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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C19B23 it is the complementary color #3E64DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C19B23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C19B23 shade: #C69B1E, #D7AD31, #E8BF44, #F9D157 and #FFE36A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C19B23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C19B23 shade: #C19B23, #B08910, #9F7700, #8E6500 and #7D5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C19B23 shade: #C19B23, #C17123, #C14623 and #C12323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C19B23 shade: #C19B23, #BDC123, #92C123, #67C123 and #3DC123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C19B23 shade matches the following richer shades: #C19B23 and #D4A511

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C19B23 shade: #C19B23, #AF9236, #9C8848, #8A7E5B and #77756D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C19B23 shade: #C14523, #C17023, #C19A23, #BFC123 and #95C123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C19B23 shade: #7C6316, #9F7F1D, #C19B23, #D9B234 and #E0BF57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C19B23 shade: #C19B23, #2BC123 and #5A23C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C19B23 shade: #C19B23, #23C19A and #9A23C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C19B23 shade: #C19B23, #2BC123, #234BC1 and #BA23C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C19B23 shade: #C19B23, #23C14B, #234BC1 and #C1239A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 82 / 24

HEX #C19B23

RGB 193 155 35

HSL 45.57, 0.69%, 0.45%

LAB 65.67, 2.96, 62.51

 

Complementary color

CMYK 72 / 55 / 0 / 14

HEX #3E64DC

RGB 62 100 220

HSL 225.57, 0.69%, 0.55%

LAB 46.05, 27.25, -65.33

 

CMYK 0 / 22 / 85 / 22

HEX #C69B1E

RGB 198 155 30

HSL 44.64, 0.74%, 0.45%

LAB 66.17, 5.04, 64.6

 

CMYK 0 / 20 / 77 / 16

HEX #D7AD31

RGB 215 173 49

HSL 44.82, 0.67%, 0.52%

LAB 72.6, 3.49, 64.96

 

CMYK 0 / 18 / 71 / 9

HEX #E8BF44

RGB 232 191 68

HSL 45, 0.78%, 0.59%

LAB 78.95, 2.17, 64.56

 

CMYK 0 / 16 / 65 / 2

HEX #F9D157

RGB 249 209 87

HSL 45.19, 0.93%, 0.66%

LAB 85.21, 1.03, 63.76

 

CMYK 0 / 11 / 58 / 0

HEX #FFE36A

RGB 255 227 106

HSL 48.72, 1%, 0.71%

LAB 90.43, -4.42, 61.39

 

CMYK 0 / 20 / 82 / 24

HEX #C19B23

RGB 193 155 35

HSL 45.57, 0.69%, 0.45%

LAB 65.67, 2.96, 62.51

 

CMYK 0 / 22 / 91 / 31

HEX #B08910

RGB 176 137 16

HSL 45.38, 0.83%, 0.38%

LAB 59.12, 4.66, 61.35

 

CMYK 0 / 25 / 100 / 38

HEX #9F7700

RGB 159 119 0

HSL 44.91, 1%, 0.31%

LAB 52.47, 6.64, 58.54

 

CMYK 0 / 29 / 100 / 44

HEX #8E6500

RGB 142 101 0

HSL 42.68, 1%, 0.28%

LAB 45.71, 8.97, 53

 

CMYK 0 / 34 / 100 / 51

HEX #7D5300

RGB 125 83 0

HSL 39.84, 1%, 0.25%

LAB 38.81, 11.43, 47.34

 

CMYK 0 / 20 / 82 / 24

HEX #C19B23

RGB 193 155 35

HSL 45.57, 0.69%, 0.45%

LAB 65.67, 2.96, 62.51

 

CMYK 0 / 41 / 82 / 24

HEX #C17123

RGB 193 113 35

HSL 29.62, 0.69%, 0.45%

LAB 55.35, 25.95, 53.38

 

CMYK 0 / 64 / 82 / 24

HEX #C14623

RGB 193 70 35

HSL 13.29, 0.69%, 0.45%

LAB 46.76, 47.62, 45.5

 

CMYK 0 / 82 / 82 / 24

HEX #C12323

RGB 193 35 35

HSL 0, 0.69%, 0.45%

LAB 42.25, 60.04, 41.2

 

CMYK 0 / 20 / 82 / 24

HEX #C19B23

RGB 193 155 35

HSL 45.57, 0.69%, 0.45%

LAB 65.67, 2.96, 62.51

 

CMYK 2 / 0 / 82 / 24

HEX #BDC123

RGB 189 193 35

HSL 61.52, 0.69%, 0.45%

LAB 75.5, -18.59, 70.85

 

CMYK 24 / 0 / 82 / 24

HEX #92C123

RGB 146 193 35

HSL 77.85, 0.69%, 0.45%

LAB 72.48, -36.35, 67.04

 

CMYK 47 / 0 / 82 / 24

HEX #67C123

RGB 103 193 35

HSL 94.18, 0.69%, 0.45%

LAB 70.28, -51.67, 64.24

 

CMYK 68 / 0 / 82 / 24

HEX #3DC123

RGB 61 193 35

HSL 110.13, 0.69%, 0.45%

LAB 68.93, -62.4, 62.52

 

CMYK 0 / 20 / 82 / 24

HEX #C19B23

RGB 193 155 35

HSL 45.57, 0.69%, 0.45%

LAB 65.67, 2.96, 62.51

 

CMYK 0 / 22 / 92 / 17

HEX #D4A511

RGB 212 165 17

HSL 45.54, 0.85%, 0.45%

LAB 70.14, 5.6, 71.21

 

CMYK 0 / 20 / 82 / 24

HEX #C19B23

RGB 193 155 35

HSL 45.57, 0.69%, 0.45%

LAB 65.67, 2.96, 62.51

 

