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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C16594 it is the complementary color #3E9A6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C16594. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C16594 shade: #C6658F, #D777A2, #E889B5, #F99BC8 and #FFADDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C16594. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C16594 shade: #C16594, #B05381, #9F416E, #8E2F5B and #7D1D48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C16594 shade: #C16594, #C1657C and #C16565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C16594 shade: #C16594, #C165AD, #BD65C1, #A465C1 and #8B65C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C16594 shade matches the following richer shades: #C16594, #D35495, #E44395 and #F53196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C16594 shade: #C16594, #B07794, #9F8894, #8D9993 and #7CAB93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C16594 shade: #BD65C1, #C165AD, #C16595, #C1657C and #C16765

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C16594 shade: #983C6B, #B54880, #C16594, #CD83A9 and #D9A0BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C16594 shade: #C16594, #C1A465 and #65BAC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C16594 shade: #C16594, #95C165 and #6595C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C16594 shade: #C16594, #C1A465, #65C192 and #6583C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C16594 shade: #C16594, #C1C065, #65C192 and #6567C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 23 / 24

HEX #C16594

RGB 193 101 148

HSL 329.35, 0.43%, 0.58%

LAB 54.85, 42.42, -9.03

 

Complementary color

CMYK 60 / 0 / 31 / 40

HEX #3E9A6B

RGB 62 154 107

HSL 149.35, 0.43%, 0.42%

LAB 57.27, -38.6, 16.72

 

CMYK 0 / 49 / 28 / 22

HEX #C6658F

RGB 198 101 143

HSL 334.02, 0.46%, 0.59%

LAB 55.38, 43.41, -5.24

 

CMYK 0 / 45 / 25 / 16

HEX #D777A2

RGB 215 119 162

HSL 333.13, 0.55%, 0.65%

LAB 61.87, 42.59, -6.37

 

CMYK 0 / 41 / 22 / 9

HEX #E889B5

RGB 232 137 181

HSL 332.21, 0.67%, 0.72%

LAB 68.3, 41.77, -7.35

 

CMYK 0 / 38 / 20 / 2

HEX #F99BC8

RGB 249 155 200

HSL 331.28, 0.89%, 0.79%

LAB 74.67, 40.98, -8.22

 

CMYK 0 / 32 / 14 / 0

HEX #FFADDB

RGB 255 173 219

HSL 326.34, 1%, 0.84%

LAB 79.76, 36.54, -10.93

 

CMYK 0 / 48 / 23 / 24

HEX #C16594

RGB 193 101 148

HSL 329.35, 0.43%, 0.58%

LAB 54.85, 42.42, -9.03

 

CMYK 0 / 53 / 27 / 31

HEX #B05381

RGB 176 83 129

HSL 330.32, 0.37%, 0.51%

LAB 48.26, 43.2, -7.86

 

CMYK 0 / 59 / 31 / 38

HEX #9F416E

RGB 159 65 110

HSL 331.28, 0.42%, 0.44%

LAB 41.65, 43.86, -6.4

 

CMYK 0 / 67 / 36 / 44

HEX #8E2F5B

RGB 142 47 91

HSL 332.21, 0.5%, 0.37%

LAB 35.08, 44.26, -4.52

 

CMYK 0 / 77 / 42 / 51

HEX #7D1D48

RGB 125 29 72

HSL 333.13, 0.62%, 0.3%

LAB 28.66, 44.07, -1.97

 

CMYK 0 / 48 / 23 / 24

HEX #C16594

RGB 193 101 148

HSL 329.35, 0.43%, 0.58%

LAB 54.85, 42.42, -9.03

 

CMYK 0 / 48 / 36 / 24

HEX #C1657C

RGB 193 101 124

HSL 345, 0.43%, 0.58%

LAB 54.13, 39.21, 4.03

 

CMYK 0 / 48 / 48 / 24

HEX #C16565

RGB 193 101 101

HSL 0, 0.43%, 0.58%

LAB 53.58, 36.66, 16.79

 

CMYK 0 / 48 / 23 / 24

HEX #C16594

RGB 193 101 148

HSL 329.35, 0.43%, 0.58%

LAB 54.85, 42.42, -9.03

 

CMYK 0 / 48 / 10 / 24

HEX #C165AD

RGB 193 101 173

HSL 313.04, 0.43%, 0.58%

LAB 55.75, 46.33, -22.23

 

CMYK 2 / 48 / 0 / 24

HEX #BD65C1

RGB 189 101 193

HSL 297.39, 0.43%, 0.58%

LAB 56.06, 48.66, -33.3

 

CMYK 15 / 48 / 0 / 24

HEX #A465C1

RGB 164 101 193

HSL 281.09, 0.43%, 0.58%

LAB 53, 41.44, -38.31

 

CMYK 28 / 48 / 0 / 24

HEX #8B65C1

RGB 139 101 193

HSL 264.78, 0.43%, 0.58%

LAB 50.27, 34.39, -42.81

 

CMYK 0 / 48 / 23 / 24

HEX #C16594

RGB 193 101 148

HSL 329.35, 0.43%, 0.58%

LAB 54.85, 42.42, -9.03

 

CMYK 0 / 60 / 29 / 17

HEX #D35495

RGB 211 84 149

HSL 329.29, 0.59%, 0.58%

LAB 54.41, 56.47, -10.01

 

CMYK 0 / 71 / 35 / 11

HEX #E44395

RGB 228 67 149

HSL 329.44, 0.75%, 0.58%

LAB 54.74, 67.99, -9.23

 

CMYK 0 / 80 / 39 / 4

HEX #F53196

RGB 245 49 150

HSL 329.08, 0.91%, 0.58%

LAB 55.9, 77.64, -7.78

 

