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Color name
HEX #C148D7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C148D7 it is the complementary color #3EB728. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C148D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C148D7 shade: #C648D2, #D75AE5, #E86CF8, #F97EFF and #FF90FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C148D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C148D7 shade: #C148D7, #B036C4, #9F24B1, #8E129E and #7D008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C148D7 shade: #C046D6, #D646C5, #D6469F, #D64678 and #D64651

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C148D7 shade: #C046D6, #9946D6, #7346D6, #4C46D6 and #4646D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C148D7 shade matches the following richer shades: #C046D6, #CD34E8 and #D922FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C148D7 shade: #C046D6, #B359C4, #A76BB2, #9A7DA0 and #8E8F8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C148D7 shade: #7246D6, #9846D6, #BE46D6, #D646C8 and #D646A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C148D7 shade: #9224A6, #B02BC8, #C046D6, #CC68DE and #D78AE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C148D7 shade: #C148D7, #D64B46 and #46D685

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C148D7 shade: #C148D7, #D6BE46 and #46D6BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C148D7 shade: #C148D7, #D64B46, #5ED646 and #46D1D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C148D7 shade: #C148D7, #D67646, #5ED646 and #46A6D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 67 / 0 / 16

HEX #C148D7

RGB 193 72 215

HSL 290.77, 0.64%, 0.56%

LAB 52.82, 67.06, -50.95

 

Complementary color

CMYK 66 / 0 / 78 / 28

HEX #3EB728

RGB 62 183 40

HSL 110.77, 0.64%, 0.44%

LAB 65.78, -58.61, 58.1

 

CMYK 6 / 66 / 0 / 18

HEX #C648D2

RGB 198 72 210

HSL 294.78, 0.61%, 0.55%

LAB 53.27, 67.29, -47.33

 

CMYK 6 / 61 / 0 / 10

HEX #D75AE5

RGB 215 90 229

HSL 293.96, 0.73%, 0.63%

LAB 59.36, 67.24, -48.26

 

CMYK 6 / 56 / 0 / 3

HEX #E86CF8

RGB 232 108 248

HSL 293.14, 0.91%, 0.7%

LAB 65.48, 66.91, -48.98

 

CMYK 2 / 51 / 0 / 0

HEX #F97EFF

RGB 249 126 255

HSL 297.21, 1%, 0.75%

LAB 71.06, 64.28, -43.88

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 10 / 67 / 0 / 16

HEX #C148D7

RGB 193 72 215

HSL 290.77, 0.64%, 0.56%

LAB 52.82, 67.06, -50.95

 

CMYK 10 / 72 / 0 / 23

HEX #B036C4

RGB 176 54 196

HSL 291.55, 0.57%, 0.49%

LAB 46.78, 66.72, -49.82

 

CMYK 10 / 80 / 0 / 31

HEX #9F24B1

RGB 159 36 177

HSL 292.34, 0.66%, 0.42%

LAB 40.91, 65.67, -48.24

 

CMYK 10 / 89 / 0 / 38

HEX #8E129E

RGB 142 18 158

HSL 293.14, 0.8%, 0.35%

LAB 35.31, 63.54, -46.01

 

CMYK 10 / 100 / 0 / 45

HEX #7D008B

RGB 125 0 139

HSL 293.96, 1%, 0.27%

LAB 29.97, 60.24, -43.1

 

CMYK 10 / 67 / 0 / 16

HEX #C046D6

RGB 192 70 214

HSL 290.83, 0.64%, 0.56%

LAB 52.33, 67.45, -51.16

 

CMYK 0 / 67 / 8 / 16

HEX #D646C5

RGB 214 70 197

HSL 307.08, 0.64%, 0.56%

LAB 54.77, 69.65, -37.36

 

CMYK 0 / 67 / 26 / 16

HEX #D6469F

RGB 214 70 159

HSL 322.92, 0.64%, 0.56%

LAB 53.15, 64.32, -17.76

 

