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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C18192 it is the complementary color #3E7E6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C18192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C18192 shade: #C6818D, #D793A0, #E8A5B3, #F9B7C6 and #FFC9D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C18192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C18192 shade: #C18192, #B06F7F, #9F5D6C, #8E4B59 and #7D3946

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C18192 shade: #C08091 and #C08080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C18192 shade: #C08091, #C080A2, #C080B4, #BB80C0 and #AA80C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C18192 shade matches the following richer shades: #C08091, #CF718A, #DF6283, #EE527C and #FD4374

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C18192 shade: #C08091, #B18F98, #A29F9F, #92AEA7 and #83BDAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C18192 shade: #C080B3, #C080A2, #C08091, #C08080 and #C09180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C18192 shade: #9F4E64, #B36479, #C08091, #CE9CA9 and #DBB7C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C18192 shade: #C18192, #C0BC80 and #80ABC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C18192 shade: #C18192, #91C080 and #8091C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C18192 shade: #C18192, #C0BC80, #80C0AF and #8084C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C18192 shade: #C18192, #B1C080, #80C0AF and #8F80C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 24 / 24

HEX #C18192

RGB 193 129 146

HSL 344.06, 0.34%, 0.63%

LAB 60.88, 27.1, 1.03

 

Complementary color

CMYK 51 / 0 / 13 / 51

HEX #3E7E6D

RGB 62 126 109

HSL 164.06, 0.34%, 0.37%

LAB 48.32, -24.98, 2.96

 

CMYK 0 / 35 / 29 / 22

HEX #C6818D

RGB 198 129 141

HSL 349.57, 0.38%, 0.64%

LAB 61.33, 28.25, 4.62

 

CMYK 0 / 32 / 26 / 16

HEX #D793A0

RGB 215 147 160

HSL 348.53, 0.46%, 0.71%

LAB 67.91, 27.44, 3.61

 

CMYK 0 / 29 / 23 / 9

HEX #E8A5B3

RGB 232 165 179

HSL 347.46, 0.59%, 0.78%

LAB 74.39, 26.7, 2.7

 

CMYK 0 / 27 / 20 / 2

HEX #F9B7C6

RGB 249 183 198

HSL 346.36, 0.85%, 0.85%

LAB 80.79, 26.02, 1.86

 

CMYK 0 / 21 / 15 / 0

HEX #FFC9D9

RGB 255 201 217

HSL 342.22, 1%, 0.89%

LAB 86.03, 21.54, -0.6

 

CMYK 0 / 33 / 24 / 24

HEX #C18192

RGB 193 129 146

HSL 344.06, 0.34%, 0.63%

LAB 60.88, 27.1, 1.03

 

CMYK 0 / 37 / 28 / 31

HEX #B06F7F

RGB 176 111 127

HSL 345.23, 0.29%, 0.56%

LAB 54.17, 27.94, 2.03

 

CMYK 0 / 42 / 32 / 38

HEX #9F5D6C

RGB 159 93 108

HSL 346.36, 0.26%, 0.49%

LAB 47.34, 28.85, 3.17

 

CMYK 0 / 47 / 37 / 44

HEX #8E4B59

RGB 142 75 89

HSL 347.46, 0.31%, 0.43%

LAB 40.42, 29.84, 4.53

 

CMYK 0 / 54 / 44 / 51

HEX #7D3946

RGB 125 57 70

HSL 348.53, 0.37%, 0.36%

LAB 33.41, 30.88, 6.21

 

CMYK 0 / 33 / 24 / 25

HEX #C08091

RGB 192 128 145

HSL 344.06, 0.34%, 0.63%

LAB 60.51, 27.13, 1.04

 

CMYK 0 / 33 / 33 / 25

HEX #C08080

RGB 192 128 128

HSL 0, 0.34%, 0.63%

LAB 60.07, 24.78, 10.16

 

