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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C18A94 it is the complementary color #3E756B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C18A94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C18A94 shade: #C68A8F, #D79CA2, #E8AEB5, #F9C0C8 and #FFD2DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C18A94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C18A94 shade: #C18A94, #B07881, #9F666E, #8E545B and #7D4248

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C18A94 shade: #C18A94 and #C18A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C18A94 shade: #C18A94, #C18AA3, #C18AB1, #C18AC0 and #B38AC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C18A94 shade matches the following richer shades: #C18A94, #CF7B8A, #DE6D81, #EC5E78 and #FB506F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C18A94 shade: #C18A94, #B2989D, #A4A6A6, #96B5AF and #87C3B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C18A94 shade: #C18AB1, #C18AA2, #C18A94, #C18E8A and #C19D8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C18A94 shade: #A35563, #B36F7B, #C18A94, #CFA5AC and #DDC0C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C18A94 shade: #C18A94, #C0C18A and #8AAAC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C18A94 shade: #C18A94, #94C18A and #8A94C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C18A94 shade: #C18A94, #C0C18A, #8AC1B7 and #8B8AC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C18A94 shade: #C18A94, #AFC18A, #8AC1B7 and #9B8AC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 23 / 24

HEX #C18A94

RGB 193 138 148

HSL 349.09, 0.31%, 0.65%

LAB 63.05, 22.43, 3.04

 

Complementary color

CMYK 47 / 0 / 9 / 54

HEX #3E756B

RGB 62 117 107

HSL 169.09, 0.31%, 0.35%

LAB 45.37, -20.85, -0.14

 

CMYK 0 / 30 / 28 / 22

HEX #C68A8F

RGB 198 138 143

HSL 355, 0.34%, 0.66%

LAB 63.48, 23.6, 6.56

 

CMYK 0 / 27 / 25 / 16

HEX #D79CA2

RGB 215 156 162

HSL 353.9, 0.42%, 0.73%

LAB 70.06, 22.85, 5.6

 

CMYK 0 / 25 / 22 / 9

HEX #E8AEB5

RGB 232 174 181

HSL 352.76, 0.56%, 0.8%

LAB 76.54, 22.18, 4.71

 

CMYK 0 / 23 / 20 / 2

HEX #F9C0C8

RGB 249 192 200

HSL 351.58, 0.83%, 0.86%

LAB 82.92, 21.57, 3.88

 

CMYK 0 / 18 / 14 / 0

HEX #FFD2DB

RGB 255 210 219

HSL 348, 1%, 0.91%

LAB 88.19, 17.15, 1.5

 

CMYK 0 / 28 / 23 / 24

HEX #C18A94

RGB 193 138 148

HSL 349.09, 0.31%, 0.65%

LAB 63.05, 22.43, 3.04

 

CMYK 0 / 32 / 27 / 31

HEX #B07881

RGB 176 120 129

HSL 350.36, 0.26%, 0.58%

LAB 56.34, 23.2, 4

 

CMYK 0 / 36 / 31 / 38

HEX #9F666E

RGB 159 102 110

HSL 351.58, 0.23%, 0.51%

LAB 49.5, 24.05, 5.07

 

CMYK 0 / 41 / 36 / 44

HEX #8E545B

RGB 142 84 91

HSL 352.76, 0.26%, 0.44%

LAB 42.53, 25.01, 6.32

 

CMYK 0 / 47 / 42 / 51

HEX #7D4248

RGB 125 66 72

HSL 353.9, 0.31%, 0.37%

LAB 35.45, 26.08, 7.81

 

CMYK 0 / 28 / 23 / 24

HEX #C18A94

RGB 193 138 148

HSL 349.09, 0.31%, 0.65%

LAB 63.05, 22.43, 3.04

 

CMYK 0 / 28 / 28 / 24

HEX #C18A8A

RGB 193 138 138

HSL 0, 0.31%, 0.65%

LAB 62.8, 20.99, 8.36

 

