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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C199D0 it is the complementary color #3E662F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C199D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C199D0 shade: #C699CB, #D7ABDE, #E8BDF1, #F9CFFF and #FFE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C199D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C199D0 shade: #C199D0, #B087BD, #9F75AA, #8E6397 and #7D5184

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C199D0 shade: #C199D0, #D099D0, #D099C1, #D099B3 and #D099A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C199D0 shade: #C199D0, #B299D0, #A399D0 and #9999D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C199D0 shade matches the following richer shades: #C199D0, #C68DDC, #CC81E8 and #D175F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C199D0 shade: #C199D0, #BCA5C4, #B6B1B8, #B1BDAC and #ABC9A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C199D0 shade: #A399D0, #B299D0, #C099D0, #CF99D0 and #D099C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C199D0 shade: #9F61B6, #B07DC3, #C199D0, #D2B5DD and #E3D2EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C199D0 shade: #C199D0, #D0999E and #99D0AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C199D0 shade: #C199D0, #D0C099 and #99D0C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C199D0 shade: #C199D0, #D0999E, #A9D099 and #99D0CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C199D0 shade: #C199D0, #D0A599, #A9D099 and #99C4D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 26 / 0 / 18

HEX #C199D0

RGB 193 153 208

HSL 283.64, 0.37%, 0.71%

LAB 68.51, 24.74, -22.5

 

Complementary color

CMYK 39 / 0 / 54 / 60

HEX #3E662F

RGB 62 102 47

HSL 103.64, 0.37%, 0.29%

LAB 39.13, -25.55, 26.52

 

CMYK 2 / 25 / 0 / 20

HEX #C699CB

RGB 198 153 203

HSL 294, 0.32%, 0.7%

LAB 68.82, 25.4, -19.21

 

CMYK 3 / 23 / 0 / 13

HEX #D7ABDE

RGB 215 171 222

HSL 291.76, 0.44%, 0.77%

LAB 75.36, 24.82, -19.59

 

CMYK 4 / 22 / 0 / 5

HEX #E8BDF1

RGB 232 189 241

HSL 289.62, 0.65%, 0.84%

LAB 81.78, 24.28, -19.95

 

CMYK 2 / 19 / 0 / 0

HEX #F9CFFF

RGB 249 207 255

HSL 292.5, 1%, 0.91%

LAB 87.96, 22.85, -17.92

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 7 / 26 / 0 / 18

HEX #C199D0

RGB 193 153 208

HSL 283.64, 0.37%, 0.71%

LAB 68.51, 24.74, -22.5

 

CMYK 7 / 29 / 0 / 26

HEX #B087BD

RGB 176 135 189

HSL 285.56, 0.29%, 0.64%

LAB 61.85, 25.36, -22.19

 

CMYK 6 / 31 / 0 / 33

HEX #9F75AA

RGB 159 117 170

HSL 287.55, 0.24%, 0.56%

LAB 55.07, 26.03, -21.89

 

CMYK 6 / 34 / 0 / 41

HEX #8E6397

RGB 142 99 151

HSL 289.62, 0.21%, 0.49%

LAB 48.14, 26.76, -21.58

 

CMYK 5 / 39 / 0 / 48

HEX #7D5184

RGB 125 81 132

HSL 291.76, 0.24%, 0.42%

LAB 41.07, 27.54, -21.24

 

CMYK 7 / 26 / 0 / 18

HEX #C199D0

RGB 193 153 208

HSL 283.64, 0.37%, 0.71%

LAB 68.51, 24.74, -22.5

 

CMYK 0 / 26 / 0 / 18

HEX #D099D0

RGB 208 153 208

HSL 300, 0.37%, 0.71%

LAB 70, 29.66, -20.1

 

CMYK 0 / 26 / 7 / 18

HEX #D099C1

RGB 208 153 193

HSL 316.36, 0.37%, 0.71%

LAB 69.5, 26.94, -12.54

 

