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Color name
HEX #C1802E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1802E it is the complementary color #3E7FD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1802E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1802E shade: #C68029, #D7923C, #E8A44F, #F9B662 and #FFC875

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1802E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1802E shade: #C1802E, #B06E1B, #9F5C08, #8E4A00 and #7D3800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1802E shade: #C2802D, #C2582D, #C2302D and #C22D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1802E shade: #C2802D, #C2A82D, #B3C22D, #8BC22D and #63C22D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1802E shade matches the following richer shades: #C2802D, #D5821A and #E88406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1802E shade: #C2802D, #AE7E40, #9B7B54, #877967 and #74777B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1802E shade: #C2302D, #C2572D, #C27F2D, #C2A62D and #B5C22D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1802E shade: #7F541D, #A06A25, #C2802D, #D39445 and #DBA766

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1802E shade: #C1802E, #52C22D and #432DC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1802E shade: #C1802E, #2DC27F and #7F2DC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1802E shade: #C1802E, #52C22D, #2D70C2 and #9D2DC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1802E shade: #C1802E, #2DC234, #2D70C2 and #C22DBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 76 / 24

HEX #C1802E

RGB 193 128 46

HSL 33.47, 0.62%, 0.47%

LAB 58.95, 18.15, 52.28

 

Complementary color

CMYK 70 / 39 / 0 / 18

HEX #3E7FD1

RGB 62 127 209

HSL 213.47, 0.62%, 0.53%

LAB 52.74, 6.4, -48.34

 

CMYK 0 / 35 / 79 / 22

HEX #C68029

RGB 198 128 41

HSL 33.25, 0.66%, 0.47%

LAB 59.53, 20.12, 55.1

 

CMYK 0 / 32 / 72 / 16

HEX #D7923C

RGB 215 146 60

HSL 33.29, 0.66%, 0.54%

LAB 66.01, 18.45, 54.16

 

CMYK 0 / 29 / 66 / 9

HEX #E8A44F

RGB 232 164 79

HSL 33.33, 0.77%, 0.61%

LAB 72.41, 17, 52.91

 

CMYK 0 / 27 / 61 / 2

HEX #F9B662

RGB 249 182 98

HSL 33.38, 0.93%, 0.68%

LAB 78.74, 15.74, 51.55

 

CMYK 0 / 22 / 54 / 0

HEX #FFC875

RGB 255 200 117

HSL 36.09, 1%, 0.73%

LAB 83.89, 10.2, 48.58

 

CMYK 0 / 34 / 76 / 24

HEX #C1802E

RGB 193 128 46

HSL 33.47, 0.62%, 0.47%

LAB 58.95, 18.15, 52.28

 

CMYK 0 / 38 / 85 / 31

HEX #B06E1B

RGB 176 110 27

HSL 33.42, 0.73%, 0.4%

LAB 52.35, 19.98, 52.85

 

CMYK 0 / 42 / 95 / 38

HEX #9F5C08

RGB 159 92 8

HSL 33.38, 0.9%, 0.33%

LAB 45.69, 22.11, 52.1

 

CMYK 0 / 48 / 100 / 44

HEX #8E4A00

RGB 142 74 0

HSL 31.27, 1%, 0.28%

LAB 38.98, 24.56, 48.64

 

CMYK 0 / 55 / 100 / 51

HEX #7D3800

RGB 125 56 0

HSL 26.88, 1%, 0.25%

LAB 32.23, 27.13, 43.17

 

CMYK 0 / 34 / 77 / 24

HEX #C2802D

RGB 194 128 45

HSL 33.42, 0.62%, 0.47%

LAB 59.06, 18.54, 52.86

 

CMYK 0 / 55 / 77 / 24

HEX #C2582D

RGB 194 88 45

HSL 17.32, 0.62%, 0.47%

LAB 50.26, 39.84, 44.09

 

