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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C157AA it is the complementary color #3EA855. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C157AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C157AA shade: #C657A5, #D769B8, #E87BCB, #F98DDE and #FF9FF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C157AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C157AA shade: #C157AA, #B04597, #9F3384, #8E2171 and #7D0F5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C157AA shade: #C157AA, #C1578D, #C15771 and #C15757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C157AA shade: #C157AA, #BB57C1, #9F57C1, #8257C1 and #6657C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C157AA shade matches the following richer shades: #C157AA, #D344B4, #E632BF and #F81FC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C157AA shade: #C157AA, #AE6A9F, #9B7C95, #898F8A and #76A180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C157AA shade: #9F57C1, #BB57C1, #C157AA, #C1578E and #C15771

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C157AA shade: #90357C, #AE4096, #C157AA, #CC75B9 and #D793C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C157AA shade: #C157AA, #C18357 and #57C1AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C157AA shade: #C157AA, #AAC157 and #57AAC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C157AA shade: #C157AA, #C18357, #57C16E and #5795C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C157AA shade: #C157AA, #C1A357, #57C16E and #5775C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 12 / 24

HEX #C157AA

RGB 193 87 170

HSL 313.02, 0.46%, 0.55%

LAB 53.01, 52.74, -24.7

 

Complementary color

CMYK 63 / 0 / 49 / 34

HEX #3EA855

RGB 62 168 85

HSL 133.02, 0.46%, 0.45%

LAB 61.38, -48.4, 33.95

 

CMYK 0 / 56 / 17 / 22

HEX #C657A5

RGB 198 87 165

HSL 317.84, 0.49%, 0.56%

LAB 53.53, 53.43, -20.91

 

CMYK 0 / 51 / 14 / 16

HEX #D769B8

RGB 215 105 184

HSL 316.91, 0.58%, 0.63%

LAB 59.9, 52.86, -21.94

 

CMYK 0 / 47 / 13 / 9

HEX #E87BCB

RGB 232 123 203

HSL 315.96, 0.7%, 0.7%

LAB 66.24, 52.2, -22.8

 

CMYK 0 / 43 / 11 / 2

HEX #F98DDE

RGB 249 141 222

HSL 315, 0.9%, 0.76%

LAB 72.54, 51.48, -23.53

 

CMYK 0 / 38 / 5 / 0

HEX #FF9FF1

RGB 255 159 241

HSL 308.75, 1%, 0.81%

LAB 77.52, 47.37, -26.22

 

CMYK 0 / 55 / 12 / 24

HEX #C157AA

RGB 193 87 170

HSL 313.02, 0.46%, 0.55%

LAB 53.01, 52.74, -24.7

 

CMYK 0 / 61 / 14 / 31

HEX #B04597

RGB 176 69 151

HSL 314.02, 0.44%, 0.48%

LAB 46.61, 53.13, -23.58

 

CMYK 0 / 68 / 17 / 38

HEX #9F3384

RGB 159 51 132

HSL 315, 0.51%, 0.41%

LAB 40.25, 53.16, -22.11

 

CMYK 0 / 77 / 20 / 44

HEX #8E2171

RGB 142 33 113

HSL 315.96, 0.62%, 0.34%

LAB 34.05, 52.55, -20.12

 

CMYK 0 / 88 / 25 / 51

HEX #7D0F5E

RGB 125 15 94

HSL 316.91, 0.79%, 0.27%

LAB 28.14, 50.78, -17.3

 

CMYK 0 / 55 / 12 / 24

HEX #C157AA

RGB 193 87 170

HSL 313.02, 0.46%, 0.55%

LAB 53.01, 52.74, -24.7

 

CMYK 0 / 55 / 27 / 24

HEX #C1578D

RGB 193 87 141

HSL 329.43, 0.46%, 0.55%

LAB 51.92, 48.44, -9.28

 

