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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1862E it is the complementary color #3E79D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1862E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1862E shade: #C68629, #D7983C, #E8AA4F, #F9BC62 and #FFCE75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1862E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1862E shade: #C1862E, #B0741B, #9F6208, #8E5000 and #7D3E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1862E shade: #C2862D, #C25E2D, #C2362D and #C22D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1862E shade: #C2862D, #C2AE2D, #ADC22D, #85C22D and #5DC22D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1862E shade matches the following richer shades: #C2862D, #D58A1A and #E88E06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1862E shade: #C2862D, #AE8240, #9B7E54, #877B67 and #74777B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1862E shade: #C2342D, #C25C2D, #C2842D, #C2AB2D and #B0C22D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1862E shade: #7F581D, #A06F25, #C2862D, #D39A45 and #DBAC66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1862E shade: #C1862E, #4DC22D and #482DC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1862E shade: #C1862E, #2DC284 and #842DC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1862E shade: #C1862E, #4DC22D, #2D6BC2 and #A12DC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1862E shade: #C1862E, #2DC239, #2D6BC2 and #C22DB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 76 / 24

HEX #C1862E

RGB 193 134 46

HSL 35.92, 0.62%, 0.47%

LAB 60.41, 14.84, 53.71

 

Complementary color

CMYK 70 / 42 / 0 / 18

HEX #3E79D1

RGB 62 121 209

HSL 215.92, 0.62%, 0.53%

LAB 51.04, 10.07, -51.05

 

CMYK 0 / 32 / 79 / 22

HEX #C68629

RGB 198 134 41

HSL 35.54, 0.66%, 0.47%

LAB 60.97, 16.83, 56.44

 

CMYK 0 / 29 / 72 / 16

HEX #D7983C

RGB 215 152 60

HSL 35.61, 0.66%, 0.54%

LAB 67.45, 15.21, 55.64

 

CMYK 0 / 27 / 66 / 9

HEX #E8AA4F

RGB 232 170 79

HSL 35.69, 0.77%, 0.61%

LAB 73.85, 13.81, 54.5

 

CMYK 0 / 24 / 61 / 2

HEX #F9BC62

RGB 249 188 98

HSL 35.76, 0.93%, 0.68%

LAB 80.17, 12.6, 53.21

 

CMYK 0 / 19 / 54 / 0

HEX #FFCE75

RGB 255 206 117

HSL 38.7, 1%, 0.73%

LAB 85.35, 7.09, 50.34

 

CMYK 0 / 31 / 76 / 24

HEX #C1862E

RGB 193 134 46

HSL 35.92, 0.62%, 0.47%

LAB 60.41, 14.84, 53.71

 

CMYK 0 / 34 / 85 / 31

HEX #B0741B

RGB 176 116 27

HSL 35.84, 0.73%, 0.4%

LAB 53.81, 16.63, 54.1

 

CMYK 0 / 38 / 95 / 38

HEX #9F6208

RGB 159 98 8

HSL 35.76, 0.9%, 0.33%

LAB 47.14, 18.72, 53.13

 

CMYK 0 / 44 / 100 / 44

HEX #8E5000

RGB 142 80 0

HSL 33.8, 1%, 0.28%

LAB 40.39, 21.15, 49.51

 

CMYK 0 / 50 / 100 / 51

HEX #7D3E00

RGB 125 62 0

HSL 29.76, 1%, 0.25%

LAB 33.57, 23.77, 44.01

 

CMYK 0 / 31 / 77 / 24

HEX #C2862D

RGB 194 134 45

HSL 35.84, 0.62%, 0.47%

LAB 60.52, 15.24, 54.27

 

CMYK 0 / 52 / 77 / 24

HEX #C25E2D

RGB 194 94 45

HSL 19.73, 0.62%, 0.47%

LAB 51.46, 36.81, 45.31

 

