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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C18B65 it is the complementary color #3E749A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C18B65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C18B65 shade: #C68B60, #D79D73, #E8AF86, #F9C199 and #FFD3AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C18B65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C18B65 shade: #C18B65, #B07952, #9F673F, #8E552C and #7D4319

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C18B65 shade: #C18B65, #C17365 and #C16565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C18B65 shade: #C18B65, #C1A465, #C1BD65, #ADC165 and #94C165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C18B65 shade matches the following richer shades: #C18B65, #D38854, #E48543 and #F58231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C18B65 shade: #C18B65, #B08E77, #9F9188, #8D9499 and #7C97AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C18B65 shade: #C16572, #C17265, #C18A65, #C1A365 and #C1BB65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C18B65 shade: #98623C, #B57548, #C18B65, #CDA283 and #D9B8A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C18B65 shade: #C18B65, #8AC165 and #6565C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C18B65 shade: #C18B65, #65C18A and #8A65C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C18B65 shade: #C18B65, #8AC165, #659DC1 and #9D65C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C18B65 shade: #C18B65, #6FC165, #659DC1 and #B865C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 48 / 24

HEX #C18B65

RGB 193 139 101

HSL 24.78, 0.43%, 0.58%

LAB 62.29, 15.99, 28.41

 

Complementary color

CMYK 60 / 25 / 0 / 40

HEX #3E749A

RGB 62 116 154

HSL 204.78, 0.43%, 0.42%

LAB 46.77, -6.11, -25.96

 

CMYK 0 / 30 / 52 / 22

HEX #C68B60

RGB 198 139 96

HSL 25.29, 0.47%, 0.58%

LAB 62.77, 17.58, 31.87

 

CMYK 0 / 27 / 47 / 16

HEX #D79D73

RGB 215 157 115

HSL 25.2, 0.56%, 0.65%

LAB 69.33, 16.57, 30.42

 

CMYK 0 / 25 / 42 / 9

HEX #E8AF86

RGB 232 175 134

HSL 25.1, 0.68%, 0.72%

LAB 75.78, 15.69, 29.09

 

CMYK 0 / 22 / 39 / 2

HEX #F9C199

RGB 249 193 153

HSL 25, 0.89%, 0.79%

LAB 82.15, 14.92, 27.85

 

CMYK 0 / 17 / 33 / 0

HEX #FFD3AC

RGB 255 211 172

HSL 28.19, 1%, 0.84%

LAB 87.4, 10.06, 25.11

 

CMYK 0 / 28 / 48 / 24

HEX #C18B65

RGB 193 139 101

HSL 24.78, 0.43%, 0.58%

LAB 62.29, 15.99, 28.41

 

CMYK 0 / 31 / 53 / 31

HEX #B07952

RGB 176 121 82

HSL 24.89, 0.37%, 0.51%

LAB 55.6, 17.06, 29.91

 

CMYK 0 / 35 / 60 / 38

HEX #9F673F

RGB 159 103 63

HSL 25, 0.43%, 0.44%

LAB 48.8, 18.32, 31.56

 

CMYK 0 / 40 / 69 / 44

HEX #8E552C

RGB 142 85 44

HSL 25.1, 0.53%, 0.36%

LAB 41.89, 19.82, 33.33

 

CMYK 0 / 46 / 80 / 51

HEX #7D4319

RGB 125 67 25

HSL 25.2, 0.67%, 0.29%

LAB 34.89, 21.61, 35.07

 

CMYK 0 / 28 / 48 / 24

HEX #C18B65

RGB 193 139 101

HSL 24.78, 0.43%, 0.58%

LAB 62.29, 15.99, 28.41

 

CMYK 0 / 40 / 48 / 24

HEX #C17365

RGB 193 115 101

HSL 9.13, 0.43%, 0.58%

LAB 56.62, 29.18, 20.91

 

