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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1426E it is the complementary color #3EBD91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1426E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1426E shade: #C64269, #D7547C, #E8668F, #F978A2 and #FF8AB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1426E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1426E shade: #C1426E, #B0305B, #9F1E48, #8E0C35 and #7D0022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1426E shade: #C1426E, #C1424C and #C14242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1426E shade: #C1426E, #C14290, #C142B3, #AD42C1 and #8B42C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1426E shade matches the following richer shades: #C1426E, #D52E68, #EA1962 and #FE055B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1426E shade: #C1426E, #AD5674, #996A7A, #857E81 and #709387

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1426E shade: #C142B2, #C14290, #C1426E, #C1424C and #C15942

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1426E shade: #862B4A, #A5355C, #C1426E, #CB6186 and #D5809E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1426E shade: #C1426E, #C1AE42 and #42A1C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1426E shade: #C1426E, #6EC142 and #426EC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1426E shade: #C1426E, #C1AE42, #42C195 and #4255C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1426E shade: #C1426E, #AEC142, #42C195 and #5542C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

Complementary color

CMYK 67 / 0 / 23 / 26

HEX #3EBD91

RGB 62 189 145

HSL 159.21, 0.51%, 0.49%

LAB 69.09, -45.13, 12.26

 

CMYK 0 / 67 / 47 / 22

HEX #C64269

RGB 198 66 105

HSL 342.27, 0.54%, 0.52%

LAB 48.16, 55.29, 6.95

 

CMYK 0 / 61 / 42 / 16

HEX #D7547C

RGB 215 84 124

HSL 341.68, 0.62%, 0.59%

LAB 54.28, 54.86, 4.67

 

CMYK 0 / 56 / 38 / 9

HEX #E8668F

RGB 232 102 143

HSL 341.08, 0.74%, 0.65%

LAB 60.46, 54.21, 2.79

 

CMYK 0 / 52 / 35 / 2

HEX #F978A2

RGB 249 120 162

HSL 340.47, 0.91%, 0.72%

LAB 66.66, 53.45, 1.2

 

CMYK 0 / 46 / 29 / 0

HEX #FF8AB5

RGB 255 138 181

HSL 337.95, 1%, 0.77%

LAB 71.4, 49, -2.45

 

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

CMYK 0 / 73 / 48 / 31

HEX #B0305B

RGB 176 48 91

HSL 339.84, 0.57%, 0.44%

LAB 41.37, 54.25, 5.4

 

CMYK 0 / 81 / 55 / 38

HEX #9F1E48

RGB 159 30 72

HSL 340.47, 0.68%, 0.37%

LAB 35.53, 53.56, 8.79

 

CMYK 0 / 92 / 63 / 44

HEX #8E0C35

RGB 142 12 53

HSL 341.08, 0.84%, 0.3%

LAB 30.09, 51.7, 13.25

 

CMYK 0 / 100 / 73 / 51

HEX #7D0022

RGB 125 0 34

HSL 343.68, 1%, 0.25%

LAB 25.18, 48.21, 18.99

 

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

CMYK 0 / 66 / 61 / 24

HEX #C1424C

RGB 193 66 76

HSL 355.28, 0.51%, 0.51%

LAB 46.65, 51.35, 22.38

 

CMYK 0 / 66 / 66 / 24

HEX #C14242

RGB 193 66 66

HSL 0, 0.51%, 0.51%

LAB 46.48, 50.72, 28.16

 

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

CMYK 0 / 66 / 25 / 24

HEX #C14290

RGB 193 66 144

HSL 323.15, 0.51%, 0.51%

LAB 48.57, 58.19, -16.14

 

CMYK 0 / 66 / 7 / 24

HEX #C142B3

RGB 193 66 179

HSL 306.61, 0.51%, 0.51%

LAB 50.08, 63.27, -34.51

 

CMYK 10 / 66 / 0 / 24

HEX #AD42C1

RGB 173 66 193

HSL 290.55, 0.51%, 0.51%

LAB 47.79, 60.9, -46.49

 

CMYK 28 / 66 / 0 / 24

HEX #8B42C1

RGB 139 66 193

HSL 274.49, 0.51%, 0.51%

LAB 43.12, 53.21, -54.24

 

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

CMYK 0 / 78 / 51 / 16

HEX #D52E68

RGB 213 46 104

HSL 339.16, 0.67%, 0.51%

LAB 48.39, 66.34, 8.25

 

CMYK 0 / 89 / 58 / 8

HEX #EA1962

RGB 234 25 98

HSL 339.04, 0.83%, 0.51%

LAB 50.77, 75.58, 15.85

 

