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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C17C95 it is the complementary color #3E836A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C17C95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C17C95 shade: #C67C90, #D78EA3, #E8A0B6, #F9B2C9 and #FFC4DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C17C95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C17C95 shade: #C17C95, #B06A82, #9F586F, #8E465C and #7D3449

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C17C95 shade: #C07B94, #C07B81 and #C07B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C17C95 shade: #C07B94, #C07BA7, #C07BBA, #B57BC0 and #A27BC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C17C95 shade matches the following richer shades: #C07B94, #D06B90, #E05B8B and #F04C87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C17C95 shade: #C07B94, #B18A98, #A19A9D, #91AAA1 and #82B9A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C17C95 shade: #C07BBA, #C07BA7, #C07B94, #C07B82 and #C0867B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C17C95 shade: #9E4A69, #B35F7D, #C07B94, #CE97AB and #DBB3C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C17C95 shade: #C17C95, #C0B57B and #7BB0C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C17C95 shade: #C17C95, #94C07B and #7B94C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C17C95 shade: #C17C95, #C0B57B, #7BC0A7 and #7B86C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C17C95 shade: #C17C95, #B7C07B, #7BC0A7 and #847BC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 23 / 24

HEX #C17C95

RGB 193 124 149

HSL 338.26, 0.36%, 0.62%

LAB 59.82, 30.29, -2.25

 

Complementary color

CMYK 53 / 0 / 19 / 49

HEX #3E836A

RGB 62 131 106

HSL 158.26, 0.36%, 0.38%

LAB 49.85, -28.21, 6.92

 

CMYK 0 / 37 / 27 / 22

HEX #C67C90

RGB 198 124 144

HSL 343.78, 0.39%, 0.63%

LAB 60.28, 31.39, 1.37

 

CMYK 0 / 34 / 24 / 16

HEX #D78EA3

RGB 215 142 163

HSL 342.74, 0.48%, 0.7%

LAB 66.85, 30.57, 0.39

 

CMYK 0 / 31 / 22 / 9

HEX #E8A0B6

RGB 232 160 182

HSL 341.67, 0.61%, 0.77%

LAB 73.33, 29.8, -0.49

 

CMYK 0 / 29 / 19 / 2

HEX #F9B2C9

RGB 249 178 201

HSL 340.56, 0.86%, 0.84%

LAB 79.73, 29.1, -1.3

 

CMYK 0 / 23 / 14 / 0

HEX #FFC4DC

RGB 255 196 220

HSL 335.59, 1%, 0.88%

LAB 84.95, 24.64, -3.78

 

CMYK 0 / 36 / 23 / 24

HEX #C17C95

RGB 193 124 149

HSL 338.26, 0.36%, 0.62%

LAB 59.82, 30.29, -2.25

 

CMYK 0 / 40 / 26 / 31

HEX #B06A82

RGB 176 106 130

HSL 339.43, 0.31%, 0.55%

LAB 53.11, 31.14, -1.27

 

CMYK 0 / 45 / 30 / 38

HEX #9F586F

RGB 159 88 111

HSL 340.56, 0.29%, 0.48%

LAB 46.31, 32.04, -0.14

 

CMYK 0 / 51 / 35 / 44

HEX #8E465C

RGB 142 70 92

HSL 341.67, 0.34%, 0.42%

LAB 39.42, 32.99, 1.22

 

CMYK 0 / 58 / 42 / 51

HEX #7D3449

RGB 125 52 73

HSL 342.74, 0.41%, 0.35%

LAB 32.47, 33.89, 2.93

 

CMYK 0 / 36 / 23 / 25

HEX #C07B94

RGB 192 123 148

HSL 338.26, 0.35%, 0.62%

LAB 59.44, 30.33, -2.24

 

CMYK 0 / 36 / 33 / 25

HEX #C07B81

RGB 192 123 129

HSL 354.78, 0.35%, 0.62%

LAB 58.93, 27.66, 7.98

 