CMYK 0 / 48 / 48 / 24

HEX #C16565

RGB 193 101 101

HSL 0, 0.43%, 0.58%

LAB 53.58, 36.66, 16.79

 

CMYK 0 / 28 / 48 / 24

HEX #C18B65

RGB 193 139 101

HSL 24.78, 0.43%, 0.58%

LAB 62.29, 15.99, 28.41

 

CMYK 0 / 15 / 48 / 24

HEX #C1A465

RGB 193 164 101

HSL 41.09, 0.43%, 0.58%

LAB 68.63, 2.33, 36.5

 

CMYK 0 / 2 / 48 / 24

HEX #C1BD65

RGB 193 189 101

HSL 57.39, 0.43%, 0.58%

LAB 75.25, -10.85, 44.66

 

CMYK 10 / 0 / 48 / 24

HEX #ADC165

RGB 173 193 101

HSL 73.04, 0.43%, 0.58%

LAB 74.8, -20.95, 43.76

 

CMYK 23 / 0 / 48 / 24

HEX #94C165

RGB 148 193 101

HSL 89.35, 0.43%, 0.58%

LAB 73.14, -30.57, 41.34

 

CMYK 0 / 28 / 48 / 24

HEX #C18B65

RGB 193 139 101

HSL 24.78, 0.43%, 0.58%

LAB 62.29, 15.99, 28.41

 

CMYK 0 / 36 / 60 / 17

HEX #D38854

RGB 211 136 84

HSL 24.57, 0.59%, 0.58%

LAB 63.42, 23.62, 39.43

 

CMYK 0 / 42 / 71 / 11

HEX #E48543

RGB 228 133 67

HSL 24.6, 0.75%, 0.58%

LAB 64.7, 31.14, 50.04

 

CMYK 0 / 47 / 80 / 4

HEX #F58231

RGB 245 130 49

HSL 24.8, 0.91%, 0.58%

LAB 66.21, 38.75, 60.34

 

CMYK 0 / 28 / 48 / 24

HEX #C18B65

RGB 193 139 101

HSL 24.78, 0.43%, 0.58%

LAB 62.29, 15.99, 28.41

 

CMYK 0 / 19 / 32 / 31

HEX #B08E77

RGB 176 142 119

HSL 24.21, 0.27%, 0.58%

LAB 61.57, 9.46, 17.11

 

CMYK 0 / 9 / 14 / 38

HEX #9F9188

RGB 159 145 136

HSL 23.48, 0.11%, 0.58%

LAB 61.13, 3.63, 6.65

 

CMYK 8 / 3 / 0 / 40

HEX #8D9499

RGB 141 148 153

HSL 205, 0.06%, 0.58%

LAB 60.91, -1.5, -3.51

 

CMYK 27 / 12 / 0 / 33

HEX #7C97AB

RGB 124 151 171

HSL 205.53, 0.22%, 0.58%

LAB 61.1, -4.73, -13.57

 

CMYK 0 / 48 / 41 / 24

HEX #C16572

RGB 193 101 114

HSL 351.52, 0.43%, 0.58%

LAB 53.88, 38.03, 9.56

 

CMYK 0 / 41 / 48 / 24

HEX #C17265

RGB 193 114 101

HSL 8.48, 0.43%, 0.58%

LAB 56.4, 29.72, 20.61

 

CMYK 0 / 28 / 48 / 24

HEX #C18A65

RGB 193 138 101

HSL 24.13, 0.43%, 0.58%

LAB 62.04, 16.54, 28.09

 

CMYK 0 / 16 / 48 / 24

HEX #C1A365

RGB 193 163 101

HSL 40.43, 0.43%, 0.58%

LAB 68.37, 2.87, 36.17

 

CMYK 0 / 3 / 48 / 24

HEX #C1BB65

RGB 193 187 101

HSL 56.09, 0.43%, 0.58%

LAB 74.71, -9.82, 44.01

 