CMYK 0 / 17 / 69 / 31

HEX #AF9236

RGB 175 146 54

HSL 45.62, 0.53%, 0.45%

LAB 61.6, 0.66, 50.87

 

CMYK 0 / 13 / 54 / 39

HEX #9C8848

RGB 156 136 72

HSL 45.71, 0.37%, 0.45%

LAB 57.22, -0.95, 36.8

 

CMYK 0 / 9 / 34 / 46

HEX #8A7E5B

RGB 138 126 91

HSL 44.68, 0.21%, 0.45%

LAB 53.04, -1.02, 20.75

 

CMYK 0 / 2 / 8 / 53

HEX #77756D

RGB 119 117 109

HSL 48, 0.04%, 0.45%

LAB 49.19, -0.78, 4.68

 

CMYK 0 / 64 / 82 / 24

HEX #C14523

RGB 193 69 35

HSL 12.91, 0.69%, 0.45%

LAB 46.6, 48.06, 45.35

 

CMYK 0 / 42 / 82 / 24

HEX #C17023

RGB 193 112 35

HSL 29.24, 0.69%, 0.45%

LAB 55.12, 26.49, 53.18

 

CMYK 0 / 20 / 82 / 24

HEX #C19A23

RGB 193 154 35

HSL 45.19, 0.69%, 0.45%

LAB 65.41, 3.5, 62.29

 

CMYK 1 / 0 / 82 / 24

HEX #BFC123

RGB 191 193 35

HSL 60.76, 0.69%, 0.45%

LAB 75.66, -17.73, 71.04

 

CMYK 23 / 0 / 82 / 24

HEX #95C123

RGB 149 193 35

HSL 76.71, 0.69%, 0.45%

LAB 72.66, -35.17, 67.27

 

CMYK 0 / 20 / 82 / 51

HEX #7C6316

RGB 124 99 22

HSL 45.29, 0.7%, 0.29%

LAB 43.16, 2.07, 44.13

 

CMYK 0 / 20 / 82 / 38

HEX #9F7F1D

RGB 159 127 29

HSL 45.23, 0.69%, 0.37%

LAB 54.7, 2.77, 53.43

 

CMYK 0 / 20 / 82 / 24

HEX #C19B23

RGB 193 155 35

HSL 45.57, 0.69%, 0.45%

LAB 65.67, 2.96, 62.51

 

CMYK 0 / 18 / 76 / 15

HEX #D9B234

RGB 217 178 52

HSL 45.82, 0.68%, 0.53%

LAB 74.09, 1.84, 65.36

 

CMYK 0 / 15 / 61 / 12

HEX #E0BF57

RGB 224 191 87

HSL 45.55, 0.69%, 0.61%

LAB 78.34, -0.11, 55.59

 

CMYK 0 / 20 / 82 / 24

HEX #C19B23

RGB 193 155 35

HSL 45.57, 0.69%, 0.45%

LAB 65.67, 2.96, 62.51

 

CMYK 78 / 0 / 82 / 24

HEX #2BC123

RGB 43 193 35

HSL 116.96, 0.69%, 0.45%

LAB 68.59, -65.39, 62.07

 

CMYK 53 / 82 / 0 / 24

HEX #5A23C1

RGB 90 35 193

HSL 260.89, 0.69%, 0.45%

LAB 32.32, 58.56, -72.11

 

CMYK 0 / 20 / 82 / 24

HEX #C19B23

RGB 193 155 35

HSL 45.57, 0.69%, 0.45%

LAB 65.67, 2.96, 62.51

 

CMYK 82 / 0 / 20 / 24

HEX #23C19A

RGB 35 193 154

HSL 165.19, 0.69%, 0.45%

LAB 70.06, -48.05, 8.68

 

CMYK 20 / 82 / 0 / 24

HEX #9A23C1

RGB 154 35 193

HSL 285.19, 0.69%, 0.45%

LAB 41.09, 67.97, -57.4

 

CMYK 0 / 20 / 82 / 24

HEX #C19B23

RGB 193 155 35

HSL 45.57, 0.69%, 0.45%

LAB 65.67, 2.96, 62.51

 

CMYK 78 / 0 / 82 / 24

HEX #2BC123

RGB 43 193 35

HSL 116.96, 0.69%, 0.45%

LAB 68.59, -65.39, 62.07

 

CMYK 82 / 61 / 0 / 24

HEX #234BC1

RGB 35 75 193

HSL 224.81, 0.69%, 0.45%

LAB 36.44, 30.48, -65.47

 

CMYK 4 / 82 / 0 / 24

HEX #BA23C1

RGB 186 35 193

HSL 297.34, 0.69%, 0.45%

LAB 46.3, 73.69, -48.75

 

CMYK 0 / 20 / 82 / 24

HEX #C19B23

RGB 193 155 35

HSL 45.57, 0.69%, 0.45%

LAB 65.67, 2.96, 62.51

 

CMYK 82 / 0 / 61 / 24

HEX #23C14B

RGB 35 193 75

HSL 135.19, 0.69%, 0.45%

LAB 68.76, -62.89, 47.45

 

CMYK 82 / 61 / 0 / 24

HEX #234BC1

RGB 35 75 193

HSL 224.81, 0.69%, 0.45%

LAB 36.44, 30.48, -65.47

 

CMYK 0 / 82 / 20 / 24

HEX #C1239A

RGB 193 35 154

HSL 314.81, 0.69%, 0.45%

LAB 45.46, 69.46, -26.93

 

Description

Color code: HEX #C19B23 | qconv.com Color code: HEX #C19B23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 155 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 155 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 82 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 82% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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