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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C11EB4 it is the complementary color #3EE14B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C11EB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C11EB4 shade: #C61EAF, #D730C2, #E842D5, #F954E8 and #FF66FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C11EB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C11EB4 shade: #C11EB4, #B00CA1, #9F008E, #8E007B and #7D0068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C11EB4 shade: #C21EB5, #C21E88, #C21E5C, #C21E30 and #C21E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C11EB4 shade: #C21EB5, #A31EC2, #761EC2, #4A1EC2 and #1E1EC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C11EB4 shade matches the following richer shades: #C21EB5 and #D40CC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C11EB4 shade: #C21EB5, #AF30A5, #9D4296, #8B5487 and #796678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C11EB4 shade: #751EC2, #A11EC2, #C21EB7, #C21E8B and #C21E5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C11EB4 shade: #7A1372, #9E1893, #C21EB5, #DE2BCF and #E34FD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C11EB4 shade: #C11EB4, #C2491E and #1EC28B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C11EB4 shade: #C11EB4, #B7C21E and #1EB7C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C11EB4 shade: #C11EB4, #C2491E, #1EC229 and #1E96C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C11EB4 shade: #C11EB4, #C27B1E, #1EC229 and #1E65C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 7 / 24

HEX #C11EB4

RGB 193 30 180

HSL 304.79, 0.73%, 0.44%

LAB 46.39, 74.1, -40.92

 

Complementary color

CMYK 72 / 0 / 67 / 12

HEX #3EE14B

RGB 62 225 75

HSL 124.79, 0.73%, 0.56%

LAB 79.26, -69.49, 59.24

 

CMYK 0 / 85 / 12 / 22

HEX #C61EAF

RGB 198 30 175

HSL 308.21, 0.74%, 0.45%

LAB 47.01, 74.37, -36.94

 

CMYK 0 / 78 / 10 / 16

HEX #D730C2

RGB 215 48 194

HSL 307.54, 0.68%, 0.52%

LAB 52.35, 76.36, -39.43

 

CMYK 0 / 72 / 8 / 9

HEX #E842D5

RGB 232 66 213

HSL 306.87, 0.78%, 0.58%

LAB 57.9, 77.52, -41.38

 

CMYK 0 / 66 / 7 / 2

HEX #F954E8

RGB 249 84 232

HSL 306.18, 0.93%, 0.65%

LAB 63.6, 78.08, -42.93

 

CMYK 0 / 60 / 2 / 0

HEX #FF66FB

RGB 255 102 251

HSL 301.57, 1%, 0.7%

LAB 67.82, 75.59, -46.73

 

CMYK 0 / 84 / 7 / 24

HEX #C11EB4

RGB 193 30 180

HSL 304.79, 0.73%, 0.44%

LAB 46.39, 74.1, -40.92

 

CMYK 0 / 93 / 9 / 31

HEX #B00CA1

RGB 176 12 161

HSL 305.49, 0.87%, 0.37%

LAB 41.32, 71, -37.86

 

CMYK 0 / 100 / 11 / 38

HEX #9F008E

RGB 159 0 142

HSL 306.42, 1%, 0.31%

LAB 36.6, 66.55, -33.99

 

CMYK 0 / 100 / 13 / 44

HEX #8E007B

RGB 142 0 123

HSL 308.03, 1%, 0.28%

LAB 32.22, 60.75, -29.31

 

CMYK 0 / 100 / 17 / 51

HEX #7D0068

RGB 125 0 104

HSL 310.08, 1%, 0.25%

LAB 27.74, 54.82, -24.46

 

CMYK 0 / 85 / 7 / 24

HEX #C21EB5

RGB 194 30 181

HSL 304.76, 0.73%, 0.44%

LAB 46.62, 74.44, -41.13

 

CMYK 0 / 85 / 30 / 24

HEX #C21E88

RGB 194 30 136

HSL 321.22, 0.73%, 0.44%

LAB 44.48, 68.61, -17.53

 

