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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1709E it is the complementary color #3E8F61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1709E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1709E shade: #C67099, #D782AC, #E894BF, #F9A6D2 and #FFB8E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1709E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1709E shade: #C1709E, #B05E8B, #9F4C78, #8E3A65 and #7D2852

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1709E shade: #C1709E, #C17088, #C17072 and #C17070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1709E shade: #C1709E, #C170B4, #B970C1, #A370C1 and #8D70C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1709E shade matches the following richer shades: #C1709E, #D25FA0, #E24FA3 and #F33EA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1709E shade: #C1709E, #B1809C, #A0919A, #90A197 and #7FB295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1709E shade: #B870C1, #C170B5, #C1709F, #C1708A and #C17074

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1709E shade: #9C4375, #B5538B, #C1709E, #CE8DB2 and #DAA9C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1709E shade: #C1709E, #C1A270 and #70C0C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1709E shade: #C1709E, #9FC170 and #709FC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1709E shade: #C1709E, #C1A270, #70C192 and #708FC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1709E shade: #C1709E, #C1BB70, #70C192 and #7077C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 18 / 24

HEX #C1709E

RGB 193 112 158

HSL 325.93, 0.4%, 0.6%

LAB 57.46, 38.16, -10.95

 

Complementary color

CMYK 57 / 0 / 32 / 44

HEX #3E8F61

RGB 62 143 97

HSL 145.93, 0.4%, 0.4%

LAB 53.53, -35.84, 17.21

 

CMYK 0 / 43 / 23 / 22

HEX #C67099

RGB 198 112 153

HSL 331.4, 0.43%, 0.61%

LAB 57.94, 39.12, -7.27

 

CMYK 0 / 40 / 20 / 16

HEX #D782AC

RGB 215 130 172

HSL 330.35, 0.52%, 0.68%

LAB 64.48, 38.3, -8.19

 

CMYK 0 / 36 / 18 / 9

HEX #E894BF

RGB 232 148 191

HSL 329.29, 0.65%, 0.75%

LAB 70.94, 37.52, -9.01

 

CMYK 0 / 33 / 16 / 2

HEX #F9A6D2

RGB 249 166 210

HSL 328.19, 0.87%, 0.81%

LAB 77.32, 36.77, -9.75

 

CMYK 0 / 28 / 10 / 0

HEX #FFB8E5

RGB 255 184 229

HSL 321.97, 1%, 0.86%

LAB 82.49, 32.39, -12.25

 

CMYK 0 / 42 / 18 / 24

HEX #C1709E

RGB 193 112 158

HSL 325.93, 0.4%, 0.6%

LAB 57.46, 38.16, -10.95

 

CMYK 0 / 47 / 21 / 31

HEX #B05E8B

RGB 176 94 139

HSL 327.07, 0.34%, 0.53%

LAB 50.8, 38.97, -10.02

 

CMYK 0 / 52 / 25 / 38

HEX #9F4C78

RGB 159 76 120

HSL 328.19, 0.35%, 0.46%

LAB 44.08, 39.76, -8.92

 

CMYK 0 / 59 / 29 / 44

HEX #8E3A65

RGB 142 58 101

HSL 329.29, 0.42%, 0.39%

LAB 37.33, 40.44, -7.53

 

CMYK 0 / 68 / 34 / 51

HEX #7D2852

RGB 125 40 82

HSL 330.35, 0.52%, 0.32%

LAB 30.61, 40.82, -5.68

 

CMYK 0 / 42 / 18 / 24

HEX #C1709E

RGB 193 112 158

HSL 325.93, 0.4%, 0.6%

LAB 57.46, 38.16, -10.95

 

CMYK 0 / 42 / 30 / 24

HEX #C17088

RGB 193 112 136

HSL 342.22, 0.4%, 0.6%

LAB 56.79, 34.94, 0.84

 

CMYK 0 / 42 / 41 / 24

HEX #C17072

RGB 193 112 114

HSL 358.52, 0.4%, 0.6%

LAB 56.23, 32.19, 12.86

 