CMYK 0 / 75 / 77 / 24

HEX #C2302D

RGB 194 48 45

HSL 1.21, 0.62%, 0.47%

LAB 43.91, 56.84, 37.43

 

CMYK 0 / 77 / 77 / 24

HEX #C22D2D

RGB 194 45 45

HSL 0, 0.62%, 0.47%

LAB 43.56, 57.81, 37.05

 

CMYK 0 / 34 / 77 / 24

HEX #C2802D

RGB 194 128 45

HSL 33.42, 0.62%, 0.47%

LAB 59.06, 18.54, 52.86

 

CMYK 0 / 13 / 77 / 24

HEX #C2A82D

RGB 194 168 45

HSL 49.53, 0.62%, 0.47%

LAB 69.23, -3.19, 62.48

 

CMYK 8 / 0 / 77 / 24

HEX #B3C22D

RGB 179 194 45

HSL 66.04, 0.62%, 0.47%

LAB 75.05, -22.97, 67.37

 

CMYK 28 / 0 / 77 / 24

HEX #8BC22D

RGB 139 194 45

HSL 82.15, 0.62%, 0.47%

LAB 72.4, -39.06, 63.95

 

CMYK 49 / 0 / 77 / 24

HEX #63C22D

RGB 99 194 45

HSL 98.26, 0.62%, 0.47%

LAB 70.47, -52.75, 61.44

 

CMYK 0 / 34 / 77 / 24

HEX #C2802D

RGB 194 128 45

HSL 33.42, 0.62%, 0.47%

LAB 59.06, 18.54, 52.86

 

CMYK 0 / 39 / 88 / 16

HEX #D5821A

RGB 213 130 26

HSL 33.37, 0.78%, 0.47%

LAB 61.81, 25.04, 62.89

 

CMYK 0 / 43 / 97 / 9

HEX #E88406

RGB 232 132 6

HSL 33.45, 0.95%, 0.47%

LAB 64.7, 31.66, 70.09

 

CMYK 0 / 34 / 77 / 24

HEX #C2802D

RGB 194 128 45

HSL 33.42, 0.62%, 0.47%

LAB 59.06, 18.54, 52.86

 

CMYK 0 / 28 / 63 / 32

HEX #AE7E40

RGB 174 126 64

HSL 33.82, 0.46%, 0.47%

LAB 56.38, 11.94, 40.41

 

CMYK 0 / 21 / 46 / 39

HEX #9B7B54

RGB 155 123 84

HSL 32.96, 0.3%, 0.47%

LAB 53.79, 7.12, 26

 

CMYK 0 / 10 / 24 / 47

HEX #877967

RGB 135 121 103

HSL 33.75, 0.13%, 0.47%

LAB 51.62, 2.32, 11.84

 

CMYK 6 / 3 / 0 / 52

HEX #74777B

RGB 116 119 123

HSL 214.29, 0.03%, 0.47%

LAB 49.9, -0.29, -2.59

 

CMYK 0 / 75 / 77 / 24

HEX #C2302D

RGB 194 48 45

HSL 1.21, 0.62%, 0.47%

LAB 43.91, 56.84, 37.43

 

CMYK 0 / 55 / 77 / 24

HEX #C2572D

RGB 194 87 45

HSL 16.91, 0.62%, 0.47%

LAB 50.07, 40.34, 43.89

 

CMYK 0 / 35 / 77 / 24

HEX #C27F2D

RGB 194 127 45

HSL 33.02, 0.62%, 0.47%

LAB 58.82, 19.09, 52.62

 

CMYK 0 / 14 / 77 / 24

HEX #C2A62D

RGB 194 166 45

HSL 48.72, 0.62%, 0.47%

LAB 68.7, -2.13, 61.99

 

CMYK 7 / 0 / 77 / 24

HEX #B5C22D

RGB 181 194 45

HSL 65.23, 0.62%, 0.47%

LAB 75.2, -22.12, 67.56

 

