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Color name
HEX #C10A6F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C10A6F it is the complementary color #3EF590. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C10A6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C10A6F shade: #C60A6A, #D71C7D, #E82E90, #F940A3 and #FF52B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C10A6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C10A6F shade: #C10A6F, #B0005C, #9F0049, #8E0036 and #7D0023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C10A6F shade: #C10A6F, #C10A3E, #C10A0C and #C10A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C10A6F shade: #C10A6F, #C10AA1, #B10AC1, #7F0AC1 and #4E0AC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C10A6F shade matches the following richer shades: #C10A6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C10A6F shade: #C10A6F, #B11A6D, #A02B6C, #903B6A and #7F4C68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C10A6F shade: #AF0AC1, #C10AA3, #C10A72, #C10A41 and #C10A10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C10A6F shade: #730642, #9A0858, #C10A6F, #E80C86 and #F32A99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C10A6F shade: #C10A6F, #C17E0A and #0ABBC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C10A6F shade: #C10A6F, #72C10A and #0A72C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C10A6F shade: #C10A6F, #C17E0A, #0AC159 and #0A4DC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C10A6F shade: #C10A6F, #C1B50A, #0AC159 and #0A16C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 42 / 24

HEX #C10A6F

RGB 193 10 111

HSL 326.89, 0.9%, 0.4%

LAB 42.31, 68.89, -5.39

 

Complementary color

CMYK 75 / 0 / 41 / 4

HEX #3EF590

RGB 62 245 144

HSL 146.89, 0.9%, 0.6%

LAB 86.18, -66.75, 35.99

 

CMYK 0 / 95 / 46 / 22

HEX #C60A6A

RGB 198 10 106

HSL 329.36, 0.9%, 0.41%

LAB 43.16, 69.58, -0.9

 

CMYK 0 / 87 / 42 / 16

HEX #D71C7D

RGB 215 28 125

HSL 328.88, 0.77%, 0.48%

LAB 47.95, 72.68, -5.18

 

CMYK 0 / 80 / 38 / 9

HEX #E82E90

RGB 232 46 144

HSL 328.39, 0.8%, 0.55%

LAB 53.08, 74.69, -8.66

 

CMYK 0 / 74 / 35 / 2

HEX #F940A3

RGB 249 64 163

HSL 327.89, 0.94%, 0.61%

LAB 58.46, 75.86, -11.5

 

CMYK 0 / 68 / 29 / 0

HEX #FF52B6

RGB 255 82 182

HSL 325.32, 1%, 0.66%

LAB 62.23, 73.57, -16.7

 

CMYK 0 / 95 / 42 / 24

HEX #C10A6F

RGB 193 10 111

HSL 326.89, 0.9%, 0.4%

LAB 42.31, 68.89, -5.39

 

CMYK 0 / 100 / 48 / 31

HEX #B0005C

RGB 176 0 92

HSL 328.64, 1%, 0.35%

LAB 37.85, 64.48, -0.34

 

CMYK 0 / 100 / 54 / 38

HEX #9F0049

RGB 159 0 73

HSL 332.45, 1%, 0.31%

LAB 33.67, 59.07, 5.51

 

CMYK 0 / 100 / 62 / 44

HEX #8E0036

RGB 142 0 54

HSL 337.18, 1%, 0.28%

LAB 29.46, 53.65, 11.73

 

CMYK 0 / 100 / 72 / 51

HEX #7D0023

RGB 125 0 35

HSL 343.2, 1%, 0.25%

LAB 25.2, 48.26, 18.33

 

CMYK 0 / 95 / 42 / 24

HEX #C10A6F

RGB 193 10 111

HSL 326.89, 0.9%, 0.4%

LAB 42.31, 68.89, -5.39

 

CMYK 0 / 95 / 68 / 24

HEX #C10A3E

RGB 193 10 62

HSL 342.95, 0.9%, 0.4%

LAB 41.06, 65.49, 23.81

 

CMYK 0 / 95 / 94 / 24

HEX #C10A0C

RGB 193 10 12

HSL 359.34, 0.9%, 0.4%

LAB 40.54, 64.05, 50.47

 

CMYK 0 / 95 / 95 / 24

HEX #C10A0A

RGB 193 10 10

HSL 0, 0.9%, 0.4%

LAB 40.53, 64.03, 51.14

 

CMYK 0 / 95 / 42 / 24

HEX #C10A6F

RGB 193 10 111

HSL 326.89, 0.9%, 0.4%

LAB 42.31, 68.89, -5.39

 

CMYK 0 / 95 / 17 / 24

HEX #C10AA1

RGB 193 10 161

HSL 310.49, 0.9%, 0.4%

LAB 44.42, 74.38, -32.76

 

CMYK 8 / 95 / 0 / 24

HEX #B10AC1

RGB 177 10 193

HSL 294.75, 0.9%, 0.4%

LAB 43.38, 76.21, -53.52

 

CMYK 34 / 95 / 0 / 24

HEX #7F0AC1

RGB 127 10 193

HSL 278.36, 0.9%, 0.4%

LAB 35.16, 69.17, -67.25

 

CMYK 60 / 95 / 0 / 24

HEX #4E0AC1

RGB 78 10 193

HSL 262.3, 0.9%, 0.4%

LAB 28.61, 64.51, -78.28

 

CMYK 0 / 95 / 42 / 24

HEX #C10A6F

RGB 193 10 111

HSL 326.89, 0.9%, 0.4%

LAB 42.31, 68.89, -5.39

 

CMYK 0 / 95 / 42 / 24

HEX #C10A6F

RGB 193 10 111

HSL 326.89, 0.9%, 0.4%

LAB 42.31, 68.89, -5.39

 