CMYK 0 / 42 / 42 / 24

HEX #C17070

RGB 193 112 112

HSL 0, 0.4%, 0.6%

LAB 56.18, 31.97, 13.96

 

CMYK 0 / 42 / 18 / 24

HEX #C1709E

RGB 193 112 158

HSL 325.93, 0.4%, 0.6%

LAB 57.46, 38.16, -10.95

 

CMYK 0 / 42 / 7 / 24

HEX #C170B4

RGB 193 112 180

HSL 309.63, 0.4%, 0.6%

LAB 58.25, 41.82, -22.43

 

CMYK 4 / 42 / 0 / 24

HEX #B970C1

RGB 185 112 193

HSL 294.07, 0.4%, 0.6%

LAB 57.8, 41.72, -30.63

 

CMYK 16 / 42 / 0 / 24

HEX #A370C1

RGB 163 112 193

HSL 277.78, 0.4%, 0.6%

LAB 55.3, 35.06, -34.71

 

CMYK 27 / 42 / 0 / 24

HEX #8D70C1

RGB 141 112 193

HSL 261.48, 0.4%, 0.6%

LAB 53.06, 28.58, -38.39

 

CMYK 0 / 42 / 18 / 24

HEX #C1709E

RGB 193 112 158

HSL 325.93, 0.4%, 0.6%

LAB 57.46, 38.16, -10.95

 

CMYK 0 / 55 / 24 / 18

HEX #D25FA0

RGB 210 95 160

HSL 326.09, 0.56%, 0.6%

LAB 56.51, 52.59, -13.31

 

CMYK 0 / 65 / 28 / 11

HEX #E24FA3

RGB 226 79 163

HSL 325.71, 0.72%, 0.6%

LAB 56.49, 64.62, -14.85

 

CMYK 0 / 74 / 32 / 5

HEX #F33EA5

RGB 243 62 165

HSL 325.86, 0.88%, 0.6%

LAB 57.29, 75.18, -14.54

 

CMYK 0 / 42 / 18 / 24

HEX #C1709E

RGB 193 112 158

HSL 325.93, 0.4%, 0.6%

LAB 57.46, 38.16, -10.95

 

CMYK 0 / 28 / 12 / 31

HEX #B1809C

RGB 177 128 156

HSL 325.71, 0.24%, 0.6%

LAB 59.15, 23.39, -7.47

 

CMYK 0 / 9 / 4 / 37

HEX #A0919A

RGB 160 145 154

HSL 324, 0.07%, 0.6%

LAB 61.7, 7.22, -2.73

 

CMYK 11 / 0 / 6 / 37

HEX #90A197

RGB 144 161 151

HSL 144.71, 0.08%, 0.6%

LAB 64.69, -7.99, 3.16

 

CMYK 29 / 0 / 16 / 30

HEX #7FB295

RGB 127 178 149

HSL 145.88, 0.25%, 0.6%

LAB 68.4, -23.01, 9.46

 

CMYK 5 / 42 / 0 / 24

HEX #B870C1

RGB 184 112 193

HSL 293.33, 0.4%, 0.6%

LAB 57.68, 41.42, -30.82

 

CMYK 0 / 42 / 6 / 24

HEX #C170B5

RGB 193 112 181

HSL 308.89, 0.4%, 0.6%

LAB 58.28, 41.99, -22.95

 

CMYK 0 / 42 / 18 / 24

HEX #C1709F

RGB 193 112 159

HSL 325.19, 0.4%, 0.6%

LAB 57.49, 38.32, -11.48

 

CMYK 0 / 42 / 28 / 24

HEX #C1708A

RGB 193 112 138

HSL 340.74, 0.4%, 0.6%

LAB 56.84, 35.21, -0.24

 

CMYK 0 / 42 / 40 / 24

HEX #C17074

RGB 193 112 116

HSL 357.04, 0.4%, 0.6%

LAB 56.27, 32.42, 11.76

 