CMYK 0 / 85 / 53 / 24

HEX #C21E5C

RGB 194 30 92

HSL 337.32, 0.73%, 0.44%

LAB 43.02, 64.44, 7.58

 

CMYK 0 / 85 / 75 / 24

HEX #C21E30

RGB 194 30 48

HSL 353.41, 0.73%, 0.44%

LAB 42.17, 61.94, 33.78

 

CMYK 0 / 85 / 85 / 24

HEX #C21E1E

RGB 194 30 30

HSL 0, 0.73%, 0.44%

LAB 41.99, 61.39, 43.67

 

CMYK 0 / 85 / 7 / 24

HEX #C21EB5

RGB 194 30 181

HSL 304.76, 0.73%, 0.44%

LAB 46.62, 74.44, -41.13

 

CMYK 16 / 85 / 0 / 24

HEX #A31EC2

RGB 163 30 194

HSL 288.66, 0.73%, 0.44%

LAB 42.17, 70.93, -56.18

 

CMYK 39 / 85 / 0 / 24

HEX #761EC2

RGB 118 30 194

HSL 272.2, 0.73%, 0.44%

LAB 35.35, 64.04, -67.58

 

CMYK 62 / 85 / 0 / 24

HEX #4A1EC2

RGB 74 30 194

HSL 256.1, 0.73%, 0.44%

LAB 30.11, 59.05, -76.4

 

CMYK 85 / 85 / 0 / 24

HEX #1E1EC2

RGB 30 30 194

HSL 240, 0.73%, 0.44%

LAB 27.02, 56.29, -81.62

 

CMYK 0 / 85 / 7 / 24

HEX #C21EB5

RGB 194 30 181

HSL 304.76, 0.73%, 0.44%

LAB 46.62, 74.44, -41.13

 

CMYK 0 / 94 / 8 / 17

HEX #D40CC4

RGB 212 12 196

HSL 304.8, 0.89%, 0.44%

LAB 49.79, 82.3, -44.66

 

CMYK 0 / 85 / 7 / 24

HEX #C21EB5

RGB 194 30 181

HSL 304.76, 0.73%, 0.44%

LAB 46.62, 74.44, -41.13

 

CMYK 0 / 73 / 6 / 31

HEX #AF30A5

RGB 175 48 165

HSL 304.72, 0.57%, 0.44%

LAB 44.15, 63.32, -35.78

 

CMYK 0 / 58 / 4 / 38

HEX #9D4296

RGB 157 66 150

HSL 304.62, 0.41%, 0.44%

LAB 43.16, 48.97, -28.56

 

CMYK 0 / 40 / 3 / 45

HEX #8B5487

RGB 139 84 135

HSL 304.36, 0.25%, 0.44%

LAB 43.62, 31.15, -18.99

 

CMYK 0 / 16 / 1 / 53

HEX #796678

RGB 121 102 120

HSL 303.16, 0.09%, 0.44%

LAB 45.53, 11.02, -7.23

 

CMYK 40 / 85 / 0 / 24

HEX #751EC2

RGB 117 30 194

HSL 271.83, 0.73%, 0.44%

LAB 35.21, 63.91, -67.81

 

CMYK 17 / 85 / 0 / 24

HEX #A11EC2

RGB 161 30 194

HSL 287.93, 0.73%, 0.44%

LAB 41.85, 70.59, -56.72

 

CMYK 0 / 85 / 6 / 24

HEX #C21EB7

RGB 194 30 183

HSL 304.02, 0.73%, 0.44%

LAB 46.73, 74.73, -42.13

 

CMYK 0 / 85 / 28 / 24

HEX #C21E8B

RGB 194 30 139

HSL 320.12, 0.73%, 0.44%

LAB 44.61, 68.95, -19.17

 

CMYK 0 / 85 / 51 / 24

HEX #C21E5F

RGB 194 30 95

HSL 336.22, 0.73%, 0.44%

LAB 43.1, 64.67, 5.81

 