CMYK 0 / 26 / 14 / 18

HEX #D099B3

RGB 208 153 179

HSL 331.64, 0.37%, 0.71%

LAB 69.07, 24.55, -5.39

 

CMYK 0 / 26 / 21 / 18

HEX #D099A4

RGB 208 153 164

HSL 348, 0.37%, 0.71%

LAB 68.66, 22.19, 2.37

 

CMYK 7 / 26 / 0 / 18

HEX #C199D0

RGB 193 153 208

HSL 283.64, 0.37%, 0.71%

LAB 68.51, 24.74, -22.5

 

CMYK 14 / 26 / 0 / 18

HEX #B299D0

RGB 178 153 208

HSL 267.27, 0.37%, 0.71%

LAB 67.13, 19.9, -24.74

 

CMYK 22 / 26 / 0 / 18

HEX #A399D0

RGB 163 153 208

HSL 250.91, 0.37%, 0.71%

LAB 65.84, 15.18, -26.82

 

CMYK 26 / 26 / 0 / 18

HEX #9999D0

RGB 153 153 208

HSL 240, 0.37%, 0.71%

LAB 65.05, 12.12, -28.11

 

CMYK 7 / 26 / 0 / 18

HEX #C199D0

RGB 193 153 208

HSL 283.64, 0.37%, 0.71%

LAB 68.51, 24.74, -22.5

 

CMYK 10 / 36 / 0 / 14

HEX #C68DDC

RGB 198 141 220

HSL 283.29, 0.53%, 0.71%

LAB 66.69, 35.38, -31.91

 

CMYK 12 / 44 / 0 / 9

HEX #CC81E8

RGB 204 129 232

HSL 283.69, 0.69%, 0.71%

LAB 65.25, 46.06, -40.75

 

CMYK 14 / 52 / 0 / 4

HEX #D175F4

RGB 209 117 244

HSL 283.46, 0.85%, 0.71%

LAB 64.01, 56.02, -49.29

 

CMYK 7 / 26 / 0 / 18

HEX #C199D0

RGB 193 153 208

HSL 283.64, 0.37%, 0.71%

LAB 68.51, 24.74, -22.5

 

CMYK 4 / 16 / 0 / 23

HEX #BCA5C4

RGB 188 165 196

HSL 284.52, 0.21%, 0.71%

LAB 70.59, 14.04, -12.77

 

CMYK 1 / 4 / 0 / 28

HEX #B6B1B8

RGB 182 177 184

HSL 282.86, 0.05%, 0.71%

LAB 72.79, 3.08, -2.94

 

CMYK 6 / 0 / 9 / 26

HEX #B1BDAC

RGB 177 189 172

HSL 102.35, 0.11%, 0.71%

LAB 75.28, -7.31, 7.17

 

CMYK 15 / 0 / 20 / 21

HEX #ABC9A0

RGB 171 201 160

HSL 103.9, 0.28%, 0.71%

LAB 77.86, -17.69, 17.21

 

CMYK 22 / 26 / 0 / 18

HEX #A399D0

RGB 163 153 208

HSL 250.91, 0.37%, 0.71%

LAB 65.84, 15.18, -26.82

 

CMYK 14 / 26 / 0 / 18

HEX #B299D0

RGB 178 153 208

HSL 267.27, 0.37%, 0.71%

LAB 67.13, 19.9, -24.74

 

CMYK 8 / 26 / 0 / 18

HEX #C099D0

RGB 192 153 208

HSL 282.55, 0.37%, 0.71%

LAB 68.42, 24.42, -22.65

 

CMYK 0 / 26 / 0 / 18

HEX #CF99D0

RGB 207 153 208

HSL 298.91, 0.37%, 0.71%

LAB 69.9, 29.33, -20.27

 

CMYK 0 / 26 / 7 / 18

HEX #D099C2

RGB 208 153 194

HSL 315.27, 0.37%, 0.71%

LAB 69.53, 27.11, -13.05

 