CMYK 0 / 34 / 77 / 50

HEX #7F541D

RGB 127 84 29

HSL 33.67, 0.63%, 0.31%

LAB 39.48, 12.69, 37.81

 

CMYK 0 / 34 / 77 / 37

HEX #A06A25

RGB 160 106 37

HSL 33.66, 0.62%, 0.39%

LAB 49.39, 15.45, 45.41

 

CMYK 0 / 34 / 77 / 24

HEX #C2802D

RGB 194 128 45

HSL 33.42, 0.62%, 0.47%

LAB 59.06, 18.54, 52.86

 

CMYK 0 / 30 / 67 / 17

HEX #D39445

RGB 211 148 69

HSL 33.38, 0.62%, 0.55%

LAB 66.1, 16.14, 50.01

 

CMYK 0 / 24 / 53 / 14

HEX #DBA766

RGB 219 167 102

HSL 33.33, 0.62%, 0.63%

LAB 72, 11.63, 40.74

 

CMYK 0 / 34 / 76 / 24

HEX #C1802E

RGB 193 128 46

HSL 33.47, 0.62%, 0.47%

LAB 58.95, 18.15, 52.28

 

CMYK 58 / 0 / 77 / 24

HEX #52C22D

RGB 82 194 45

HSL 105.1, 0.62%, 0.47%

LAB 69.87, -57.45, 60.65

 

CMYK 65 / 77 / 0 / 24

HEX #432DC2

RGB 67 45 194

HSL 248.86, 0.62%, 0.47%

LAB 31.73, 51.83, -73.74

 

CMYK 0 / 34 / 76 / 24

HEX #C1802E

RGB 193 128 46

HSL 33.47, 0.62%, 0.47%

LAB 58.95, 18.15, 52.28

 

CMYK 77 / 0 / 35 / 24

HEX #2DC27F

RGB 45 194 127

HSL 153.02, 0.62%, 0.47%

LAB 69.95, -53.53, 23.07

 

CMYK 35 / 77 / 0 / 24

HEX #7F2DC2

RGB 127 45 194

HSL 273.02, 0.62%, 0.47%

LAB 38.35, 60.28, -62.63

 

CMYK 0 / 34 / 76 / 24

HEX #C1802E

RGB 193 128 46

HSL 33.47, 0.62%, 0.47%

LAB 58.95, 18.15, 52.28

 

CMYK 58 / 0 / 77 / 24

HEX #52C22D

RGB 82 194 45

HSL 105.1, 0.62%, 0.47%

LAB 69.87, -57.45, 60.65

 

CMYK 77 / 42 / 0 / 24

HEX #2D70C2

RGB 45 112 194

HSL 213.02, 0.62%, 0.47%

LAB 47.03, 7.89, -48.91

 

CMYK 19 / 77 / 0 / 24

HEX #9D2DC2

RGB 157 45 194

HSL 285.1, 0.62%, 0.47%

LAB 42.67, 65.66, -55.41

 

CMYK 0 / 34 / 76 / 24

HEX #C1802E

RGB 193 128 46

HSL 33.47, 0.62%, 0.47%

LAB 58.95, 18.15, 52.28

 

CMYK 77 / 0 / 73 / 24

HEX #2DC234

RGB 45 194 52

HSL 122.82, 0.62%, 0.47%

LAB 69.03, -64.28, 57.15

 

CMYK 77 / 42 / 0 / 24

HEX #2D70C2

RGB 45 112 194

HSL 213.02, 0.62%, 0.47%

LAB 47.03, 7.89, -48.91

 

CMYK 0 / 77 / 4 / 24

HEX #C22DBA

RGB 194 45 186

HSL 303.22, 0.62%, 0.47%

LAB 48.12, 71.62, -41.69

 

Description

Color code: HEX #C1802E | qconv.com Color code: HEX #C1802E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 128 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 128 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 76 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 76% 24% C M Y K

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Provide designers and agencies with accurate color values.

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