CMYK 0 / 36 / 36 / 25

HEX #C07B7B

RGB 192 123 123

HSL 0, 0.35%, 0.62%

LAB 58.79, 26.89, 11.23

 

CMYK 0 / 36 / 23 / 25

HEX #C07B94

RGB 192 123 148

HSL 338.26, 0.35%, 0.62%

LAB 59.44, 30.33, -2.24

 

CMYK 0 / 36 / 13 / 25

HEX #C07BA7

RGB 192 123 167

HSL 321.74, 0.35%, 0.62%

LAB 60.04, 33.34, -12.27

 

CMYK 0 / 36 / 3 / 25

HEX #C07BBA

RGB 192 123 186

HSL 305.22, 0.35%, 0.62%

LAB 60.71, 36.68, -22.09

 

CMYK 6 / 36 / 0 / 25

HEX #B57BC0

RGB 181 123 192

HSL 290.43, 0.35%, 0.62%

LAB 59.7, 34.29, -27.15

 

CMYK 16 / 36 / 0 / 25

HEX #A27BC0

RGB 162 123 192

HSL 273.91, 0.35%, 0.62%

LAB 57.71, 28.31, -30.41

 

CMYK 0 / 36 / 23 / 25

HEX #C07B94

RGB 192 123 148

HSL 338.26, 0.35%, 0.62%

LAB 59.44, 30.33, -2.24

 

CMYK 0 / 49 / 31 / 18

HEX #D06B90

RGB 208 107 144

HSL 338.02, 0.52%, 0.62%

LAB 57.98, 43.9, -1.83

 

CMYK 0 / 59 / 38 / 12

HEX #E05B8B

RGB 224 91 139

HSL 338.35, 0.68%, 0.62%

LAB 57.26, 56.2, 0.32

 

CMYK 0 / 68 / 44 / 6

HEX #F04C87

RGB 240 76 135

HSL 338.41, 0.85%, 0.62%

LAB 57.5, 66.69, 3.34

 

CMYK 0 / 36 / 23 / 25

HEX #C07B94

RGB 192 123 148

HSL 338.26, 0.35%, 0.62%

LAB 59.44, 30.33, -2.24

 

CMYK 0 / 22 / 14 / 31

HEX #B18A98

RGB 177 138 152

HSL 338.46, 0.2%, 0.62%

LAB 61.47, 17.08, -1.74

 

CMYK 0 / 4 / 2 / 37

HEX #A19A9D

RGB 161 154 157

HSL 334.29, 0.04%, 0.62%

LAB 64.26, 3.11, -0.66

 

CMYK 15 / 0 / 5 / 33

HEX #91AAA1

RGB 145 170 161

HSL 158.4, 0.13%, 0.62%

LAB 67.53, -10.47, 1.73

 

CMYK 30 / 0 / 11 / 27

HEX #82B9A5

RGB 130 185 165

HSL 158.18, 0.28%, 0.62%

LAB 70.98, -22.27, 4.41

 

CMYK 0 / 36 / 3 / 25

HEX #C07BBA

RGB 192 123 186

HSL 305.22, 0.35%, 0.62%

LAB 60.71, 36.68, -22.09

 

CMYK 0 / 36 / 13 / 25

HEX #C07BA7

RGB 192 123 167

HSL 321.74, 0.35%, 0.62%

LAB 60.04, 33.34, -12.27

 

CMYK 0 / 36 / 23 / 25

HEX #C07B94

RGB 192 123 148

HSL 338.26, 0.35%, 0.62%

LAB 59.44, 30.33, -2.24

 

CMYK 0 / 36 / 32 / 25

HEX #C07B82

RGB 192 123 130

HSL 353.91, 0.35%, 0.62%

LAB 58.96, 27.79, 7.44

 

CMYK 0 / 30 / 36 / 25

HEX #C0867B

RGB 192 134 123

HSL 9.57, 0.35%, 0.62%

LAB 61.38, 20.83, 14.85

 

