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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C14259 it is the complementary color #3EBDA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C14259. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C14259 shade: #C64254, #D75467, #E8667A, #F9788D and #FF8AA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C14259. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C14259 shade: #C14259, #B03046, #9F1E33, #8E0C20 and #7D000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C14259 shade: #C14259 and #C14242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C14259 shade: #C14259, #C1427B, #C1429E, #C142C0 and #A042C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C14259 shade matches the following richer shades: #C14259, #D52E4C, #EA193F and #FE0532

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C14259 shade: #C14259, #AD5666, #996A73, #857E80 and #70938C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C14259 shade: #C1429D, #C1427B, #C14259, #C14C42 and #C16E42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C14259 shade: #862B3B, #A53549, #C14259, #CB6174 and #D58090

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C14259 shade: #C14259, #BFC142 and #428CC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C14259 shade: #C14259, #59C142 and #4259C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C14259 shade: #C14259, #BFC142, #42C1AA and #4442C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C14259 shade: #C14259, #99C142, #42C1AA and #6A42C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 54 / 24

HEX #C14259

RGB 193 66 89

HSL 349.13, 0.51%, 0.51%

LAB 46.92, 52.32, 14.84

 

Complementary color

CMYK 67 / 0 / 12 / 26

HEX #3EBDA6

RGB 62 189 166

HSL 169.13, 0.51%, 0.49%

LAB 69.59, -39.98, 1.52

 

CMYK 0 / 67 / 58 / 22

HEX #C64254

RGB 198 66 84

HSL 351.82, 0.54%, 0.52%

LAB 47.68, 53.55, 19.06

 

CMYK 0 / 61 / 52 / 16

HEX #D75467

RGB 215 84 103

HSL 351.3, 0.62%, 0.59%

LAB 53.78, 52.92, 16.42

 

CMYK 0 / 56 / 47 / 9

HEX #E8667A

RGB 232 102 122

HSL 350.77, 0.74%, 0.65%

LAB 59.95, 52.1, 14.23

 

CMYK 0 / 52 / 43 / 2

HEX #F9788D

RGB 249 120 141

HSL 350.23, 0.91%, 0.72%

LAB 66.13, 51.19, 12.36

 

CMYK 0 / 46 / 37 / 0

HEX #FF8AA0

RGB 255 138 160

HSL 348.72, 1%, 0.77%

LAB 70.85, 46.47, 8.48

 

CMYK 0 / 66 / 54 / 24

HEX #C14259

RGB 193 66 89

HSL 349.13, 0.51%, 0.51%

LAB 46.92, 52.32, 14.84

 

CMYK 0 / 73 / 60 / 31

HEX #B03046

RGB 176 48 70

HSL 349.69, 0.57%, 0.44%

LAB 40.87, 52.58, 17.89

 

CMYK 0 / 81 / 68 / 38

HEX #9F1E33

RGB 159 30 51

HSL 350.23, 0.68%, 0.37%

LAB 35.08, 52.17, 21.75

 

CMYK 0 / 92 / 77 / 44

HEX #8E0C20

RGB 142 12 32

HSL 350.77, 0.84%, 0.3%

LAB 29.71, 50.62, 26.58

 

CMYK 0 / 100 / 90 / 51

HEX #7D000D

RGB 125 0 13

HSL 353.76, 1%, 0.25%

LAB 24.92, 47.49, 31.83

 

CMYK 0 / 66 / 54 / 24

HEX #C14259

RGB 193 66 89

HSL 349.13, 0.51%, 0.51%

LAB 46.92, 52.32, 14.84

 

CMYK 0 / 66 / 66 / 24

HEX #C14242

RGB 193 66 66

HSL 0, 0.51%, 0.51%

LAB 46.48, 50.72, 28.16

 

CMYK 0 / 66 / 54 / 24

HEX #C14259

RGB 193 66 89

HSL 349.13, 0.51%, 0.51%

LAB 46.92, 52.32, 14.84

 

CMYK 0 / 66 / 36 / 24

HEX #C1427B

RGB 193 66 123

HSL 333.07, 0.51%, 0.51%

LAB 47.83, 55.62, -4.58

 

CMYK 0 / 66 / 18 / 24

HEX #C1429E

RGB 193 66 158

HSL 316.54, 0.51%, 0.51%

LAB 49.13, 60.11, -23.62

 

CMYK 0 / 66 / 1 / 24

HEX #C142C0

RGB 193 66 192

HSL 300.47, 0.51%, 0.51%

LAB 50.73, 65.38, -41.05

 

CMYK 17 / 66 / 0 / 24

HEX #A042C1

RGB 160 66 193

HSL 284.41, 0.51%, 0.51%

LAB 45.93, 57.91, -49.56

 

CMYK 0 / 66 / 54 / 24

HEX #C14259

RGB 193 66 89

HSL 349.13, 0.51%, 0.51%

LAB 46.92, 52.32, 14.84

 

CMYK 0 / 78 / 64 / 16

HEX #D52E4C

RGB 213 46 76

HSL 349.22, 0.67%, 0.51%

LAB 47.78, 64.46, 24.56

 

CMYK 0 / 89 / 73 / 8

HEX #EA193F

RGB 234 25 63

HSL 349.09, 0.83%, 0.51%

LAB 50.15, 73.84, 36.18

 

CMYK 0 / 98 / 80 / 0

HEX #FE0532

RGB 254 5 50

HSL 349.16, 0.99%, 0.51%

LAB 53.39, 80.21, 48.21

 

CMYK 0 / 66 / 54 / 24

HEX #C14259

RGB 193 66 89

HSL 349.13, 0.51%, 0.51%

LAB 46.92, 52.32, 14.84

 

