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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C18D3D it is the complementary color #3E72C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C18D3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C18D3D shade: #C68D38, #D79F4B, #E8B15E, #F9C371 and #FFD584

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C18D3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C18D3D shade: #C18D3D, #B07B2A, #9F6917, #8E5704 and #7D4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C18D3D shade: #C18D3D, #C1693D, #C1463D and #C13D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C18D3D shade: #C18D3D, #C1B13D, #AEC13D, #8AC13D and #67C13D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C18D3D shade matches the following richer shades: #C18D3D, #D69128 and #EB9613

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C18D3D shade: #C18D3D, #AD8951, #988466, #83807B and #6F7C8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C18D3D shade: #C1463D, #C1693D, #C18C3D, #C1B03D and #B0C13D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C18D3D shade: #835F29, #A27633, #C18D3D, #CB9F5C and #D5B27B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C18D3D shade: #C18D3D, #57C13D and #573DC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C18D3D shade: #C18D3D, #3DC18C and #8C3DC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C18D3D shade: #C18D3D, #57C13D, #3D72C1 and #A73DC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C18D3D shade: #C18D3D, #3DC14A, #3D72C1 and #C13DB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 68 / 24

HEX #C18D3D

RGB 193 141 61

HSL 36.36, 0.52%, 0.5%

LAB 62.27, 11.75, 49.01

 

Complementary color

CMYK 68 / 41 / 0 / 24

HEX #3E72C2

RGB 62 114 194

HSL 216.36, 0.52%, 0.5%

LAB 48.2, 9.02, -47.01

 

CMYK 0 / 29 / 72 / 22

HEX #C68D38

RGB 198 141 56

HSL 35.92, 0.56%, 0.5%

LAB 62.79, 13.65, 52

 

CMYK 0 / 26 / 65 / 16

HEX #D79F4B

RGB 215 159 75

HSL 36, 0.64%, 0.57%

LAB 69.29, 12.27, 50.82

 

CMYK 0 / 24 / 59 / 9

HEX #E8B15E

RGB 232 177 94

HSL 36.09, 0.75%, 0.64%

LAB 75.7, 11.08, 49.5

 

CMYK 0 / 22 / 55 / 2

HEX #F9C371

RGB 249 195 113

HSL 36.18, 0.92%, 0.71%

LAB 82.03, 10.05, 48.16

 

CMYK 0 / 16 / 48 / 0

HEX #FFD584

RGB 255 213 132

HSL 39.51, 1%, 0.76%

LAB 87.25, 4.77, 45.33

 

CMYK 0 / 27 / 68 / 24

HEX #C18D3D

RGB 193 141 61

HSL 36.36, 0.52%, 0.5%

LAB 62.27, 11.75, 49.01

 

CMYK 0 / 30 / 76 / 31

HEX #B07B2A

RGB 176 123 42

HSL 36.27, 0.61%, 0.43%

LAB 55.65, 13.25, 50.05

 

CMYK 0 / 34 / 86 / 38

HEX #9F6917

RGB 159 105 23

HSL 36.18, 0.75%, 0.36%

LAB 48.93, 15.05, 50.44

 

CMYK 0 / 39 / 97 / 44

HEX #8E5704

RGB 142 87 4

HSL 36.09, 0.95%, 0.29%

LAB 42.12, 17.18, 49.5

 

CMYK 0 / 45 / 100 / 51

HEX #7D4500

RGB 125 69 0

HSL 33.12, 1%, 0.25%

LAB 35.23, 19.72, 45.03

 

CMYK 0 / 27 / 68 / 24

HEX #C18D3D

RGB 193 141 61

HSL 36.36, 0.52%, 0.5%

LAB 62.27, 11.75, 49.01

 

CMYK 0 / 46 / 68 / 24

HEX #C1693D

RGB 193 105 61

HSL 20, 0.52%, 0.5%

LAB 53.79, 31.42, 39.64

 