CMYK 0 / 67 / 44 / 16

HEX #D64678

RGB 214 70 120

HSL 339.17, 0.64%, 0.56%

LAB 51.87, 59.97, 3.56

 

CMYK 0 / 67 / 62 / 16

HEX #D64651

RGB 214 70 81

HSL 355.42, 0.64%, 0.56%

LAB 51, 56.87, 25.74

 

CMYK 10 / 67 / 0 / 16

HEX #C046D6

RGB 192 70 214

HSL 290.83, 0.64%, 0.56%

LAB 52.33, 67.45, -51.16

 

CMYK 29 / 67 / 0 / 16

HEX #9946D6

RGB 153 70 214

HSL 274.58, 0.64%, 0.56%

LAB 46.98, 59.07, -60.03

 

CMYK 46 / 67 / 0 / 16

HEX #7346D6

RGB 115 70 214

HSL 258.75, 0.64%, 0.56%

LAB 42.58, 51.66, -67.38

 

CMYK 64 / 67 / 0 / 16

HEX #4C46D6

RGB 76 70 214

HSL 242.5, 0.64%, 0.56%

LAB 39.19, 45.5, -73.06

 

CMYK 67 / 67 / 0 / 16

HEX #4646D6

RGB 70 70 214

HSL 240, 0.64%, 0.56%

LAB 38.79, 44.74, -73.73

 

CMYK 10 / 67 / 0 / 16

HEX #C046D6

RGB 192 70 214

HSL 290.83, 0.64%, 0.56%

LAB 52.33, 67.45, -51.16

 

CMYK 12 / 78 / 0 / 9

HEX #CD34E8

RGB 205 52 232

HSL 291, 0.8%, 0.56%

LAB 53.23, 79.28, -59.8

 

CMYK 13 / 86 / 0 / 2

HEX #D922FA

RGB 217 34 250

HSL 290.83, 0.96%, 0.56%

LAB 54.86, 88.37, -67.17

 

CMYK 10 / 67 / 0 / 16

HEX #C046D6

RGB 192 70 214

HSL 290.83, 0.64%, 0.56%

LAB 52.33, 67.45, -51.16

 

CMYK 9 / 55 / 0 / 23

HEX #B359C4

RGB 179 89 196

HSL 290.47, 0.48%, 0.56%

LAB 52.64, 52.45, -40.49

 

CMYK 6 / 40 / 0 / 30

HEX #A76BB2

RGB 167 107 178

HSL 290.7, 0.32%, 0.56%

LAB 53.97, 35.9, -28.13

 

CMYK 4 / 22 / 0 / 37

HEX #9A7DA0

RGB 154 125 160

HSL 289.71, 0.16%, 0.56%

LAB 56.16, 17.66, -14.49

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8D

RGB 142 143 141

HSL 90, 0.01%, 0.56%

LAB 59.27, -0.75, 0.93

 

CMYK 47 / 67 / 0 / 16

HEX #7246D6

RGB 114 70 214

HSL 258.33, 0.64%, 0.56%

LAB 42.48, 51.48, -67.55

 

CMYK 29 / 67 / 0 / 16

HEX #9846D6

RGB 152 70 214

HSL 274.17, 0.64%, 0.56%

LAB 46.86, 58.87, -60.24

 

CMYK 11 / 67 / 0 / 16

HEX #BE46D6

RGB 190 70 214

HSL 290, 0.64%, 0.56%

LAB 52.04, 67.01, -51.64

 

CMYK 0 / 67 / 7 / 16

HEX #D646C8

RGB 214 70 200

HSL 305.83, 0.64%, 0.56%

LAB 54.91, 70.11, -38.85

 

CMYK 0 / 67 / 25 / 16

HEX #D646A1

RGB 214 70 161

HSL 322.08, 0.64%, 0.56%

LAB 53.22, 64.58, -18.83

 