CMYK 0 / 28 / 23 / 24

HEX #C18A94

RGB 193 138 148

HSL 349.09, 0.31%, 0.65%

LAB 63.05, 22.43, 3.04

 

CMYK 0 / 28 / 16 / 24

HEX #C18AA3

RGB 193 138 163

HSL 332.73, 0.31%, 0.65%

LAB 63.47, 24.78, -4.86

 

CMYK 0 / 28 / 8 / 24

HEX #C18AB1

RGB 193 138 177

HSL 317.45, 0.31%, 0.65%

LAB 63.91, 27.17, -12.13

 

CMYK 0 / 28 / 1 / 24

HEX #C18AC0

RGB 193 138 192

HSL 301.09, 0.31%, 0.65%

LAB 64.42, 29.91, -19.81

 

CMYK 7 / 28 / 0 / 24

HEX #B38AC1

RGB 179 138 193

HSL 284.73, 0.31%, 0.65%

LAB 63.02, 25.48, -22.64

 

CMYK 0 / 28 / 23 / 24

HEX #C18A94

RGB 193 138 148

HSL 349.09, 0.31%, 0.65%

LAB 63.05, 22.43, 3.04

 

CMYK 0 / 41 / 33 / 19

HEX #CF7B8A

RGB 207 123 138

HSL 349.29, 0.47%, 0.65%

LAB 61.02, 34.44, 6.02

 

CMYK 0 / 51 / 42 / 13

HEX #DE6D81

RGB 222 109 129

HSL 349.38, 0.63%, 0.65%

LAB 59.94, 45.99, 9.95

 

CMYK 0 / 60 / 49 / 7

HEX #EC5E78

RGB 236 94 120

HSL 349.01, 0.79%, 0.65%

LAB 59.15, 56.85, 14.38

 

CMYK 0 / 68 / 56 / 2

HEX #FB506F

RGB 251 80 111

HSL 349.12, 0.96%, 0.65%

LAB 59.34, 66.47, 20.27

 

CMYK 0 / 28 / 23 / 24

HEX #C18A94

RGB 193 138 148

HSL 349.09, 0.31%, 0.65%

LAB 63.05, 22.43, 3.04

 

CMYK 0 / 15 / 12 / 30

HEX #B2989D

RGB 178 152 157

HSL 348.46, 0.14%, 0.65%

LAB 65.24, 10.48, 0.95

 

CMYK 1 / 0 / 0 / 35

HEX #A4A6A6

RGB 164 166 166

HSL 180, 0.01%, 0.65%

LAB 67.96, -0.71, -0.26

 

CMYK 17 / 0 / 3 / 29

HEX #96B5AF

RGB 150 181 175

HSL 168.39, 0.17%, 0.65%

LAB 71.3, -11.74, -0.46

 

CMYK 31 / 0 / 6 / 24

HEX #87C3B8

RGB 135 195 184

HSL 169, 0.33%, 0.65%

LAB 74.6, -21.66, -0.66

 

CMYK 0 / 28 / 8 / 24

HEX #C18AB1

RGB 193 138 177

HSL 317.45, 0.31%, 0.65%

LAB 63.91, 27.17, -12.13

 

CMYK 0 / 28 / 16 / 24

HEX #C18AA2

RGB 193 138 162

HSL 333.82, 0.31%, 0.65%

LAB 63.44, 24.62, -4.33

 

CMYK 0 / 28 / 23 / 24

HEX #C18A94

RGB 193 138 148

HSL 349.09, 0.31%, 0.65%

LAB 63.05, 22.43, 3.04

 

CMYK 0 / 26 / 28 / 24

HEX #C18E8A

RGB 193 142 138

HSL 4.36, 0.31%, 0.65%

LAB 63.77, 18.78, 9.73

 

CMYK 0 / 19 / 28 / 24

HEX #C19D8A

RGB 193 157 138

HSL 20.73, 0.31%, 0.65%

LAB 67.49, 10.51, 14.97

 