CMYK 0 / 33 / 24 / 25

HEX #C08091

RGB 192 128 145

HSL 344.06, 0.34%, 0.63%

LAB 60.51, 27.13, 1.04

 

CMYK 0 / 33 / 16 / 25

HEX #C080A2

RGB 192 128 162

HSL 328.13, 0.34%, 0.63%

LAB 61, 29.78, -7.96

 

CMYK 0 / 33 / 6 / 25

HEX #C080B4

RGB 192 128 180

HSL 311.25, 0.34%, 0.63%

LAB 61.6, 32.86, -17.32

 

CMYK 3 / 33 / 0 / 25

HEX #BB80C0

RGB 187 128 192

HSL 295.31, 0.34%, 0.63%

LAB 61.49, 33.45, -24.35

 

CMYK 11 / 33 / 0 / 25

HEX #AA80C0

RGB 170 128 192

HSL 279.38, 0.34%, 0.63%

LAB 59.7, 27.99, -27.26

 

CMYK 0 / 33 / 24 / 25

HEX #C08091

RGB 192 128 145

HSL 344.06, 0.34%, 0.63%

LAB 60.51, 27.13, 1.04

 

CMYK 0 / 45 / 33 / 19

HEX #CF718A

RGB 207 113 138

HSL 344.04, 0.49%, 0.63%

LAB 58.89, 39.71, 2.96

 

CMYK 0 / 56 / 41 / 13

HEX #DF6283

RGB 223 98 131

HSL 344.16, 0.66%, 0.63%

LAB 58.1, 51.84, 6.18

 

CMYK 0 / 66 / 48 / 7

HEX #EE527C

RGB 238 82 124

HSL 343.85, 0.82%, 0.63%

LAB 57.72, 62.82, 10.08

 

CMYK 0 / 74 / 54 / 1

HEX #FD4374

RGB 253 67 116

HSL 344.19, 0.98%, 0.63%

LAB 58.19, 71.85, 15.82

 

CMYK 0 / 33 / 24 / 25

HEX #C08091

RGB 192 128 145

HSL 344.06, 0.34%, 0.63%

LAB 60.51, 27.13, 1.04

 

CMYK 0 / 19 / 14 / 31

HEX #B18F98

RGB 177 143 152

HSL 344.12, 0.18%, 0.63%

LAB 62.73, 14.28, 0.09

 

CMYK 0 / 2 / 2 / 36

HEX #A29F9F

RGB 162 159 159

HSL 0, 0.02%, 0.63%

LAB 65.73, 1.09, 0.38

 

CMYK 16 / 0 / 4 / 32

HEX #92AEA7

RGB 146 174 167

HSL 165, 0.15%, 0.63%

LAB 68.88, -11.03, 0.37

 

CMYK 31 / 0 / 8 / 26

HEX #83BDAE

RGB 131 189 174

HSL 164.48, 0.31%, 0.63%

LAB 72.41, -22.03, 1.57

 

CMYK 0 / 33 / 7 / 25

HEX #C080B3

RGB 192 128 179

HSL 312.19, 0.34%, 0.63%

LAB 61.57, 32.68, -16.81

 

CMYK 0 / 33 / 16 / 25

HEX #C080A2

RGB 192 128 162

HSL 328.13, 0.34%, 0.63%

LAB 61, 29.78, -7.96

 

CMYK 0 / 33 / 24 / 25

HEX #C08091

RGB 192 128 145

HSL 344.06, 0.34%, 0.63%

LAB 60.51, 27.13, 1.04

 

CMYK 0 / 33 / 33 / 25

HEX #C08080

RGB 192 128 128

HSL 0, 0.34%, 0.63%

LAB 60.07, 24.78, 10.16

 

CMYK 0 / 24 / 33 / 25

HEX #C09180

RGB 192 145 128

HSL 15.94, 0.34%, 0.63%

LAB 64.17, 15.38, 15.91

 