CMYK 0 / 55 / 41 / 24

HEX #C15771

RGB 193 87 113

HSL 345.28, 0.46%, 0.55%

LAB 51.09, 45.02, 6.19

 

CMYK 0 / 55 / 55 / 24

HEX #C15757

RGB 193 87 87

HSL 0, 0.46%, 0.55%

LAB 50.5, 42.53, 20.88

 

CMYK 0 / 55 / 12 / 24

HEX #C157AA

RGB 193 87 170

HSL 313.02, 0.46%, 0.55%

LAB 53.01, 52.74, -24.7

 

CMYK 3 / 55 / 0 / 24

HEX #BB57C1

RGB 187 87 193

HSL 296.6, 0.46%, 0.55%

LAB 53.2, 55, -37.8

 

CMYK 18 / 55 / 0 / 24

HEX #9F57C1

RGB 159 87 193

HSL 280.75, 0.46%, 0.55%

LAB 49.54, 47.52, -43.82

 

CMYK 33 / 55 / 0 / 24

HEX #8257C1

RGB 130 87 193

HSL 264.34, 0.46%, 0.55%

LAB 46.19, 40.03, -49.35

 

CMYK 47 / 55 / 0 / 24

HEX #6657C1

RGB 102 87 193

HSL 248.49, 0.46%, 0.55%

LAB 43.49, 33.39, -53.83

 

CMYK 0 / 55 / 12 / 24

HEX #C157AA

RGB 193 87 170

HSL 313.02, 0.46%, 0.55%

LAB 53.01, 52.74, -24.7

 

CMYK 0 / 68 / 15 / 17

HEX #D344B4

RGB 211 68 180

HSL 313.01, 0.62%, 0.55%

LAB 53.25, 67.13, -29.93

 

CMYK 0 / 78 / 17 / 10

HEX #E632BF

RGB 230 50 191

HSL 313, 0.78%, 0.55%

LAB 54.93, 78.62, -33.46

 

CMYK 0 / 88 / 19 / 3

HEX #F81FC9

RGB 248 31 201

HSL 313, 0.94%, 0.55%

LAB 57.22, 87.31, -35.4

 

CMYK 0 / 55 / 12 / 24

HEX #C157AA

RGB 193 87 170

HSL 313.02, 0.46%, 0.55%

LAB 53.01, 52.74, -24.7

 

CMYK 0 / 39 / 9 / 32

HEX #AE6A9F

RGB 174 106 159

HSL 313.24, 0.3%, 0.55%

LAB 53.82, 35.13, -17.25

 

CMYK 0 / 20 / 4 / 39

HEX #9B7C95

RGB 155 124 149

HSL 311.61, 0.13%, 0.55%

LAB 55.64, 16.41, -8.9

 

CMYK 4 / 0 / 3 / 44

HEX #898F8A

RGB 137 143 138

HSL 130, 0.03%, 0.55%

LAB 58.79, -3.17, 1.89

 

CMYK 27 / 0 / 20 / 37

HEX #76A180

RGB 118 161 128

HSL 133.95, 0.19%, 0.55%

LAB 62.42, -21.51, 12.56

 

CMYK 18 / 55 / 0 / 24

HEX #9F57C1

RGB 159 87 193

HSL 280.75, 0.46%, 0.55%

LAB 49.54, 47.52, -43.82

 

CMYK 3 / 55 / 0 / 24

HEX #BB57C1

RGB 187 87 193

HSL 296.6, 0.46%, 0.55%

LAB 53.2, 55, -37.8

 

CMYK 0 / 55 / 12 / 24

HEX #C157AA

RGB 193 87 170

HSL 313.02, 0.46%, 0.55%

LAB 53.01, 52.74, -24.7

 

CMYK 0 / 55 / 26 / 24

HEX #C1578E

RGB 193 87 142

HSL 328.87, 0.46%, 0.55%

LAB 51.96, 48.58, -9.83

 

CMYK 0 / 55 / 41 / 24

HEX #C15771

RGB 193 87 113

HSL 345.28, 0.46%, 0.55%

LAB 51.09, 45.02, 6.19

 

