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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C17A61 it is the complementary color #3E859E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C17A61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C17A61 shade: #C67A5C, #D78C6F, #E89E82, #F9B095 and #FFC2A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C17A61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C17A61 shade: #C17A61, #B0684E, #9F563B, #8E4428 and #7D3215

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C17A61 shade: #C17A61 and #C16161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C17A61 shade: #C17A61, #C19461, #C1AE61, #BAC161 and #A0C161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C17A61 shade matches the following richer shades: #C17A61, #D3714F, #E5693D and #F6602B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C17A61 shade: #C17A61, #AF8272, #9E8B84, #8C9396 and #7A9CA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C17A61 shade: #C1617C, #C16162, #C17961, #C19261 and #C1AC61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C17A61 shade: #95523A, #B36245, #C17A61, #CD937E and #D8AC9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C17A61 shade: #C17A61, #96C161 and #616FC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C17A61 shade: #C17A61, #61C179 and #7961C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C17A61 shade: #C17A61, #96C161, #61A9C1 and #8C61C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C17A61 shade: #C17A61, #79C161, #61A9C1 and #A961C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 50 / 24

HEX #C17A61

RGB 193 122 97

HSL 15.63, 0.44%, 0.57%

LAB 58.15, 24.96, 25.22

 

Complementary color

CMYK 61 / 16 / 0 / 38

HEX #3E859E

RGB 62 133 158

HSL 195.63, 0.44%, 0.43%

LAB 52.14, -14.52, -20.03

 

CMYK 0 / 38 / 54 / 22

HEX #C67A5C

RGB 198 122 92

HSL 16.98, 0.48%, 0.57%

LAB 58.69, 26.53, 28.85

 

CMYK 0 / 35 / 48 / 16

HEX #D78C6F

RGB 215 140 111

HSL 16.73, 0.57%, 0.64%

LAB 65.24, 25.37, 27.25

 

CMYK 0 / 32 / 44 / 9

HEX #E89E82

RGB 232 158 130

HSL 16.47, 0.69%, 0.71%

LAB 71.7, 24.33, 25.8

 

CMYK 0 / 29 / 40 / 2

HEX #F9B095

RGB 249 176 149

HSL 16.2, 0.89%, 0.78%

LAB 78.09, 23.41, 24.48

 

CMYK 0 / 24 / 34 / 0

HEX #FFC2A8

RGB 255 194 168

HSL 17.93, 1%, 0.83%

LAB 83.27, 18.43, 21.54

 

CMYK 0 / 37 / 50 / 24

HEX #C17A61

RGB 193 122 97

HSL 15.63, 0.44%, 0.57%

LAB 58.15, 24.96, 25.22

 

CMYK 0 / 41 / 56 / 31

HEX #B0684E

RGB 176 104 78

HSL 15.92, 0.39%, 0.5%

LAB 51.47, 26.2, 26.92

 

CMYK 0 / 46 / 63 / 38

HEX #9F563B

RGB 159 86 59

HSL 16.2, 0.46%, 0.43%

LAB 44.72, 27.6, 28.86

 

CMYK 0 / 52 / 72 / 44

HEX #8E4428

RGB 142 68 40

HSL 16.47, 0.56%, 0.36%

LAB 37.91, 29.18, 31.05

 

CMYK 0 / 60 / 83 / 51

HEX #7D3215

RGB 125 50 21

HSL 16.73, 0.71%, 0.29%

LAB 31.1, 30.9, 33.39

 

CMYK 0 / 37 / 50 / 24

HEX #C17A61

RGB 193 122 97

HSL 15.63, 0.44%, 0.57%

LAB 58.15, 24.96, 25.22

 

CMYK 0 / 50 / 50 / 24

HEX #C16161

RGB 193 97 97

HSL 0, 0.44%, 0.57%

LAB 52.67, 38.35, 17.9

 

CMYK 0 / 37 / 50 / 24

HEX #C17A61

RGB 193 122 97

HSL 15.63, 0.44%, 0.57%

LAB 58.15, 24.96, 25.22

 

CMYK 0 / 23 / 50 / 24

HEX #C19461

RGB 193 148 97

HSL 31.88, 0.44%, 0.57%

LAB 64.47, 10.65, 33.37

 

CMYK 0 / 10 / 50 / 24

HEX #C1AE61

RGB 193 174 97

HSL 48.13, 0.44%, 0.57%

LAB 71.2, -3.39, 41.73

 

CMYK 4 / 0 / 50 / 24

HEX #BAC161

RGB 186 193 97

HSL 64.38, 0.44%, 0.57%

LAB 75.73, -16.12, 47.04

 

CMYK 17 / 0 / 50 / 24

HEX #A0C161

RGB 160 193 97

HSL 80.63, 0.44%, 0.57%

LAB 73.85, -26.46, 44.35

 

CMYK 0 / 37 / 50 / 24

HEX #C17A61

RGB 193 122 97

HSL 15.63, 0.44%, 0.57%

LAB 58.15, 24.96, 25.22

 

CMYK 0 / 46 / 63 / 17

HEX #D3714F

RGB 211 113 79

HSL 15.45, 0.6%, 0.57%

LAB 58.25, 35.53, 35.84

 

CMYK 0 / 54 / 73 / 10

HEX #E5693D

RGB 229 105 61

HSL 15.71, 0.76%, 0.57%

LAB 59.07, 45.45, 46.96

 

CMYK 0 / 61 / 83 / 4

HEX #F6602B

RGB 246 96 43

HSL 15.67, 0.92%, 0.57%

LAB 60.01, 55.09, 57.26

 

