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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C18B62 it is the complementary color #3E749D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C18B62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C18B62 shade: #C68B5D, #D79D70, #E8AF83, #F9C196 and #FFD3A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C18B62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C18B62 shade: #C18B62, #B0794F, #9F673C, #8E5529 and #7D4316

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C18B62 shade: #C08A62, #C07162 and #C06262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C18B62 shade: #C08A62, #C0A462, #C0BD62, #A9C062 and #90C062

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C18B62 shade matches the following richer shades: #C08A62, #D28850, #E3863E and #F5832C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C18B62 shade: #C08A62, #AE8D73, #9D8F85, #8B9297 and #7994A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C18B62 shade: #C0626D, #C07062, #C08962, #C0A262 and #C0BB62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C18B62 shade: #94613B, #B27547, #C08A62, #CCA07F and #D8B69D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C18B62 shade: #C18B62, #86C062 and #6362C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C18B62 shade: #C18B62, #62C089 and #8962C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C18B62 shade: #C18B62, #86C062, #6299C0 and #9C62C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C18B62 shade: #C18B62, #6AC062, #6299C0 and #B862C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 49 / 24

HEX #C18B62

RGB 193 139 98

HSL 25.89, 0.43%, 0.57%

LAB 62.24, 15.7, 29.99

 

Complementary color

CMYK 61 / 26 / 0 / 38

HEX #3E749D

RGB 62 116 157

HSL 205.89, 0.43%, 0.43%

LAB 46.91, -5.11, -27.52

 

CMYK 0 / 30 / 53 / 22

HEX #C68B5D

RGB 198 139 93

HSL 26.29, 0.48%, 0.57%

LAB 62.73, 17.31, 33.44

 

CMYK 0 / 27 / 48 / 16

HEX #D79D70

RGB 215 157 112

HSL 26.21, 0.56%, 0.64%

LAB 69.28, 16.28, 31.97

 

CMYK 0 / 25 / 44 / 9

HEX #E8AF83

RGB 232 175 131

HSL 26.14, 0.69%, 0.71%

LAB 75.73, 15.38, 30.61

 

CMYK 0 / 22 / 40 / 2

HEX #F9C196

RGB 249 193 150

HSL 26.06, 0.89%, 0.78%

LAB 82.1, 14.58, 29.35

 

CMYK 0 / 17 / 34 / 0

HEX #FFD3A9

RGB 255 211 169

HSL 29.3, 1%, 0.83%

LAB 87.35, 9.7, 26.6

 

CMYK 0 / 28 / 49 / 24

HEX #C18B62

RGB 193 139 98

HSL 25.89, 0.43%, 0.57%

LAB 62.24, 15.7, 29.99

 

CMYK 0 / 31 / 55 / 31

HEX #B0794F

RGB 176 121 79

HSL 25.98, 0.38%, 0.5%

LAB 55.55, 16.79, 31.51

 

CMYK 0 / 35 / 62 / 38

HEX #9F673C

RGB 159 103 60

HSL 26.06, 0.45%, 0.43%

LAB 48.76, 18.09, 33.16

 

CMYK 0 / 40 / 71 / 44

HEX #8E5529

RGB 142 85 41

HSL 26.14, 0.55%, 0.36%

LAB 41.86, 19.64, 34.9

 

CMYK 0 / 46 / 82 / 51

HEX #7D4316

RGB 125 67 22

HSL 26.21, 0.7%, 0.29%

LAB 34.87, 21.49, 36.5

 

CMYK 0 / 28 / 49 / 25

HEX #C08A62

RGB 192 138 98

HSL 25.53, 0.43%, 0.57%

LAB 61.88, 15.83, 29.5

 

CMYK 0 / 41 / 49 / 25

HEX #C07162

RGB 192 113 98

HSL 9.57, 0.43%, 0.57%

LAB 55.99, 29.57, 21.76

 