CMYK 0 / 57 / 25 / 39

HEX #9C4375

RGB 156 67 117

HSL 326.29, 0.4%, 0.44%

LAB 41.79, 42.88, -10.57

 

CMYK 0 / 54 / 23 / 29

HEX #B5538B

RGB 181 83 139

HSL 325.71, 0.4%, 0.52%

LAB 49.34, 46.26, -12.15

 

CMYK 0 / 42 / 18 / 24

HEX #C1709E

RGB 193 112 158

HSL 325.93, 0.4%, 0.6%

LAB 57.46, 38.16, -10.95

 

CMYK 0 / 32 / 14 / 19

HEX #CE8DB2

RGB 206 141 178

HSL 325.85, 0.4%, 0.68%

LAB 66.05, 30.22, -9.35

 

CMYK 0 / 22 / 10 / 15

HEX #DAA9C5

RGB 218 169 197

HSL 325.71, 0.4%, 0.76%

LAB 74.39, 22.4, -7.35

 

CMYK 0 / 42 / 18 / 24

HEX #C1709E

RGB 193 112 158

HSL 325.93, 0.4%, 0.6%

LAB 57.46, 38.16, -10.95

 

CMYK 0 / 16 / 42 / 24

HEX #C1A270

RGB 193 162 112

HSL 37.04, 0.4%, 0.6%

LAB 68.28, 4.56, 30.24

 

CMYK 42 / 1 / 0 / 24

HEX #70C0C1

RGB 112 192 193

HSL 180.74, 0.4%, 0.6%

LAB 72.89, -24.22, -8.2

 

CMYK 0 / 42 / 18 / 24

HEX #C1709E

RGB 193 112 158

HSL 325.93, 0.4%, 0.6%

LAB 57.46, 38.16, -10.95

 

CMYK 18 / 0 / 42 / 24

HEX #9FC170

RGB 159 193 112

HSL 85.19, 0.4%, 0.6%

LAB 73.99, -25.13, 37.03

 

CMYK 42 / 18 / 0 / 24

HEX #709FC1

RGB 112 159 193

HSL 205.19, 0.4%, 0.6%

LAB 63.42, -6.85, -22.48

 

CMYK 0 / 42 / 18 / 24

HEX #C1709E

RGB 193 112 158

HSL 325.93, 0.4%, 0.6%

LAB 57.46, 38.16, -10.95

 

CMYK 0 / 16 / 42 / 24

HEX #C1A270

RGB 193 162 112

HSL 37.04, 0.4%, 0.6%

LAB 68.28, 4.56, 30.24

 

CMYK 42 / 0 / 24 / 24

HEX #70C192

RGB 112 193 146

HSL 145.19, 0.4%, 0.6%

LAB 72, -35.36, 16.05

 

CMYK 42 / 26 / 0 / 24

HEX #708FC1

RGB 112 143 193

HSL 217.04, 0.4%, 0.6%

LAB 58.92, 2.19, -29.41

 

CMYK 0 / 42 / 18 / 24

HEX #C1709E

RGB 193 112 158

HSL 325.93, 0.4%, 0.6%

LAB 57.46, 38.16, -10.95

 

CMYK 0 / 3 / 42 / 24

HEX #C1BB70

RGB 193 187 112

HSL 55.56, 0.4%, 0.6%

LAB 74.86, -8.71, 38.66

 

CMYK 42 / 0 / 24 / 24

HEX #70C192

RGB 112 193 146

HSL 145.19, 0.4%, 0.6%

LAB 72, -35.36, 16.05

 

CMYK 42 / 38 / 0 / 24

HEX #7077C1

RGB 112 119 193

HSL 234.81, 0.4%, 0.6%

LAB 52.39, 16.38, -39.62

 

Description

Color code: HEX #C1709E | qconv.com Color code: HEX #C1709E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 112 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 112 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 18 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 18% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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