CMYK 0 / 72 / 77 / 24

HEX #C2362D

RGB 194 54 45

HSL 3.62, 0.62%, 0.47%

LAB 44.66, 54.76, 38.23

 

CMYK 0 / 77 / 77 / 24

HEX #C22D2D

RGB 194 45 45

HSL 0, 0.62%, 0.47%

LAB 43.56, 57.81, 37.05

 

CMYK 0 / 31 / 77 / 24

HEX #C2862D

RGB 194 134 45

HSL 35.84, 0.62%, 0.47%

LAB 60.52, 15.24, 54.27

 

CMYK 0 / 10 / 77 / 24

HEX #C2AE2D

RGB 194 174 45

HSL 51.95, 0.62%, 0.47%

LAB 70.82, -6.36, 63.95

 

CMYK 11 / 0 / 77 / 24

HEX #ADC22D

RGB 173 194 45

HSL 68.46, 0.62%, 0.47%

LAB 74.61, -25.47, 66.8

 

CMYK 31 / 0 / 77 / 24

HEX #85C22D

RGB 133 194 45

HSL 84.56, 0.62%, 0.47%

LAB 72.07, -41.31, 63.52

 

CMYK 52 / 0 / 77 / 24

HEX #5DC22D

RGB 93 194 45

HSL 100.67, 0.62%, 0.47%

LAB 70.25, -54.5, 61.14

 

CMYK 0 / 31 / 77 / 24

HEX #C2862D

RGB 194 134 45

HSL 35.84, 0.62%, 0.47%

LAB 60.52, 15.24, 54.27

 

CMYK 0 / 35 / 88 / 16

HEX #D58A1A

RGB 213 138 26

HSL 35.94, 0.78%, 0.47%

LAB 63.67, 20.74, 64.36

 

CMYK 0 / 39 / 97 / 9

HEX #E88E06

RGB 232 142 6

HSL 36.11, 0.95%, 0.47%

LAB 66.91, 26.41, 71.55

 

CMYK 0 / 31 / 77 / 24

HEX #C2862D

RGB 194 134 45

HSL 35.84, 0.62%, 0.47%

LAB 60.52, 15.24, 54.27

 

CMYK 0 / 25 / 63 / 32

HEX #AE8240

RGB 174 130 64

HSL 36, 0.46%, 0.47%

LAB 57.4, 9.7, 41.58

 

CMYK 0 / 19 / 46 / 39

HEX #9B7E54

RGB 155 126 84

HSL 35.49, 0.3%, 0.47%

LAB 54.59, 5.42, 27.03

 

CMYK 0 / 9 / 24 / 47

HEX #877B67

RGB 135 123 103

HSL 37.5, 0.13%, 0.47%

LAB 52.17, 1.17, 12.61

 

CMYK 6 / 3 / 0 / 52

HEX #74777B

RGB 116 119 123

HSL 214.29, 0.03%, 0.47%

LAB 49.9, -0.29, -2.59

 

CMYK 0 / 73 / 77 / 24

HEX #C2342D

RGB 194 52 45

HSL 2.82, 0.62%, 0.47%

LAB 44.4, 55.48, 37.95

 

CMYK 0 / 53 / 77 / 24

HEX #C25C2D

RGB 194 92 45

HSL 18.93, 0.62%, 0.47%

LAB 51.05, 37.83, 44.9

 

CMYK 0 / 32 / 77 / 24

HEX #C2842D

RGB 194 132 45

HSL 35.03, 0.62%, 0.47%

LAB 60.03, 16.34, 53.8

 

CMYK 0 / 12 / 77 / 24

HEX #C2AB2D

RGB 194 171 45

HSL 50.74, 0.62%, 0.47%

LAB 70.02, -4.78, 63.21

 

CMYK 9 / 0 / 77 / 24

HEX #B0C22D

RGB 176 194 45

HSL 67.25, 0.62%, 0.47%

LAB 74.83, -24.22, 67.08

 