CMYK 0 / 85 / 38 / 31

HEX #B11A6D

RGB 177 26 109

HSL 327.02, 0.74%, 0.4%

LAB 39.9, 62.58, -8.07

 

CMYK 0 / 73 / 33 / 37

HEX #A02B6C

RGB 160 43 108

HSL 326.67, 0.58%, 0.4%

LAB 38.35, 53.24, -10.09

 

CMYK 0 / 59 / 26 / 44

HEX #903B6A

RGB 144 59 106

HSL 326.82, 0.42%, 0.4%

LAB 38.02, 41.32, -9.6

 

CMYK 0 / 40 / 18 / 50

HEX #7F4C68

RGB 127 76 104

HSL 327.06, 0.25%, 0.4%

LAB 39.04, 25.79, -7.07

 

CMYK 9 / 95 / 0 / 24

HEX #AF0AC1

RGB 175 10 193

HSL 294.1, 0.9%, 0.4%

LAB 43.04, 75.89, -54.1

 

CMYK 0 / 95 / 16 / 24

HEX #C10AA3

RGB 193 10 163

HSL 309.84, 0.9%, 0.4%

LAB 44.52, 74.64, -33.8

 

CMYK 0 / 95 / 41 / 24

HEX #C10A72

RGB 193 10 114

HSL 325.9, 0.9%, 0.4%

LAB 42.41, 69.16, -7.11

 

CMYK 0 / 95 / 66 / 24

HEX #C10A41

RGB 193 10 65

HSL 341.97, 0.9%, 0.4%

LAB 41.11, 65.64, 21.99

 

CMYK 0 / 95 / 92 / 24

HEX #C10A10

RGB 193 10 16

HSL 358.03, 0.9%, 0.4%

LAB 40.56, 64.1, 48.96

 

CMYK 0 / 95 / 43 / 55

HEX #730642

RGB 115 6 66

HSL 326.97, 0.9%, 0.24%

LAB 24.22, 46.84, -4.72

 

CMYK 0 / 95 / 43 / 40

HEX #9A0858

RGB 154 8 88

HSL 327.12, 0.9%, 0.32%

LAB 33.45, 58.09, -4.76

 

CMYK 0 / 95 / 42 / 24

HEX #C10A6F

RGB 193 10 111

HSL 326.89, 0.9%, 0.4%

LAB 42.31, 68.89, -5.39

 

CMYK 0 / 95 / 42 / 9

HEX #E80C86

RGB 232 12 134

HSL 326.73, 0.9%, 0.48%

LAB 50.85, 79.26, -5.99

 

CMYK 0 / 83 / 37 / 5

HEX #F32A99

RGB 243 42 153

HSL 326.87, 0.89%, 0.56%

LAB 55.08, 79.04, -10.81

 

CMYK 0 / 95 / 42 / 24

HEX #C10A6F

RGB 193 10 111

HSL 326.89, 0.9%, 0.4%

LAB 42.31, 68.89, -5.39

 

CMYK 0 / 35 / 95 / 24

HEX #C17E0A

RGB 193 126 10

HSL 38.03, 0.9%, 0.4%

LAB 58.3, 18.29, 62.72

 

CMYK 95 / 3 / 0 / 24

HEX #0ABBC1

RGB 10 187 193

HSL 181.97, 0.9%, 0.4%

LAB 69.08, -35.94, -14.14

 

CMYK 0 / 95 / 42 / 24

HEX #C10A6F

RGB 193 10 111

HSL 326.89, 0.9%, 0.4%

LAB 42.31, 68.89, -5.39

 

CMYK 41 / 0 / 95 / 24

HEX #72C10A

RGB 114 193 10

HSL 85.9, 0.9%, 0.4%

LAB 70.69, -48.83, 69.46

 

CMYK 95 / 41 / 0 / 24

HEX #0A72C1

RGB 10 114 193

HSL 205.9, 0.9%, 0.4%

LAB 46.91, 3.58, -48.57

 

CMYK 0 / 95 / 42 / 24

HEX #C10A6F

RGB 193 10 111

HSL 326.89, 0.9%, 0.4%

LAB 42.31, 68.89, -5.39

 

CMYK 0 / 35 / 95 / 24

HEX #C17E0A

RGB 193 126 10

HSL 38.03, 0.9%, 0.4%

LAB 58.3, 18.29, 62.72

 

CMYK 95 / 0 / 54 / 24

HEX #0AC159

RGB 10 193 89

HSL 145.9, 0.9%, 0.4%

LAB 68.7, -62.81, 40.8

 

CMYK 95 / 60 / 0 / 24

HEX #0A4DC1

RGB 10 77 193

HSL 218.03, 0.9%, 0.4%

LAB 36.41, 27.72, -65.55

 

CMYK 0 / 95 / 42 / 24

HEX #C10A6F

RGB 193 10 111

HSL 326.89, 0.9%, 0.4%

LAB 42.31, 68.89, -5.39

 

CMYK 0 / 6 / 95 / 24

HEX #C1B50A

RGB 193 181 10

HSL 56.07, 0.9%, 0.4%

LAB 72.5, -11.29, 73.14

 

CMYK 95 / 0 / 54 / 24

HEX #0AC159

RGB 10 193 89

HSL 145.9, 0.9%, 0.4%

LAB 68.7, -62.81, 40.8

 

CMYK 95 / 89 / 0 / 24

HEX #0A16C1

RGB 10 22 193

HSL 236.07, 0.9%, 0.4%

LAB 25.23, 58.64, -84.03

 

Description

Color code: HEX #C10A6F | qconv.com Color code: HEX #C10A6F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 10 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 10 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 42 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 42% 24% C M Y K

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