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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C17419 it is the complementary color #3E8BE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C17419. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C17419 shade: #C67414, #D78627, #E8983A, #F9AA4D and #FFBC60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C17419. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C17419 shade: #C17419, #B06206, #9F5000, #8E3E00 and #7D2C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C17419 shade: #C27419, #C24719, #C21919 and #C21919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C17419 shade: #C27419, #C2A219, #B4C219, #86C219 and #59C219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C17419 shade matches the following richer shades: #C27419 and #D37607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C17419 shade: #C27419, #B0732A, #9E713C, #8C704E and #7B6E60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C17419 shade: #C21919, #C24619, #C27319, #C2A019 and #B6C219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C17419 shade: #79480F, #9D5E14, #C27419, #E28A22 and #E79D46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C17419 shade: #C17419, #46C219 and #2F19C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C17419 shade: #C17419, #19C273 and #7319C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C17419 shade: #C17419, #46C219, #1968C2 and #9519C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C17419 shade: #C17419, #19C21E, #1968C2 and #C219BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 87 / 24

HEX #C17419

RGB 193 116 25

HSL 32.5, 0.77%, 0.43%

LAB 55.99, 24.04, 57.43

 

Complementary color

CMYK 73 / 40 / 0 / 10

HEX #3E8BE6

RGB 62 139 230

HSL 212.5, 0.77%, 0.57%

LAB 57.27, 6.66, -52.92

 

CMYK 0 / 41 / 90 / 22

HEX #C67414

RGB 198 116 20

HSL 32.36, 0.82%, 0.43%

LAB 56.63, 26.08, 59.66

 

CMYK 0 / 38 / 82 / 16

HEX #D78627

RGB 215 134 39

HSL 32.39, 0.69%, 0.5%

LAB 63.05, 24.08, 59.84

 

CMYK 0 / 34 / 75 / 9

HEX #E8983A

RGB 232 152 58

HSL 32.41, 0.79%, 0.57%

LAB 69.41, 22.33, 59.11

 

CMYK 0 / 32 / 69 / 2

HEX #F9AA4D

RGB 249 170 77

HSL 32.44, 0.93%, 0.64%

LAB 75.71, 20.78, 57.97

 

CMYK 0 / 26 / 62 / 0

HEX #FFBC60

RGB 255 188 96

HSL 34.72, 1%, 0.69%

LAB 80.78, 14.93, 55.01

 

CMYK 0 / 40 / 87 / 24

HEX #C17419

RGB 193 116 25

HSL 32.5, 0.77%, 0.43%

LAB 55.99, 24.04, 57.43

 

CMYK 0 / 44 / 97 / 31

HEX #B06206

RGB 176 98 6

HSL 32.47, 0.93%, 0.36%

LAB 49.47, 26.21, 56.29

 

CMYK 0 / 50 / 100 / 38

HEX #9F5000

RGB 159 80 0

HSL 30.19, 1%, 0.31%

LAB 42.93, 28.64, 52.35

 

CMYK 0 / 56 / 100 / 44

HEX #8E3E00

RGB 142 62 0

HSL 26.2, 1%, 0.28%

LAB 36.36, 31.12, 47.09

 

CMYK 0 / 65 / 100 / 51

HEX #7D2C00

RGB 125 44 0

HSL 21.12, 1%, 0.25%

LAB 29.82, 33.4, 41.45

 

CMYK 0 / 40 / 87 / 24

HEX #C27419

RGB 194 116 25

HSL 32.31, 0.77%, 0.43%

LAB 56.12, 24.47, 57.6

 

CMYK 0 / 63 / 87 / 24

HEX #C24719

RGB 194 71 25

HSL 16.33, 0.77%, 0.43%

LAB 47.03, 47.27, 50.24

 

CMYK 0 / 87 / 87 / 24

HEX #C21919

RGB 194 25 25

HSL 0, 0.77%, 0.43%

LAB 41.59, 62.32, 45.81

 

CMYK 0 / 87 / 87 / 24

HEX #C21919

RGB 194 25 25

HSL 0, 0.77%, 0.43%

LAB 41.59, 62.32, 45.81

 

CMYK 0 / 40 / 87 / 24

HEX #C27419

RGB 194 116 25

HSL 32.31, 0.77%, 0.43%

LAB 56.12, 24.47, 57.6

 

CMYK 0 / 16 / 87 / 24

HEX #C2A219

RGB 194 162 25

HSL 48.64, 0.77%, 0.43%

LAB 67.56, -0.63, 66.83

 

CMYK 7 / 0 / 87 / 24

HEX #B4C219

RGB 180 194 25

HSL 64.97, 0.77%, 0.43%

LAB 75.05, -23.18, 72.4

 

CMYK 31 / 0 / 87 / 24

HEX #86C219

RGB 134 194 25

HSL 81.3, 0.77%, 0.43%

LAB 72.04, -41.73, 68.68

 

CMYK 54 / 0 / 87 / 24

HEX #59C219

RGB 89 194 25

HSL 97.28, 0.77%, 0.43%

LAB 70.02, -56.57, 66.15

 

CMYK 0 / 40 / 87 / 24

HEX #C27419

RGB 194 116 25

HSL 32.31, 0.77%, 0.43%

LAB 56.12, 24.47, 57.6

 

CMYK 0 / 44 / 97 / 17

HEX #D37607

RGB 211 118 7

HSL 32.65, 0.94%, 0.43%

LAB 58.81, 30.32, 64.68

 

CMYK 0 / 40 / 87 / 24

HEX #C27419

RGB 194 116 25

HSL 32.31, 0.77%, 0.43%

LAB 56.12, 24.47, 57.6

 