CMYK 0 / 63 / 14 / 44

HEX #90357C

RGB 144 53 124

HSL 313.19, 0.46%, 0.39%

LAB 37.72, 46.89, -21.3

 

CMYK 0 / 63 / 14 / 32

HEX #AE4096

RGB 174 64 150

HSL 313.09, 0.46%, 0.47%

LAB 45.45, 54.6, -24.79

 

CMYK 0 / 55 / 12 / 24

HEX #C157AA

RGB 193 87 170

HSL 313.02, 0.46%, 0.55%

LAB 53.01, 52.74, -24.7

 

CMYK 0 / 43 / 9 / 20

HEX #CC75B9

RGB 204 117 185

HSL 313.1, 0.46%, 0.63%

LAB 60.84, 43.56, -21.2

 

CMYK 0 / 32 / 7 / 16

HEX #D793C8

RGB 215 147 200

HSL 313.24, 0.46%, 0.71%

LAB 69.1, 33.79, -16.96

 

CMYK 0 / 55 / 12 / 24

HEX #C157AA

RGB 193 87 170

HSL 313.02, 0.46%, 0.55%

LAB 53.01, 52.74, -24.7

 

CMYK 0 / 32 / 55 / 24

HEX #C18357

RGB 193 131 87

HSL 24.91, 0.46%, 0.55%

LAB 60.12, 19.11, 33.29

 

CMYK 55 / 0 / 10 / 24

HEX #57C1AD

RGB 87 193 173

HSL 168.68, 0.46%, 0.55%

LAB 71.68, -35.45, 0.82

 

CMYK 0 / 55 / 12 / 24

HEX #C157AA

RGB 193 87 170

HSL 313.02, 0.46%, 0.55%

LAB 53.01, 52.74, -24.7

 

CMYK 12 / 0 / 55 / 24

HEX #AAC157

RGB 170 193 87

HSL 73.02, 0.46%, 0.55%

LAB 74.43, -23.49, 49.95

 

CMYK 55 / 12 / 0 / 24

HEX #57AAC1

RGB 87 170 193

HSL 193.02, 0.46%, 0.55%

LAB 65.46, -18.69, -19.48

 

CMYK 0 / 55 / 12 / 24

HEX #C157AA

RGB 193 87 170

HSL 313.02, 0.46%, 0.55%

LAB 53.01, 52.74, -24.7

 

CMYK 0 / 32 / 55 / 24

HEX #C18357

RGB 193 131 87

HSL 24.91, 0.46%, 0.55%

LAB 60.12, 19.11, 33.29

 

CMYK 55 / 0 / 43 / 24

HEX #57C16E

RGB 87 193 110

HSL 133.02, 0.46%, 0.55%

LAB 70.38, -48.52, 32.72

 

CMYK 55 / 23 / 0 / 24

HEX #5795C1

RGB 87 149 193

HSL 204.91, 0.46%, 0.55%

LAB 59.32, -7.28, -28.9

 

CMYK 0 / 55 / 12 / 24

HEX #C157AA

RGB 193 87 170

HSL 313.02, 0.46%, 0.55%

LAB 53.01, 52.74, -24.7

 

CMYK 0 / 16 / 55 / 24

HEX #C1A357

RGB 193 163 87

HSL 43.02, 0.46%, 0.55%

LAB 68.18, 1.6, 43.12

 

CMYK 55 / 0 / 43 / 24

HEX #57C16E

RGB 87 193 110

HSL 133.02, 0.46%, 0.55%

LAB 70.38, -48.52, 32.72

 

CMYK 55 / 39 / 0 / 24

HEX #5775C1

RGB 87 117 193

HSL 223.02, 0.46%, 0.55%

LAB 50.21, 11.58, -43.16

 

Description

Color code: HEX #C157AA | qconv.com Color code: HEX #C157AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 87 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 87 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 12 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 12% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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