CMYK 0 / 84 / 7 / 52

HEX #7A1372

RGB 122 19 114

HSL 304.66, 0.73%, 0.28%

LAB 28.95, 52.08, -29.02

 

CMYK 0 / 85 / 7 / 38

HEX #9E1893

RGB 158 24 147

HSL 304.93, 0.74%, 0.36%

LAB 37.89, 63.57, -35.02

 

CMYK 0 / 85 / 7 / 24

HEX #C21EB5

RGB 194 30 181

HSL 304.76, 0.73%, 0.44%

LAB 46.62, 74.44, -41.13

 

CMYK 0 / 81 / 7 / 13

HEX #DE2BCF

RGB 222 43 207

HSL 305.03, 0.73%, 0.52%

LAB 53.77, 80.84, -44.58

 

CMYK 0 / 65 / 5 / 11

HEX #E34FD7

RGB 227 79 215

HSL 304.86, 0.73%, 0.6%

LAB 58.82, 72.18, -41.12

 

CMYK 0 / 84 / 7 / 24

HEX #C11EB4

RGB 193 30 180

HSL 304.79, 0.73%, 0.44%

LAB 46.39, 74.1, -40.92

 

CMYK 0 / 62 / 85 / 24

HEX #C2491E

RGB 194 73 30

HSL 15.73, 0.73%, 0.44%

LAB 47.4, 46.5, 48.45

 

CMYK 85 / 0 / 28 / 24

HEX #1EC28B

RGB 30 194 139

HSL 159.88, 0.73%, 0.44%

LAB 69.98, -52.46, 16.68

 

CMYK 0 / 84 / 7 / 24

HEX #C11EB4

RGB 193 30 180

HSL 304.79, 0.73%, 0.44%

LAB 46.39, 74.1, -40.92

 

CMYK 6 / 0 / 85 / 24

HEX #B7C21E

RGB 183 194 30

HSL 64.02, 0.73%, 0.44%

LAB 75.29, -21.78, 71.66

 

CMYK 85 / 6 / 0 / 24

HEX #1EB7C2

RGB 30 183 194

HSL 184.02, 0.73%, 0.44%

LAB 68.05, -32.76, -16.23

 

CMYK 0 / 84 / 7 / 24

HEX #C11EB4

RGB 193 30 180

HSL 304.79, 0.73%, 0.44%

LAB 46.39, 74.1, -40.92

 

CMYK 0 / 62 / 85 / 24

HEX #C2491E

RGB 194 73 30

HSL 15.73, 0.73%, 0.44%

LAB 47.4, 46.5, 48.45

 

CMYK 85 / 0 / 79 / 24

HEX #1EC229

RGB 30 194 41

HSL 124.02, 0.73%, 0.44%

LAB 68.77, -66.85, 60.46

 

CMYK 85 / 23 / 0 / 24

HEX #1E96C2

RGB 30 150 194

HSL 196.1, 0.73%, 0.44%

LAB 58.02, -15.93, -31.6

 

CMYK 0 / 84 / 7 / 24

HEX #C11EB4

RGB 193 30 180

HSL 304.79, 0.73%, 0.44%

LAB 46.39, 74.1, -40.92

 

CMYK 0 / 37 / 85 / 24

HEX #C27B1E

RGB 194 123 30

HSL 34.02, 0.73%, 0.44%

LAB 57.78, 20.77, 57.37

 

CMYK 85 / 0 / 79 / 24

HEX #1EC229

RGB 30 194 41

HSL 124.02, 0.73%, 0.44%

LAB 68.77, -66.85, 60.46

 

CMYK 85 / 48 / 0 / 24

HEX #1E65C2

RGB 30 101 194

HSL 214.02, 0.73%, 0.44%

LAB 43.48, 13.4, -54.64

 

Description

Color code: HEX #C11EB4 | qconv.com Color code: HEX #C11EB4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 30 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 30 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 7 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 7% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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