CMYK 0 / 49 / 49 / 25

HEX #C06262

RGB 192 98 98

HSL 0, 0.43%, 0.57%

LAB 52.76, 37.56, 17.4

 

CMYK 0 / 28 / 49 / 25

HEX #C08A62

RGB 192 138 98

HSL 25.53, 0.43%, 0.57%

LAB 61.88, 15.83, 29.5

 

CMYK 0 / 15 / 49 / 25

HEX #C0A462

RGB 192 164 98

HSL 42.13, 0.43%, 0.57%

LAB 68.49, 1.62, 37.87

 

CMYK 0 / 2 / 49 / 25

HEX #C0BD62

RGB 192 189 98

HSL 58.09, 0.43%, 0.57%

LAB 75.13, -11.53, 45.96

 

CMYK 12 / 0 / 49 / 25

HEX #A9C062

RGB 169 192 98

HSL 74.68, 0.43%, 0.57%

LAB 74.2, -22.35, 44.43

 

CMYK 25 / 0 / 49 / 25

HEX #90C062

RGB 144 192 98

HSL 90.64, 0.43%, 0.57%

LAB 72.57, -31.92, 42.07

 

CMYK 0 / 28 / 49 / 25

HEX #C08A62

RGB 192 138 98

HSL 25.53, 0.43%, 0.57%

LAB 61.88, 15.83, 29.5

 

CMYK 0 / 35 / 62 / 18

HEX #D28850

RGB 210 136 80

HSL 25.85, 0.59%, 0.57%

LAB 63.25, 22.92, 41.28

 

CMYK 0 / 41 / 73 / 11

HEX #E3863E

RGB 227 134 62

HSL 26.18, 0.75%, 0.57%

LAB 64.75, 29.97, 52.41

 

CMYK 0 / 47 / 82 / 4

HEX #F5832C

RGB 245 131 44

HSL 25.97, 0.91%, 0.57%

LAB 66.39, 38.09, 62.46

 

CMYK 0 / 28 / 49 / 25

HEX #C08A62

RGB 192 138 98

HSL 25.53, 0.43%, 0.57%

LAB 61.88, 15.83, 29.5

 

CMYK 0 / 19 / 34 / 32

HEX #AE8D73

RGB 174 141 115

HSL 26.44, 0.27%, 0.57%

LAB 61.03, 8.68, 18.58

 

CMYK 0 / 9 / 15 / 38

HEX #9D8F85

RGB 157 143 133

HSL 25, 0.11%, 0.57%

LAB 60.34, 3.47, 7.2

 

CMYK 8 / 3 / 0 / 41

HEX #8B9297

RGB 139 146 151

HSL 205, 0.05%, 0.57%

LAB 60.14, -1.5, -3.52

 

CMYK 28 / 12 / 0 / 34

HEX #7994A9

RGB 121 148 169

HSL 206.25, 0.22%, 0.57%

LAB 59.99, -4.48, -14.12

 

CMYK 0 / 49 / 43 / 25

HEX #C0626D

RGB 192 98 109

HSL 352.98, 0.43%, 0.57%

LAB 53, 38.68, 11.25

 

CMYK 0 / 42 / 49 / 25

HEX #C07062

RGB 192 112 98

HSL 8.94, 0.43%, 0.57%

LAB 55.76, 30.11, 21.46

 

CMYK 0 / 29 / 49 / 25

HEX #C08962

RGB 192 137 98

HSL 24.89, 0.43%, 0.57%

LAB 61.64, 16.38, 29.18

 

CMYK 0 / 16 / 49 / 25

HEX #C0A262

RGB 192 162 98

HSL 40.85, 0.43%, 0.57%

LAB 67.97, 2.7, 37.22

 

CMYK 0 / 3 / 49 / 25

HEX #C0BB62

RGB 192 187 98

HSL 56.81, 0.43%, 0.57%

LAB 74.59, -10.51, 45.32

 

