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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C19C93 it is the complementary color #3E636C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C19C93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C19C93 shade: #C69C8E, #D7AEA1, #E8C0B4, #F9D2C7 and #FFE4DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C19C93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C19C93 shade: #C19C93, #B08A80, #9F786D, #8E665A and #7D5447

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C19C93 shade: #C19D94 and #C19494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C19C93 shade: #C19D94, #C1A994, #C1B594, #C1C194 and #B5C194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C19C93 shade matches the following richer shades: #C19D94, #CF9486, #DC8C78, #EA846B and #F87B5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C19C93 shade: #C19D94, #B3A5A1, #A6ADAF, #98B5BC and #8BBECA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C19C93 shade: #C194A4, #C19497, #C19C94, #C1A894 and #C1B494

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C19C93 shade: #A36C5F, #B28579, #C19D94, #D0B5AE and #DFCDC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C19C93 shade: #C19C93, #B0C194 and #949DC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C19C93 shade: #C19C93, #94C19C and #9C94C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C19C93 shade: #C19C93, #B0C194, #94B9C1 and #A594C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C19C93 shade: #C19C93, #A2C194, #94B9C1 and #B394C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 24 / 24

HEX #C19C93

RGB 193 156 147

HSL 11.74, 0.27%, 0.67%

LAB 67.44, 12.35, 9.9

 

Complementary color

CMYK 43 / 8 / 0 / 58

HEX #3E636C

RGB 62 99 108

HSL 191.74, 0.27%, 0.33%

LAB 39.63, -10.59, -9.26

 

CMYK 0 / 21 / 28 / 22

HEX #C69C8E

RGB 198 156 142

HSL 15, 0.33%, 0.67%

LAB 67.83, 13.56, 13.29

 

CMYK 0 / 19 / 25 / 16

HEX #D7AEA1

RGB 215 174 161

HSL 14.44, 0.4%, 0.74%

LAB 74.38, 12.98, 12.3

 

CMYK 0 / 17 / 22 / 9

HEX #E8C0B4

RGB 232 192 180

HSL 13.85, 0.53%, 0.81%

LAB 80.82, 12.45, 11.39

 

CMYK 0 / 16 / 20 / 2

HEX #F9D2C7

RGB 249 210 199

HSL 13.2, 0.81%, 0.88%

LAB 87.17, 11.98, 10.53

 

CMYK 0 / 11 / 15 / 0

HEX #FFE4DA

RGB 255 228 218

HSL 16.22, 1%, 0.93%

LAB 92.49, 7.66, 8.24

 

CMYK 0 / 19 / 24 / 24

HEX #C19C93

RGB 193 156 147

HSL 11.74, 0.27%, 0.67%

LAB 67.44, 12.35, 9.9

 

CMYK 0 / 22 / 27 / 31

HEX #B08A80

RGB 176 138 128

HSL 12.5, 0.23%, 0.6%

LAB 60.75, 12.94, 10.87

 

CMYK 0 / 25 / 31 / 38

HEX #9F786D

RGB 159 120 109

HSL 13.2, 0.21%, 0.53%

LAB 53.93, 13.62, 11.94

 

CMYK 0 / 28 / 37 / 44

HEX #8E665A

RGB 142 102 90

HSL 13.85, 0.22%, 0.45%

LAB 46.96, 14.41, 13.14

 

CMYK 0 / 33 / 43 / 51

HEX #7D5447

RGB 125 84 71

HSL 14.44, 0.28%, 0.38%

LAB 39.84, 15.36, 14.51

 

CMYK 0 / 19 / 23 / 24

HEX #C19D94

RGB 193 157 148

HSL 12, 0.27%, 0.67%

LAB 67.72, 11.95, 9.73

 

CMYK 0 / 23 / 23 / 24

HEX #C19494

RGB 193 148 148

HSL 0, 0.27%, 0.67%

LAB 65.48, 16.9, 6.54

 

