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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C19066 it is the complementary color #3E6F99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C19066. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C19066 shade: #C69061, #D7A274, #E8B487, #F9C69A and #FFD8AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C19066. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C19066 shade: #C19066, #B07E53, #9F6C40, #8E5A2D and #7D481A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C19066 shade: #C09066, #C07866 and #C06666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C19066 shade: #C09066, #C0A866, #C0C066, #A8C066 and #90C066

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C19066 shade matches the following richer shades: #C09066, #D28F55, #E38D44 and #F48C32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C19066 shade: #C09066, #AF9178, #9E9389, #8C949A and #7B95AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C19066 shade: #C0666E, #C07766, #C08F66, #C0A766 and #C0BF66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C19066 shade: #97673D, #B47B49, #C09066, #CCA584 and #D8BBA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C19066 shade: #C19066, #86C066 and #6B66C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C19066 shade: #C19066, #66C08F and #8F66C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C19066 shade: #C19066, #86C066, #6698C0 and #A166C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C19066 shade: #C19066, #6BC066, #6698C0 and #BC66C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 47 / 24

HEX #C19066

RGB 193 144 102

HSL 27.69, 0.42%, 0.58%

LAB 63.54, 13.34, 29.49

 

Complementary color

CMYK 59 / 27 / 0 / 40

HEX #3E6F99

RGB 62 111 153

HSL 207.69, 0.42%, 0.42%

LAB 45.21, -3.47, -27.8

 

CMYK 0 / 27 / 51 / 22

HEX #C69061

RGB 198 144 97

HSL 27.92, 0.47%, 0.58%

LAB 64.01, 14.93, 32.9

 

CMYK 0 / 25 / 46 / 16

HEX #D7A274

RGB 215 162 116

HSL 27.88, 0.55%, 0.65%

LAB 70.56, 13.98, 31.49

 

CMYK 0 / 22 / 42 / 9

HEX #E8B487

RGB 232 180 135

HSL 27.84, 0.68%, 0.72%

LAB 77.01, 13.14, 30.18

 

CMYK 0 / 20 / 38 / 2

HEX #F9C69A

RGB 249 198 154

HSL 27.79, 0.89%, 0.79%

LAB 83.37, 12.41, 28.96

 

CMYK 0 / 15 / 32 / 0

HEX #FFD8AD

RGB 255 216 173

HSL 31.46, 1%, 0.84%

LAB 88.63, 7.6, 26.27

 

CMYK 0 / 25 / 47 / 24

HEX #C19066

RGB 193 144 102

HSL 27.69, 0.42%, 0.58%

LAB 63.54, 13.34, 29.49

 

CMYK 0 / 28 / 53 / 31

HEX #B07E53

RGB 176 126 83

HSL 27.74, 0.37%, 0.51%

LAB 56.86, 14.35, 30.95

 

CMYK 0 / 32 / 60 / 38

HEX #9F6C40

RGB 159 108 64

HSL 27.79, 0.43%, 0.44%

LAB 50.06, 15.54, 32.53

 

CMYK 0 / 37 / 68 / 44

HEX #8E5A2D

RGB 142 90 45

HSL 27.84, 0.52%, 0.37%

LAB 43.14, 16.98, 34.2

 

CMYK 0 / 42 / 79 / 51

HEX #7D481A

RGB 125 72 26

HSL 27.88, 0.66%, 0.3%

LAB 36.12, 18.73, 35.8

 

CMYK 0 / 25 / 47 / 25

HEX #C09066

RGB 192 144 102

HSL 28, 0.42%, 0.58%

LAB 63.44, 12.92, 29.33

 

CMYK 0 / 38 / 47 / 25

HEX #C07866

RGB 192 120 102

HSL 12, 0.42%, 0.58%

LAB 57.65, 26.15, 21.7

 

CMYK 0 / 47 / 47 / 25

HEX #C06666

RGB 192 102 102

HSL 0, 0.42%, 0.58%

LAB 53.67, 35.86, 16.31

 

CMYK 0 / 25 / 47 / 25

HEX #C09066

RGB 192 144 102

HSL 28, 0.42%, 0.58%

LAB 63.44, 12.92, 29.33

 

CMYK 0 / 13 / 47 / 25

HEX #C0A866

RGB 192 168 102

HSL 44, 0.42%, 0.58%

LAB 69.59, -0.14, 37.17

 

CMYK 0 / 0 / 47 / 25

HEX #C0C066

RGB 192 192 102

HSL 60, 0.42%, 0.58%

LAB 75.99, -12.7, 45.04

 

CMYK 13 / 0 / 47 / 25

HEX #A8C066

RGB 168 192 102

HSL 76, 0.42%, 0.58%

LAB 74.18, -22.32, 42.42

 

CMYK 25 / 0 / 47 / 25

HEX #90C066

RGB 144 192 102

HSL 92, 0.42%, 0.58%

LAB 72.62, -31.45, 40.15

 

CMYK 0 / 25 / 47 / 25

HEX #C09066

RGB 192 144 102

HSL 28, 0.42%, 0.58%

LAB 63.44, 12.92, 29.33

 

CMYK 0 / 32 / 60 / 18

HEX #D28F55

RGB 210 143 85

HSL 27.84, 0.58%, 0.58%

LAB 64.96, 19.49, 40.73

 

CMYK 0 / 38 / 70 / 11

HEX #E38D44

RGB 227 141 68

HSL 27.55, 0.74%, 0.58%

LAB 66.37, 26.56, 51.32

 

CMYK 0 / 43 / 80 / 4

HEX #F48C32

RGB 244 140 50

HSL 27.84, 0.9%, 0.58%

LAB 68.18, 33.27, 61.71

 

