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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C18B1E it is the complementary color #3E74E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C18B1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C18B1E shade: #C68B19, #D79D2C, #E8AF3F, #F9C152 and #FFD365

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C18B1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C18B1E shade: #C18B1E, #B0790B, #9F6700, #8E5500 and #7D4300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C18B1E shade: #C28B1E, #C25F1E, #C2331E and #C21E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C18B1E shade: #C28B1E, #C2B81E, #A0C21E, #73C21E and #47C21E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C18B1E shade matches the following richer shades: #C28B1E and #D4910C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C18B1E shade: #C28B1E, #AF8530, #9D7F42, #8B7954 and #797366

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C18B1E shade: #C2341E, #C25F1E, #C28B1E, #C2B71E and #A1C21E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C18B1E shade: #7A5813, #9E7218, #C28B1E, #DEA22B and #E3B24F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C18B1E shade: #C18B1E, #34C21E and #491EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C18B1E shade: #C18B1E, #1EC28B and #8B1EC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C18B1E shade: #C18B1E, #34C21E, #1E54C2 and #AC1EC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C18B1E shade: #C18B1E, #1EC239, #1E54C2 and #C21EA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 84 / 24

HEX #C18B1E

RGB 193 139 30

HSL 40.12, 0.73%, 0.44%

LAB 61.56, 11.53, 60.52

 

Complementary color

CMYK 72 / 48 / 0 / 12

HEX #3E74E1

RGB 62 116 225

HSL 220.12, 0.73%, 0.56%

LAB 50.63, 18.97, -60.76

 

CMYK 0 / 30 / 87 / 22

HEX #C68B19

RGB 198 139 25

HSL 39.54, 0.78%, 0.44%

LAB 62.12, 13.62, 62.63

 

CMYK 0 / 27 / 80 / 16

HEX #D79D2C

RGB 215 157 44

HSL 39.65, 0.68%, 0.51%

LAB 68.56, 11.86, 63.01

 

CMYK 0 / 25 / 73 / 9

HEX #E8AF3F

RGB 232 175 63

HSL 39.76, 0.79%, 0.58%

LAB 74.93, 10.33, 62.54

 

CMYK 0 / 22 / 67 / 2

HEX #F9C152

RGB 249 193 82

HSL 39.88, 0.93%, 0.65%

LAB 81.23, 9.01, 61.65

 

CMYK 0 / 17 / 60 / 0

HEX #FFD365

RGB 255 211 101

HSL 42.86, 1%, 0.7%

LAB 86.4, 3.35, 59.08

 

CMYK 0 / 28 / 84 / 24

HEX #C18B1E

RGB 193 139 30

HSL 40.12, 0.73%, 0.44%

LAB 61.56, 11.53, 60.52

 

CMYK 0 / 31 / 94 / 31

HEX #B0790B

RGB 176 121 11

HSL 40, 0.88%, 0.37%

LAB 55, 13.48, 59.22

 

CMYK 0 / 35 / 100 / 38

HEX #9F6700

RGB 159 103 0

HSL 38.87, 1%, 0.31%

LAB 48.35, 15.74, 55.77

 

CMYK 0 / 40 / 100 / 44

HEX #8E5500

RGB 142 85 0

HSL 35.92, 1%, 0.28%

LAB 41.61, 18.27, 50.29

 

CMYK 0 / 46 / 100 / 51

HEX #7D4300

RGB 125 67 0

HSL 32.16, 1%, 0.25%

LAB 34.75, 20.89, 44.73

 

CMYK 0 / 28 / 85 / 24

HEX #C28B1E

RGB 194 139 30

HSL 39.88, 0.73%, 0.44%

LAB 61.68, 11.98, 60.66

 

CMYK 0 / 51 / 85 / 24

HEX #C25F1E

RGB 194 95 30

HSL 23.78, 0.73%, 0.44%

LAB 51.55, 35.78, 52.04

 

CMYK 0 / 74 / 85 / 24

HEX #C2331E

RGB 194 51 30

HSL 7.68, 0.73%, 0.44%

LAB 44.13, 55.36, 45.57

 

CMYK 0 / 85 / 85 / 24

HEX #C21E1E

RGB 194 30 30

HSL 0, 0.73%, 0.44%

LAB 41.99, 61.39, 43.67

 

CMYK 0 / 28 / 85 / 24

HEX #C28B1E

RGB 194 139 30

HSL 39.88, 0.73%, 0.44%

LAB 61.68, 11.98, 60.66

 

CMYK 0 / 5 / 85 / 24

HEX #C2B81E

RGB 194 184 30

HSL 56.34, 0.73%, 0.44%

LAB 73.44, -12.02, 70.49

 

CMYK 18 / 0 / 85 / 24

HEX #A0C21E

RGB 160 194 30

HSL 72.44, 0.73%, 0.44%

LAB 73.64, -31.38, 69.61

 

CMYK 41 / 0 / 85 / 24

HEX #73C21E

RGB 115 194 30

HSL 88.9, 0.73%, 0.44%

LAB 71.09, -48.36, 66.41

 

CMYK 63 / 0 / 85 / 24

HEX #47C21E

RGB 71 194 30

HSL 105, 0.73%, 0.44%

LAB 69.48, -60.88, 64.37

 

CMYK 0 / 28 / 85 / 24

HEX #C28B1E

RGB 194 139 30

HSL 39.88, 0.73%, 0.44%

LAB 61.68, 11.98, 60.66

 

CMYK 0 / 32 / 94 / 17

HEX #D4910C

RGB 212 145 12

HSL 39.9, 0.89%, 0.44%

LAB 65.18, 16.29, 68.37

 

CMYK 0 / 28 / 85 / 24

HEX #C28B1E

RGB 194 139 30

HSL 39.88, 0.73%, 0.44%

LAB 61.68, 11.98, 60.66

 