CMYK 0 / 48 / 23 / 24

HEX #C16594

RGB 193 101 148

HSL 329.35, 0.43%, 0.58%

LAB 54.85, 42.42, -9.03

 

CMYK 0 / 32 / 16 / 31

HEX #B07794

RGB 176 119 148

HSL 329.47, 0.27%, 0.58%

LAB 56.65, 26.72, -6.58

 

CMYK 0 / 14 / 7 / 38

HEX #9F8894

RGB 159 136 148

HSL 328.7, 0.11%, 0.58%

LAB 59.08, 10.82, -3.17

 

CMYK 8 / 0 / 4 / 40

HEX #8D9993

RGB 141 153 147

HSL 150, 0.06%, 0.58%

LAB 62.13, -5.49, 1.67

 

CMYK 27 / 0 / 14 / 33

HEX #7CAB93

RGB 124 171 147

HSL 149.36, 0.22%, 0.58%

LAB 66.15, -20.84, 7.33

 

CMYK 2 / 48 / 0 / 24

HEX #BD65C1

RGB 189 101 193

HSL 297.39, 0.43%, 0.58%

LAB 56.06, 48.66, -33.3

 

CMYK 0 / 48 / 10 / 24

HEX #C165AD

RGB 193 101 173

HSL 313.04, 0.43%, 0.58%

LAB 55.75, 46.33, -22.23

 

CMYK 0 / 48 / 23 / 24

HEX #C16595

RGB 193 101 149

HSL 328.7, 0.43%, 0.58%

LAB 54.88, 42.57, -9.57

 

CMYK 0 / 48 / 36 / 24

HEX #C1657C

RGB 193 101 124

HSL 345, 0.43%, 0.58%

LAB 54.13, 39.21, 4.03

 

CMYK 0 / 47 / 48 / 24

HEX #C16765

RGB 193 103 101

HSL 1.3, 0.43%, 0.58%

LAB 54, 35.61, 17.37

 

CMYK 0 / 61 / 30 / 40

HEX #983C6B

RGB 152 60 107

HSL 329.35, 0.43%, 0.42%

LAB 39.53, 43.57, -7.83

 

CMYK 0 / 60 / 29 / 29

HEX #B54880

RGB 181 72 128

HSL 329.17, 0.43%, 0.5%

LAB 47, 49.97, -9.07

 

CMYK 0 / 48 / 23 / 24

HEX #C16594

RGB 193 101 148

HSL 329.35, 0.43%, 0.58%

LAB 54.85, 42.42, -9.03

 

CMYK 0 / 36 / 18 / 20

HEX #CD83A9

RGB 205 131 169

HSL 329.19, 0.43%, 0.66%

LAB 63.41, 33.84, -8.21

 

CMYK 0 / 26 / 13 / 15

HEX #D9A0BD

RGB 217 160 189

HSL 329.47, 0.43%, 0.74%

LAB 71.94, 25.58, -6.59

 

CMYK 0 / 48 / 23 / 24

HEX #C16594

RGB 193 101 148

HSL 329.35, 0.43%, 0.58%

LAB 54.85, 42.42, -9.03

 

CMYK 0 / 15 / 48 / 24

HEX #C1A465

RGB 193 164 101

HSL 41.09, 0.43%, 0.58%

LAB 68.63, 2.33, 36.5

 

CMYK 48 / 4 / 0 / 24

HEX #65BAC1

RGB 101 186 193

HSL 184.57, 0.43%, 0.58%

LAB 70.69, -23.83, -11.53

 

CMYK 0 / 48 / 23 / 24

HEX #C16594

RGB 193 101 148

HSL 329.35, 0.43%, 0.58%

LAB 54.85, 42.42, -9.03

 

CMYK 23 / 0 / 48 / 24

HEX #95C165

RGB 149 193 101

HSL 88.7, 0.43%, 0.58%

LAB 73.2, -30.2, 41.43

 

CMYK 48 / 23 / 0 / 24

HEX #6595C1

RGB 101 149 193

HSL 208.7, 0.43%, 0.58%

LAB 59.99, -4.05, -27.8

 

CMYK 0 / 48 / 23 / 24

HEX #C16594

RGB 193 101 148

HSL 329.35, 0.43%, 0.58%

LAB 54.85, 42.42, -9.03

 

CMYK 0 / 15 / 48 / 24

HEX #C1A465

RGB 193 164 101

HSL 41.09, 0.43%, 0.58%

LAB 68.63, 2.33, 36.5

 

CMYK 48 / 0 / 24 / 24

HEX #65C192

RGB 101 193 146

HSL 149.35, 0.43%, 0.58%

LAB 71.54, -38.33, 15.34

 

CMYK 48 / 32 / 0 / 24

HEX #6583C1

RGB 101 131 193

HSL 220.43, 0.43%, 0.58%

LAB 54.92, 6.39, -35.69

 

CMYK 0 / 48 / 23 / 24

HEX #C16594

RGB 193 101 148

HSL 329.35, 0.43%, 0.58%

LAB 54.85, 42.42, -9.03

 

CMYK 0 / 1 / 48 / 24

HEX #C1C065

RGB 193 192 101

HSL 59.35, 0.43%, 0.58%

LAB 76.05, -12.38, 45.63

 

CMYK 48 / 0 / 24 / 24

HEX #65C192

RGB 101 193 146

HSL 149.35, 0.43%, 0.58%

LAB 71.54, -38.33, 15.34

 

CMYK 48 / 47 / 0 / 24

HEX #6567C1

RGB 101 103 193

HSL 238.7, 0.43%, 0.58%

LAB 47.39, 23.39, -47.6

 

Description

Color code: HEX #C16594 | qconv.com Color code: HEX #C16594 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 101 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 101 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 23 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 23% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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