CMYK 0 / 51 / 37 / 38

HEX #9F4E64

RGB 159 78 100

HSL 343.7, 0.34%, 0.46%

LAB 43.86, 35.99, 3.01

 

CMYK 0 / 44 / 32 / 30

HEX #B36479

RGB 179 100 121

HSL 344.05, 0.34%, 0.55%

LAB 51.93, 34.26, 2.37

 

CMYK 0 / 33 / 24 / 25

HEX #C08091

RGB 192 128 145

HSL 344.06, 0.34%, 0.63%

LAB 60.51, 27.13, 1.04

 

CMYK 0 / 24 / 18 / 19

HEX #CE9CA9

RGB 206 156 169

HSL 344.4, 0.34%, 0.71%

LAB 69.3, 20.58, 0.49

 

CMYK 0 / 16 / 12 / 14

HEX #DBB7C1

RGB 219 183 193

HSL 343.33, 0.33%, 0.79%

LAB 77.74, 14.53, -0.22

 

CMYK 0 / 33 / 24 / 24

HEX #C18192

RGB 193 129 146

HSL 344.06, 0.34%, 0.63%

LAB 60.88, 27.1, 1.03

 

CMYK 0 / 2 / 33 / 25

HEX #C0BC80

RGB 192 188 128

HSL 56.25, 0.34%, 0.63%

LAB 75.28, -7.8, 30.92

 

CMYK 33 / 11 / 0 / 25

HEX #80ABC0

RGB 128 171 192

HSL 199.69, 0.34%, 0.63%

LAB 67.67, -9.28, -15.39

 

CMYK 0 / 33 / 24 / 24

HEX #C18192

RGB 193 129 146

HSL 344.06, 0.34%, 0.63%

LAB 60.88, 27.1, 1.03

 

CMYK 24 / 0 / 33 / 25

HEX #91C080

RGB 145 192 128

HSL 104.06, 0.34%, 0.63%

LAB 73.07, -27.54, 27.39

 

CMYK 33 / 24 / 0 / 25

HEX #8091C0

RGB 128 145 192

HSL 224.06, 0.34%, 0.63%

LAB 60.47, 5.22, -26.37

 

CMYK 0 / 33 / 24 / 24

HEX #C18192

RGB 193 129 146

HSL 344.06, 0.34%, 0.63%

LAB 60.88, 27.1, 1.03

 

CMYK 0 / 2 / 33 / 25

HEX #C0BC80

RGB 192 188 128

HSL 56.25, 0.34%, 0.63%

LAB 75.28, -7.8, 30.92

 

CMYK 33 / 0 / 9 / 25

HEX #80C0AF

RGB 128 192 175

HSL 164.06, 0.34%, 0.63%

LAB 73.14, -24.19, 2.07

 

CMYK 33 / 31 / 0 / 25

HEX #8084C0

RGB 128 132 192

HSL 236.25, 0.34%, 0.63%

LAB 56.98, 12.78, -31.77

 

CMYK 0 / 33 / 24 / 24

HEX #C18192

RGB 193 129 146

HSL 344.06, 0.34%, 0.63%

LAB 60.88, 27.1, 1.03

 

CMYK 8 / 0 / 33 / 25

HEX #B1C080

RGB 177 192 128

HSL 74.06, 0.34%, 0.63%

LAB 75.2, -15.71, 30.6

 

CMYK 33 / 0 / 9 / 25

HEX #80C0AF

RGB 128 192 175

HSL 164.06, 0.34%, 0.63%

LAB 73.14, -24.19, 2.07

 

CMYK 26 / 33 / 0 / 25

HEX #8F80C0

RGB 143 128 192

HSL 254.06, 0.34%, 0.63%

LAB 57.16, 19.57, -31.4

 

Description

Color code: HEX #C18192 | qconv.com Color code: HEX #C18192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 129 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 129 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 24 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 24% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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