CMYK 0 / 19 / 23 / 24

HEX #C19D94

RGB 193 157 148

HSL 12, 0.27%, 0.67%

LAB 67.72, 11.95, 9.73

 

CMYK 0 / 12 / 23 / 24

HEX #C1A994

RGB 193 169 148

HSL 28, 0.27%, 0.67%

LAB 70.77, 5.4, 14.04

 

CMYK 0 / 6 / 23 / 24

HEX #C1B594

RGB 193 181 148

HSL 44, 0.27%, 0.67%

LAB 73.88, -1.05, 18.38

 

CMYK 0 / 0 / 23 / 24

HEX #C1C194

RGB 193 193 148

HSL 60, 0.27%, 0.67%

LAB 77.05, -7.36, 22.73

 

CMYK 6 / 0 / 23 / 24

HEX #B5C194

RGB 181 193 148

HSL 76, 0.27%, 0.67%

LAB 76.13, -11.89, 21.33

 

CMYK 0 / 19 / 23 / 24

HEX #C19D94

RGB 193 157 148

HSL 12, 0.27%, 0.67%

LAB 67.72, 11.95, 9.73

 

CMYK 0 / 29 / 35 / 19

HEX #CF9486

RGB 207 148 134

HSL 11.51, 0.43%, 0.67%

LAB 66.65, 20.4, 16.24

 

CMYK 0 / 36 / 45 / 14

HEX #DC8C78

RGB 220 140 120

HSL 12, 0.59%, 0.67%

LAB 66, 28.23, 23.39

 

CMYK 0 / 44 / 54 / 8

HEX #EA846B

RGB 234 132 107

HSL 11.81, 0.75%, 0.67%

LAB 65.79, 36.67, 30.62

 

CMYK 0 / 50 / 63 / 3

HEX #F87B5D

RGB 248 123 93

HSL 11.61, 0.92%, 0.67%

LAB 65.68, 45.46, 38.52

 

CMYK 0 / 19 / 23 / 24

HEX #C19D94

RGB 193 157 148

HSL 12, 0.27%, 0.67%

LAB 67.72, 11.95, 9.73

 

CMYK 0 / 8 / 10 / 30

HEX #B3A5A1

RGB 179 165 161

HSL 13.33, 0.11%, 0.67%

LAB 68.8, 4.37, 3.89

 

CMYK 5 / 1 / 0 / 31

HEX #A6ADAF

RGB 166 173 175

HSL 193.33, 0.05%, 0.67%

LAB 70.24, -2.06, -1.89

 

CMYK 19 / 4 / 0 / 26

HEX #98B5BC

RGB 152 181 188

HSL 191.67, 0.21%, 0.67%

LAB 71.79, -8.31, -6.86

 

CMYK 31 / 6 / 0 / 21

HEX #8BBECA

RGB 139 190 202

HSL 191.43, 0.37%, 0.67%

LAB 73.92, -13.76, -11.42

 

CMYK 0 / 23 / 15 / 24

HEX #C194A4

RGB 193 148 164

HSL 338.67, 0.27%, 0.67%

LAB 65.9, 19.42, -1.84

 

CMYK 0 / 23 / 22 / 24

HEX #C19497

RGB 193 148 151

HSL 356, 0.27%, 0.67%

LAB 65.55, 17.36, 4.96

 

CMYK 0 / 19 / 23 / 24

HEX #C19C94

RGB 193 156 148

HSL 10.67, 0.27%, 0.67%

LAB 67.47, 12.49, 9.37

 

CMYK 0 / 13 / 23 / 24

HEX #C1A894

RGB 193 168 148

HSL 26.67, 0.27%, 0.67%

LAB 70.51, 5.94, 13.68

 

CMYK 0 / 7 / 23 / 24

HEX #C1B494

RGB 193 180 148

HSL 42.67, 0.27%, 0.67%

LAB 73.62, -0.51, 18.02

 

