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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C123B1 it is the complementary color #3EDC4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C123B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C123B1 shade: #C623AC, #D735BF, #E847D2, #F959E5 and #FF6BF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C123B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C123B1 shade: #C123B1, #B0119E, #9F008B, #8E0078 and #7D0065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C123B1 shade: #C123B1, #C12387, #C1235C, #C12331 and #C12323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C123B1 shade: #C123B1, #A723C1, #7C23C1, #5123C1 and #2723C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C123B1 shade matches the following richer shades: #C123B1 and #D411C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C123B1 shade: #C123B1, #AF36A3, #9C4894, #8A5B85 and #776D76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C123B1 shade: #7D23C1, #A723C1, #C123B2, #C12387 and #C1235D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C123B1 shade: #7C1671, #9F1D91, #C123B1, #D934C9 and #E057D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C123B1 shade: #C123B1, #C15323 and #23C192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C123B1 shade: #C123B1, #B2C123 and #23B2C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C123B1 shade: #C123B1, #C15323, #23C133 and #2392C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C123B1 shade: #C123B1, #C18223, #23C133 and #2362C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 8 / 24

HEX #C123B1

RGB 193 35 177

HSL 306.08, 0.69%, 0.45%

LAB 46.6, 72.61, -38.83

 

Complementary color

CMYK 72 / 0 / 65 / 14

HEX #3EDC4E

RGB 62 220 78

HSL 126.08, 0.69%, 0.55%

LAB 77.73, -67.59, 56.37

 

CMYK 0 / 82 / 13 / 22

HEX #C623AC

RGB 198 35 172

HSL 309.57, 0.7%, 0.46%

LAB 47.22, 72.92, -34.84

 

CMYK 0 / 75 / 11 / 16

HEX #D735BF

RGB 215 53 191

HSL 308.89, 0.67%, 0.53%

LAB 52.68, 74.56, -37.17

 

CMYK 0 / 69 / 9 / 9

HEX #E847D2

RGB 232 71 210

HSL 308.2, 0.78%, 0.59%

LAB 58.34, 75.44, -38.99

 

CMYK 0 / 64 / 8 / 2

HEX #F959E5

RGB 249 89 229

HSL 307.5, 0.93%, 0.66%

LAB 64.11, 75.79, -40.44

 

CMYK 0 / 58 / 3 / 0

HEX #FF6BF8

RGB 255 107 248

HSL 302.84, 1%, 0.71%

LAB 68.43, 73.06, -44.13

 

CMYK 0 / 82 / 8 / 24

HEX #C123B1

RGB 193 35 177

HSL 306.08, 0.69%, 0.45%

LAB 46.6, 72.61, -38.83

 

CMYK 0 / 90 / 10 / 31

HEX #B0119E

RGB 176 17 158

HSL 306.79, 0.82%, 0.38%

LAB 41.37, 69.94, -35.97

 

CMYK 0 / 100 / 13 / 38

HEX #9F008B

RGB 159 0 139

HSL 307.55, 1%, 0.31%

LAB 36.43, 66.14, -32.41

 

CMYK 0 / 100 / 15 / 44

HEX #8E0078

RGB 142 0 120

HSL 309.3, 1%, 0.28%

LAB 32.05, 60.34, -27.68

 

CMYK 0 / 100 / 19 / 51

HEX #7D0065

RGB 125 0 101

HSL 311.52, 1%, 0.25%

LAB 27.57, 54.42, -22.76

 

CMYK 0 / 82 / 8 / 24

HEX #C123B1

RGB 193 35 177

HSL 306.08, 0.69%, 0.45%

LAB 46.6, 72.61, -38.83

 

CMYK 0 / 82 / 30 / 24

HEX #C12387

RGB 193 35 135

HSL 322.03, 0.69%, 0.45%

LAB 44.64, 67.15, -16.69

 

CMYK 0 / 82 / 52 / 24

HEX #C1235C

RGB 193 35 92

HSL 338.35, 0.69%, 0.45%

LAB 43.23, 63.02, 7.85

 

CMYK 0 / 82 / 75 / 24

HEX #C12331

RGB 193 35 49

HSL 354.68, 0.69%, 0.45%

LAB 42.4, 60.51, 33.39

 

CMYK 0 / 82 / 82 / 24

HEX #C12323

RGB 193 35 35

HSL 0, 0.69%, 0.45%

LAB 42.25, 60.04, 41.2

 

CMYK 0 / 82 / 8 / 24

HEX #C123B1

RGB 193 35 177

HSL 306.08, 0.69%, 0.45%

LAB 46.6, 72.61, -38.83

 

CMYK 13 / 82 / 0 / 24

HEX #A723C1

RGB 167 35 193

HSL 290.13, 0.69%, 0.45%

LAB 43.16, 70.23, -53.96

 

CMYK 36 / 82 / 0 / 24

HEX #7C23C1

RGB 124 35 193

HSL 273.8, 0.69%, 0.45%

LAB 36.63, 63.13, -64.87

 

CMYK 58 / 82 / 0 / 24

HEX #5123C1

RGB 81 35 193

HSL 257.47, 0.69%, 0.45%

LAB 31.35, 57.55, -73.73

 

CMYK 80 / 82 / 0 / 24

HEX #2723C1

RGB 39 35 193

HSL 241.52, 0.69%, 0.45%

LAB 28.07, 54.17, -79.26

 

CMYK 0 / 82 / 8 / 24

HEX #C123B1

RGB 193 35 177

HSL 306.08, 0.69%, 0.45%

LAB 46.6, 72.61, -38.83

 

CMYK 0 / 92 / 9 / 17

HEX #D411C0

RGB 212 17 192

HSL 306.15, 0.85%, 0.45%

LAB 49.74, 81.27, -42.42

 