CMYK 0 / 53 / 34 / 38

HEX #9E4A69

RGB 158 74 105

HSL 337.86, 0.36%, 0.45%

LAB 43.04, 38.37, -1.27

 

CMYK 0 / 47 / 30 / 30

HEX #B35F7D

RGB 179 95 125

HSL 338.57, 0.36%, 0.54%

LAB 50.98, 37.47, -1.39

 

CMYK 0 / 36 / 23 / 25

HEX #C07B94

RGB 192 123 148

HSL 338.26, 0.35%, 0.62%

LAB 59.44, 30.33, -2.24

 

CMYK 0 / 27 / 17 / 19

HEX #CE97AB

RGB 206 151 171

HSL 338.18, 0.36%, 0.7%

LAB 68.16, 23.63, -2.29

 

CMYK 0 / 18 / 12 / 14

HEX #DBB3C1

RGB 219 179 193

HSL 339, 0.36%, 0.78%

LAB 76.77, 16.68, -1.64

 

CMYK 0 / 36 / 23 / 24

HEX #C17C95

RGB 193 124 149

HSL 338.26, 0.36%, 0.62%

LAB 59.82, 30.29, -2.25

 

CMYK 0 / 6 / 36 / 25

HEX #C0B57B

RGB 192 181 123

HSL 50.43, 0.35%, 0.62%

LAB 73.34, -4.74, 30.99

 

CMYK 36 / 8 / 0 / 25

HEX #7BB0C0

RGB 123 176 192

HSL 193.91, 0.35%, 0.62%

LAB 68.8, -13.36, -13.71

 

CMYK 0 / 36 / 23 / 24

HEX #C17C95

RGB 193 124 149

HSL 338.26, 0.36%, 0.62%

LAB 59.82, 30.29, -2.25

 

CMYK 23 / 0 / 36 / 25

HEX #94C07B

RGB 148 192 123

HSL 98.26, 0.35%, 0.62%

LAB 73.17, -27.22, 30.17

 

CMYK 36 / 23 / 0 / 25

HEX #7B94C0

RGB 123 148 192

HSL 218.26, 0.35%, 0.62%

LAB 60.95, 2.07, -25.64

 

CMYK 0 / 36 / 23 / 24

HEX #C17C95

RGB 193 124 149

HSL 338.26, 0.36%, 0.62%

LAB 59.82, 30.29, -2.25

 

CMYK 0 / 6 / 36 / 25

HEX #C0B57B

RGB 192 181 123

HSL 50.43, 0.35%, 0.62%

LAB 73.34, -4.74, 30.99

 

CMYK 36 / 0 / 13 / 25

HEX #7BC0A7

RGB 123 192 167

HSL 158.26, 0.35%, 0.62%

LAB 72.69, -27.39, 5.74

 

CMYK 36 / 30 / 0 / 25

HEX #7B86C0

RGB 123 134 192

HSL 230.43, 0.35%, 0.62%

LAB 57.14, 10.18, -31.54

 

CMYK 0 / 36 / 23 / 24

HEX #C17C95

RGB 193 124 149

HSL 338.26, 0.36%, 0.62%

LAB 59.82, 30.29, -2.25

 

CMYK 5 / 0 / 36 / 25

HEX #B7C07B

RGB 183 192 123

HSL 67.83, 0.35%, 0.62%

LAB 75.57, -14.02, 33.77

 

CMYK 36 / 0 / 13 / 25

HEX #7BC0A7

RGB 123 192 167

HSL 158.26, 0.35%, 0.62%

LAB 72.69, -27.39, 5.74

 

CMYK 31 / 36 / 0 / 25

HEX #847BC0

RGB 132 123 192

HSL 247.83, 0.35%, 0.62%

LAB 54.95, 19.24, -34.92

 

Description

Color code: HEX #C17C95 | qconv.com Color code: HEX #C17C95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 124 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 124 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 23 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 23% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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