CMYK 0 / 48 / 39 / 36

HEX #A35563

RGB 163 85 99

HSL 349.23, 0.31%, 0.49%

LAB 45.89, 33.61, 6.6

 

CMYK 0 / 38 / 31 / 30

HEX #B36F7B

RGB 179 111 123

HSL 349.41, 0.31%, 0.57%

LAB 54.43, 28.52, 4.8

 

CMYK 0 / 28 / 23 / 24

HEX #C18A94

RGB 193 138 148

HSL 349.09, 0.31%, 0.65%

LAB 63.05, 22.43, 3.04

 

CMYK 0 / 20 / 17 / 19

HEX #CFA5AC

RGB 207 165 172

HSL 350, 0.3%, 0.73%

LAB 71.66, 16.51, 2.27

 

CMYK 0 / 13 / 11 / 13

HEX #DDC0C5

RGB 221 192 197

HSL 349.66, 0.3%, 0.81%

LAB 80.24, 11.09, 1.28

 

CMYK 0 / 28 / 23 / 24

HEX #C18A94

RGB 193 138 148

HSL 349.09, 0.31%, 0.65%

LAB 63.05, 22.43, 3.04

 

CMYK 1 / 0 / 28 / 24

HEX #C0C18A

RGB 192 193 138

HSL 61.09, 0.31%, 0.65%

LAB 76.79, -9.11, 27.66

 

CMYK 28 / 12 / 0 / 24

HEX #8AAAC1

RGB 138 170 193

HSL 205.09, 0.31%, 0.65%

LAB 68.02, -5.56, -15.35

 

CMYK 0 / 28 / 23 / 24

HEX #C18A94

RGB 193 138 148

HSL 349.09, 0.31%, 0.65%

LAB 63.05, 22.43, 3.04

 

CMYK 23 / 0 / 28 / 24

HEX #94C18A

RGB 148 193 138

HSL 109.09, 0.31%, 0.65%

LAB 73.72, -25.4, 23

 

CMYK 28 / 23 / 0 / 24

HEX #8A94C1

RGB 138 148 193

HSL 229.09, 0.31%, 0.65%

LAB 62.03, 6.73, -24.47

 

CMYK 0 / 28 / 23 / 24

HEX #C18A94

RGB 193 138 148

HSL 349.09, 0.31%, 0.65%

LAB 63.05, 22.43, 3.04

 

CMYK 1 / 0 / 28 / 24

HEX #C0C18A

RGB 192 193 138

HSL 61.09, 0.31%, 0.65%

LAB 76.79, -9.11, 27.66

 

CMYK 28 / 0 / 5 / 24

HEX #8AC1B7

RGB 138 193 183

HSL 169.09, 0.31%, 0.65%

LAB 74.17, -19.98, -0.73

 

CMYK 28 / 28 / 0 / 24

HEX #8B8AC1

RGB 139 138 193

HSL 241.09, 0.31%, 0.65%

LAB 59.45, 12.79, -28.44

 

CMYK 0 / 28 / 23 / 24

HEX #C18A94

RGB 193 138 148

HSL 349.09, 0.31%, 0.65%

LAB 63.05, 22.43, 3.04

 

CMYK 9 / 0 / 28 / 24

HEX #AFC18A

RGB 175 193 138

HSL 79.64, 0.31%, 0.65%

LAB 75.51, -15.6, 25.72

 

CMYK 28 / 0 / 5 / 24

HEX #8AC1B7

RGB 138 193 183

HSL 169.09, 0.31%, 0.65%

LAB 74.17, -19.98, -0.73

 

CMYK 20 / 28 / 0 / 24

HEX #9B8AC1

RGB 155 138 193

HSL 258.55, 0.31%, 0.65%

LAB 60.78, 17.73, -26.28

 

Description

Color code: HEX #C18A94 | qconv.com Color code: HEX #C18A94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 138 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 138 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 23 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 23% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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