CMYK 0 / 25 / 47 / 25

HEX #C09066

RGB 192 144 102

HSL 28, 0.42%, 0.58%

LAB 63.44, 12.92, 29.33

 

CMYK 0 / 17 / 31 / 31

HEX #AF9178

RGB 175 145 120

HSL 27.27, 0.26%, 0.58%

LAB 62.27, 7.52, 17.49

 

CMYK 0 / 7 / 13 / 38

HEX #9E9389

RGB 158 147 137

HSL 28.57, 0.1%, 0.58%

LAB 61.6, 2.3, 6.75

 

CMYK 9 / 4 / 0 / 40

HEX #8C949A

RGB 140 148 154

HSL 205.71, 0.06%, 0.58%

LAB 60.86, -1.64, -4.16

 

CMYK 28 / 13 / 0 / 33

HEX #7B95AC

RGB 123 149 172

HSL 208.16, 0.23%, 0.58%

LAB 60.5, -3.68, -15.04

 

CMYK 0 / 47 / 43 / 25

HEX #C0666E

RGB 192 102 110

HSL 354.67, 0.42%, 0.58%

LAB 53.85, 36.7, 11.86

 

CMYK 0 / 38 / 47 / 25

HEX #C07766

RGB 192 119 102

HSL 11.33, 0.42%, 0.58%

LAB 57.42, 26.7, 21.39

 

CMYK 0 / 26 / 47 / 25

HEX #C08F66

RGB 192 143 102

HSL 27.33, 0.42%, 0.58%

LAB 63.19, 13.47, 29

 

CMYK 0 / 13 / 47 / 25

HEX #C0A766

RGB 192 167 102

HSL 43.33, 0.42%, 0.58%

LAB 69.33, 0.4, 36.84

 

CMYK 0 / 1 / 47 / 25

HEX #C0BF66

RGB 192 191 102

HSL 59.33, 0.42%, 0.58%

LAB 75.72, -12.19, 44.71

 

CMYK 0 / 32 / 60 / 41

HEX #97673D

RGB 151 103 61

HSL 28, 0.42%, 0.42%

LAB 47.77, 14.65, 31.19

 

CMYK 0 / 32 / 59 / 29

HEX #B47B49

RGB 180 123 73

HSL 28.04, 0.42%, 0.5%

LAB 56.44, 16.89, 35.95

 

CMYK 0 / 25 / 47 / 25

HEX #C09066

RGB 192 144 102

HSL 28, 0.42%, 0.58%

LAB 63.44, 12.92, 29.33

 

CMYK 0 / 19 / 35 / 20

HEX #CCA584

RGB 204 165 132

HSL 27.5, 0.41%, 0.66%

LAB 70.46, 9.72, 22.53

 

CMYK 0 / 13 / 25 / 15

HEX #D8BBA1

RGB 216 187 161

HSL 28.36, 0.41%, 0.74%

LAB 77.71, 6.4, 16.99

 

CMYK 0 / 25 / 47 / 24

HEX #C19066

RGB 193 144 102

HSL 27.69, 0.42%, 0.58%

LAB 63.54, 13.34, 29.49

 

CMYK 30 / 0 / 47 / 25

HEX #86C066

RGB 134 192 102

HSL 98.67, 0.42%, 0.58%

LAB 72.05, -35.04, 39.32

 

CMYK 44 / 47 / 0 / 25

HEX #6B66C0

RGB 107 102 192

HSL 243.33, 0.42%, 0.58%

LAB 47.54, 25.14, -46.75

 

CMYK 0 / 25 / 47 / 24

HEX #C19066

RGB 193 144 102

HSL 27.69, 0.42%, 0.58%

LAB 63.54, 13.34, 29.49

 

CMYK 47 / 0 / 26 / 25

HEX #66C08F

RGB 102 192 143

HSL 147.33, 0.42%, 0.58%

LAB 71.22, -38.23, 16.51

 

CMYK 26 / 47 / 0 / 25

HEX #8F66C0

RGB 143 102 192

HSL 267.33, 0.42%, 0.58%

LAB 50.86, 34.68, -41.27

 

CMYK 0 / 25 / 47 / 24

HEX #C19066

RGB 193 144 102

HSL 27.69, 0.42%, 0.58%

LAB 63.54, 13.34, 29.49

 

CMYK 30 / 0 / 47 / 25

HEX #86C066

RGB 134 192 102

HSL 98.67, 0.42%, 0.58%

LAB 72.05, -35.04, 39.32

 

CMYK 47 / 21 / 0 / 25

HEX #6698C0

RGB 102 152 192

HSL 206.67, 0.42%, 0.58%

LAB 60.86, -5.79, -25.89

 

CMYK 16 / 47 / 0 / 25

HEX #A166C0

RGB 161 102 192

HSL 279.33, 0.42%, 0.58%

LAB 52.82, 39.81, -38.04

 

CMYK 0 / 25 / 47 / 24

HEX #C19066

RGB 193 144 102

HSL 27.69, 0.42%, 0.58%

LAB 63.54, 13.34, 29.49

 

CMYK 44 / 0 / 47 / 25

HEX #6BC066

RGB 107 192 102

HSL 116.67, 0.42%, 0.58%

LAB 70.72, -43.86, 37.38

 

CMYK 47 / 21 / 0 / 25

HEX #6698C0

RGB 102 152 192

HSL 206.67, 0.42%, 0.58%

LAB 60.86, -5.79, -25.89

 

CMYK 2 / 47 / 0 / 25

HEX #BC66C0

RGB 188 102 192

HSL 297.33, 0.42%, 0.58%

LAB 56.09, 47.68, -32.7

 

Description

Color code: HEX #C19066 | qconv.com Color code: HEX #C19066 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 144 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 144 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 47 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 47% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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