CMYK 0 / 35 / 76 / 31

HEX #B0732A

RGB 176 115 42

HSL 32.69, 0.61%, 0.43%

LAB 53.66, 17.73, 48.1

 

CMYK 0 / 28 / 62 / 38

HEX #9E713C

RGB 158 113 60

HSL 32.45, 0.45%, 0.43%

LAB 51.16, 11.94, 35.96

 

CMYK 0 / 20 / 44 / 45

HEX #8C704E

RGB 140 112 78

HSL 32.9, 0.28%, 0.43%

LAB 49.15, 6.24, 23.06

 

CMYK 0 / 11 / 22 / 52

HEX #7B6E60

RGB 123 110 96

HSL 31.11, 0.12%, 0.43%

LAB 47.25, 2.64, 9.66

 

CMYK 0 / 87 / 87 / 24

HEX #C21919

RGB 194 25 25

HSL 0, 0.77%, 0.43%

LAB 41.59, 62.32, 45.81

 

CMYK 0 / 64 / 87 / 24

HEX #C24619

RGB 194 70 25

HSL 15.98, 0.77%, 0.43%

LAB 46.87, 47.71, 50.11

 

CMYK 0 / 41 / 87 / 24

HEX #C27319

RGB 194 115 25

HSL 31.95, 0.77%, 0.43%

LAB 55.89, 25.01, 57.41

 

CMYK 0 / 18 / 87 / 24

HEX #C2A019

RGB 194 160 25

HSL 47.93, 0.77%, 0.43%

LAB 67.04, 0.44, 66.41

 

CMYK 6 / 0 / 87 / 24

HEX #B6C219

RGB 182 194 25

HSL 64.26, 0.77%, 0.43%

LAB 75.2, -22.33, 72.59

 

CMYK 0 / 40 / 88 / 53

HEX #79480F

RGB 121 72 15

HSL 32.26, 0.78%, 0.27%

LAB 35.47, 16.45, 39.8

 

CMYK 0 / 40 / 87 / 38

HEX #9D5E14

RGB 157 94 20

HSL 32.41, 0.77%, 0.35%

LAB 45.94, 20.33, 48.83

 

CMYK 0 / 40 / 87 / 24

HEX #C27419

RGB 194 116 25

HSL 32.31, 0.77%, 0.43%

LAB 56.12, 24.47, 57.6

 

CMYK 0 / 39 / 85 / 11

HEX #E28A22

RGB 226 138 34

HSL 32.5, 0.77%, 0.51%

LAB 65.33, 26.45, 64.04

 

CMYK 0 / 32 / 70 / 9

HEX #E79D46

RGB 231 157 70

HSL 32.42, 0.77%, 0.59%

LAB 70.56, 19.81, 55.02

 

CMYK 0 / 40 / 87 / 24

HEX #C17419

RGB 193 116 25

HSL 32.5, 0.77%, 0.43%

LAB 55.99, 24.04, 57.43

 

CMYK 64 / 0 / 87 / 24

HEX #46C219

RGB 70 194 25

HSL 104.02, 0.77%, 0.43%

LAB 69.44, -61.3, 65.42

 

CMYK 76 / 87 / 0 / 24

HEX #2F19C2

RGB 47 25 194

HSL 247.81, 0.77%, 0.43%

LAB 27.28, 58.99, -81.15

 

CMYK 0 / 40 / 87 / 24

HEX #C17419

RGB 193 116 25

HSL 32.5, 0.77%, 0.43%

LAB 55.99, 24.04, 57.43

 

CMYK 87 / 0 / 41 / 24

HEX #19C273

RGB 25 194 115

HSL 151.95, 0.77%, 0.43%

LAB 69.49, -57.88, 28.73

 

CMYK 41 / 87 / 0 / 24

HEX #7319C2

RGB 115 25 194

HSL 271.95, 0.77%, 0.43%

LAB 34.47, 65.04, -69.04

 

CMYK 0 / 40 / 87 / 24

HEX #C17419

RGB 193 116 25

HSL 32.5, 0.77%, 0.43%

LAB 55.99, 24.04, 57.43

 

CMYK 64 / 0 / 87 / 24

HEX #46C219

RGB 70 194 25

HSL 104.02, 0.77%, 0.43%

LAB 69.44, -61.3, 65.42

 

CMYK 87 / 46 / 0 / 24

HEX #1968C2

RGB 25 104 194

HSL 211.95, 0.77%, 0.43%

LAB 44.24, 11.09, -53.42

 

CMYK 23 / 87 / 0 / 24

HEX #9519C2

RGB 149 25 194

HSL 284.02, 0.77%, 0.43%

LAB 39.55, 69.79, -60.53

 

CMYK 0 / 40 / 87 / 24

HEX #C17419

RGB 193 116 25

HSL 32.5, 0.77%, 0.43%

LAB 55.99, 24.04, 57.43

 

CMYK 87 / 0 / 85 / 24

HEX #19C21E

RGB 25 194 30

HSL 121.78, 0.77%, 0.43%

LAB 68.67, -67.91, 63.33

 

CMYK 87 / 46 / 0 / 24

HEX #1968C2

RGB 25 104 194

HSL 211.95, 0.77%, 0.43%

LAB 44.24, 11.09, -53.42

 

CMYK 0 / 87 / 3 / 24

HEX #C219BC

RGB 194 25 188

HSL 302.13, 0.77%, 0.43%

LAB 46.7, 76.37, -45.11

 

Description

Color code: HEX #C17419 | qconv.com Color code: HEX #C17419 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 116 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 116 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 87 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 87% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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