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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C18199 it is the complementary color #3E7E66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C18199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C18199 shade: #C68194, #D793A7, #E8A5BA, #F9B7CD and #FFC9E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C18199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C18199 shade: #C18199, #B06F86, #9F5D73, #8E4B60 and #7D394D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C18199 shade: #C08098, #C08087 and #C08080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C18199 shade: #C08098, #C080A9, #C080BB, #B480C0 and #A380C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C18199 shade matches the following richer shades: #C08098, #CF7194, #DF6290, #EE528D and #FD4389

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C18199 shade: #C08098, #B18F9C, #A29FA0, #92AEA4 and #83BDA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C18199 shade: #C080BB, #C080AA, #C08099, #C08088 and #C08A80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C18199 shade: #9F4E6D, #B36482, #C08098, #CE9CAF and #DBB7C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C18199 shade: #C18199, #C0B480 and #80B2C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C18199 shade: #C18199, #99C080 and #8099C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C18199 shade: #C18199, #C0B480, #80C0A8 and #808CC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C18199 shade: #C18199, #B9C080, #80C0A8 and #8880C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 21 / 24

HEX #C18199

RGB 193 129 153

HSL 337.5, 0.34%, 0.63%

LAB 61.08, 28.16, -2.69

 

Complementary color

CMYK 51 / 0 / 19 / 51

HEX #3E7E66

RGB 62 126 102

HSL 157.5, 0.34%, 0.37%

LAB 48.14, -26.71, 6.82

 

CMYK 0 / 35 / 25 / 22

HEX #C68194

RGB 198 129 148

HSL 343.48, 0.38%, 0.64%

LAB 61.52, 29.24, 0.88

 

CMYK 0 / 32 / 22 / 16

HEX #D793A7

RGB 215 147 167

HSL 342.35, 0.46%, 0.71%

LAB 68.1, 28.45, -0.04

 

CMYK 0 / 29 / 20 / 9

HEX #E8A5BA

RGB 232 165 186

HSL 341.19, 0.59%, 0.78%

LAB 74.58, 27.73, -0.87

 

CMYK 0 / 27 / 18 / 2

HEX #F9B7CD

RGB 249 183 205

HSL 340, 0.85%, 0.85%

LAB 80.97, 27.06, -1.65

 

CMYK 0 / 21 / 12 / 0

HEX #FFC9E0

RGB 255 201 224

HSL 334.44, 1%, 0.89%

LAB 86.21, 22.65, -4.05

 

CMYK 0 / 33 / 21 / 24

HEX #C18199

RGB 193 129 153

HSL 337.5, 0.34%, 0.63%

LAB 61.08, 28.16, -2.69

 

CMYK 0 / 37 / 24 / 31

HEX #B06F86

RGB 176 111 134

HSL 338.77, 0.29%, 0.56%

LAB 54.37, 28.97, -1.79

 

CMYK 0 / 42 / 28 / 38

HEX #9F5D73

RGB 159 93 115

HSL 340, 0.26%, 0.49%

LAB 47.54, 29.84, -0.75

 

CMYK 0 / 47 / 32 / 44

HEX #8E4B60

RGB 142 75 96

HSL 341.19, 0.31%, 0.43%

LAB 40.62, 30.78, 0.47

 

CMYK 0 / 54 / 38 / 51

HEX #7D394D

RGB 125 57 77

HSL 342.35, 0.37%, 0.36%

LAB 33.61, 31.73, 1.99

 

CMYK 0 / 33 / 21 / 25

HEX #C08098

RGB 192 128 152

HSL 337.5, 0.34%, 0.63%

LAB 60.7, 28.19, -2.68

 

CMYK 0 / 33 / 30 / 25

HEX #C08087

RGB 192 128 135

HSL 353.44, 0.34%, 0.63%

LAB 60.24, 25.71, 6.4

 

CMYK 0 / 33 / 33 / 25

HEX #C08080

RGB 192 128 128

HSL 0, 0.34%, 0.63%

LAB 60.07, 24.78, 10.16

 