CMYK 0 / 64 / 68 / 24

HEX #C1463D

RGB 193 70 61

HSL 4.09, 0.52%, 0.5%

LAB 47.05, 48.71, 31.78

 

CMYK 0 / 68 / 68 / 24

HEX #C13D3D

RGB 193 61 61

HSL 0, 0.52%, 0.5%

LAB 45.65, 52.49, 30.1

 

CMYK 0 / 27 / 68 / 24

HEX #C18D3D

RGB 193 141 61

HSL 36.36, 0.52%, 0.5%

LAB 62.27, 11.75, 49.01

 

CMYK 0 / 8 / 68 / 24

HEX #C1B13D

RGB 193 177 61

HSL 52.73, 0.52%, 0.5%

LAB 71.64, -7.61, 58.79

 

CMYK 10 / 0 / 68 / 24

HEX #AEC13D

RGB 174 193 61

HSL 68.64, 0.52%, 0.5%

LAB 74.49, -23.77, 61.19

 

CMYK 28 / 0 / 68 / 24

HEX #8AC13D

RGB 138 193 61

HSL 85, 0.52%, 0.5%

LAB 72.15, -38.04, 58.04

 

CMYK 47 / 0 / 68 / 24

HEX #67C13D

RGB 103 193 61

HSL 100.91, 0.52%, 0.5%

LAB 70.43, -50.03, 55.71

 

CMYK 0 / 27 / 68 / 24

HEX #C18D3D

RGB 193 141 61

HSL 36.36, 0.52%, 0.5%

LAB 62.27, 11.75, 49.01

 

CMYK 0 / 32 / 81 / 16

HEX #D69128

RGB 214 145 40

HSL 36.21, 0.69%, 0.5%

LAB 65.51, 17.76, 61.62

 

CMYK 0 / 36 / 92 / 8

HEX #EB9613

RGB 235 150 19

HSL 36.39, 0.85%, 0.5%

LAB 69.13, 23.59, 71.27

 

CMYK 0 / 27 / 68 / 24

HEX #C18D3D

RGB 193 141 61

HSL 36.36, 0.52%, 0.5%

LAB 62.27, 11.75, 49.01

 

CMYK 0 / 21 / 53 / 32

HEX #AD8951

RGB 173 137 81

HSL 36.52, 0.36%, 0.5%

LAB 59.31, 6.73, 35.02

 

CMYK 0 / 13 / 33 / 40

HEX #988466

RGB 152 132 102

HSL 36, 0.2%, 0.5%

LAB 56.22, 2.94, 19.02

 

CMYK 0 / 2 / 6 / 49

HEX #83807B

RGB 131 128 123

HSL 37.5, 0.03%, 0.5%

LAB 53.7, 0.17, 3.1

 

CMYK 22 / 13 / 0 / 44

HEX #6F7C8F

RGB 111 124 143

HSL 215.63, 0.13%, 0.5%

LAB 51.59, -0.4, -11.88

 

CMYK 0 / 64 / 68 / 24

HEX #C1463D

RGB 193 70 61

HSL 4.09, 0.52%, 0.5%

LAB 47.05, 48.71, 31.78

 

CMYK 0 / 46 / 68 / 24

HEX #C1693D

RGB 193 105 61

HSL 20, 0.52%, 0.5%

LAB 53.79, 31.42, 39.64

 

CMYK 0 / 27 / 68 / 24

HEX #C18C3D

RGB 193 140 61

HSL 35.91, 0.52%, 0.5%

LAB 62.02, 12.29, 48.74

 

CMYK 0 / 9 / 68 / 24

HEX #C1B03D

RGB 193 176 61

HSL 52.27, 0.52%, 0.5%

LAB 71.37, -7.08, 58.51

 

CMYK 9 / 0 / 68 / 24

HEX #B0C13D

RGB 176 193 61

HSL 67.73, 0.52%, 0.5%

LAB 74.64, -22.94, 61.38

 

