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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C13582 it is the complementary color #3ECA7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C13582. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C13582 shade: #C6357D, #D74790, #E859A3, #F96BB6 and #FF7DC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C13582. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C13582 shade: #C13582, #B0236F, #9F115C, #8E0049 and #7D0036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C13582 shade: #C03481, #C0345B, #C03436 and #C03434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C13582 shade: #C03481, #C034A7, #B334C0, #8E34C0 and #6834C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C13582 shade matches the following richer shades: #C03481, #D32083 and #E70D85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C13582 shade: #C03481, #AC487F, #985C7D, #84707B and #708379

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C13582 shade: #B434C0, #C034A6, #C03481, #C0345C and #C03436

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C13582 shade: #7F2255, #9F2B6B, #C03481, #CE4F95 and #D76FA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C13582 shade: #C13582, #C08F34 and #34B9C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C13582 shade: #C13582, #81C034 and #3481C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C13582 shade: #C13582, #C08F34, #34C073 and #3465C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C13582 shade: #C13582, #C0B934, #34C073 and #343BC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 33 / 24

HEX #C13582

RGB 193 53 130

HSL 327, 0.57%, 0.48%

LAB 46.31, 61.32, -11.12

 

Complementary color

CMYK 69 / 0 / 38 / 21

HEX #3ECA7D

RGB 62 202 125

HSL 147, 0.57%, 0.52%

LAB 72.72, -54.53, 27.91

 

CMYK 0 / 73 / 37 / 22

HEX #C6357D

RGB 198 53 125

HSL 330.21, 0.58%, 0.49%

LAB 47.02, 62.11, -6.92

 

CMYK 0 / 67 / 33 / 16

HEX #D74790

RGB 215 71 144

HSL 329.58, 0.64%, 0.56%

LAB 52.91, 62.4, -9.23

 

CMYK 0 / 62 / 30 / 9

HEX #E859A3

RGB 232 89 163

HSL 328.95, 0.76%, 0.63%

LAB 58.92, 62.26, -11.09

 

CMYK 0 / 57 / 27 / 2

HEX #F96BB6

RGB 249 107 182

HSL 328.31, 0.92%, 0.7%

LAB 64.99, 61.85, -12.63

 

CMYK 0 / 51 / 21 / 0

HEX #FF7DC9

RGB 255 125 201

HSL 324.92, 1%, 0.75%

LAB 69.57, 57.96, -16.33

 

CMYK 0 / 73 / 33 / 24

HEX #C13582

RGB 193 53 130

HSL 327, 0.57%, 0.48%

LAB 46.31, 61.32, -11.12

 

CMYK 0 / 80 / 37 / 31

HEX #B0236F

RGB 176 35 111

HSL 327.66, 0.67%, 0.41%

LAB 40.54, 60.35, -8.38

 

CMYK 0 / 89 / 42 / 38

HEX #9F115C

RGB 159 17 92

HSL 328.31, 0.81%, 0.35%

LAB 35.09, 58.31, -4.8

 

CMYK 0 / 100 / 49 / 44

HEX #8E0049

RGB 142 0 73

HSL 329.15, 1%, 0.28%

LAB 29.99, 55.07, -0.27

 

CMYK 0 / 100 / 57 / 51

HEX #7D0036

RGB 125 0 54

HSL 334.08, 1%, 0.25%

LAB 25.64, 49.44, 5.86

 

CMYK 0 / 73 / 33 / 25

HEX #C03481

RGB 192 52 129

HSL 327, 0.57%, 0.48%

LAB 45.97, 61.28, -11.03

 

CMYK 0 / 73 / 53 / 25

HEX #C0345B

RGB 192 52 91

HSL 343.29, 0.57%, 0.48%

LAB 44.83, 57.55, 10.69

 

CMYK 0 / 73 / 72 / 25

HEX #C03436

RGB 192 52 54

HSL 359.14, 0.57%, 0.48%

LAB 44.13, 55.22, 32.37

 

CMYK 0 / 73 / 73 / 25

HEX #C03434

RGB 192 52 52

HSL 0, 0.57%, 0.48%

LAB 44.1, 55.13, 33.52

 

CMYK 0 / 73 / 33 / 25

HEX #C03481

RGB 192 52 129

HSL 327, 0.57%, 0.48%

LAB 45.97, 61.28, -11.03

 

CMYK 0 / 73 / 13 / 25

HEX #C034A7

RGB 192 52 167

HSL 310.71, 0.57%, 0.48%

LAB 47.56, 66.23, -31.41

 

CMYK 7 / 73 / 0 / 25

HEX #B334C0

RGB 179 52 192

HSL 294.43, 0.57%, 0.48%

LAB 46.77, 67.32, -47.48

 

CMYK 26 / 73 / 0 / 25

HEX #8E34C0

RGB 142 52 192

HSL 278.57, 0.57%, 0.48%

LAB 41.24, 59.81, -56.67

 

CMYK 46 / 73 / 0 / 25

HEX #6834C0

RGB 104 52 192

HSL 262.29, 0.57%, 0.48%

LAB 36.38, 52.89, -64.79

 

CMYK 0 / 73 / 33 / 25

HEX #C03481

RGB 192 52 129

HSL 327, 0.57%, 0.48%

LAB 45.97, 61.28, -11.03

 

CMYK 0 / 85 / 38 / 17

HEX #D32083

RGB 211 32 131

HSL 326.82, 0.74%, 0.48%

LAB 47.65, 71.58, -9.37

 

CMYK 0 / 94 / 42 / 9

HEX #E70D85

RGB 231 13 133

HSL 326.97, 0.89%, 0.48%

LAB 50.65, 78.88, -5.7

 