CMYK 0 / 37 / 50 / 24

HEX #C17A61

RGB 193 122 97

HSL 15.63, 0.44%, 0.57%

LAB 58.15, 24.96, 25.22

 

CMYK 0 / 26 / 35 / 31

HEX #AF8272

RGB 175 130 114

HSL 15.74, 0.28%, 0.57%

LAB 58.32, 15.11, 15.43

 

CMYK 0 / 12 / 16 / 38

HEX #9E8B84

RGB 158 139 132

HSL 16.15, 0.12%, 0.57%

LAB 59.34, 5.94, 6.35

 

CMYK 7 / 2 / 0 / 41

HEX #8C9396

RGB 140 147 150

HSL 198, 0.05%, 0.57%

LAB 60.47, -1.92, -2.47

 

CMYK 27 / 7 / 0 / 34

HEX #7A9CA8

RGB 122 156 168

HSL 195.65, 0.21%, 0.57%

LAB 62.29, -8.84, -10.09

 

CMYK 0 / 50 / 36 / 24

HEX #C1617C

RGB 193 97 124

HSL 343.13, 0.44%, 0.57%

LAB 53.32, 41.27, 2.86

 

CMYK 0 / 50 / 49 / 24

HEX #C16162

RGB 193 97 98

HSL 359.38, 0.44%, 0.57%

LAB 52.7, 38.45, 17.34

 

CMYK 0 / 37 / 50 / 24

HEX #C17961

RGB 193 121 97

HSL 15, 0.44%, 0.57%

LAB 57.92, 25.51, 24.91

 

CMYK 0 / 24 / 50 / 24

HEX #C19261

RGB 193 146 97

HSL 30.63, 0.44%, 0.57%

LAB 63.96, 11.75, 32.73

 

CMYK 0 / 11 / 50 / 24

HEX #C1AC61

RGB 193 172 97

HSL 46.88, 0.44%, 0.57%

LAB 70.67, -2.33, 41.08

 

CMYK 0 / 45 / 61 / 42

HEX #95523A

RGB 149 82 58

HSL 15.82, 0.44%, 0.41%

LAB 42.35, 25.56, 26.2

 

CMYK 0 / 45 / 61 / 30

HEX #B36245

RGB 179 98 69

HSL 15.82, 0.44%, 0.49%

LAB 50.39, 30, 30.76

 

CMYK 0 / 37 / 50 / 24

HEX #C17A61

RGB 193 122 97

HSL 15.63, 0.44%, 0.57%

LAB 58.15, 24.96, 25.22

 

CMYK 0 / 28 / 39 / 20

HEX #CD937E

RGB 205 147 126

HSL 15.95, 0.44%, 0.65%

LAB 66.02, 19.19, 19.79

 

CMYK 0 / 20 / 28 / 15

HEX #D8AC9C

RGB 216 172 156

HSL 16, 0.43%, 0.73%

LAB 73.87, 13.74, 14.33

 

CMYK 0 / 37 / 50 / 24

HEX #C17A61

RGB 193 122 97

HSL 15.63, 0.44%, 0.57%

LAB 58.15, 24.96, 25.22

 

CMYK 22 / 0 / 50 / 24

HEX #96C161

RGB 150 193 97

HSL 86.88, 0.44%, 0.57%

LAB 73.21, -30.27, 43.43

 

CMYK 50 / 42 / 0 / 24

HEX #616FC1

RGB 97 111 193

HSL 231.25, 0.44%, 0.57%

LAB 49.2, 17.53, -44.72

 

CMYK 0 / 37 / 50 / 24

HEX #C17A61

RGB 193 122 97

HSL 15.63, 0.44%, 0.57%

LAB 58.15, 24.96, 25.22

 

CMYK 50 / 0 / 37 / 24

HEX #61C179

RGB 97 193 121

HSL 135, 0.44%, 0.57%

LAB 70.91, -44.12, 27.77

 

CMYK 37 / 50 / 0 / 24

HEX #7961C1

RGB 121 97 193

HSL 255, 0.44%, 0.57%

LAB 47.58, 31.95, -47.19

 

CMYK 0 / 37 / 50 / 24

HEX #C17A61

RGB 193 122 97

HSL 15.63, 0.44%, 0.57%

LAB 58.15, 24.96, 25.22

 

CMYK 22 / 0 / 50 / 24

HEX #96C161

RGB 150 193 97

HSL 86.88, 0.44%, 0.57%

LAB 73.21, -30.27, 43.43

 

CMYK 50 / 12 / 0 / 24

HEX #61A9C1

RGB 97 169 193

HSL 195, 0.44%, 0.57%

LAB 65.57, -15.97, -19.27

 

CMYK 27 / 50 / 0 / 24

HEX #8C61C1

RGB 140 97 193

HSL 266.88, 0.44%, 0.57%

LAB 49.47, 36.96, -44.08

 

CMYK 0 / 37 / 50 / 24

HEX #C17A61

RGB 193 122 97

HSL 15.63, 0.44%, 0.57%

LAB 58.15, 24.96, 25.22

 

CMYK 37 / 0 / 50 / 24

HEX #79C161

RGB 121 193 97

HSL 105, 0.44%, 0.57%

LAB 71.6, -40.55, 41.09

 

CMYK 50 / 12 / 0 / 24

HEX #61A9C1

RGB 97 169 193

HSL 195, 0.44%, 0.57%

LAB 65.57, -15.97, -19.27

 

CMYK 12 / 50 / 0 / 24

HEX #A961C1

RGB 169 97 193

HSL 285, 0.44%, 0.57%

LAB 52.77, 45.01, -38.64

 

Description

Color code: HEX #C17A61 | qconv.com Color code: HEX #C17A61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 122 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 122 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 50 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 50% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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