CMYK 0 / 82 / 8 / 24

HEX #C123B1

RGB 193 35 177

HSL 306.08, 0.69%, 0.45%

LAB 46.6, 72.61, -38.83

 

CMYK 0 / 69 / 7 / 31

HEX #AF36A3

RGB 175 54 163

HSL 305.95, 0.53%, 0.45%

LAB 44.8, 60.89, -33.58

 

CMYK 0 / 54 / 5 / 39

HEX #9C4894

RGB 156 72 148

HSL 305.71, 0.37%, 0.45%

LAB 44, 45.41, -26.05

 

CMYK 0 / 34 / 4 / 46

HEX #8A5B85

RGB 138 91 133

HSL 306.38, 0.21%, 0.45%

LAB 45.05, 26.38, -15.6

 

CMYK 0 / 8 / 1 / 53

HEX #776D76

RGB 119 109 118

HSL 306, 0.04%, 0.45%

LAB 47.19, 5.67, -3.58

 

CMYK 35 / 82 / 0 / 24

HEX #7D23C1

RGB 125 35 193

HSL 274.18, 0.69%, 0.45%

LAB 36.77, 63.28, -64.63

 

CMYK 13 / 82 / 0 / 24

HEX #A723C1

RGB 167 35 193

HSL 290.13, 0.69%, 0.45%

LAB 43.16, 70.23, -53.96

 

CMYK 0 / 82 / 8 / 24

HEX #C123B2

RGB 193 35 178

HSL 305.7, 0.69%, 0.45%

LAB 46.65, 72.75, -39.34

 

CMYK 0 / 82 / 30 / 24

HEX #C12387

RGB 193 35 135

HSL 322.03, 0.69%, 0.45%

LAB 44.64, 67.15, -16.69

 

CMYK 0 / 82 / 52 / 24

HEX #C1235D

RGB 193 35 93

HSL 337.97, 0.69%, 0.45%

LAB 43.26, 63.09, 7.26

 

CMYK 0 / 82 / 9 / 51

HEX #7C1671

RGB 124 22 113

HSL 306.47, 0.7%, 0.29%

LAB 29.54, 51.57, -27.42

 

CMYK 0 / 82 / 9 / 38

HEX #9F1D91

RGB 159 29 145

HSL 306.46, 0.69%, 0.37%

LAB 38.36, 62.31, -33.04

 

CMYK 0 / 82 / 8 / 24

HEX #C123B1

RGB 193 35 177

HSL 306.08, 0.69%, 0.45%

LAB 46.6, 72.61, -38.83

 

CMYK 0 / 76 / 7 / 15

HEX #D934C9

RGB 217 52 201

HSL 305.82, 0.68%, 0.53%

LAB 53.41, 76.71, -41.76

 

CMYK 0 / 61 / 6 / 12

HEX #E057D2

RGB 224 87 210

HSL 306.13, 0.69%, 0.61%

LAB 59.27, 67.52, -37.62

 

CMYK 0 / 82 / 8 / 24

HEX #C123B1

RGB 193 35 177

HSL 306.08, 0.69%, 0.45%

LAB 46.6, 72.61, -38.83

 

CMYK 0 / 57 / 82 / 24

HEX #C15323

RGB 193 83 35

HSL 18.23, 0.69%, 0.45%

LAB 49.06, 41.57, 47.64

 

CMYK 82 / 0 / 24 / 24

HEX #23C192

RGB 35 193 146

HSL 162.15, 0.69%, 0.45%

LAB 69.88, -50, 12.76

 

CMYK 0 / 82 / 8 / 24

HEX #C123B1

RGB 193 35 177

HSL 306.08, 0.69%, 0.45%

LAB 46.6, 72.61, -38.83

 

CMYK 8 / 0 / 82 / 24

HEX #B2C123

RGB 178 193 35

HSL 65.7, 0.69%, 0.45%

LAB 74.65, -23.26, 69.78

 

CMYK 82 / 8 / 0 / 24

HEX #23B2C1

RGB 35 178 193

HSL 185.7, 0.69%, 0.45%

LAB 66.56, -30.28, -17.93

 

CMYK 0 / 82 / 8 / 24

HEX #C123B1

RGB 193 35 177

HSL 306.08, 0.69%, 0.45%

LAB 46.6, 72.61, -38.83

 

CMYK 0 / 57 / 82 / 24

HEX #C15323

RGB 193 83 35

HSL 18.23, 0.69%, 0.45%

LAB 49.06, 41.57, 47.64

 

CMYK 82 / 0 / 74 / 24

HEX #23C133

RGB 35 193 51

HSL 126.08, 0.69%, 0.45%

LAB 68.56, -65.31, 56.98

 

CMYK 82 / 24 / 0 / 24

HEX #2392C1

RGB 35 146 193

HSL 197.85, 0.69%, 0.45%

LAB 56.85, -13.66, -32.86

 

CMYK 0 / 82 / 8 / 24

HEX #C123B1

RGB 193 35 177

HSL 306.08, 0.69%, 0.45%

LAB 46.6, 72.61, -38.83

 

CMYK 0 / 33 / 82 / 24

HEX #C18223

RGB 193 130 35

HSL 36.08, 0.69%, 0.45%

LAB 59.36, 16.63, 56.97

 

CMYK 82 / 0 / 74 / 24

HEX #23C133

RGB 35 193 51

HSL 126.08, 0.69%, 0.45%

LAB 68.56, -65.31, 56.98

 

CMYK 82 / 49 / 0 / 24

HEX #2362C1

RGB 35 98 193

HSL 216.08, 0.69%, 0.45%

LAB 42.68, 15.39, -55.34

 

Description

Color code: HEX #C123B1 | qconv.com Color code: HEX #C123B1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 35 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 35 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 8 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 8% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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