CMYK 0 / 33 / 21 / 25

HEX #C08098

RGB 192 128 152

HSL 337.5, 0.34%, 0.63%

LAB 60.7, 28.19, -2.68

 

CMYK 0 / 33 / 12 / 25

HEX #C080A9

RGB 192 128 169

HSL 321.56, 0.34%, 0.63%

LAB 61.23, 30.94, -11.62

 

CMYK 0 / 33 / 3 / 25

HEX #C080BB

RGB 192 128 187

HSL 304.69, 0.34%, 0.63%

LAB 61.85, 34.14, -20.91

 

CMYK 6 / 33 / 0 / 25

HEX #B480C0

RGB 180 128 192

HSL 288.75, 0.34%, 0.63%

LAB 60.74, 31.2, -25.57

 

CMYK 15 / 33 / 0 / 25

HEX #A380C0

RGB 163 128 192

HSL 272.81, 0.34%, 0.63%

LAB 59, 25.77, -28.39

 

CMYK 0 / 33 / 21 / 25

HEX #C08098

RGB 192 128 152

HSL 337.5, 0.34%, 0.63%

LAB 60.7, 28.19, -2.68

 

CMYK 0 / 45 / 29 / 19

HEX #CF7194

RGB 207 113 148

HSL 337.66, 0.49%, 0.63%

LAB 59.17, 41.01, -2.42

 

CMYK 0 / 56 / 35 / 13

HEX #DF6290

RGB 223 98 144

HSL 337.92, 0.66%, 0.63%

LAB 58.45, 53.27, -0.89

 

CMYK 0 / 66 / 41 / 7

HEX #EE528D

RGB 238 82 141

HSL 337.31, 0.82%, 0.63%

LAB 58.16, 64.41, 0.73

 

CMYK 0 / 74 / 46 / 1

HEX #FD4389

RGB 253 67 137

HSL 337.42, 0.98%, 0.63%

LAB 58.7, 73.5, 4.17

 

CMYK 0 / 33 / 21 / 25

HEX #C08098

RGB 192 128 152

HSL 337.5, 0.34%, 0.63%

LAB 60.7, 28.19, -2.68

 

CMYK 0 / 19 / 12 / 31

HEX #B18F9C

RGB 177 143 156

HSL 337.06, 0.18%, 0.63%

LAB 62.84, 14.96, -2.01

 

CMYK 0 / 2 / 1 / 36

HEX #A29FA0

RGB 162 159 160

HSL 340, 0.02%, 0.63%

LAB 65.76, 1.27, -0.14

 

CMYK 16 / 0 / 6 / 32

HEX #92AEA4

RGB 146 174 164

HSL 158.57, 0.15%, 0.63%

LAB 68.8, -11.65, 1.91

 

CMYK 31 / 0 / 12 / 26

HEX #83BDA7

RGB 131 189 167

HSL 157.24, 0.31%, 0.63%

LAB 72.24, -23.55, 5.13

 

CMYK 0 / 33 / 3 / 25

HEX #C080BB

RGB 192 128 187

HSL 304.69, 0.34%, 0.63%

LAB 61.85, 34.14, -20.91

 

CMYK 0 / 33 / 11 / 25

HEX #C080AA

RGB 192 128 170

HSL 320.63, 0.34%, 0.63%

LAB 61.26, 31.11, -12.15

 

CMYK 0 / 33 / 20 / 25

HEX #C08099

RGB 192 128 153

HSL 336.56, 0.34%, 0.63%

LAB 60.73, 28.34, -3.21

 

CMYK 0 / 33 / 29 / 25

HEX #C08088

RGB 192 128 136

HSL 352.5, 0.34%, 0.63%

LAB 60.27, 25.85, 5.86

 

CMYK 0 / 28 / 33 / 25

HEX #C08A80

RGB 192 138 128

HSL 9.37, 0.34%, 0.63%

LAB 62.46, 19.25, 13.52

 