CMYK 0 / 31 / 77 / 50

HEX #7F581D

RGB 127 88 29

HSL 36.12, 0.63%, 0.31%

LAB 40.54, 10.31, 38.87

 

CMYK 0 / 31 / 77 / 37

HEX #A06F25

RGB 160 111 37

HSL 36.1, 0.62%, 0.39%

LAB 50.66, 12.61, 46.65

 

CMYK 0 / 31 / 77 / 24

HEX #C2862D

RGB 194 134 45

HSL 35.84, 0.62%, 0.47%

LAB 60.52, 15.24, 54.27

 

CMYK 0 / 27 / 67 / 17

HEX #D39A45

RGB 211 154 69

HSL 35.92, 0.62%, 0.55%

LAB 67.57, 12.9, 51.6

 

CMYK 0 / 21 / 53 / 14

HEX #DBAC66

RGB 219 172 102

HSL 35.9, 0.62%, 0.63%

LAB 73.24, 8.96, 42.26

 

CMYK 0 / 31 / 76 / 24

HEX #C1862E

RGB 193 134 46

HSL 35.92, 0.62%, 0.47%

LAB 60.41, 14.84, 53.71

 

CMYK 60 / 0 / 77 / 24

HEX #4DC22D

RGB 77 194 45

HSL 107.11, 0.62%, 0.47%

LAB 69.72, -58.69, 60.45

 

CMYK 63 / 77 / 0 / 24

HEX #482DC2

RGB 72 45 194

HSL 250.87, 0.62%, 0.47%

LAB 32.14, 52.38, -73.04

 

CMYK 0 / 31 / 76 / 24

HEX #C1862E

RGB 193 134 46

HSL 35.92, 0.62%, 0.47%

LAB 60.41, 14.84, 53.71

 

CMYK 77 / 0 / 32 / 24

HEX #2DC284

RGB 45 194 132

HSL 155.03, 0.62%, 0.47%

LAB 70.04, -52.49, 20.54

 

CMYK 32 / 77 / 0 / 24

HEX #842DC2

RGB 132 45 194

HSL 275.03, 0.62%, 0.47%

LAB 39.03, 61.14, -61.48

 

CMYK 0 / 31 / 76 / 24

HEX #C1862E

RGB 193 134 46

HSL 35.92, 0.62%, 0.47%

LAB 60.41, 14.84, 53.71

 

CMYK 60 / 0 / 77 / 24

HEX #4DC22D

RGB 77 194 45

HSL 107.11, 0.62%, 0.47%

LAB 69.72, -58.69, 60.45

 

CMYK 77 / 45 / 0 / 24

HEX #2D6BC2

RGB 45 107 194

HSL 215.03, 0.62%, 0.47%

LAB 45.59, 11.04, -51.22

 

CMYK 17 / 77 / 0 / 24

HEX #A12DC2

RGB 161 45 194

HSL 286.71, 0.62%, 0.47%

LAB 43.28, 66.41, -54.39

 

CMYK 0 / 31 / 76 / 24

HEX #C1862E

RGB 193 134 46

HSL 35.92, 0.62%, 0.47%

LAB 60.41, 14.84, 53.71

 

CMYK 77 / 0 / 71 / 24

HEX #2DC239

RGB 45 194 57

HSL 124.83, 0.62%, 0.47%

LAB 69.07, -63.86, 55.33

 

CMYK 77 / 45 / 0 / 24

HEX #2D6BC2

RGB 45 107 194

HSL 215.03, 0.62%, 0.47%

LAB 45.59, 11.04, -51.22

 

CMYK 0 / 77 / 7 / 24

HEX #C22DB5

RGB 194 45 181

HSL 305.23, 0.62%, 0.47%

LAB 47.86, 70.87, -39.18

 

Description

Color code: HEX #C1862E | qconv.com Color code: HEX #C1862E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 134 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 134 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 76 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 76% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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