CMYK 0 / 98 / 64 / 0

HEX #FE055B

RGB 254 5 91

HSL 339.28, 0.99%, 0.51%

LAB 53.96, 81.75, 25.06

 

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

CMYK 0 / 50 / 33 / 32

HEX #AD5674

RGB 173 86 116

HSL 339.31, 0.35%, 0.51%

LAB 48.01, 38.87, -0.45

 

CMYK 0 / 31 / 20 / 40

HEX #996A7A

RGB 153 106 122

HSL 339.57, 0.19%, 0.51%

LAB 50.08, 21.25, -1.31

 

CMYK 0 / 5 / 3 / 48

HEX #857E81

RGB 133 126 129

HSL 334.29, 0.03%, 0.51%

LAB 53.49, 3.23, -0.68

 

CMYK 24 / 0 / 8 / 42

HEX #709387

RGB 112 147 135

HSL 159.43, 0.14%, 0.51%

LAB 58.1, -14.78, 2.38

 

CMYK 0 / 66 / 8 / 24

HEX #C142B2

RGB 193 66 178

HSL 307.09, 0.51%, 0.51%

LAB 50.04, 63.11, -34

 

CMYK 0 / 66 / 25 / 24

HEX #C14290

RGB 193 66 144

HSL 323.15, 0.51%, 0.51%

LAB 48.57, 58.19, -16.14

 

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

CMYK 0 / 66 / 61 / 24

HEX #C1424C

RGB 193 66 76

HSL 355.28, 0.51%, 0.51%

LAB 46.65, 51.35, 22.38

 

CMYK 0 / 54 / 66 / 24

HEX #C15942

RGB 193 89 66

HSL 10.87, 0.51%, 0.51%

LAB 50.54, 40.02, 33.11

 

CMYK 0 / 68 / 45 / 47

HEX #862B4A

RGB 134 43 74

HSL 339.56, 0.51%, 0.35%

LAB 32.46, 41.48, 2.46

 

CMYK 0 / 68 / 44 / 35

HEX #A5355C

RGB 165 53 92

HSL 339.11, 0.51%, 0.43%

LAB 40.11, 49.06, 2.69

 

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

CMYK 0 / 52 / 34 / 20

HEX #CB6186

RGB 203 97 134

HSL 339.06, 0.5%, 0.59%

LAB 55.04, 45.95, -0.37

 

CMYK 0 / 40 / 26 / 16

HEX #D5809E

RGB 213 128 158

HSL 338.82, 0.5%, 0.67%

LAB 63.39, 36.62, -1.88

 

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

CMYK 0 / 10 / 66 / 24

HEX #C1AE42

RGB 193 174 66

HSL 51.02, 0.51%, 0.51%

LAB 70.87, -5.75, 55.92

 

CMYK 66 / 17 / 0 / 24

HEX #42A1C1

RGB 66 161 193

HSL 195.12, 0.51%, 0.51%

LAB 62.08, -17.84, -24.7

 

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

CMYK 43 / 0 / 66 / 24

HEX #6EC142

RGB 110 193 66

HSL 99.21, 0.51%, 0.51%

LAB 70.77, -47.42, 54.15

 

CMYK 66 / 43 / 0 / 24

HEX #426EC1

RGB 66 110 193

HSL 219.21, 0.51%, 0.51%

LAB 47.18, 11.82, -48.04

 

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

CMYK 0 / 10 / 66 / 24

HEX #C1AE42

RGB 193 174 66

HSL 51.02, 0.51%, 0.51%

LAB 70.87, -5.75, 55.92

 

CMYK 66 / 0 / 23 / 24

HEX #42C195

RGB 66 193 149

HSL 159.21, 0.51%, 0.51%

LAB 70.5, -45.22, 12.1

 

CMYK 66 / 56 / 0 / 24

HEX #4255C1

RGB 66 85 193

HSL 231.02, 0.51%, 0.51%

LAB 40.42, 27.74, -58.93

 

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

CMYK 10 / 0 / 66 / 24

HEX #AEC142

RGB 174 193 66

HSL 68.98, 0.51%, 0.51%

LAB 74.53, -23.46, 59.27

 

CMYK 66 / 0 / 23 / 24

HEX #42C195

RGB 66 193 149

HSL 159.21, 0.51%, 0.51%

LAB 70.5, -45.22, 12.1

 

CMYK 56 / 66 / 0 / 24

HEX #5542C1

RGB 85 66 193

HSL 248.98, 0.51%, 0.51%

LAB 37.26, 42.55, -64.02

 

Description

Color code: HEX #C1426E | qconv.com Color code: HEX #C1426E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 66 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 66 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 43 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 43% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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