CMYK 13 / 47 / 0 / 29

HEX #9F61B6

RGB 159 97 182

HSL 283.76, 0.37%, 0.55%

LAB 51.03, 39.81, -35.1

 

CMYK 10 / 36 / 0 / 24

HEX #B07DC3

RGB 176 125 195

HSL 283.71, 0.37%, 0.63%

LAB 59.74, 32.21, -28.84

 

CMYK 7 / 26 / 0 / 18

HEX #C199D0

RGB 193 153 208

HSL 283.64, 0.37%, 0.71%

LAB 68.51, 24.74, -22.5

 

CMYK 5 / 18 / 0 / 13

HEX #D2B5DD

RGB 210 181 221

HSL 283.5, 0.37%, 0.79%

LAB 77.26, 17.55, -16.21

 

CMYK 3 / 10 / 0 / 8

HEX #E3D2EA

RGB 227 210 234

HSL 282.5, 0.36%, 0.87%

LAB 86.19, 10.15, -9.66

 

CMYK 7 / 26 / 0 / 18

HEX #C199D0

RGB 193 153 208

HSL 283.64, 0.37%, 0.71%

LAB 68.51, 24.74, -22.5

 

CMYK 0 / 26 / 24 / 18

HEX #D0999E

RGB 208 153 158

HSL 354.55, 0.37%, 0.71%

LAB 68.5, 21.3, 5.49

 

CMYK 26 / 0 / 18 / 18

HEX #99D0AB

RGB 153 208 171

HSL 139.64, 0.37%, 0.71%

LAB 78.94, -25.26, 12.71

 

CMYK 7 / 26 / 0 / 18

HEX #C199D0

RGB 193 153 208

HSL 283.64, 0.37%, 0.71%

LAB 68.51, 24.74, -22.5

 

CMYK 0 / 8 / 26 / 18

HEX #D0C099

RGB 208 192 153

HSL 42.55, 0.37%, 0.71%

LAB 78.12, -0.41, 21.73

 

CMYK 26 / 0 / 8 / 18

HEX #99D0C0

RGB 153 208 192

HSL 162.55, 0.37%, 0.71%

LAB 79.44, -21.07, 2.2

 

CMYK 7 / 26 / 0 / 18

HEX #C199D0

RGB 193 153 208

HSL 283.64, 0.37%, 0.71%

LAB 68.51, 24.74, -22.5

 

CMYK 0 / 26 / 24 / 18

HEX #D0999E

RGB 208 153 158

HSL 354.55, 0.37%, 0.71%

LAB 68.5, 21.3, 5.49

 

CMYK 19 / 0 / 26 / 18

HEX #A9D099

RGB 169 208 153

HSL 102.55, 0.37%, 0.71%

LAB 79.53, -23.02, 23.2

 

CMYK 26 / 0 / 2 / 18

HEX #99D0CB

RGB 153 208 203

HSL 174.55, 0.37%, 0.71%

LAB 79.73, -18.71, -3.27

 

CMYK 7 / 26 / 0 / 18

HEX #C199D0

RGB 193 153 208

HSL 283.64, 0.37%, 0.71%

LAB 68.51, 24.74, -22.5

 

CMYK 0 / 21 / 26 / 18

HEX #D0A599

RGB 208 165 153

HSL 13.09, 0.37%, 0.71%

LAB 71.3, 14.05, 12.24

 

CMYK 19 / 0 / 26 / 18

HEX #A9D099

RGB 169 208 153

HSL 102.55, 0.37%, 0.71%

LAB 79.53, -23.02, 23.2

 

CMYK 26 / 6 / 0 / 18

HEX #99C4D0

RGB 153 196 208

HSL 193.09, 0.37%, 0.71%

LAB 76.56, -11.42, -10.65

 

Description

Color code: HEX #C199D0 | qconv.com Color code: HEX #C199D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 153 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 153 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 26 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 26% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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