, 11.76

 

CMYK 20 / 0 / 41 / 6

HEX #C0F08D

RGB 192 240 141

HSL 89.09, 0.77%, 0.75%

LAB 89.6, -31.81, 42.86

 

CMYK 23 / 0 / 48 / 2

HEX #C1FB83

RGB 193 251 131

HSL 89, 0.94%, 0.75%

LAB 92.56, -37.63, 51.35

 

CMYK 20 / 0 / 41 / 6

HEX #C0F08D

RGB 192 240 141

HSL 89.09, 0.77%, 0.75%

LAB 89.6, -31.81, 42.86

 

CMYK 17 / 0 / 34 / 10

HEX #C0E697

RGB 192 230 151

HSL 88.86, 0.61%, 0.75%

LAB 87.01, -25.81, 34.53

 

CMYK 13 / 0 / 26 / 14

HEX #C0DCA2

RGB 192 220 162

HSL 88.97, 0.45%, 0.75%

LAB 84.48, -19.38, 25.51

 

CMYK 9 / 0 / 18 / 18

HEX #BFD2AC

RGB 191 210 172

HSL 90, 0.3%, 0.75%

LAB 81.92, -13.18, 16.72

 

CMYK 4 / 0 / 9 / 22

HEX #BFC7B6

RGB 191 199 182

HSL 88.24, 0.13%, 0.75%

LAB 79.21, -5.83, 7.56

 

CMYK 0 / 2 / 41 / 6

HEX #F0EC8D

RGB 240 236 141

HSL 57.58, 0.77%, 0.75%

LAB 91.88, -11.89, 46.44

 

CMYK 9 / 0 / 41 / 6

HEX #DBF08D

RGB 219 240 141

HSL 72.73, 0.77%, 0.75%

LAB 91.37, -21.88, 45.47

 

CMYK 20 / 0 / 41 / 6

HEX #C0F08D

RGB 192 240 141

HSL 89.09, 0.77%, 0.75%

LAB 89.6, -31.81, 42.86

 

CMYK 31 / 0 / 41 / 6

HEX #A6F08D

RGB 166 240 141

HSL 104.85, 0.77%, 0.75%

LAB 88.14, -40.73, 40.69

 

CMYK 41 / 0 / 40 / 6

HEX #8DF08F

RGB 141 240 143

HSL 121.21, 0.77%, 0.75%

LAB 86.98, -48.21, 37.98

 

CMYK 34 / 0 / 71 / 9

HEX #98E744

RGB 152 231 68

HSL 89.08, 0.77%, 0.59%

LAB 84.09, -48.89, 67.86

 

CMYK 27 / 0 / 56 / 7

HEX #ACEC68

RGB 172 236 104

HSL 89.09, 0.78%, 0.67%

LAB 86.88, -41.15, 56.65

 

CMYK 20 / 0 / 41 / 6

HEX #C0F08D

RGB 192 240 141

HSL 89.09, 0.77%, 0.75%

LAB 89.6, -31.81, 42.86

 

CMYK 13 / 0 / 27 / 4

HEX #D4F5B2

RGB 212 245 178

HSL 89.55, 0.77%, 0.83%

LAB 92.8, -22.14, 28.82

 

CMYK 7 / 0 / 14 / 2

HEX #E9FAD6

RGB 233 250 214

HSL 88.33, 0.78%, 0.91%

LAB 96.22, -11.78, 15.39

 

CMYK 20 / 0 / 42 / 5

HEX #C0F18C

RGB 192 241 140

HSL 89.11, 0.78%, 0.75%

LAB 89.86, -32.39, 43.68

 

CMYK 41 / 0 / 13 / 6

HEX #8DF0D1

RGB 141 240 209

HSL 161.21, 0.77%, 0.75%

LAB 88.25, -36.13, 5.9

 

CMYK 0 / 41 / 3 / 6

HEX #F08DE8

RGB 240 141 232

HSL 304.85, 0.77%, 0.75%

LAB 71.83, 50.42, -30.21

 

CMYK 20 / 0 / 42 / 5

HEX #C0F18C

RGB 192 241 140

HSL 89.11, 0.78%, 0.75%

LAB 89.86, -32.39, 43.68

 

CMYK 41 / 20 / 0 / 6

HEX #8DC0F0

RGB 141 192 240

HSL 209.09, 0.77%, 0.75%

LAB 75.86, -4.62, -29.06

 

CMYK 0 / 41 / 20 / 6

HEX #F08DC0

RGB 240 141 192

HSL 329.09, 0.77%, 0.75%

LAB 70.44, 44, -10.2

 

CMYK 20 / 0 / 42 / 5

HEX #C0F18C

RGB 192 241 140

HSL 89.11, 0.78%, 0.75%

LAB 89.86, -32.39, 43.68

 

CMYK 41 / 0 / 13 / 6

HEX #8DF0D1

RGB 141 240 209

HSL 161.21, 0.77%, 0.75%

LAB 88.25, -36.13, 5.9

 

CMYK 21 / 41 / 0 / 6

HEX #BD8DF0

RGB 189 141 240

HSL 269.09, 0.77%, 0.75%

LAB 66.64, 37.03, -43.09

 

CMYK 0 / 41 / 28 / 6

HEX #F08DAD

RGB 240 141 173

HSL 340.61, 0.77%, 0.75%

LAB 69.89, 41.34, -0.42

 

CMYK 20 / 0 / 42 / 5

HEX #C0F18C

RGB 192 241 140

HSL 89.11, 0.78%, 0.75%

LAB 89.86, -32.39, 43.68

 

CMYK 41 / 0 / 0 / 6

HEX #8DF0EF

RGB 141 240 239

HSL 179.39, 0.77%, 0.75%

LAB 89.02, -29.26, -8.65

 

CMYK 21 / 41 / 0 / 6

HEX #BD8DF0

RGB 189 141 240

HSL 269.09, 0.77%, 0.75%

LAB 66.64, 37.03, -43.09

 

CMYK 0 / 41 / 40 / 6

HEX #F08D8F

RGB 240 141 143

HSL 358.79, 0.77%, 0.75%

LAB 69.15, 37.71, 15.29

 

Description

Color code: HEX #C0F18C | qconv.com Color code: HEX #C0F18C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 241 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 241 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 42 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 42% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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