CMYK 0 / 24 / 73 / 31

HEX #AF8530

RGB 175 133 48

HSL 40.16, 0.57%, 0.44%

LAB 58.13, 7.51, 49.92

 

CMYK 0 / 19 / 58 / 38

HEX #9D7F42

RGB 157 127 66

HSL 40.22, 0.41%, 0.44%

LAB 54.8, 4.01, 37.07

 

CMYK 0 / 13 / 40 / 45

HEX #8B7954

RGB 139 121 84

HSL 40.36, 0.25%, 0.44%

LAB 51.61, 1.35, 22.86

 

CMYK 0 / 5 / 16 / 53

HEX #797366

RGB 121 115 102

HSL 41.05, 0.09%, 0.44%

LAB 48.62, -0.09, 8.02

 

CMYK 0 / 73 / 85 / 24

HEX #C2341E

RGB 194 52 30

HSL 8.05, 0.73%, 0.44%

LAB 44.26, 55.01, 45.69

 

CMYK 0 / 51 / 85 / 24

HEX #C25F1E

RGB 194 95 30

HSL 23.78, 0.73%, 0.44%

LAB 51.55, 35.78, 52.04

 

CMYK 0 / 28 / 85 / 24

HEX #C28B1E

RGB 194 139 30

HSL 39.88, 0.73%, 0.44%

LAB 61.68, 11.98, 60.66

 

CMYK 0 / 6 / 85 / 24

HEX #C2B71E

RGB 194 183 30

HSL 55.98, 0.73%, 0.44%

LAB 73.17, -11.51, 70.26

 

CMYK 17 / 0 / 85 / 24

HEX #A1C21E

RGB 161 194 30

HSL 72.07, 0.73%, 0.44%

LAB 73.71, -30.97, 69.69

 

CMYK 0 / 28 / 84 / 52

HEX #7A5813

RGB 122 88 19

HSL 40.19, 0.73%, 0.28%

LAB 39.86, 7.5, 42.18

 

CMYK 0 / 28 / 85 / 38

HEX #9E7218

RGB 158 114 24

HSL 40.3, 0.74%, 0.36%

LAB 51.12, 9.49, 51.92

 

CMYK 0 / 28 / 85 / 24

HEX #C28B1E

RGB 194 139 30

HSL 39.88, 0.73%, 0.44%

LAB 61.68, 11.98, 60.66

 

CMYK 0 / 27 / 81 / 13

HEX #DEA22B

RGB 222 162 43

HSL 39.89, 0.73%, 0.52%

LAB 70.56, 12.18, 65.42

 

CMYK 0 / 22 / 65 / 11

HEX #E3B24F

RGB 227 178 79

HSL 40.14, 0.73%, 0.6%

LAB 75.29, 7.47, 55.92

 

CMYK 0 / 28 / 84 / 24

HEX #C18B1E

RGB 193 139 30

HSL 40.12, 0.73%, 0.44%

LAB 61.56, 11.53, 60.52

 

CMYK 73 / 0 / 85 / 24

HEX #34C21E

RGB 52 194 30

HSL 111.95, 0.73%, 0.44%

LAB 69.05, -64.58, 63.81

 

CMYK 62 / 85 / 0 / 24

HEX #491EC2

RGB 73 30 194

HSL 255.73, 0.73%, 0.44%

LAB 30.01, 58.96, -76.56

 

CMYK 0 / 28 / 84 / 24

HEX #C18B1E

RGB 193 139 30

HSL 40.12, 0.73%, 0.44%

LAB 61.56, 11.53, 60.52

 

CMYK 85 / 0 / 28 / 24

HEX #1EC28B

RGB 30 194 139

HSL 159.88, 0.73%, 0.44%

LAB 69.98, -52.46, 16.68

 

CMYK 28 / 85 / 0 / 24

HEX #8B1EC2

RGB 139 30 194

HSL 279.88, 0.73%, 0.44%

LAB 38.4, 67.07, -62.47

 

CMYK 0 / 28 / 84 / 24

HEX #C18B1E

RGB 193 139 30

HSL 40.12, 0.73%, 0.44%

LAB 61.56, 11.53, 60.52

 

CMYK 73 / 0 / 85 / 24

HEX #34C21E

RGB 52 194 30

HSL 111.95, 0.73%, 0.44%

LAB 69.05, -64.58, 63.81

 

CMYK 85 / 57 / 0 / 24

HEX #1E54C2

RGB 30 84 194

HSL 220.24, 0.73%, 0.44%

LAB 38.75, 24.54, -62.3

 

CMYK 11 / 85 / 0 / 24

HEX #AC1EC2

RGB 172 30 194

HSL 291.95, 0.73%, 0.44%

LAB 43.65, 72.46, -53.72

 

CMYK 0 / 28 / 84 / 24

HEX #C18B1E

RGB 193 139 30

HSL 40.12, 0.73%, 0.44%

LAB 61.56, 11.53, 60.52

 

CMYK 85 / 0 / 71 / 24

HEX #1EC239

RGB 30 194 57

HSL 129.88, 0.73%, 0.44%

LAB 68.86, -65.62, 55.06

 

CMYK 85 / 57 / 0 / 24

HEX #1E54C2

RGB 30 84 194

HSL 220.24, 0.73%, 0.44%

LAB 38.75, 24.54, -62.3

 

CMYK 0 / 85 / 14 / 24

HEX #C21EA6

RGB 194 30 166

HSL 310.24, 0.73%, 0.44%

LAB 45.84, 72.34, -33.5

 

Description

Color code: HEX #C18B1E | qconv.com Color code: HEX #C18B1E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 139 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 139 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 84 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 84% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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