CMYK 0 / 51 / 31 / 38

HEX #9F4E6D

RGB 159 78 109

HSL 337.04, 0.34%, 0.46%

LAB 44.12, 37.16, -2.13

 

CMYK 0 / 44 / 27 / 30

HEX #B36482

RGB 179 100 130

HSL 337.22, 0.34%, 0.55%

LAB 52.19, 35.5, -2.59

 

CMYK 0 / 33 / 21 / 25

HEX #C08098

RGB 192 128 152

HSL 337.5, 0.34%, 0.63%

LAB 60.7, 28.19, -2.68

 

CMYK 0 / 24 / 15 / 19

HEX #CE9CAF

RGB 206 156 175

HSL 337.2, 0.34%, 0.71%

LAB 69.47, 21.54, -2.61

 

CMYK 0 / 16 / 10 / 14

HEX #DBB7C5

RGB 219 183 197

HSL 336.67, 0.33%, 0.79%

LAB 77.85, 15.2, -2.23

 

CMYK 0 / 33 / 21 / 24

HEX #C18199

RGB 193 129 153

HSL 337.5, 0.34%, 0.63%

LAB 61.08, 28.16, -2.69

 

CMYK 0 / 6 / 33 / 25

HEX #C0B480

RGB 192 180 128

HSL 48.75, 0.34%, 0.63%

LAB 73.16, -3.6, 28.11

 

CMYK 33 / 7 / 0 / 25

HEX #80B2C0

RGB 128 178 192

HSL 193.13, 0.34%, 0.63%

LAB 69.64, -13.02, -12.42

 

CMYK 0 / 33 / 21 / 24

HEX #C18199

RGB 193 129 153

HSL 337.5, 0.34%, 0.63%

LAB 61.08, 28.16, -2.69

 

CMYK 20 / 0 / 33 / 25

HEX #99C080

RGB 153 192 128

HSL 96.56, 0.34%, 0.63%

LAB 73.57, -24.69, 28.13

 

CMYK 33 / 20 / 0 / 25

HEX #8099C0

RGB 128 153 192

HSL 216.56, 0.34%, 0.63%

LAB 62.66, 0.66, -23

 

CMYK 0 / 33 / 21 / 24

HEX #C18199

RGB 193 129 153

HSL 337.5, 0.34%, 0.63%

LAB 61.08, 28.16, -2.69

 

CMYK 0 / 6 / 33 / 25

HEX #C0B480

RGB 192 180 128

HSL 48.75, 0.34%, 0.63%

LAB 73.16, -3.6, 28.11

 

CMYK 33 / 0 / 13 / 25

HEX #80C0A8

RGB 128 192 168

HSL 157.5, 0.34%, 0.63%

LAB 72.97, -25.72, 5.62

 

CMYK 33 / 27 / 0 / 25

HEX #808CC0

RGB 128 140 192

HSL 228.75, 0.34%, 0.63%

LAB 59.11, 8.11, -28.46

 

CMYK 0 / 33 / 21 / 24

HEX #C18199

RGB 193 129 153

HSL 337.5, 0.34%, 0.63%

LAB 61.08, 28.16, -2.69

 

CMYK 4 / 0 / 33 / 25

HEX #B9C080

RGB 185 192 128

HSL 66.56, 0.34%, 0.63%

LAB 75.81, -12.61, 31.5

 

CMYK 33 / 0 / 13 / 25

HEX #80C0A8

RGB 128 192 168

HSL 157.5, 0.34%, 0.63%

LAB 72.97, -25.72, 5.62

 

CMYK 29 / 33 / 0 / 25

HEX #8880C0

RGB 136 128 192

HSL 247.5, 0.34%, 0.63%

LAB 56.56, 17.47, -32.37

 

Description

Color code: HEX #C18199 | qconv.com Color code: HEX #C18199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 129 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 129 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 21 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 21% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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