CMYK 12 / 78 / 0 / 35

HEX #9224A6

RGB 146 36 166

HSL 290.77, 0.64%, 0.4%

LAB 38.07, 61.18, -46.36

 

CMYK 12 / 79 / 0 / 22

HEX #B02BC8

RGB 176 43 200

HSL 290.83, 0.65%, 0.48%

LAB 45.81, 70.94, -53.7

 

CMYK 10 / 67 / 0 / 16

HEX #C046D6

RGB 192 70 214

HSL 290.83, 0.64%, 0.56%

LAB 52.33, 67.45, -51.16

 

CMYK 8 / 53 / 0 / 13

HEX #CC68DE

RGB 204 104 222

HSL 290.85, 0.64%, 0.64%

LAB 59.9, 56.79, -43.58

 

CMYK 6 / 40 / 0 / 10

HEX #D78AE5

RGB 215 138 229

HSL 290.77, 0.64%, 0.72%

LAB 68.23, 43.93, -34.36

 

CMYK 10 / 67 / 0 / 16

HEX #C148D7

RGB 193 72 215

HSL 290.77, 0.64%, 0.56%

LAB 52.82, 67.06, -50.95

 

CMYK 0 / 65 / 67 / 16

HEX #D64B46

RGB 214 75 70

HSL 2.08, 0.64%, 0.56%

LAB 51.58, 54.2, 32.89

 

CMYK 67 / 0 / 38 / 16

HEX #46D685

RGB 70 214 133

HSL 146.25, 0.64%, 0.56%

LAB 76.73, -56.26, 29.13

 

CMYK 10 / 67 / 0 / 16

HEX #C148D7

RGB 193 72 215

HSL 290.77, 0.64%, 0.56%

LAB 52.82, 67.06, -50.95

 

CMYK 0 / 11 / 67 / 16

HEX #D6BE46

RGB 214 190 70

HSL 50, 0.64%, 0.56%

LAB 77.02, -4.86, 61.25

 

CMYK 67 / 0 / 11 / 16

HEX #46D6BE

RGB 70 214 190

HSL 170, 0.64%, 0.56%

LAB 77.94, -43.6, 0.71

 

CMYK 10 / 67 / 0 / 16

HEX #C148D7

RGB 193 72 215

HSL 290.77, 0.64%, 0.56%

LAB 52.82, 67.06, -50.95

 

CMYK 0 / 65 / 67 / 16

HEX #D64B46

RGB 214 75 70

HSL 2.08, 0.64%, 0.56%

LAB 51.58, 54.2, 32.89

 

CMYK 56 / 0 / 67 / 16

HEX #5ED646

RGB 94 214 70

HSL 110, 0.64%, 0.56%

LAB 76.63, -59.7, 58.63

 

CMYK 67 / 2 / 0 / 16

HEX #46D1D6

RGB 70 209 214

HSL 182.08, 0.64%, 0.56%

LAB 77.14, -34.85, -13.37

 

CMYK 10 / 67 / 0 / 16

HEX #C148D7

RGB 193 72 215

HSL 290.77, 0.64%, 0.56%

LAB 52.82, 67.06, -50.95

 

CMYK 0 / 45 / 67 / 16

HEX #D67646

RGB 214 118 70

HSL 20, 0.64%, 0.56%

LAB 59.61, 33.54, 42.35

 

CMYK 56 / 0 / 67 / 16

HEX #5ED646

RGB 94 214 70

HSL 110, 0.64%, 0.56%

LAB 76.63, -59.7, 58.63

 

CMYK 67 / 22 / 0 / 16

HEX #46A6D6

RGB 70 166 214

HSL 200, 0.64%, 0.56%

LAB 64.51, -13.14, -32.63

 

Description

Color code: HEX #C148D7 | qconv.com Color code: HEX #C148D7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 72 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 72 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 67 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 67% 0% 16% C M Y K

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