CMYK 0 / 73 / 33 / 25

HEX #C03481

RGB 192 52 129

HSL 327, 0.57%, 0.48%

LAB 45.97, 61.28, -11.03

 

CMYK 0 / 58 / 26 / 33

HEX #AC487F

RGB 172 72 127

HSL 327, 0.41%, 0.48%

LAB 45.55, 47.01, -10.78

 

CMYK 0 / 39 / 18 / 40

HEX #985C7D

RGB 152 92 125

HSL 327, 0.25%, 0.48%

LAB 46.72, 29.38, -8.09

 

CMYK 0 / 15 / 7 / 48

HEX #84707B

RGB 132 112 123

HSL 327, 0.08%, 0.48%

LAB 49.4, 9.85, -3.16

 

CMYK 15 / 0 / 8 / 49

HEX #708379

RGB 112 131 121

HSL 148.42, 0.08%, 0.48%

LAB 53.01, -9.02, 3.08

 

CMYK 6 / 73 / 0 / 25

HEX #B434C0

RGB 180 52 192

HSL 294.86, 0.57%, 0.48%

LAB 46.93, 67.53, -47.22

 

CMYK 0 / 73 / 14 / 25

HEX #C034A6

RGB 192 52 166

HSL 311.14, 0.57%, 0.48%

LAB 47.52, 66.09, -30.9

 

CMYK 0 / 73 / 33 / 25

HEX #C03481

RGB 192 52 129

HSL 327, 0.57%, 0.48%

LAB 45.97, 61.28, -11.03

 

CMYK 0 / 73 / 52 / 25

HEX #C0345C

RGB 192 52 92

HSL 342.86, 0.57%, 0.48%

LAB 44.85, 57.64, 10.11

 

CMYK 0 / 73 / 72 / 25

HEX #C03436

RGB 192 52 54

HSL 359.14, 0.57%, 0.48%

LAB 44.13, 55.22, 32.37

 

CMYK 0 / 73 / 33 / 50

HEX #7F2255

RGB 127 34 85

HSL 327.1, 0.58%, 0.32%

LAB 30.19, 44.32, -8.24

 

CMYK 0 / 73 / 33 / 38

HEX #9F2B6B

RGB 159 43 107

HSL 326.9, 0.57%, 0.4%

LAB 38.13, 52.84, -9.81

 

CMYK 0 / 73 / 33 / 25

HEX #C03481

RGB 192 52 129

HSL 327, 0.57%, 0.48%

LAB 45.97, 61.28, -11.03

 

CMYK 0 / 62 / 28 / 19

HEX #CE4F95

RGB 206 79 149

HSL 326.93, 0.56%, 0.56%

LAB 52.82, 57.15, -12.47

 

CMYK 0 / 48 / 22 / 16

HEX #D76FA8

RGB 215 111 168

HSL 327.12, 0.57%, 0.64%

LAB 60.47, 47.51, -11.91

 

CMYK 0 / 73 / 33 / 24

HEX #C13582

RGB 193 53 130

HSL 327, 0.57%, 0.48%

LAB 46.31, 61.32, -11.12

 

CMYK 0 / 26 / 73 / 25

HEX #C08F34

RGB 192 143 52

HSL 39, 0.57%, 0.48%

LAB 62.59, 9.73, 53.32

 

CMYK 73 / 4 / 0 / 25

HEX #34B9C0

RGB 52 185 192

HSL 183, 0.57%, 0.48%

LAB 68.92, -32.24, -13.78

 

CMYK 0 / 73 / 33 / 24

HEX #C13582

RGB 193 53 130

HSL 327, 0.57%, 0.48%

LAB 46.31, 61.32, -11.12

 

CMYK 33 / 0 / 73 / 25

HEX #81C034

RGB 129 192 52

HSL 87, 0.57%, 0.48%

LAB 71.29, -41.51, 60.36

 

CMYK 73 / 33 / 0 / 25

HEX #3481C0

RGB 52 129 192

HSL 207, 0.57%, 0.48%

LAB 52.1, -2.32, -39.69

 

CMYK 0 / 73 / 33 / 24

HEX #C13582

RGB 193 53 130

HSL 327, 0.57%, 0.48%

LAB 46.31, 61.32, -11.12

 

CMYK 0 / 26 / 73 / 25

HEX #C08F34

RGB 192 143 52

HSL 39, 0.57%, 0.48%

LAB 62.59, 9.73, 53.32

 

CMYK 73 / 0 / 40 / 25

HEX #34C073

RGB 52 192 115

HSL 147, 0.57%, 0.48%

LAB 69.23, -54.18, 28.46

 

CMYK 73 / 47 / 0 / 25

HEX #3465C0

RGB 52 101 192

HSL 219, 0.57%, 0.48%

LAB 44.01, 15.01, -52.59

 

CMYK 0 / 73 / 33 / 24

HEX #C13582

RGB 193 53 130

HSL 327, 0.57%, 0.48%

LAB 46.31, 61.32, -11.12

 

CMYK 0 / 4 / 73 / 25

HEX #C0B934

RGB 192 185 52

HSL 57, 0.57%, 0.48%

LAB 73.64, -12.62, 64.13

 

CMYK 73 / 0 / 40 / 25

HEX #34C073

RGB 52 192 115

HSL 147, 0.57%, 0.48%

LAB 69.23, -54.18, 28.46

 

CMYK 73 / 69 / 0 / 25

HEX #343BC0

RGB 52 59 192

HSL 237, 0.57%, 0.48%

LAB 33.27, 41.85, -70.05

 

Description

Color code: HEX #C13582 | qconv.com Color code: HEX #C13582 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 53 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 53 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 33 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 33% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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