CMYK 0 / 34 / 60 / 42

HEX #94613B

RGB 148 97 59

HSL 25.62, 0.43%, 0.41%

LAB 45.85, 16.62, 29.89

 

CMYK 0 / 34 / 60 / 30

HEX #B27547

RGB 178 117 71

HSL 25.79, 0.43%, 0.49%

LAB 54.7, 19.24, 34.88

 

CMYK 0 / 28 / 49 / 25

HEX #C08A62

RGB 192 138 98

HSL 25.53, 0.43%, 0.57%

LAB 61.88, 15.83, 29.5

 

CMYK 0 / 22 / 38 / 20

HEX #CCA07F

RGB 204 160 127

HSL 25.71, 0.43%, 0.65%

LAB 69.12, 11.82, 23.43

 

CMYK 0 / 16 / 27 / 15

HEX #D8B69D

RGB 216 182 157

HSL 25.42, 0.43%, 0.73%

LAB 76.37, 8.51, 17.28

 

CMYK 0 / 28 / 49 / 24

HEX #C18B62

RGB 193 139 98

HSL 25.89, 0.43%, 0.57%

LAB 62.24, 15.7, 29.99

 

CMYK 30 / 0 / 49 / 25

HEX #86C062

RGB 134 192 98

HSL 97.02, 0.43%, 0.57%

LAB 71.99, -35.53, 41.24

 

CMYK 48 / 49 / 0 / 25

HEX #6362C0

RGB 99 98 192

HSL 240.64, 0.43%, 0.57%

LAB 45.9, 25.69, -49.41

 

CMYK 0 / 28 / 49 / 24

HEX #C18B62

RGB 193 139 98

HSL 25.89, 0.43%, 0.57%

LAB 62.24, 15.7, 29.99

 

CMYK 49 / 0 / 29 / 25

HEX #62C089

RGB 98 192 137

HSL 144.89, 0.43%, 0.57%

LAB 70.94, -40.47, 19.33

 

CMYK 29 / 49 / 0 / 25

HEX #8962C0

RGB 137 98 192

HSL 264.89, 0.43%, 0.57%

LAB 49.33, 35.32, -43.74

 

CMYK 0 / 28 / 49 / 24

HEX #C18B62

RGB 193 139 98

HSL 25.89, 0.43%, 0.57%

LAB 62.24, 15.7, 29.99

 

CMYK 30 / 0 / 49 / 25

HEX #86C062

RGB 134 192 98

HSL 97.02, 0.43%, 0.57%

LAB 71.99, -35.53, 41.24

 

CMYK 49 / 20 / 0 / 25

HEX #6299C0

RGB 98 153 192

HSL 204.89, 0.43%, 0.57%

LAB 60.94, -7.32, -25.78

 

CMYK 19 / 49 / 0 / 25

HEX #9C62C0

RGB 156 98 192

HSL 277.02, 0.43%, 0.57%

LAB 51.39, 40.59, -40.34

 

CMYK 0 / 28 / 49 / 24

HEX #C18B62

RGB 193 139 98

HSL 25.89, 0.43%, 0.57%

LAB 62.24, 15.7, 29.99

 

CMYK 45 / 0 / 49 / 25

HEX #6AC062

RGB 106 192 98

HSL 114.89, 0.43%, 0.57%

LAB 70.63, -44.71, 39.24

 

CMYK 49 / 20 / 0 / 25

HEX #6299C0

RGB 98 153 192

HSL 204.89, 0.43%, 0.57%

LAB 60.94, -7.32, -25.78

 

CMYK 4 / 49 / 0 / 25

HEX #B862C0

RGB 184 98 192

HSL 294.89, 0.43%, 0.57%

LAB 54.79, 48.56, -34.75

 

Description

Color code: HEX #C18B62 | qconv.com Color code: HEX #C18B62 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 139 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 139 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 49 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 49% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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