CMYK 0 / 34 / 42 / 36

HEX #A36C5F

RGB 163 108 95

HSL 11.47, 0.27%, 0.51%

LAB 51.08, 20.31, 16.24

 

CMYK 0 / 25 / 32 / 30

HEX #B28579

RGB 178 133 121

HSL 12.63, 0.27%, 0.59%

LAB 59.54, 15.56, 13.19

 

CMYK 0 / 19 / 23 / 24

HEX #C19D94

RGB 193 157 148

HSL 12, 0.27%, 0.67%

LAB 67.72, 11.95, 9.73

 

CMYK 0 / 13 / 16 / 18

HEX #D0B5AE

RGB 208 181 174

HSL 12.35, 0.27%, 0.75%

LAB 75.77, 8.54, 7.12

 

CMYK 0 / 8 / 10 / 13

HEX #DFCDC8

RGB 223 205 200

HSL 13.04, 0.26%, 0.83%

LAB 83.72, 5.42, 4.74

 

CMYK 0 / 19 / 24 / 24

HEX #C19C93

RGB 193 156 147

HSL 11.74, 0.27%, 0.67%

LAB 67.44, 12.35, 9.9

 

CMYK 9 / 0 / 23 / 24

HEX #B0C194

RGB 176 193 148

HSL 82.67, 0.27%, 0.67%

LAB 75.77, -13.74, 20.77

 

CMYK 23 / 19 / 0 / 24

HEX #949DC1

RGB 148 157 193

HSL 228, 0.27%, 0.67%

LAB 65.17, 4.71, -19.6

 

CMYK 0 / 19 / 24 / 24

HEX #C19C93

RGB 193 156 147

HSL 11.74, 0.27%, 0.67%

LAB 67.44, 12.35, 9.9

 

CMYK 23 / 0 / 19 / 24

HEX #94C19C

RGB 148 193 156

HSL 130.67, 0.27%, 0.67%

LAB 74.08, -22.28, 13.86

 

CMYK 19 / 23 / 0 / 24

HEX #9C94C1

RGB 156 148 193

HSL 250.67, 0.27%, 0.67%

LAB 63.42, 12.33, -22.21

 

CMYK 0 / 19 / 24 / 24

HEX #C19C93

RGB 193 156 147

HSL 11.74, 0.27%, 0.67%

LAB 67.44, 12.35, 9.9

 

CMYK 9 / 0 / 23 / 24

HEX #B0C194

RGB 176 193 148

HSL 82.67, 0.27%, 0.67%

LAB 75.77, -13.74, 20.77

 

CMYK 23 / 4 / 0 / 24

HEX #94B9C1

RGB 148 185 193

HSL 190.67, 0.27%, 0.67%

LAB 72.79, -10.57, -8.14

 

CMYK 15 / 23 / 0 / 24

HEX #A594C1

RGB 165 148 193

HSL 262.67, 0.27%, 0.67%

LAB 64.18, 15.24, -20.98

 

CMYK 0 / 19 / 24 / 24

HEX #C19C93

RGB 193 156 147

HSL 11.74, 0.27%, 0.67%

LAB 67.44, 12.35, 9.9

 

CMYK 16 / 0 / 23 / 24

HEX #A2C194

RGB 162 193 148

HSL 101.33, 0.27%, 0.67%

LAB 74.8, -18.83, 19.28

 

CMYK 23 / 4 / 0 / 24

HEX #94B9C1

RGB 148 185 193

HSL 190.67, 0.27%, 0.67%

LAB 72.79, -10.57, -8.14

 

CMYK 7 / 23 / 0 / 24

HEX #B394C1

RGB 179 148 193

HSL 281.33, 0.27%, 0.67%

LAB 65.45, 19.86, -18.94

 

Description

Color code: HEX #C19C93 | qconv.com Color code: HEX #C19C93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 156 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 156 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 24 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 24% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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