CMYK 0 / 36 / 61 / 40

HEX #98623C

RGB 152 98 60

HSL 24.78, 0.43%, 0.42%

LAB 46.63, 17.89, 30.39

 

CMYK 0 / 35 / 60 / 29

HEX #B57548

RGB 181 117 72

HSL 24.77, 0.43%, 0.5%

LAB 55.09, 20.59, 34.89

 

CMYK 0 / 28 / 48 / 24

HEX #C18B65

RGB 193 139 101

HSL 24.78, 0.43%, 0.58%

LAB 62.29, 15.99, 28.41

 

CMYK 0 / 21 / 36 / 20

HEX #CDA283

RGB 205 162 131

HSL 25.14, 0.43%, 0.66%

LAB 69.79, 11.62, 22.18

 

CMYK 0 / 15 / 26 / 15

HEX #D9B8A0

RGB 217 184 160

HSL 25.26, 0.43%, 0.74%

LAB 77.02, 8.24, 16.59

 

CMYK 0 / 28 / 48 / 24

HEX #C18B65

RGB 193 139 101

HSL 24.78, 0.43%, 0.58%

LAB 62.29, 15.99, 28.41

 

CMYK 28 / 0 / 48 / 24

HEX #8AC165

RGB 138 193 101

HSL 95.87, 0.43%, 0.58%

LAB 72.55, -34.21, 40.49

 

CMYK 48 / 48 / 0 / 24

HEX #6565C1

RGB 101 101 193

HSL 240, 0.43%, 0.58%

LAB 46.88, 24.62, -48.42

 

CMYK 0 / 28 / 48 / 24

HEX #C18B65

RGB 193 139 101

HSL 24.78, 0.43%, 0.58%

LAB 62.29, 15.99, 28.41

 

CMYK 48 / 0 / 28 / 24

HEX #65C18A

RGB 101 193 138

HSL 144.13, 0.43%, 0.58%

LAB 71.38, -39.93, 19.42

 

CMYK 28 / 48 / 0 / 24

HEX #8A65C1

RGB 138 101 193

HSL 264.13, 0.43%, 0.58%

LAB 50.17, 34.12, -42.97

 

CMYK 0 / 28 / 48 / 24

HEX #C18B65

RGB 193 139 101

HSL 24.78, 0.43%, 0.58%

LAB 62.29, 15.99, 28.41

 

CMYK 28 / 0 / 48 / 24

HEX #8AC165

RGB 138 193 101

HSL 95.87, 0.43%, 0.58%

LAB 72.55, -34.21, 40.49

 

CMYK 48 / 19 / 0 / 24

HEX #659DC1

RGB 101 157 193

HSL 203.48, 0.43%, 0.58%

LAB 62.28, -8.53, -24.28

 

CMYK 19 / 48 / 0 / 24

HEX #9D65C1

RGB 157 101 193

HSL 276.52, 0.43%, 0.58%

LAB 52.2, 39.44, -39.63

 

CMYK 0 / 28 / 48 / 24

HEX #C18B65

RGB 193 139 101

HSL 24.78, 0.43%, 0.58%

LAB 62.29, 15.99, 28.41

 

CMYK 42 / 0 / 48 / 24

HEX #6FC165

RGB 111 193 101

HSL 113.48, 0.43%, 0.58%

LAB 71.19, -43.21, 38.49

 

CMYK 48 / 19 / 0 / 24

HEX #659DC1

RGB 101 157 193

HSL 203.48, 0.43%, 0.58%

LAB 62.28, -8.53, -24.28

 

CMYK 5 / 48 / 0 / 24

HEX #B865C1

RGB 184 101 193

HSL 294.13, 0.43%, 0.58%

LAB 55.43, 47.21, -34.34

 

Description

Color code: HEX #C18B65 | qconv.com Color code: HEX #C18B65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 139 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 139 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 48 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 48% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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