CMYK 0 / 27 / 69 / 49

HEX #835F29

RGB 131 95 41

HSL 36, 0.52%, 0.34%

LAB 43.02, 8.74, 35.77

 

CMYK 0 / 27 / 69 / 36

HEX #A27633

RGB 162 118 51

HSL 36.22, 0.52%, 0.42%

LAB 52.81, 10.27, 42.52

 

CMYK 0 / 27 / 68 / 24

HEX #C18D3D

RGB 193 141 61

HSL 36.36, 0.52%, 0.5%

LAB 62.27, 11.75, 49.01

 

CMYK 0 / 22 / 55 / 20

HEX #CB9F5C

RGB 203 159 92

HSL 36.22, 0.52%, 0.58%

LAB 68.22, 8.41, 40.87

 

CMYK 0 / 16 / 42 / 16

HEX #D5B27B

RGB 213 178 123

HSL 36.67, 0.52%, 0.66%

LAB 74.46, 5.31, 32.81

 

CMYK 0 / 27 / 68 / 24

HEX #C18D3D

RGB 193 141 61

HSL 36.36, 0.52%, 0.5%

LAB 62.27, 11.75, 49.01

 

CMYK 55 / 0 / 68 / 24

HEX #57C13D

RGB 87 193 61

HSL 108.18, 0.52%, 0.5%

LAB 69.83, -54.6, 54.9

 

CMYK 55 / 68 / 0 / 24

HEX #573DC1

RGB 87 61 193

HSL 251.82, 0.52%, 0.5%

LAB 36.39, 45.71, -65.42

 

CMYK 0 / 27 / 68 / 24

HEX #C18D3D

RGB 193 141 61

HSL 36.36, 0.52%, 0.5%

LAB 62.27, 11.75, 49.01

 

CMYK 68 / 0 / 27 / 24

HEX #3DC18C

RGB 61 193 140

HSL 155.91, 0.52%, 0.5%

LAB 70.19, -48.09, 16.51

 

CMYK 27 / 68 / 0 / 24

HEX #8C3DC1

RGB 140 61 193

HSL 275.91, 0.52%, 0.5%

LAB 42.4, 55.76, -55.38

 

CMYK 0 / 27 / 68 / 24

HEX #C18D3D

RGB 193 141 61

HSL 36.36, 0.52%, 0.5%

LAB 62.27, 11.75, 49.01

 

CMYK 55 / 0 / 68 / 24

HEX #57C13D

RGB 87 193 61

HSL 108.18, 0.52%, 0.5%

LAB 69.83, -54.6, 54.9

 

CMYK 68 / 41 / 0 / 24

HEX #3D72C1

RGB 61 114 193

HSL 215.91, 0.52%, 0.5%

LAB 48.1, 8.5, -46.59

 

CMYK 13 / 68 / 0 / 24

HEX #A73DC1

RGB 167 61 193

HSL 288.18, 0.52%, 0.5%

LAB 46.18, 61.59, -49.11

 

CMYK 0 / 27 / 68 / 24

HEX #C18D3D

RGB 193 141 61

HSL 36.36, 0.52%, 0.5%

LAB 62.27, 11.75, 49.01

 

CMYK 68 / 0 / 62 / 24

HEX #3DC14A

RGB 61 193 74

HSL 125.91, 0.52%, 0.5%

LAB 69.2, -59.19, 48.53

 

CMYK 68 / 41 / 0 / 24

HEX #3D72C1

RGB 61 114 193

HSL 215.91, 0.52%, 0.5%

LAB 48.1, 8.5, -46.59

 

CMYK 0 / 68 / 7 / 24

HEX #C13DB4

RGB 193 61 180

HSL 305.91, 0.52%, 0.5%

LAB 49.46, 65.32, -36.08

 

Description

Color code: HEX #C18D3D | qconv.com Color code: HEX #C18D3D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 141 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 141 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 68 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 68% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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