CMYK 0 / 50 / 41 / 32

HEX #AD5666

RGB 173 86 102

HSL 348.97, 0.35%, 0.51%

LAB 47.62, 37.16, 7.46

 

CMYK 0 / 31 / 25 / 40

HEX #996A73

RGB 153 106 115

HSL 348.51, 0.19%, 0.51%

LAB 49.88, 20.14, 2.56

 

CMYK 0 / 5 / 4 / 48

HEX #857E80

RGB 133 126 128

HSL 342.86, 0.03%, 0.51%

LAB 53.46, 3.03, -0.14

 

CMYK 24 / 0 / 5 / 42

HEX #70938C

RGB 112 147 140

HSL 168, 0.14%, 0.51%

LAB 58.23, -13.67, -0.27

 

CMYK 0 / 66 / 19 / 24

HEX #C1429D

RGB 193 66 157

HSL 317.01, 0.51%, 0.51%

LAB 49.09, 59.97, -23.09

 

CMYK 0 / 66 / 36 / 24

HEX #C1427B

RGB 193 66 123

HSL 333.07, 0.51%, 0.51%

LAB 47.83, 55.62, -4.58

 

CMYK 0 / 66 / 54 / 24

HEX #C14259

RGB 193 66 89

HSL 349.13, 0.51%, 0.51%

LAB 46.92, 52.32, 14.84

 

CMYK 0 / 61 / 66 / 24

HEX #C14C42

RGB 193 76 66

HSL 4.72, 0.51%, 0.51%

LAB 48.13, 46.3, 30.19

 

CMYK 0 / 43 / 66 / 24

HEX #C16E42

RGB 193 110 66

HSL 20.79, 0.51%, 0.51%

LAB 54.95, 29.04, 38.33

 

CMYK 0 / 68 / 56 / 47

HEX #862B3B

RGB 134 43 59

HSL 349.45, 0.51%, 0.35%

LAB 32.06, 40.03, 11.7

 

CMYK 0 / 68 / 56 / 35

HEX #A53549

RGB 165 53 73

HSL 349.29, 0.51%, 0.43%

LAB 39.63, 47.33, 13.98

 

CMYK 0 / 66 / 54 / 24

HEX #C14259

RGB 193 66 89

HSL 349.13, 0.51%, 0.51%

LAB 46.92, 52.32, 14.84

 

CMYK 0 / 52 / 43 / 20

HEX #CB6174

RGB 203 97 116

HSL 349.25, 0.5%, 0.59%

LAB 54.56, 43.9, 9.55

 

CMYK 0 / 40 / 32 / 16

HEX #D58090

RGB 213 128 144

HSL 348.71, 0.5%, 0.67%

LAB 63.01, 34.74, 5.55

 

CMYK 0 / 66 / 54 / 24

HEX #C14259

RGB 193 66 89

HSL 349.13, 0.51%, 0.51%

LAB 46.92, 52.32, 14.84

 

CMYK 1 / 0 / 66 / 24

HEX #BFC142

RGB 191 193 66

HSL 60.94, 0.51%, 0.51%

LAB 75.83, -16.37, 61.02

 

CMYK 66 / 27 / 0 / 24

HEX #428CC1

RGB 66 140 193

HSL 205.04, 0.51%, 0.51%

LAB 55.85, -6.24, -34.35

 

CMYK 0 / 66 / 54 / 24

HEX #C14259

RGB 193 66 89

HSL 349.13, 0.51%, 0.51%

LAB 46.92, 52.32, 14.84

 

CMYK 54 / 0 / 66 / 24

HEX #59C142

RGB 89 193 66

HSL 109.13, 0.51%, 0.51%

LAB 69.94, -53.62, 53.01

 

CMYK 66 / 54 / 0 / 24

HEX #4259C1

RGB 66 89 193

HSL 229.13, 0.51%, 0.51%

LAB 41.46, 25.18, -57.25

 

CMYK 0 / 66 / 54 / 24

HEX #C14259

RGB 193 66 89

HSL 349.13, 0.51%, 0.51%

LAB 46.92, 52.32, 14.84

 

CMYK 1 / 0 / 66 / 24

HEX #BFC142

RGB 191 193 66

HSL 60.94, 0.51%, 0.51%

LAB 75.83, -16.37, 61.02

 

CMYK 66 / 0 / 12 / 24

HEX #42C1AA

RGB 66 193 170

HSL 169.13, 0.51%, 0.51%

LAB 71.01, -40.09, 1.41

 

CMYK 65 / 66 / 0 / 24

HEX #4442C1

RGB 68 66 193

HSL 240.94, 0.51%, 0.51%

LAB 35.94, 39.92, -66.23

 

CMYK 0 / 66 / 54 / 24

HEX #C14259

RGB 193 66 89

HSL 349.13, 0.51%, 0.51%

LAB 46.92, 52.32, 14.84

 

CMYK 21 / 0 / 66 / 24

HEX #99C142

RGB 153 193 66

HSL 78.9, 0.51%, 0.51%

LAB 73.09, -31.92, 57.32

 

CMYK 66 / 0 / 12 / 24

HEX #42C1AA

RGB 66 193 170

HSL 169.13, 0.51%, 0.51%

LAB 71.01, -40.09, 1.41

 

CMYK 45 / 66 / 0 / 24

HEX #6A42C1

RGB 106 66 193

HSL 258.9, 0.51%, 0.51%

LAB 39.26, 46.35, -60.67

 

Description

Color code: HEX #C14259 | qconv.com Color code: HEX #C14259 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 66 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 66 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 54 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 54% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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